KOLHAPUR KOLHAPUR - Directorate of Film Festivals
KOLHAPUR KOLHAPUR - Directorate of Film Festivals
KOLHAPUR KOLHAPUR - Directorate of Film Festivals
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INTERNATIONAL FILM<br />
FESTIVAL OF INDIA<br />
I N D I A N P A N O R A M F I L M F E S T I V A L<br />
I N D I A N P A N O R A M A F I L M F E S T I V A L<br />
Hkkjrh; Hkkjrh; iSuksjek iSuksjek fQ+Ye fQ+Ye lekjksg lekjksg<br />
<strong>KOLHAPUR</strong><br />
29th 29th july - july 31st july - 31st 2010 july<br />
C H H C A H T H R A T P R A T P I A S T H I A S H A U H U<br />
S M M A A R A H K A R B A H J A W S M A A NR A K<br />
DIRECTORATE OF<br />
FILM FESTIVALS<br />
29th J U L Y 30th J U L Y<br />
29th J U L Y<br />
5:30 PM V I T T H A L<br />
5:30 PM V I T S T H H O A B LC H A R I T R O<br />
S H O K A B L C P O H A N R I KI T R O<br />
K A L P A N I K<br />
10:30 AM<br />
30th J U L Y<br />
D I S T A N T<br />
R U M B L I N G S<br />
W A A R I S S H A H :<br />
I S H Q D A W A A R I S<br />
10 AM<br />
2 PM<br />
2 PM<br />
5 PM<br />
5:30 PM<br />
8 PM<br />
8 PM<br />
D I S T A N T<br />
R M B L I N G S<br />
S U P E R M E N O F<br />
W<br />
M<br />
A<br />
A R<br />
L<br />
I<br />
E<br />
S<br />
G<br />
S H<br />
A O<br />
H :<br />
N<br />
I Y S H A Q R D W A N W GA A R I S<br />
S U P E R M E N O F<br />
M A L E G A O N<br />
V E L L A P O K H A T H I L<br />
Y G A U R L W M N O GH AR<br />
V E L L A P O K K A T H I L<br />
G U L M O H AR<br />
A P N A A L O O B A Z A A R<br />
B A E P C N A H A<br />
L O O B A Z A A R<br />
B C H A<br />
R E M E M B E R I N G<br />
B R I E M A E M L B R E O R I YN G<br />
B I M A L R O Y<br />
Y E A R N T O L E A R N<br />
Y E A R N T O L E A R N<br />
10 AM<br />
10:30 AM<br />
2 PM<br />
2 PM<br />
5:30 PM<br />
Celebrating the Power <strong>of</strong> Celluloid<br />
31st J U L Y<br />
31st J U L Y<br />
C H I L I K A B A N K S<br />
C H I L I K A B A N K S<br />
T H E W H I T E<br />
E L T E H P E H W A N H TI T E<br />
E L E P H A N T<br />
R A T A N T H I Y A M<br />
L I T T L E Z I Z O U<br />
R A T A N T H I Y A M<br />
L I T T L E Z I Z O U<br />
F O U R W O M E N<br />
A N D A R O O M<br />
5 PM K A F N O C U H R I V W A O R A M E N T<br />
A N D A R O O M<br />
8 PM T H R E E O F U S<br />
K A N C H I V A R A M<br />
P A R W A Z<br />
8 PM H A T R H I R S H E C E H O A F N U D SR A C H I<br />
F A C T O R Y<br />
P A R W A Z<br />
H A R I S H C H A N D R A C H I<br />
F A C T O R Y
FILMS PLAYING ON 29th JULY 2010<br />
OPENING FILMS<br />
5:30 PM<br />
VITTHAL<br />
DIR- VINOO CHOLIPARAMBIL<br />
Marathi/22 min,<br />
As a child is forced into getting his<br />
head shaved in the event <strong>of</strong> a death<br />
according to Hindu rituals; he struggles<br />
to cope with the psychological<br />
scars a bald head leaves him with.<br />
AmOmo~m§À`m {ZYZmZ§Va qhXy àWm-na§nam§Zwgma<br />
12 dfm©À`m {dÇ>bMo _w§S>Z Ho$ë`m_wio Ë`mÀ`m<br />
