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KOLHAPUR KOLHAPUR - Directorate of Film Festivals

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INTERNATIONAL FILM<br />

FESTIVAL OF INDIA<br />

I N D I A N P A N O R A M F I L M F E S T I V A L<br />

I N D I A N P A N O R A M A F I L M F E S T I V A L<br />

Hkkjrh; Hkkjrh; iSuksjek iSuksjek fQ+Ye fQ+Ye lekjksg lekjksg<br />

<strong>KOLHAPUR</strong><br />

29th 29th july - july 31st july - 31st 2010 july<br />

C H H C A H T H R A T P R A T P I A S T H I A S H A U H U<br />

S M M A A R A H K A R B A H J A W S M A A NR A K<br />

DIRECTORATE OF<br />

FILM FESTIVALS<br />

29th J U L Y 30th J U L Y<br />

29th J U L Y<br />

5:30 PM V I T T H A L<br />

5:30 PM V I T S T H H O A B LC H A R I T R O<br />

S H O K A B L C P O H A N R I KI T R O<br />

K A L P A N I K<br />

10:30 AM<br />

30th J U L Y<br />

D I S T A N T<br />

R U M B L I N G S<br />

W A A R I S S H A H :<br />

I S H Q D A W A A R I S<br />

10 AM<br />

2 PM<br />

2 PM<br />

5 PM<br />

5:30 PM<br />

8 PM<br />

8 PM<br />

D I S T A N T<br />

R M B L I N G S<br />

S U P E R M E N O F<br />

W<br />

M<br />

A<br />

A R<br />

L<br />

I<br />

E<br />

S<br />

G<br />

S H<br />

A O<br />

H :<br />

N<br />

I Y S H A Q R D W A N W GA A R I S<br />

S U P E R M E N O F<br />

M A L E G A O N<br />

V E L L A P O K H A T H I L<br />

Y G A U R L W M N O GH AR<br />

V E L L A P O K K A T H I L<br />

G U L M O H AR<br />

A P N A A L O O B A Z A A R<br />

B A E P C N A H A<br />

L O O B A Z A A R<br />

B C H A<br />

R E M E M B E R I N G<br />

B R I E M A E M L B R E O R I YN G<br />

B I M A L R O Y<br />

Y E A R N T O L E A R N<br />

Y E A R N T O L E A R N<br />

10 AM<br />

10:30 AM<br />

2 PM<br />

2 PM<br />

5:30 PM<br />

Celebrating the Power <strong>of</strong> Celluloid<br />

31st J U L Y<br />

31st J U L Y<br />

C H I L I K A B A N K S<br />

C H I L I K A B A N K S<br />

T H E W H I T E<br />

E L T E H P E H W A N H TI T E<br />

E L E P H A N T<br />

R A T A N T H I Y A M<br />

L I T T L E Z I Z O U<br />

R A T A N T H I Y A M<br />

L I T T L E Z I Z O U<br />

F O U R W O M E N<br />

A N D A R O O M<br />

5 PM K A F N O C U H R I V W A O R A M E N T<br />

A N D A R O O M<br />

8 PM T H R E E O F U S<br />

K A N C H I V A R A M<br />

P A R W A Z<br />

8 PM H A T R H I R S H E C E H O A F N U D SR A C H I<br />

F A C T O R Y<br />

P A R W A Z<br />

H A R I S H C H A N D R A C H I<br />

F A C T O R Y


FILMS PLAYING ON 29th JULY 2010<br />

OPENING FILMS<br />

5:30 PM<br />

VITTHAL<br />

DIR- VINOO CHOLIPARAMBIL<br />

Marathi/22 min,<br />

As a child is forced into getting his<br />

head shaved in the event <strong>of</strong> a death<br />

according to Hindu rituals; he struggles<br />

to cope with the psychological<br />

scars a bald head leaves him with.<br />

AmOmo~m§À`m {ZYZmZ§Va qhXy àWm-na§nam§Zwgma<br />

12 dfm©À`m {dÇ>bMo _w§S>Z Ho$ë`m_wio Ë`mÀ`m<br />

^md{dídmV Pmbobr CbWmnmbW. nXmn©UmVrb<br />

