Nillumbik Shire Council

PICTURE
NILLUMBIK
St Andrews
Eltham North
Smiths Gully
Doreen
Kangaroo Ground
Watsons Creek
Bend of Islands
Research
Wattle Glen
North Warrandyte
Christmas Hills
Strathewen
Eltham
Yarrambat
Hurstbridge
Diamond Creek
Arthurs Creek
Nutfield Panton Hill
Plenty
Cottles Bridge

Picture Nillumbik
Picture Nillumbik is an on-going project and this publication is a prototype with limited circulation;
it is currently considered as a work in progress. As a result, the quality of some of the images in this
publication is not at the standard used for a formal Council publication.
1

Preface
Between October 2011 and June 2012, Nillumbik Shire
Council engaged Village Well to ask Nillumbik residents a
seemingly simple question – ‘‘what is your vision for your local
community’’ The range of responses and depth of feeling
highlighted the diversity of people, passions and possibilities
that make this Shire unique. Every community group, school
and household was invited to identify what is important to them
and their local area.
This document represents a summary of more than 500
responses, online submissions, interviews and workshop
contributions. It also draws on extensive consultation previously
undertaken by Council. Importantly, while this document does
not include every submission, its words are shaped by every
submission.
The community values identified from this work are:
• local village life – a love and affection for the unique
township as a place to meet, shop, play and connect in a
meaningful way
• deep connection and resilient community – a community
that comes together and responds to economic, social
and environmental challenges
• balance with nature – a community seeking to protect,
nurture and experience the environment so that it can
sustain life
• a sustaining and evolving economy – local living, working
and playing, creating the conditions for sustainable and
economic growth in green business, sustainable transport,
agriculture and food production
• creative expression, art and cultural exchange – a community
rich in cultural heritage worth sharing and celebrating
• experience, discovery and fulfilment – lifelong learning,
participatory democracy and positive living through all
stages of life.
Each chapter ends with a series of questions to encourage
reflection and ongoing discussion. It is anticipated that this
document will evolve with communities and as conversations
continue, thus forming an important basis for future planning for
both Council and the community.
Ultimately, it is hoped that this document is inspiring, stimulating
and a timely reminder that the future is worth planning for. To
view this document online and continue the conversation visit
www.nillumbik.vic.gov.au/picturenillumbik.
Further Information
If you require this document in an alternative format, please contact Nillumbik Shire Council on 9433 3111 or
community@nillumbik.vic.gov.au. For further information visit www.nillumbik.vic.gov.au.
1

Acknowledgements
Special acknowledgement needs to be given to the Wurundjeri as the traditional custodians of the land now known as
the Shire of Nillumbik. Nillumbik Shire Council values the significance of the Wurundjeri people’s history as
essential to the unique character of the Shire.
Nillumbik Shire Council also acknowledges the citizens, community groups and businesses from across the Shire, and the Council
staff and visitors of all ages who have contributed to this project. Thank you to everyone who participated in the project by
submitting thoughts directly or giving private consideration to the issues raised.
Special thanks go to the members of the Picture Nillumbik Advisory Group who were supporters and advocates for this project:
Greg Thorpe
Daryl Brooke
Sarah Houseman
Brigitte Kupfer
Mal Harrop
Ann Strutt
Jess Richards
Cr Ken King
Chris Chapple
2

COntents
Chapter 1
Deep Connection and
Resilient Community
05
Chapter 2
Local Village Life
25
Chapter 3
Balance with Nature
39
Chapter 4
A Sustaining and
Evolving Economy
53
Chapter 5
Creative Expression,
Art and Cultural Exchange
67
Chapter 6
Experience, Discovery
and Fulfilment
81
Chapter 7
Stewarding the
Nillumbik Way
99
3

Visioning methodology
1
Desktop research
2 3 4
Resident surveys
Project reference
group
Nillumbik news
2000
POSTCARDS
DISTRIBUTED
8
Walk the beat (conversations
with the community)
7
Place audit
(12 towns)
6
Community
publications
5
Online
Presence
NEWSLETTER
NEWSPAPER
9
Formal
engagement
10 11
Nillumbik values
Draft community
visioning publication
12
COMMUNITY
PUBLICATION
Creative expression, art and cultural exchange
A Sustaining and Evolving Economy
Local Village Life
NEXT STEPS
• Targeted sessions
• Listening posts
• Workshops
• Interviews and individual profiles
Deep connection and resilient community
Balance with nature
Experience, Discovery and Fulfillment
4

