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Programme and Abstracts 4 Oct 2011 - WKWSCI Home - Nanyang ...

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Conference on Film <strong>and</strong> Cinema in Singapore (6‐7 <strong>Oct</strong>ober <strong>2011</strong>)<br />

Jointly organised by Wee Kim Wee School of Communication <strong>and</strong> Information, <strong>Nanyang</strong> Technological University <strong>and</strong><br />

Asia Research Institute, National University of Singapore<br />

From the first recorded public screening in the early 1900s to local feature films in multiplexes of the 21 st<br />

century, the motion picture has been present in Singapore for more than a century. Even as it occupies a<br />

highly intimate aspect of daily living, the cinematic text <strong>and</strong> experience have been accorded greater<br />

legitimacy <strong>and</strong> scholarly attention in the recent decade as part of the critical recognition of the broader<br />

significance of screen cultures. The recent decade has witnessed the burgeoning of popular <strong>and</strong> scholarly<br />

interests in the evolution of film <strong>and</strong> cinema in Singapore, with studies ranging from industry networks,<br />

analysis of film texts <strong>and</strong> film archiving to unearthing of socio‐cultural memories of audience experiences<br />

with the big screen. As a multidisciplinary phenomenon, critical research <strong>and</strong> writings on Singapore cinema<br />

have involved scholars coming from diverse academic backgrounds from Communications Studies to<br />

History, Geography, <strong>and</strong> Sociology. Accompanying this growing scholarly interest has also been the<br />

increasing inclusion of Film studies in educational curriculums from the primary to tertiary levels.<br />

In this respect, this conference will serve as a platform for both scholars <strong>and</strong> practitioners to review<br />

existing paradigms in addition to charting new approaches <strong>and</strong> directions into the study of film <strong>and</strong> cinema<br />

in Singapore. Suggested themes include, but are not limited to:<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Historical Evolution<br />

Geographies of Cinema<br />

Audience Reception<br />

Archiving Film<br />

Cultural <strong>and</strong> Media Policies <strong>and</strong> Politics<br />

Cultural Economy <strong>and</strong> Film Industry<br />

Semiotics<br />

Film Genres (Mainstream/Independent Films)<br />

Film & Visual/Installation Arts<br />

Cinematography<br />

Filmmakers & Artistes<br />

Film Research<br />

CONTACT DETAILS<br />

Conveners:<br />

Dr Liew Kai Khiun<br />

Assistant Professor<br />

Wee Kim Wee School of Communication <strong>and</strong> Information<br />

<strong>Nanyang</strong> Technological University<br />

kkliew@ntu.edu.sg<br />

Dr Stephen Teo<br />

Associate Professor<br />

Wee Kim Wee School of Communication <strong>and</strong> Information<br />

<strong>Nanyang</strong> Technological University<br />

steo@ntu.edu.sg

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