CËH¥$ï> {MÌnQ> åhUyZ amï´>r` nwañH$ma.<br />

NF<br />

NFA<br />

SHOB CHARITRO KALPONIK<br />

DIR- RITUPARNO GHOSH<br />

Bengali/120 min<br />

NATIONAL AWARD FOR BEST DEBUT FILM OF A DIRECTOR,2008 NATIONAL AWARD FOR BEST BENGALI FEATURE FILM, 2008<br />

As the widow <strong>of</strong> a dead poet reads his<br />

works, she develops a confusion over<br />

his dual identity : a man so detached<br />

from everyday reality; and yet, someone<br />

who could highlight moments from<br />

it in his art.<br />

EH$m H$drMr {dYdm nËZr àH$meH$mÀ`m gm§JÊ`mdéZ<br />

Ë`mÀ`m H${dVm dmMVo Am{U Ë`mVyZ H$drÀ`m Xwhoar<br />

ì`{º$_Ëdm~m~V {VÀ`m _ZmV AZoH$ Va§J C_Q>VmV.<br />

NFA<br />

NF<br />

NFA<br />

NON-FEATURE FILM<br />

NATIONAL FILM AWARD WINNER<br />

<strong>KOLHAPUR</strong> 2010


OPENING FILMS<br />

VINOO CHOLIPARAMBIL<br />

He has been working as a <strong>Film</strong> Editor<br />

for five years in Mumbai film industry.<br />

He has also edited TV campaigns<br />

for several Hindi feature films<br />

and worked with filmmakers like Ram<br />

Gopal Varma on films like Phoonk 2.<br />

FAIZA AHMED KHAN<br />

After assisting on Anwar in 2007,<br />

Faiza chose to document the industry<br />

in Malegaon. This is her first<br />

feature-length docu.<br />

JOY BIMAL ROY<br />

Joy Bimal Roy assisted filmmaker<br />

Shyam Benegal on various films.<br />

His first film, On the Threshold,<br />

was on mentally challenged children.<br />

OKEN AMAKCHAM<br />

He graduated in arts from Manipur<br />

and obtained Sangeet Visharad<br />

from Lucknow. He started as a theatre<br />

worker in 1978, and has since,<br />

acted in more than 25 films. He has<br />

also directed 17 feature films.<br />

umesh kulkarni<br />

He studied direction at FTII, Pune<br />

and then attended the La Femis<br />

summer course in 2000. His first two<br />

films, Valu and Vihir, were critical<br />

successes. He is a writer-director.<br />

RITUPARNO GHOSH<br />

He started with advertising before<br />

moving on to films with Hirer Angti in<br />

1992. He has several National <strong>Film</strong><br />

Award wins beginning with Unishe<br />

April in 1995.<br />

JOSEPH PULINTHANATH<br />

A gold medalist in English Literature,<br />

he did brief courses in <strong>Film</strong> from FTII,<br />

Pune and is currently based in Agartala.<br />

His debut film was the awardwinning<br />

Mathia.<br />

S.K. ABDUL RAZZAK<br />

An audiography alumni from <strong>Film</strong> and<br />

Television Institute <strong>of</strong> India, Pune, he<br />

has done location sound and sound<br />

designing in several films and documentaries.<br />

SOONI TARAPOREWALA<br />

She studied cinema at Harvard and<br />

New York University. She wrote<br />

screenplays for Mira Nair films, Salaam<br />

Bombay, Mississippi Masala<br />

etc. Little Zizou is her debut directorial<br />

venture.<br />

BIJU VISHWANATH<br />

He is an award winning international<br />