Chapter 1
Deep connection and
resilient community
Many people experience Nillumbik through social networks formed through local celebrations, sports, church
groups, creative endeavours and projects.
5

A connected community
The connections people have with Nillumbik are revealed in
their reverence for the landscape, shared memories, shared
struggles and in their tendency to return time and again.
This sense of connection is a powerful force, contributing to
the strength of identity and the sense of belonging enjoyed by
locals past and present.
“(In Nillumbik) we have less concrete and a more ‘picturesque’ main street - more in line with the green wedge
ideology. (I have) a sense of belonging and being part of a community that cares for all its components and achieves
goals and milestones; pride in being part of a model community.”
Eltham resident
6

A community rich with hope and unity
The resilience of a community centres on hope and the
ability to respond to crises with strength and inner resolve.
In Nillumbik, this has been clearly displayed since the 2009
Black Saturday bushfires. With the land and community
so damaged, it has forced people to find new meaning,
relationships and identity.
When the world went black
When the world went black art brought colour to our world. Art was such an amazing healer. We all shared the same
story and now we are getting a lot stronger.
In Strathewen you know the names of your neighbours, so when a tragedy hits, it hits hard because you know so many people.
Barbara Joyce
12

Kite flyer
A calm beyond the distant trees
She takes the string and holds it tight
Allows some slack into the breeze
Keep watch the flyer of the kite
When times are tough and life is bleak
We do our best to make things right
Take day by day and week by week
Keep watch the flyer of the kite
She willed the child forbade her to
Go gently into this good night
Strong fighting spirit shining through
Keep watch the flyer of the kite
A turning point the string breaks free
The threat of danger losing sight
With life there is no guarantee
Keep watch the flyer of the kite
Fee Sievers ©
13
Ona Henderson

case study
Butterfly Studio
Christmas Hills
“We chose the butterfly as a feminine image that stands for rejuvenation and recovery. The butterfly is a
gentle creature that floats in the wind and flits from home to home; the metaphor - a caterpillar that ate, grew
and entered a cocoon to emerge as a thing of beauty”
Sarah Hammond, Project Director
Why is this initiative inspiring
On 7 February 2009 a significant proportion of Christmas
Hills was affected by the Black Saturday fires. A total of 18
homes were lost while a further 20 homes were seriously
damaged.
The Butterfly Studio became a safe and nurturing space
where people could meet, connect and learn new skills in
a range of art media – an opportunity for people to come
together with others to provide mutual support as part of
the healing process.
Since July 2010, over 180 people have participated in the
program. The vision for the Butterfly Studio was to create
a vibrant and viable community art studio. The program
encourages donations of time and skills in exchange for
workshop participation. The project also seeks to connect
different community groups who may not normally work
together and establish links with neighbouring communities.
Studio activities since July 2010 include:
• Memory Box Project (July 2010 – July 2011)
• Felting Circle (May 2010 – ongoing)
• painting workshops (November 2010 – August 2011)
• Mosaic Gifting Project (October 2010 – ongoing)
• drawing workshops (April 2011 – ongoing)
• sculpture sessions (August 2010 – August 2011)
• watercolour workshops (September – November 2011)
14