^md{dídmV Pmbobr CbWmnmbW. nXmn©UmVrb<br />
CËH¥$ï> {MÌnQ> åhUyZ amï´>r` nwañH$ma.<br />
NF<br />
NFA<br />
SHOB CHARITRO KALPONIK<br />
DIR- RITUPARNO GHOSH<br />
Bengali/120 min<br />
NATIONAL AWARD FOR BEST DEBUT FILM OF A DIRECTOR,2008 NATIONAL AWARD FOR BEST BENGALI FEATURE FILM, 2008<br />
As the widow <strong>of</strong> a dead poet reads his<br />
works, she develops a confusion over<br />
his dual identity : a man so detached<br />
from everyday reality; and yet, someone<br />
who could highlight moments from<br />
it in his art.<br />
EH$m H$drMr {dYdm nËZr àH$meH$mÀ`m gm§JÊ`mdéZ<br />
Ë`mÀ`m H${dVm dmMVo Am{U Ë`mVyZ H$drÀ`m Xwhoar<br />
ì`{º$_Ëdm~m~V {VÀ`m _ZmV AZoH$ Va§J C_Q>VmV.<br />
NFA<br />
NF<br />
NFA<br />
NON-FEATURE FILM<br />
NATIONAL FILM AWARD WINNER<br />
<strong>KOLHAPUR</strong> 2010
OPENING FILMS<br />
VINOO CHOLIPARAMBIL<br />
He has been working as a <strong>Film</strong> Editor<br />
for five years in Mumbai film industry.<br />
He has also edited TV campaigns<br />
for several Hindi feature films<br />
and worked with filmmakers like Ram<br />
Gopal Varma on films like Phoonk 2.<br />
FAIZA AHMED KHAN<br />
After assisting on Anwar in 2007,<br />
Faiza chose to document the industry<br />
in Malegaon. This is her first<br />
feature-length docu.<br />
JOY BIMAL ROY<br />
Joy Bimal Roy assisted filmmaker<br />
Shyam Benegal on various films.<br />
His first film, On the Threshold,<br />
was on mentally challenged children.<br />
OKEN AMAKCHAM<br />
He graduated in arts from Manipur<br />
and obtained Sangeet Visharad<br />
from Lucknow. He started as a theatre<br />
worker in 1978, and has since,<br />
acted in more than 25 films. He has<br />
also directed 17 feature films.<br />
umesh kulkarni<br />
He studied direction at FTII, Pune<br />
and then attended the La Femis<br />
summer course in 2000. His first two<br />
films, Valu and Vihir, were critical<br />
successes. He is a writer-director.<br />
RITUPARNO GHOSH<br />
He started with advertising before<br />
moving on to films with Hirer Angti in<br />
1992. He has several National <strong>Film</strong><br />
Award wins beginning with Unishe<br />
April in 1995.<br />
JOSEPH PULINTHANATH<br />
A gold medalist in English Literature,<br />
he did brief courses in <strong>Film</strong> from FTII,<br />
Pune and is currently based in Agartala.<br />
His debut film was the awardwinning<br />
Mathia.<br />
S.K. ABDUL RAZZAK<br />
An audiography alumni from <strong>Film</strong> and<br />
Television Institute <strong>of</strong> India, Pune, he<br />
has done location sound and sound<br />
designing in several films and documentaries.<br />
SOONI TARAPOREWALA<br />
She studied cinema at Harvard and<br />
New York University. She wrote<br />
screenplays for Mira Nair films, Salaam<br />
Bombay, Mississippi Masala<br />
etc. Little Zizou is her debut directorial<br />
venture.<br />
BIJU VISHWANATH<br />
He is an award winning international<br />