film maker. His films have been<br />

screened at several international film<br />

festivals. The critically acclaimed feature<br />

film ‘déjà vu’, made in English,<br />

was his first international production.<br />

BANI PRAKASH DAS<br />

He has been associated with the film<br />

industry for nearly 15 years now. He<br />

worked as production controller <strong>of</strong><br />

the first-ever Assamese blockbuster I<br />

Killed Him, Sir.<br />

JAYARAJ<br />

He is noted for his versatility and<br />

inventiveness on the set.<br />

In 1999 he started a new concept in<br />

world cinema by laying foundation for<br />

9-film series project Navarasa.<br />

AKANKSHA JOSHI<br />

She is an independent documentary<br />

filmmaker and photographer. She has<br />

made films on topics as diverse as<br />

the 1947 refugees, 1984 riots and the<br />

river Ganga. Chilika Bank has won<br />

accolades in other festivals.<br />

AMBARIEN ALQADAR<br />

She is a Mass Communication graduate<br />

from Jamia University, Delhi. Her<br />

first independent documentary titled<br />

Elsewhere, won an award. She is<br />

presently a Fullbright Nehru Leadership<br />

Development Fellow at Temple<br />

University, USA.<br />

PARESH MOKASHI<br />

He is a Marathi theatre veteran who<br />

was also involved with Gripps Theatre<br />

in Germany. Harishchandrachi<br />

Factory is his directorial debut and<br />

also India’s <strong>of</strong>ficial entry to the 2010<br />

Academy Awards.<br />

MANOJ PUNJ<br />

In a tragically short life <strong>of</strong> 36, Manoj<br />

Punj made four films, all <strong>of</strong> which won<br />

National Awards. He brought Punjabi<br />

cinema out <strong>of</strong> anonymity, and into<br />

glory.<br />

PANKAJ GUPTA<br />

He is a documentary filmmaker and<br />

sustainability researcher in India. He<br />

has produced and directed several<br />

factual series for television. He is<br />

presently a researcher and academician<br />

in Bangalore.<br />

AIJAZ KHAN<br />

He has directed and produced ads<br />

over the last ten years. He also writes<br />

scripts for his films. The White Elephant<br />

is his debut as a director.<br />

PRIYADARSHAN<br />

He has directed a number <strong>of</strong> commercial<br />

successes in the South, before<br />

moving on to Bollywood. His films, like<br />

Viraasat, Kala Pani, and Thenmavin<br />

Kombathu were critically acclaimed.<br />

DIRECTOR PROFILES


30th JULY 2010<br />

10 AM NF<br />

2 PM<br />

DISTANT RUMBLINGS<br />

DIR- BANI PRAKASH DAS<br />

English/22 min<br />

NATIONAL AWARD FOR BEST INVESTIGATIVE FILM, 2009<br />

60 years after World War II ended,<br />

the director revisits the North-Eastern<br />

states to gauge the indelible<br />

impact the catastrophic event left on<br />

the region.<br />

AZoH$ AmKmS>çm§da bT>ë`m Joboë`m Xwgè`m _<br />

hm`wÕmÀ`m Pim gmogUmè`m CÎmanyd © ^maVmVrb àXoembm<br />

gmR> dfmªZ§Va ^oQ> {Xë`mZ§Va Oo {Xgb§, _Zmbm<br />