case study
The Tree project
Strathewen
“We were hoping to receive around 200 leaves, and now we have over 3000! We keep saying no more leaves, but they just keep coming!
A member of the public suggested people sponsor a leaf to help raise money for the steel, copper and welding consumables to build the
Tree. Over 1000 people have since sponsored leaves for the Tree, stamped with their name, the name of a loved one lost to the fires or a
message of hope.”
Amanda Gibson, Project Coordinator
16
Why is this initiative inspiring
To honour the resilience of the communities affected by
Black Saturday, the Australian Blacksmiths Association
(Victoria) Inc. invited blacksmiths from all over Australia
and the world to contribute to a memorial that would
recognise the terrible loss but also celebrate healing,
restoration and hope. The concept was born on an
online blacksmiths’ forum seven days after the fires
occurred and has now gathered contributions from
20 countries in Europe, North America and the United
Kingdom, and across Australia.
Blacksmiths contributed gum leaves forged from
stainless steel or copper to be assembled into an
enormous forged tree. Amanda Gibson has carried this
project close to her heart for three years, seeing it begin
as a small endeavour that has grown beyond her wildest
expectations.
Blacksmiths trees are not unusual – there are many
worldwide, a good portion of which have been
instigated as forms of remembrance. For example, the
Weeping Willow in Budapest was created to remember
the tragedy of the Holocaust.
Recently, The Tree Project has begun a partnership with
blacksmiths in Norway, who are undertaking a steel
rose sculpture in remembrance of the 2011 Norway
massacre. This sister project sees roses exchanged for
leaves for each sculpture, given by blacksmiths in these
two almost polar opposite countries. Our global village
becomes a much smaller place, connected by the
universal human experience of tragedy and survival.

“What you have done so far and will eventually achieve
is an amazing work of art and more importantly an
emotional, deeply moving and beautiful memorial for
all those affected by the bushfires…. What a legacy
you are leaving! Well done.”
Chris Crowe, Eltham resident
“Strathewen has been totally decimated, but I am sure
the tree will be a permanent symbol of remembrance
of all the lives lost, homes destroyed and lives
turned upside down. It will also be a symbol of hope,
of future rebuilding and gradual repairing of the
community.”
Vicky Evans, Strathewen Resident
“This tree is an amazing feat – it will be the biggest
metal tree in the world and will display every realm of
blacksmithing, from the industrial to the fine.”
Amanda Gibson, Project Coordinator
“This is so awesome and brings me so much
comfort – the loss of my family has been
crippling. The beauty and power of gestures
like this project is that it provides the
salve that helps me regain some mobility –
otherwise called rebuilding one’s life. Thank
you from the deepest place in my heart.”
Rhonda Abotomy,
Strathewen Resident
“As we have seen from the recovery of the bushland in
the fire affected areas the strength of Mother Nature
is all around us. This tree is a reminder that there is
17
always HOPE. With hope there is a future for us all.”
Jill McIver, Strathewen resident

case study
Lasting memories mosaic group
St Andrews
“Amidst the devastation, bushfire affected women came together to share stories, laughter and tears. We have created this gift to
the community as part of our healing. We honour the loss of life and the resilience of both people and nature and as our journey of
recovery continues, we build hope for the future.”
Collective Statement from the Lasting Memories Mosaic Group
18
Why is this initiative inspiring
On 13 May 2012 (Mother’s Day), the Lasting Memories
Mosaic Group gifted the mosaic seat to the community.
The piece was unveiled before a crowd of local residents,
friends and family in its new home in front of the St
Andrews Hall. The seat is seven metres long and took
20 women over two years to design and construct. It
represents the journey and stories of the women involved
and others affected by the Black Saturday fires.
Chris Reade, Project Coordinator reflected:
… personal stories, memories and experiences were
bravely included into the mosaic design. We asked the
St Andrews and surrounding fire affected communities to
contribute one of their treasured broken remnants to be
included on the seat.
... at every stage we received help and support. What
seemed like a daunting job was made easy by all the
helping hands from this community and further afield.
We felt like it was meant to be, somehow whatever we
needed would come out of the woodwork. We would
receive a call from someone saying I heard you need
this, when can I drop it off
Each week we helped each other through the turbulence
of emotions … we were able to come together share
experiences and make new and lasting connections
within the community. It is not every day that you have
the opportunity to feel connected with the community.
We all feel that this was a genuinely special project to be
a part of and gift to the community.
The Lasting Memories Mosaic Group is continuing and is
looking forward to creating more artworks. We are likely
to see many more mosaic projects in the community.