film maker. His films have been<br />
screened at several international film<br />
festivals. The critically acclaimed feature<br />
film ‘déjà vu’, made in English,<br />
was his first international production.<br />
BANI PRAKASH DAS<br />
He has been associated with the film<br />
industry for nearly 15 years now. He<br />
worked as production controller <strong>of</strong><br />
the first-ever Assamese blockbuster I<br />
Killed Him, Sir.<br />
JAYARAJ<br />
He is noted for his versatility and<br />
inventiveness on the set.<br />
In 1999 he started a new concept in<br />
world cinema by laying foundation for<br />
9-film series project Navarasa.<br />
AKANKSHA JOSHI<br />
She is an independent documentary<br />
filmmaker and photographer. She has<br />
made films on topics as diverse as<br />
the 1947 refugees, 1984 riots and the<br />
river Ganga. Chilika Bank has won<br />
accolades in other festivals.<br />
AMBARIEN ALQADAR<br />
She is a Mass Communication graduate<br />
from Jamia University, Delhi. Her<br />
first independent documentary titled<br />
Elsewhere, won an award. She is<br />
presently a Fullbright Nehru Leadership<br />
Development Fellow at Temple<br />
University, USA.<br />
PARESH MOKASHI<br />
He is a Marathi theatre veteran who<br />
was also involved with Gripps Theatre<br />
in Germany. Harishchandrachi<br />
Factory is his directorial debut and<br />
also India’s <strong>of</strong>ficial entry to the 2010<br />
Academy Awards.<br />
MANOJ PUNJ<br />
In a tragically short life <strong>of</strong> 36, Manoj<br />
Punj made four films, all <strong>of</strong> which won<br />
National Awards. He brought Punjabi<br />
cinema out <strong>of</strong> anonymity, and into<br />
glory.<br />
PANKAJ GUPTA<br />
He is a documentary filmmaker and<br />
sustainability researcher in India. He<br />
has produced and directed several<br />
factual series for television. He is<br />
presently a researcher and academician<br />
in Bangalore.<br />
AIJAZ KHAN<br />
He has directed and produced ads<br />
over the last ten years. He also writes<br />
scripts for his films. The White Elephant<br />
is his debut as a director.<br />
PRIYADARSHAN<br />
He has directed a number <strong>of</strong> commercial<br />
successes in the South, before<br />
moving on to Bollywood. His films, like<br />
Viraasat, Kala Pani, and Thenmavin<br />
Kombathu were critically acclaimed.<br />
DIRECTOR PROFILES
30th JULY 2010<br />
10 AM NF<br />
2 PM<br />
DISTANT RUMBLINGS<br />
DIR- BANI PRAKASH DAS<br />
English/22 min<br />
NATIONAL AWARD FOR BEST INVESTIGATIVE FILM, 2009<br />
60 years after World War II ended,<br />
the director revisits the North-Eastern<br />
states to gauge the indelible<br />
impact the catastrophic event left on<br />
the region.<br />
AZoH$ AmKmS>çm§da bT>ë`m Joboë`m Xwgè`m _<br />
hm`wÕmÀ`m Pim gmogUmè`m CÎmanyd © ^maVmVrb àXoembm<br />
gmR> dfmªZ§Va ^oQ> {Xë`mZ§Va Oo {Xgb§, _Zmbm<br />