ñney©Z Job§ VoM `m bKwQ>mV {M{ÌV H$aÊ`mV Amb§.<br />

WAARIS SHAH : ISHQ DA WAARIS<br />

To fulfill the last wish <strong>of</strong> his Guru<br />

Baba Makhdoom, Waris Shah<br />

reached a village to write the epic<br />

love story <strong>of</strong> Heer Ranjha.<br />

EH$ X§VH$Wm ~ZyZ am{hbobm »`mVZm_ n§Om~r H$dr<br />

dm[ag emh `mÀ`m OrdZmVrb ZmQ>ç _m§S>Umam<br />

{MÌnQ>. CËH¥$ï> n§Om~r {MÌnQ> åhUyZ (2008)<br />

amï´>r` nwañH$ma.<br />

NFA<br />

NFA<br />

DIR- MANOJ PUNJ<br />

Punjabi/138 min<br />

NATIONAL AWARD FOR BEST PUNJABI FEATURE, BEST PLAYBACK<br />

SINGER, BEST COSTUME DESIGN, BEST ART DIRECTION,2006<br />

SUPERMEN OF MALEGAON<br />

DIR- FAIZA AHMED KHAN<br />

Marathi/22 min<br />

A peek into the jaw-dropping methods<br />

adopted by videographers in<br />

Malegaon to make remakes <strong>of</strong><br />

Bollywood and Hollywood films on<br />

shoe-string budgets.<br />

OmVr` VUmd Am{U Am{W©H$ joÌmVrb CXmgrZ pñWVr<br />

`m dmñVdmnmgyZ Xya OmÊ`mgmR>r _mboJmdgma»`m N>moQ>çm<br />

JmdmVrb bmoH$m§Zr {MÌnQ>joÌmMm añVm nH$S>bm Am{U<br />

H$_r IMm©V doJù`m nÕVrZo ñnoeb B\o$ŠQ>g² XoV {MÌnQ><br />

~Zdbo. hm Y_mb, a§JVXma àdmg åhUOo hm _m{hVrnQ>.<br />

YARWNG<br />

DIR- JOSEPH PULINTHANATH<br />

Kokborok/ 95 min<br />

The story <strong>of</strong> inhabitants <strong>of</strong> Bolongbwsa<br />

who must leave their village because<br />

a dam on the twin rivers <strong>of</strong> Raima and<br />

Saima is nearing completion. This<br />

threatens the existence <strong>of</strong> their village.<br />

Zì`mZoM ~m§YÊ`mV Amboë`m EH$m YaUm_wio<br />

OmoS>ZÚm§Zm nya `oD$Z {dñWm{nV ìhmd§ bmJboë`m<br />

AZoH$ Hw$Qw>§~m§n¡H$s H$mhr ì`º$s¨À`m Am`wî`mV<br />

Pmbobr CbWmnmbW hm {MÌnQ>mMm {df`.<br />

NF<br />

NFA<br />

NATIONAL AWARD FOR BEST KOKBOROK FEATURE FILM, 2008<br />

30th JULY 2010<br />

<strong>KOLHAPUR</strong> 2010


5: 30 PM NF 8 PM<br />

NFA<br />

NF NF<br />

VELLAPOKKATHIL<br />

DIR- JAYARAJ<br />

Malayalam/ 25 min<br />

NATIONAL AWARD FOR BEST DIRECTION<br />

FOR NON-FEATURE, 2007<br />

The story chronicles the 1928 flood,<br />

the worst-ever known, where Chennan’s<br />

pet dog is left astray on a ro<strong>of</strong>top<br />

bereft <strong>of</strong> refuge. It contrasts the<br />

human beast with the humane beast.<br />

1928 gmbÀ`m _hmnwamÀ`m nmíd©^yrda<br />

àmÊ`mVrb _mUygnU d _mUgmVrb ney `mMo<br />

Xe©Z `m CËH¥$ï> {X½Xe©ZmgmR>r amï´>r` nwañH$ma<br />

àmá bKwnQ>mV KS>Vo.<br />

GULMOHAR<br />

DIR- JAYARAJ<br />

Malayalam/100 min<br />

It is the tale <strong>of</strong> a man who held on to<br />

his ideals with undeterred resilience.<br />

It is a statement on the limitations <strong>of</strong><br />

the establishment under a democratic<br />

setup.<br />

Amnë`m AmXemªÀ`m emoYmV {ZKmboë`m<br />

Am{U nwZ{Z©mUmMo ñdßZ nmhmUmè`m<br />

EH$m boIH$, bT>dæ`m Am{U ào{_H$mMr<br />

AmUr~mUrÀ`m nmíd©^yrdaMr H$Wm.<br />

APNA ALOO BAZAAR BECHA<br />

DIR- PANKAJ GUPTA<br />

Hindi/29 min<br />

The documentary is a telling study on<br />