“Working with this group of women on the mosaic
seat has been a wonderful gift for me and I am forever
grateful to them. It provided a comfortable space for
us to share stories of loss and grief as well as to share
some simple highlights like having a first hot bath or
sleeping in a double bed.”
Nan Oates, Panton Hill resident
“Helping to decorate the mosaic seat was
a great experience for me, meeting people
who suffered the terrible fires and telling the
stories. Finally laughing and eating pizzas –
great for the soul and very fulfilling.”
Norma Neil, St Andrews resident
“Once a week, I escaped the life I had been forced
into due to the fire and joined other bushfire affected
women, creating mosaics from our own broken burnt
pieces of treasures.”
19
Sonja Parkinson, St Andrews North

A place to age gracefully
Nillumbik Shire is a place to enjoy growing older, with many
opportunities to stay engaged, active and connected in the
community, to volunteer time, learn new skills and teach
younger generations.
Community groups that enjoy high levels of participation
include the University of the Third Age (U3A), Probus, senior
citizens clubs, Rotary clubs, Lions clubs, Older Men: New
Ideas (OM:NI), men’s sheds, Diamond Valley Miniature
Railway and Eltham and District Woodworkers.
However, the community continues to express a strong
desire for facilities to improve wellbeing for all ages and
abilities such as transport and mobility options, respite and
accommodation, recreational activities such as a warm
water therapy pool and a lawn bowls tournament.
“I grew up here, got married here and came back. I am part of Eltham, I couldn’t settle in Thornbury I wanted to go back to
my roots. The kids love it, they bring home lizards and are always in trouble.”
“(We) can’t become extinct! We must replace the old person we are becoming with new people, we must help new families
move in; families with local history already have to help their adult kids financially to stay in the area, if they are to raise
their own families within the shire.”
eltham resident
20

case study
Eltham & District Woodworkers Inc
Yarrambat
“It’s a pretty full house,” suggests members Barry McDonald, Barry Vaughan and Max Jenson.
The Eltham & District Woodworkers Inc. has operated since
1987 from the old school headmaster’s house in Yarrambat
with hundreds of people visiting each weekend. There are
about 95 members, and the house is open throughout
the week to accommodate the variety of user groups:
cabinet making, scroll sawing, woodturning, carving and
pyrography.
With all the tools and equipment in the house, the group has
to hold their monthly meeting in the adjoining CFA brigade
meeting rooms. In return for free access to this room, the
group has built cabinets for the brigade.
The membership comprises about two-thirds retirees, but a
steady flow of new members maintains a mix of ages. Max
Jenson added that ‘one of the great pluses is the skill within
the community’. The group acquires donated materials from
local sources: Barry McDonald reported that ‘there are a
number of bower birds in [the] group’.
In addition to public demonstrations, volunteers regularly
work with seniors and people experiencing acquired brain
injury.
22

continue the
conversation
Questions for a resilient
and connected future
How can we ensure community connections help us meet the
challenges of tomorrow
How do we balance our desire for private sanctuary with our
need for relationships
How can we foster connections across all generations
What does a truly inclusive community look like
24

Chapter 2
Local village life
Nillumbik is a network of townships, each with their own charm and identity. Much of this is the product of
intangibles such as history, relationships and people.
25

A township atmosphere
with all its benefits
The Shire provides people with many of the services and
facilities you would expect to see in a larger city including
health, recreation, education and community support.
Each local community maintains its own discrete traditions
and identities. Many have their own markets, events and
culture. A great fear in the community is that growth and
development will lessen these special qualities as well as the
physical separation between towns.
There is a strong sense of community and belonging within
each rural township, with people often bumping into friends
on the street. Many long-time business owners and service
providers are on a first-name basis with their customers.
With the changing economy, town centres have become
home to retail chains and franchises. People are concerned
that this will undermine local character and the viability of
smaller traders.
26

case study
Village Ritual Home HarveST
Edendale
Why is this initiative inspiring
In 2012, over 120 Nillumbik residents of all ages and
gardening experience joined forces to grow enough
ingredients for a communal feast. Local chefs transformed
this food into a banquet held at Edendale for over 300
people. The sharing of food and gardening tips brought
people together from many walks of life. The social, health
and food security benefits will likely live on for years to
come.
28

case study
local traders, local heroes
Hurstbridge
“Shop owners, traders and service providers in this community have usually been here for generations. They are committed to
keeping Hurstbridge a friendly, welcoming community. The hairdresser, the butcher, the chemist, the doctors, the vet – we are all on
first name basis. There are many more traders and active town members that contribute to the energy of this urban/rural township.
Hurstbridge is a unique and vibrant place to live and work. My images aim to capture the fabric of what inspired me to choose
Hurstbridge as my family home.”
Silvi Glattauer
Why is this initiative inspiring
Silvi Glattauer moved to Hurstbridge 16 years ago because
she could see that it would allow her to raise her children in
a vibrant, village style community. Silvi’s Local Hero photo
documentary project highlights the importance of being
connected and having a sense of place. The images reflect
her values and how she wants to live and raise her family.
30