ñney©Z Job§ VoM `m bKwQ>mV {M{ÌV H$aÊ`mV Amb§.<br />
WAARIS SHAH : ISHQ DA WAARIS<br />
To fulfill the last wish <strong>of</strong> his Guru<br />
Baba Makhdoom, Waris Shah<br />
reached a village to write the epic<br />
love story <strong>of</strong> Heer Ranjha.<br />
EH$ X§VH$Wm ~ZyZ am{hbobm »`mVZm_ n§Om~r H$dr<br />
dm[ag emh `mÀ`m OrdZmVrb ZmQ>ç _m§S>Umam<br />
{MÌnQ>. CËH¥$ï> n§Om~r {MÌnQ> åhUyZ (2008)<br />
amï´>r` nwañH$ma.<br />
NFA<br />
NFA<br />
DIR- MANOJ PUNJ<br />
Punjabi/138 min<br />
NATIONAL AWARD FOR BEST PUNJABI FEATURE, BEST PLAYBACK<br />
SINGER, BEST COSTUME DESIGN, BEST ART DIRECTION,2006<br />
SUPERMEN OF MALEGAON<br />
DIR- FAIZA AHMED KHAN<br />
Marathi/22 min<br />
A peek into the jaw-dropping methods<br />
adopted by videographers in<br />
Malegaon to make remakes <strong>of</strong><br />
Bollywood and Hollywood films on<br />
shoe-string budgets.<br />
OmVr` VUmd Am{U Am{W©H$ joÌmVrb CXmgrZ pñWVr<br />
`m dmñVdmnmgyZ Xya OmÊ`mgmR>r _mboJmdgma»`m N>moQ>çm<br />
JmdmVrb bmoH$m§Zr {MÌnQ>joÌmMm añVm nH$S>bm Am{U<br />
H$_r IMm©V doJù`m nÕVrZo ñnoeb B\o$ŠQ>g² XoV {MÌnQ><br />
~Zdbo. hm Y_mb, a§JVXma àdmg åhUOo hm _m{hVrnQ>.<br />
YARWNG<br />
DIR- JOSEPH PULINTHANATH<br />
Kokborok/ 95 min<br />
The story <strong>of</strong> inhabitants <strong>of</strong> Bolongbwsa<br />
who must leave their village because<br />
a dam on the twin rivers <strong>of</strong> Raima and<br />
Saima is nearing completion. This<br />
threatens the existence <strong>of</strong> their village.<br />
Zì`mZoM ~m§YÊ`mV Amboë`m EH$m YaUm_wio<br />
OmoS>ZÚm§Zm nya `oD$Z {dñWm{nV ìhmd§ bmJboë`m<br />
AZoH$ Hw$Qw>§~m§n¡H$s H$mhr ì`º$s¨À`m Am`wî`mV<br />
Pmbobr CbWmnmbW hm {MÌnQ>mMm {df`.<br />
NF<br />
NFA<br />
NATIONAL AWARD FOR BEST KOKBOROK FEATURE FILM, 2008<br />
30th JULY 2010<br />
<strong>KOLHAPUR</strong> 2010
5: 30 PM NF 8 PM<br />
NFA<br />
NF NF<br />
VELLAPOKKATHIL<br />
DIR- JAYARAJ<br />
Malayalam/ 25 min<br />
NATIONAL AWARD FOR BEST DIRECTION<br />
FOR NON-FEATURE, 2007<br />
The story chronicles the 1928 flood,<br />
the worst-ever known, where Chennan’s<br />
pet dog is left astray on a ro<strong>of</strong>top<br />
bereft <strong>of</strong> refuge. It contrasts the<br />
human beast with the humane beast.<br />
1928 gmbÀ`m _hmnwamÀ`m nmíd©^yrda<br />
àmÊ`mVrb _mUygnU d _mUgmVrb ney `mMo<br />
Xe©Z `m CËH¥$ï> {X½Xe©ZmgmR>r amï´>r` nwañH$ma<br />
àmá bKwnQ>mV KS>Vo.<br />
GULMOHAR<br />
DIR- JAYARAJ<br />
Malayalam/100 min<br />
It is the tale <strong>of</strong> a man who held on to<br />
his ideals with undeterred resilience.<br />
It is a statement on the limitations <strong>of</strong><br />
the establishment under a democratic<br />
setup.<br />
Amnë`m AmXemªÀ`m emoYmV {ZKmboë`m<br />
Am{U nwZ{Z©mUmMo ñdßZ nmhmUmè`m<br />
EH$m boIH$, bT>dæ`m Am{U ào{_H$mMr<br />
AmUr~mUrÀ`m nmíd©^yrdaMr H$Wm.<br />
APNA ALOO BAZAAR BECHA<br />
DIR- PANKAJ GUPTA<br />
Hindi/29 min<br />