the impact <strong>of</strong> an invasion <strong>of</strong> the market<br />

economy into the day-to-day lives<br />

<strong>of</strong> Jardhar, a village in the Hemval<br />

Valley in Garhwal, Uttarakhand.<br />

JT>dmbgma»`m S>m|Jami, XwJ© ^mJmVrb<br />

a{hdmem§Zm OmJ{VH$sH$aUmbm gm_moao Omdo<br />

bmJVo Voìhm H$m` KS>Vo ho Xe©dUmam bKwnQ>.<br />

J«rg_Yrb BH$mo{\$ë_g² \o$pñQ>db_Ü`o nwañH$ma.<br />

REMEMBERING BIMAL ROY<br />

DIR- JOY BIMAL ROY<br />

English, Hindi, Bengali/ 55 min<br />

It documents the life <strong>of</strong> the great Indian<br />

filmmaker who delivered timeless<br />

cinematic classics , and creates a perspective<br />

on his life through interviews<br />

with his closest colleagues.<br />

qhXr {MÌnQ>g¥ïrMo gwdU©`wJ åhUyZ Amoi-<br />

Ibm OmUmam H$mi ñdV:À`m doJù`m e¡brZo<br />

JmOdUmè`m {X½Xe©H$ {~_b am°` `m§À`m<br />

AmR>dUr OmJdUmam bKwnQ>.<br />

NFA<br />

YEARN TO LEARN<br />

DIR-S.K. ABDUL RAJJAK<br />

Bengali/ 56 min<br />

A study <strong>of</strong> the madrassa education<br />

in West Bengal; the documentary<br />

studies the positive impact <strong>of</strong> these<br />

educational institutions, and tries<br />

to counter the stereotypes about<br />

madrassas.<br />

<strong>KOLHAPUR</strong> 2010<br />

NF<br />

NF<br />

NON-FEATURE FILM<br />

Bñbm{_H$ _ybVÎddmX d dmT>Vm Am§VH$dmX<br />

`m XmhH$ nmíd©^y_rda n{íM_ ~§Jmb_Yrb _<br />

Xaem§_Ü`o {Xbo OmUmao AmYw{ZH$ d OrdZmon`moJr<br />

{ejU `m§À`mda àH$mePmoV.<br />

NATIONAL FILM AWARD WINNER<br />

30th JULY 2010


31st JULY 2010<br />

10 AM 2 PM NF 5:30 PM<br />

CHILIKA BANKS<br />

DIR- AKANSHA JOSHI<br />

Hindi/ 56 min<br />

In a canvas spread over four decades,<br />

a banyan tree, on the banks <strong>of</strong> the lake<br />

Chilika, silently whispers tales <strong>of</strong> the<br />

lake and her fisher folk.<br />

{MbrH$m `m {dñVrU© gamodamÀ`m n`m©daUmV<br />

Mmirg dfmªÀ`m H$mbmdYrV Pmboë`m<br />

~Xbm§Mr H$hmUr.<br />

THE WHITE ELEPHANT<br />

DIR- AIJAZ KHAN<br />

Hindi/115 min<br />

A story about the strength <strong>of</strong> faith, it is<br />

set in a village in Kerala where superstitions<br />

still guide the way <strong>of</strong> life. In this<br />

atmosphere, a poor man has to pay a<br />

heavy price for it.<br />

Ho$ai_Yë`m A§YlÕm§Zr ^méZ Joboë`m<br />

EH$m N>moQ>çm JmdmVrb OrdZm{df`r<br />

gm§JVm gm§JVm {dídmgmMr VmH$X ñnï><br />

H$aUmam hm {MÌnQ><br />

NF<br />

RATAN THIYAM - THE MAN OF THEATRE<br />

DIR- OKEN AMAKCHAM<br />

Marathi/22 min,<br />

The film extols the efforts <strong>of</strong> the legendary<br />

Manipuri polymath, Ratan Thiyam, a<br />

poet, musician, choreographer, painter<br />

and musician; to run a repertory drama<br />

theatre in his state.<br />

aVZ {Wæ`m_ åhUOo _Urnwar H$dr, ZmQ>H$H$ma,<br />

g§JrVH$ma, {MÌH$ma Ago ~hþnoS>r ì`{º$_Ëd.<br />

Z°eZb ñHy$b Am°\$ S´>m_mMo g§MmbH$ åhUyZhr<br />

H$m_ Ho$bobo {Wæ`m_ ho H$moag[anoQ>©ar {WEQ>aMo<br />

g§ñWmnH$-{X½Xe©H$ åhUyZhr gd©n[a{MV.<br />