Pride in place
Many people in Nillumbik take great pleasure in nature and
the bushland vistas. The Shire has a unique character that
emphasises natural forms, earth colours, recycled materials
and second hand objects that complement the natural
environment. Some of these elements trace back to the work
of Alistair Knox with his use of mud bricks, recycled telegraph
poles and verandahs, and to Gordon Ford with his use of
nature – such as earth, stone, water and vegetation. The
legacy of their work has lent the area considerable character.
34

a Little about alistair Knox
Aistair Knox (1912 - 1984) was a man well before his time, with
at least four of his environmentally sensitive homes listed on
the Victorian Heritage Register. He aspired to bring the natural
environment and home construction together as a harmonious
whole in over 1000 homes from as early as 1948, and turned
the mainstream construction industry of the 1950s and 1960s
on its head. Knox designed buildings to have minimal impact
on the natural landscape.
They used mud
“It was difficult to picture that houses could really look any different, or subdivisions, or suburbs. Or that you didn’t have to use
fibro, or weatherboards, or bricks. In those days conservative Council-based building inspectors reigned supreme over the strict
Uniform Building Regulations and were not inclined to stick their neck out over unproven or experimental techniques. Around
Nillumbik, people pictured it differently. A housing revolution that became internationally renowned as ‘The Eltham Style’, led by
Alistair Knox. They used mud! It was quite shocking at the time.”
Irene Pagram, Research resident
36

continue the
conversation
Questions for a future of
village living
How can we bring our local heritage to life
How can we make sure the isolated and excluded can feel
part of the village
How could we introduce new residents to their village
How can we allow townships to evolve and adapt while
maintaining their unique character and identity
38

Chapter 3
Balance with nature
This is a place where you can see hills covered with wattle in the Spring,
native wildlife every day.
39

Shallow earth
This is a place where you can see hills covered with wattle in
the spring, see native wildlife every day, and enjoy the sounds
of frogs and birds. A predominantly natural, rural environment
where there are still a lot of dirt roads fringed with wattle and
heath, where every surface hasn’t been asphalted, kerbed and
guttered. This is a place where there is peace and quiet and
children can still roam the hills and gullies, growing up safely in
the natural world.
The Shire of Nillumbik is a place of trees, hills, bushland,
farmland, gullies, creeks and wildlife. Concern for the natural
environment is a shared value that brings many people
together. Land Care, for instance, has a significant focus in the
Shire.
40

Living in Nature
The Green Wedge is, among other things, a local way of
describing the physical characteristics and predominant
philosophies of the Shire and its relationship to Melbourne and
adjacent areas. It is also a land use planning term, defined in
law and attended by prohibitions and mandates to protect and
preserve the environmental qualities of the area. The Green
Wedge provides a natural setting for many forms of active and
passive recreation.
Residents of Nillumbik are passionate about the bushland
aesthetics. For most, the natural environment was the main
reason for setting up home in the Shire. Many people choose
to live in Nillumbik because they want their children to grow
up in a clean, safe environment, but with access to modern
services.
42

case study
the people on the hill
Eltham
Why is this initiative inspiring
Lyn and Chris are new residents to the Shire and built their
energy wise home in Eltham alongside other well-established
homes. They now call themselves ‘the people on the hill’.
Prior to building, their block was well treed, unusual in shape
and was used as a thoroughfare for locals. The block had
a landscape overlay as it was situated in close proximity to
the home of Gordon Ford, one of Australia’s great landscape
designers.
Lyn is passionate about energy efficiency but explained
that it was ‘not until you live in a house that works that you
appreciate sustainable living’. Their home has an independent
water supply, solar panels, double glazed windows and
seven times the standard insulation in the walls. Their home
reflects Eltham’s rustic and earthy charm and is surrounded
by an Australian native garden with rambling gravel pathways,
carefully placed rocks and the use of ‘infinite boundaries’.
Lyn and Chris maintain a website, www.greenlife.net.au, a
resource for other owner-builders wanting to build an energy
efficient home.
44