The documentary is a telling study on<br />
the impact <strong>of</strong> an invasion <strong>of</strong> the market<br />
economy into the day-to-day lives<br />
<strong>of</strong> Jardhar, a village in the Hemval<br />
Valley in Garhwal, Uttarakhand.<br />
JT>dmbgma»`m S>m|Jami, XwJ© ^mJmVrb<br />
a{hdmem§Zm OmJ{VH$sH$aUmbm gm_moao Omdo<br />
bmJVo Voìhm H$m` KS>Vo ho Xe©dUmam bKwnQ>.<br />
J«rg_Yrb BH$mo{\$ë_g² \o$pñQ>db_Ü`o nwañH$ma.<br />
REMEMBERING BIMAL ROY<br />
DIR- JOY BIMAL ROY<br />
English, Hindi, Bengali/ 55 min<br />
It documents the life <strong>of</strong> the great Indian<br />
filmmaker who delivered timeless<br />
cinematic classics , and creates a perspective<br />
on his life through interviews<br />
with his closest colleagues.<br />
qhXr {MÌnQ>g¥ïrMo gwdU©`wJ åhUyZ Amoi-<br />
Ibm OmUmam H$mi ñdV:À`m doJù`m e¡brZo<br />
JmOdUmè`m {X½Xe©H$ {~_b am°` `m§À`m<br />
AmR>dUr OmJdUmam bKwnQ>.<br />
NFA<br />
YEARN TO LEARN<br />
DIR-S.K. ABDUL RAJJAK<br />
Bengali/ 56 min<br />
A study <strong>of</strong> the madrassa education<br />
in West Bengal; the documentary<br />
studies the positive impact <strong>of</strong> these<br />
educational institutions, and tries<br />
to counter the stereotypes about<br />
madrassas.<br />
<strong>KOLHAPUR</strong> 2010<br />
NF<br />
NF<br />
NON-FEATURE FILM<br />
Bñbm{_H$ _ybVÎddmX d dmT>Vm Am§VH$dmX<br />
`m XmhH$ nmíd©^y_rda n{íM_ ~§Jmb_Yrb _<br />
Xaem§_Ü`o {Xbo OmUmao AmYw{ZH$ d OrdZmon`moJr<br />
{ejU `m§À`mda àH$mePmoV.<br />
NATIONAL FILM AWARD WINNER<br />
30th JULY 2010
31st JULY 2010<br />
10 AM 2 PM NF 5:30 PM<br />
CHILIKA BANKS<br />
DIR- AKANSHA JOSHI<br />
Hindi/ 56 min<br />
In a canvas spread over four decades,<br />
a banyan tree, on the banks <strong>of</strong> the lake<br />
Chilika, silently whispers tales <strong>of</strong> the<br />
lake and her fisher folk.<br />
{MbrH$m `m {dñVrU© gamodamÀ`m n`m©daUmV<br />
Mmirg dfmªÀ`m H$mbmdYrV Pmboë`m<br />
~Xbm§Mr H$hmUr.<br />
THE WHITE ELEPHANT<br />
DIR- AIJAZ KHAN<br />
Hindi/115 min<br />
A story about the strength <strong>of</strong> faith, it is<br />
set in a village in Kerala where superstitions<br />
still guide the way <strong>of</strong> life. In this<br />
atmosphere, a poor man has to pay a<br />
heavy price for it.<br />
Ho$ai_Yë`m A§YlÕm§Zr ^méZ Joboë`m<br />
EH$m N>moQ>çm JmdmVrb OrdZm{df`r<br />
gm§JVm gm§JVm {dídmgmMr VmH$X ñnï><br />
H$aUmam hm {MÌnQ><br />
NF<br />
RATAN THIYAM - THE MAN OF THEATRE<br />
DIR- OKEN AMAKCHAM<br />
Marathi/22 min,<br />
The film extols the efforts <strong>of</strong> the legendary<br />
Manipuri polymath, Ratan Thiyam, a<br />
poet, musician, choreographer, painter<br />
and musician; to run a repertory drama<br />
theatre in his state.<br />
aVZ {Wæ`m_ åhUOo _Urnwar H$dr, ZmQ>H$H$ma,<br />
g§JrVH$ma, {MÌH$ma Ago ~hþnoS>r ì`{º$_Ëd.<br />
Z°eZb ñHy$b Am°\$ S´>m_mMo g§MmbH$ åhUyZhr<br />
H$m_ Ho$bobo {Wæ`m_ ho H$moag[anoQ>©ar {WEQ>aMo<br />