LITTLE ZIZOU<br />

DIR- SOONI TARAPOREWALA<br />

DIR- PRIYADARSHAN<br />

English/105 min<br />

Tamil/117 min<br />

NATIONAL AWARD FOR BEST FILM<br />

ON FAMILY VALUES, 2008<br />

NATIONAL AWARD FOR BEST FILM & BEST ACTOR, 2008<br />

The story which depicts the unique and<br />

fascinating world <strong>of</strong> Mumbai’s Parsi<br />

community shows us the necessity <strong>of</strong><br />

tolerance and the possibility <strong>of</strong> grace.<br />

_w§~B©Vrb nmaer g_wXm`mÀ`m AmJù`m<br />

doJù`m {dídmMo Xe©Z KS>dUmam Am{U<br />

g{hîUyVoMr JaO ñnï> H$aUmam {MÌnQ>.<br />

FOUR WOMEN AND A ROOM<br />

DIR- AMABRIEN ALQADAR<br />

English/30 min<br />

Through a unique mixture <strong>of</strong> docu and<br />

fiction, the film raises crucial questions<br />

about debates around sex selective<br />

abortions, marriage and motherhood.<br />

_mV¥ËdmVM ór OrdZmMr g\$bVm Amho H$m<br />

`m nwÝhm nwÝhm {dMmaë`m OmUmè`m àíZmÀ`m<br />

doJdoJù`m ~mOy nwT>o AmUÊ`mMm à`ËZ<br />

H$aUmam bKwnQ>.<br />

NFA NFA<br />

KANCHIVARAM<br />

It tells the story <strong>of</strong> a man caught<br />

amongst the forces that be, the society<br />

he lives in and the conflict between<br />

one’s adopted ideals and individual<br />

dreams.<br />

BVam§gmR>r {gëH$À`m gmS>çm {dUyZ XoUmè`m<br />

{dUH$ambm ñdV:À`m _wbrMo b¾ {Vbm<br />

{gëH$Mr gmS>r ZogdyZM H$am`Mo ho ñdßZ<br />

gmH$maU§ _mÌ Odinmg AeŠ` AgVo.<br />

NF<br />

31st JULY 2010<br />

<strong>KOLHAPUR</strong> 2010


8 PM<br />

NF<br />

NFA<br />

NFA<br />

THREE OF US<br />

DIR- UMESH KULKARNI<br />

Silent/22 min<br />

Mmirg dfo© d`mMm A{V{dH$bm§J `moJ|Ð Am{U<br />

Ë`mMo åhmVmao AmB©-dS>rb `m§À`m OrdZg§Kfm©Mr<br />

H$Wm gm§JUmam bKwnQ>. CËH¥$ï> {X½Xe©ZmgmR>r<br />

amï´>r` nwañH$ma (2008) àmá.<br />

PARWAAZ<br />

DIR- BIJU VISHWANATH<br />

Urdu/6 min<br />

It is based on the work <strong>of</strong> the poet<br />

Abha Iyengar. She is waiting for a new<br />

a new life when the call <strong>of</strong> a distant<br />

shore reaches her.<br />

Am^m Aæ`§Jma `m§À`m CXy© H${dVoda AmYm[aV<br />

bKwnQ>. AmË_^mZ Am{U AmË_m{dîH$ma `mMr<br />

H$dr_Zmbm OmUdUmar AË`§{VH$ JaO ñnï> H$aUmar<br />

H${dVm d hm bKwnQ>.<br />

HARISHCHANDRACHI FACTORY<br />

DIR- PARESH MOKASHI<br />

Marathi/96 min<br />

NATIONAL AWARD FOR BEST DIRECTION (NON -FEATURE) NATIONAL AWARD FOR BEST MARATHI FEATURE FILM, 2008<br />

& BEST CINEMATOGRAPHY, 2008<br />

It details the day-to-day life <strong>of</strong> a family<br />

<strong>of</strong> three. A 40 year old son who<br />

is confined to his metal cot because<br />

<strong>of</strong> a mental disability, and his ageing<br />

parents who worry about his fate once<br />

they are gone.<br />

NF<br />

The film portrays the amazing journey<br />

<strong>of</strong> Dadasaheb Phalke, who set<br />

up the Indian film industry and made<br />

the first Indian feature film, Raja Harishchandra.<br />

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NFA<br />

<strong>KOLHAPUR</strong> 2010<br />