Protecting the unique environment
Like many rural communities, parts of the Shire are facing
pressures from development. While in principle many in
the community are not against development, there is a
strong desire for designs that are sympathetic to the local
character and socially and environmentally sustainable.
The community is generally proud of its uniqueness, its
distinctive quality and that it is not just another suburb of
Melbourne.
Maintaining the rural ambience of Nillumbik is a value
very close to the hearts of many residents. Some of their
priorities for the future are to:
• conserve and consolidate the Green Wedge
• retain the rural/township lifestyle
• preserve bio-diversity and ecological viability
• retain productive farmlands
• limit subdivision and prevent sprawl
• encourage sustainable practices
• encourage environmentally responsive and appropriate
buildings
• retain environmental and cultural heritage
46

case study
Keeping the bush, the bush
Bend of Islands
Why is this initiative inspiring
Located in the South of the Shire, the Bend of Islands is a
bushland pocket surrounded by semi-rural suburbs. Houses
in the Bend of Islands are unobtrusive and blend into the
surrounds. Forests of Eucalypts and native scrub flourish,
are encouraged and maintained, with non-indigenous
plants scourged. Native animals and birdlife thrive in an area
protected from development since the late 1970s, when the
Environmental Living Zone (ELZ) was established under the
Planning Scheme.
After bushfires burned out the area in 1962, residents such
as artist Neil Douglas were attracted to the natural bushland
setting. The Bend of Islands Conservation Association
(BICA) was formed in the late 1960s as a neighbourhood
group concerned with bushfire prevention and wildlife
management. The BICA was also successful in protecting
the area against compulsory acquisition for the Yarra Brae
Dam. The success of this area is recognised internationally.
The community continues to support each other through
knowledge sharing seminars and strict adherence to
principles for landscaping, bushfire management and pet
ownership.
50

continue the
conversation
Questions for a
balanced future
How do we encourage socially and environmentally
sustainable design
How do we create places where all ages and stages can
interact and feel safe
How do we achieve a balance between being economically,
agriculturally and environmentally sustainable
51

Chapter 4
A sustaining and
evolving economy
Local produce being sold in our stores and money
being kept in the local economy.
53

A sustaining and
resilient economy
Residents worry about economic development potentially
coming at a cost to local amenity, character and
sustainability. With 70 per cent of Nillumbik’s residents
leaving the Shire each working day, many also express
concern about the daily commute and battle with traffic
congestion which eats into family time, participation in local
activities and the chance to live more sustainably.
Living and working locally strengthens social, economic
and environmental resilience and wellbeing. Telecommuting,
home businesses and Nillumbik’s unique assets enhance
local economies, but many suggest more can be done.
As a Green Wedge Shire, Nillumbik is an urban and rural
playground for Melbournians and locals, where the places
people love include:
• markets, events and festivals
• miniature railway
• Edendale
• bushland and parks
• local heritage and historical societies
• wineries and cellar doors
• libraries, community and cultural centres
• sporting and leisure activities
• local producers
• arts and crafts galleries and studios
• interpretive and recreational trails
• cafés, restaurants, country pubs and function
centres
• plant nurseries
• road and mountain bike routes.
54