g§ñWmnH$-{X½Xe©H$ åhUyZhr gd©n[a{MV.<br />
LITTLE ZIZOU<br />
DIR- SOONI TARAPOREWALA<br />
DIR- PRIYADARSHAN<br />
English/105 min<br />
Tamil/117 min<br />
NATIONAL AWARD FOR BEST FILM<br />
ON FAMILY VALUES, 2008<br />
NATIONAL AWARD FOR BEST FILM & BEST ACTOR, 2008<br />
The story which depicts the unique and<br />
fascinating world <strong>of</strong> Mumbai’s Parsi<br />
community shows us the necessity <strong>of</strong><br />
tolerance and the possibility <strong>of</strong> grace.<br />
_w§~B©Vrb nmaer g_wXm`mÀ`m AmJù`m<br />
doJù`m {dídmMo Xe©Z KS>dUmam Am{U<br />
g{hîUyVoMr JaO ñnï> H$aUmam {MÌnQ>.<br />
FOUR WOMEN AND A ROOM<br />
DIR- AMABRIEN ALQADAR<br />
English/30 min<br />
Through a unique mixture <strong>of</strong> docu and<br />
fiction, the film raises crucial questions<br />
about debates around sex selective<br />
abortions, marriage and motherhood.<br />
_mV¥ËdmVM ór OrdZmMr g\$bVm Amho H$m<br />
`m nwÝhm nwÝhm {dMmaë`m OmUmè`m àíZmÀ`m<br />
doJdoJù`m ~mOy nwT>o AmUÊ`mMm à`ËZ<br />
H$aUmam bKwnQ>.<br />
NFA NFA<br />
KANCHIVARAM<br />
It tells the story <strong>of</strong> a man caught<br />
amongst the forces that be, the society<br />
he lives in and the conflict between<br />
one’s adopted ideals and individual<br />
dreams.<br />
BVam§gmR>r {gëH$À`m gmS>çm {dUyZ XoUmè`m<br />
{dUH$ambm ñdV:À`m _wbrMo b¾ {Vbm<br />
{gëH$Mr gmS>r ZogdyZM H$am`Mo ho ñdßZ<br />
gmH$maU§ _mÌ Odinmg AeŠ` AgVo.<br />
NF<br />
31st JULY 2010<br />
<strong>KOLHAPUR</strong> 2010
8 PM<br />
NF<br />
NFA<br />
NFA<br />
THREE OF US<br />
DIR- UMESH KULKARNI<br />
Silent/22 min<br />
Mmirg dfo© d`mMm A{V{dH$bm§J `moJ|Ð Am{U<br />
Ë`mMo åhmVmao AmB©-dS>rb `m§À`m OrdZg§Kfm©Mr<br />
H$Wm gm§JUmam bKwnQ>. CËH¥$ï> {X½Xe©ZmgmR>r<br />
amï´>r` nwañH$ma (2008) àmá.<br />
PARWAAZ<br />
DIR- BIJU VISHWANATH<br />
Urdu/6 min<br />
It is based on the work <strong>of</strong> the poet<br />
Abha Iyengar. She is waiting for a new<br />
a new life when the call <strong>of</strong> a distant<br />
shore reaches her.<br />
Am^m Aæ`§Jma `m§À`m CXy© H${dVoda AmYm[aV<br />
bKwnQ>. AmË_^mZ Am{U AmË_m{dîH$ma `mMr<br />
H$dr_Zmbm OmUdUmar AË`§{VH$ JaO ñnï> H$aUmar<br />
H${dVm d hm bKwnQ>.<br />
HARISHCHANDRACHI FACTORY<br />
DIR- PARESH MOKASHI<br />
Marathi/96 min<br />
NATIONAL AWARD FOR BEST DIRECTION (NON -FEATURE) NATIONAL AWARD FOR BEST MARATHI FEATURE FILM, 2008<br />
& BEST CINEMATOGRAPHY, 2008<br />
It details the day-to-day life <strong>of</strong> a family<br />
<strong>of</strong> three. A 40 year old son who<br />
is confined to his metal cot because<br />
<strong>of</strong> a mental disability, and his ageing<br />
parents who worry about his fate once<br />
they are gone.<br />
NF<br />
The film portrays the amazing journey<br />
<strong>of</strong> Dadasaheb Phalke, who set<br />
up the Indian film industry and made<br />
the first Indian feature film, Raja Harishchandra.<br />
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NFA<br />