NF<br />

NON-FEATURE FILM<br />

NATIONAL FILM AWARD WINNER<br />

CLOSING FILMS


<strong>KOLHAPUR</strong>...A LEGACY<br />

The permanency <strong>of</strong> the cultural imprint <strong>of</strong> Kolhapur remains undeniable; as is its reputation as<br />

major cultural center where many <strong>of</strong> Indian cinema’s first forays were made. The city, built by<br />

Chhatrapati Shahu Maharaj, was the home <strong>of</strong> the first major Indian film studio - the legendary<br />

PRABHAT. It is also where the first Indian colour film was made. Kolhapur, a city 450 km south<br />

<strong>of</strong> Mumbai, also made a valuable contribution to the film society movement which sprouted in<br />

the late 1940s across the nation - the Baburao Painter <strong>Film</strong> Society; an institution that has for<br />

60 years, persisted with its efforts to cultivate a culture <strong>of</strong> cinema in the city. The city is also<br />

popularly thought <strong>of</strong> as the venue for the conceptualisation <strong>of</strong> the first Indian feature film, Raja<br />

Harishchandra. Kolhapur has proven time and again, that while it may not be an economic or<br />

scalar equal to the metros and the large towns; when it comes to cultural influence, it has one <strong>of</strong><br />

the richest, and the most indelible legacies in the nation. Kolhapur’s Hall <strong>of</strong> Fame is studded with<br />

gems like V Shantaram, Bhalji Pendharkar, Baburao Painter and Academy Award-winner Bhanu<br />

Athaiya.<br />

Thanks....<br />

NATIONAL FILM ARCHIVE OF INDIA, PUNE<br />

FILM AND TELEVISION INSTITUTE OF INDIA, PUNE<br />

BABURAO PAINTER FILM SOCIETY, <strong>KOLHAPUR</strong><br />

EDITORS:<br />

DESIGN:<br />

Bhupendra Kainthola (ENGLISH)<br />

Sonali Navangul (MARATHI)<br />

Anuj Malhotra for NS MEDIA FILMS pvt. ltd.<br />

Set up in 1973, <strong>Directorate</strong><br />

<strong>of</strong> <strong>Film</strong> <strong>Festivals</strong> conducts<br />

two flagship programmes -<br />

National <strong>Film</strong> Awards and<br />

International <strong>Film</strong> Festival<br />

<strong>of</strong> India. As a vehicle <strong>of</strong> cultural<br />

exchange, <strong>Directorate</strong><br />

<strong>of</strong> <strong>Film</strong> <strong>Festivals</strong> promotes<br />

international friendship, provides<br />

access to new trends<br />

in world cinema, and generates<br />

healthy competition.<br />

The aim <strong>of</strong> Indian Panorama<br />

is to select feature<br />

and non-feature films <strong>of</strong><br />

thematic relevance and<br />

aesthetic excellence. The<br />

line-up <strong>of</strong> films represents<br />

the breadth <strong>of</strong> filmmaking<br />

in India. Indian<br />

Panorama aims to promote<br />

pan-Indian achievements<br />

in cinema through festivals<br />

and cultural exchanges<br />

both in India and abroad.

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