Commercial farming,
heritage with a future
At the close of 2012 it will be 150 years since the first
settlers established a permanent settlement in the Arthurs
Creek district, which became a major source of Melbourne’s
fruit supply. Fruit trees not only grew well, they produced the
finest fruits.
The Apted family farm has been tucked away in a
charming little valley in Nillumbik Shire for 100 years. Three
generations of Apteds have farmed the picturesque acreage,
growing pears, apples, lemons and quinces with some beef
grazing on the side. Peter Apted, the latest in the line of
skilled orchardists, finds life for an agricultural producer in
the Nillumbik Shire has both opportunities and challenges.
Agriculturalists in the region are redefining themselves as
more than just wholesalers of produce. The proximity to
Melbourne means that farm gate selling and agricultural
tourism is increasingly popular in the local area and the
nearby Yarra Valley.
For all the opportunities of small-scale and lifestyle farming,
there are also great challenges. Namely, the inability for
small scale farms to be a sole source of income. Largescale
farms are rare in Nillumbik due to land sizes and the
high price of agricultural land.
Sourcing skilled labour is also a problem for the Apted
Orchard. While there is plenty of unskilled labour (fruit
pickers etc.) on hand locally and from Melbourne, as in
many broad-based agricultural areas, there is a serious
shortage of skilled agricultural professionals.
“I love the proximity to Melbourne here, and being able to travel into the city with ease…yet we still have such a pretty place
tucked away in our little valley.”
“Never in a million years would you arrive in Nillumbik and plant an orchard today…the difficulties with water availability, land
values and the economy of scale just would not make it viable to set up”.
Peter Apted
56

case study
Village Food Connections
Eltham
“I moved up here onto this five acre farmlet nine years ago, while my wife Melie and our young son Jordie have arrived a little more
recently. I was committed to living a more responsible and sustainable lifestyle, and growing my own food was an integral part of
that commitment. For the last couple of years I have been doing small-scale market gardening and selling my produce mainly at
farmers markets. I have been fortunate enough to have met Natalie and Daryl, they now distribute my produce through [the Village
Food Connections] their community supported agriculture scheme.”
Jase Young
Natalie and Daryl Brooke share a vision for Nillumbik: for a
community that treads lightly on the planet, eats seasonally
and supports and promotes its local producers. This
philosophy is in keeping with the worldwide slow food
movement. This movement seeks to increase our enjoyment
of quality produce and eradicate the hectic pace of modern
living so we can appreciate localism and nurture and
support those products and services that are right on our
doorstep.
Village Food Connections delivers fruit and vegetables
grown within 30km of Eltham to people living in the same
area. Included with this weekly delivery is a newsletter to
further enhance the connection with local producers.
58

case study
local business, Investing Locally
Bendigo Bank
Bendigo Bank began in Nillumbik when the Hurstbridge
community mobilised to return local banking facilities to
their township. Since then branches have been established
in Diamond Creek and Eltham. A Kinglake branch was also
funded following the 2009 bushfires through the profits from
Bendigo Bank branches across Nillumbik.
In February 2012, after 10 years of planning and fundraising,
the Diamond Creek Community Bank Stadium was opened.
Located in the educational precinct between Diamond
Creek East Primary School and Diamond Valley College,
the stadium provides opportunities for the local community
to engage and congregate, as well as a recreational and
performance space for students.
The complex includes:
• a café
• performing arts space
• community meeting space
• viewing and multipurpose areas
• 1200 square metre gymnastics space
• three indoor sports courts with retractable seating for
900 people.
Hurstbridge and Diamond Creek Community Bank
contributed $1 million towards this $10.5 million project,
which is a powerful example of a local business investing in
its local community. Bendigo Bank distributes between 50
and 60 grants per year in Nillumbik.
64

continue the
conversation
Questions for the
future economy
How do we preserve what we love about Nillumbik while
adapting to modern social and economic challenges
How can we move our workplaces closer to home
How can we maintain a modern and sustainable
agricultural industry
How do we generate jobs for young people who are ready to work,
as well as opportunities for advancement in those jobs
66

Chapter 5
Creative expression, art and
cultural exchange
67

Creative expression
is embedded in the community
Creativity, art and cultural exchange are valued and
practiced by much of the community. This can be seen in
the architecture and detail of the homes and backyards of
Nillumbik residents, the design and delivery of community
projects and in the handmade art and craft wares for
sale.
Many established and emerging artists have considered
Nillumbik a haven of inspiration, education and support
over many years. Equally important, the community
considers nurturing the arts a long and valued tradition of
the Shire that must be retained.
68

Cultural exchange brings vitality
to the community
Organisations like Montsalvat, Eltham Little Theatre, the
Dunmoochin Foundation and the Light Factory Gallery are
celebrated by the community for their continuing commitment
to the creative traditions of the Shire and for attracting artists
and recognition to the area.
Many Nillumbik towns are renowned for the arts. They attract
visitors and artists alike, seeking inspiration from the music,
literature, paintings, sculptures, ceramics and textile crafts on
offer in Nillumbik.
Initiatives like the Artists Open Studios Program, Eltham Library
Community Gallery and countless community art projects
foster creativity throughout the Shire, making arts more
accessible to the grassroots of the community.
70