<strong>KOLHAPUR</strong> 2010<br />
NF<br />
NON-FEATURE FILM<br />
NATIONAL FILM AWARD WINNER<br />
CLOSING FILMS
<strong>KOLHAPUR</strong>...A LEGACY<br />
The permanency <strong>of</strong> the cultural imprint <strong>of</strong> Kolhapur remains undeniable; as is its reputation as<br />
major cultural center where many <strong>of</strong> Indian cinema’s first forays were made. The city, built by<br />
Chhatrapati Shahu Maharaj, was the home <strong>of</strong> the first major Indian film studio - the legendary<br />
PRABHAT. It is also where the first Indian colour film was made. Kolhapur, a city 450 km south<br />
<strong>of</strong> Mumbai, also made a valuable contribution to the film society movement which sprouted in<br />
the late 1940s across the nation - the Baburao Painter <strong>Film</strong> Society; an institution that has for<br />
60 years, persisted with its efforts to cultivate a culture <strong>of</strong> cinema in the city. The city is also<br />
popularly thought <strong>of</strong> as the venue for the conceptualisation <strong>of</strong> the first Indian feature film, Raja<br />
Harishchandra. Kolhapur has proven time and again, that while it may not be an economic or<br />
scalar equal to the metros and the large towns; when it comes to cultural influence, it has one <strong>of</strong><br />
the richest, and the most indelible legacies in the nation. Kolhapur’s Hall <strong>of</strong> Fame is studded with<br />
gems like V Shantaram, Bhalji Pendharkar, Baburao Painter and Academy Award-winner Bhanu<br />
Athaiya.<br />
Thanks....<br />
NATIONAL FILM ARCHIVE OF INDIA, PUNE<br />
FILM AND TELEVISION INSTITUTE OF INDIA, PUNE<br />
BABURAO PAINTER FILM SOCIETY, <strong>KOLHAPUR</strong><br />
EDITORS:<br />
DESIGN:<br />
Bhupendra Kainthola (ENGLISH)<br />
Sonali Navangul (MARATHI)<br />
Anuj Malhotra for NS MEDIA FILMS pvt. ltd.<br />
Set up in 1973, <strong>Directorate</strong><br />
<strong>of</strong> <strong>Film</strong> <strong>Festivals</strong> conducts<br />
two flagship programmes -<br />
National <strong>Film</strong> Awards and<br />
International <strong>Film</strong> Festival<br />
<strong>of</strong> India. As a vehicle <strong>of</strong> cultural<br />
exchange, <strong>Directorate</strong><br />
<strong>of</strong> <strong>Film</strong> <strong>Festivals</strong> promotes<br />
international friendship, provides<br />
access to new trends<br />
in world cinema, and generates<br />
healthy competition.<br />
The aim <strong>of</strong> Indian Panorama<br />
is to select feature<br />
and non-feature films <strong>of</strong><br />
thematic relevance and<br />
aesthetic excellence. The<br />
line-up <strong>of</strong> films represents<br />
the breadth <strong>of</strong> filmmaking<br />
in India. Indian<br />
Panorama aims to promote<br />
pan-Indian achievements<br />
in cinema through festivals<br />
and cultural exchanges<br />
both in India and abroad.