An enriching experience
“It would appear to be completely natural phenomena that over the years there has been an artistic evolution in Nillumbik. What could be
more fitting then, than the cultivation of Nillumbik’s Artists Open Studios Program: an enriching experience where inquisitive, genuinely
interested people can wander into the studios of working artists and meet in their natural habitat The world of the artist is often so far
removed from the commercialism of galleries that visitors find it truly liberating to see where the pictures on the wall spring from. An
authentic experience that cannot be attained elsewhere.”
Liz Vercoe, Artist AND former resident
72

case study
Dunmoochin
Cottles Bridge
“When an artist moves into the residency it takes them a while to settle in because they are settling in on so many levels. They
connect back to place, country and into a new community. It can be hard but we have never had an artist leave voluntarily. Most fall
in love with the location and the community and we generally help them to find accommodation close by, or another residency, when
their residency ends.”
Barbara Joyce, The Dunmoochin Foundation
Why is this place inspiring
There is a strong connection to the land at Dunmoochin,
even down to how the buildings are nestled into the
environment so as not to detract from its natural beauty.
“It has the feeling of being on a significant place.” Shane Pugh,
The Dunmoochin Foundation
Clifton Pugh created Dunmoochin as a place where he
could connect with the Australian bush and as a place
where like-minded artists could come together and share
their creativity and inspiration. Since 1990 the Dunmoochin
Foundation has successfully worked to keep this dream
alive. It remains a place where artists can connect with one
another, the natural bush and the local community in the
surrounding towns.
“The light is very beautiful, it is easy to work in this
environment. It is so peaceful and the people are really lovely.”
Barbara Hauser (pictured right, artist in
residence april 2012)
“The light is very beautiful, it is easy to work in this environment. It is so peaceful and the people are really lovely.”
74
Barbara Hauser
(pictured right, artist in residence april 2012)

case study
Open studio program
40 residents across 26 studios
“The Open Studios Program gives the power back to the artist. The artist chooses what work they want to show.
When artwork is in a gallery it is all polished and pristine. You don’t get to see how it is made or talk to the artist.”
Ona Henderson
The Program offers a unique opportunity to experience
first-hand artists at work in their own studios. As they open
their doors to you, workshops are offered and art will be
available for commission or sale.
With 40 artists, 26 studios and disciplines including
painting, drawing, sculpture, printmaking, ceramics,
jewellery, textiles and photography.
Why is this place inspiring
From the moment you step into Ona and Syd’s studio
you are greeted with the same warmth, generosity and
inspiration that they give back to the community and each
other and put into their artwork.
Ona and Syd are ‘Benders’ – an affectionate term given
to those that live in the Bend of Islands. Their studio is a
hub for other Benders and a help desk for the stray taxi
case study
Syd and ona’s studio
bend of islands
or broken down vehicle. In fact, their studio is so popular
among friends they’ve put a sign up asking people to ring
ahead of a visit, as they were regularly interrupted. Both
have escaped the corporate world in search of a fulfilling
lifestyle. “We are free range artists” Syd Tunn.
76

How I Picture Nillumbik
“In Nillumbik we’ve always welcomed artists that questioned the status quo, thought of other ways of doing things and embraced
alternatives. It’s our cultural heritage.”
Irene Pagram, Research resident
A little historic meander
“To look at a list of Nillumbik’s artistic alumni, you’d be forgiven for thinking you’d stumbled upon a who’s who of Victoria’s
vibrant arts community.”
“The notion of artists living and working in Nillumbik is not a new thing. In fact, it’s a given, as predictable as tea and toast on the
weekend or a hills hoist in the backyard of the 50s.”
“Nillumbik has always nurtured those folk who have creative, artistic vision. These quiet unassuming hills are full of potters,
painters, writers, jewellers, sculptors, photographers, actors, musicians and filmmakers.”
“People have forever been inspired to live and work within its green leafy confines – it is no secret to those in the know that
Nillumbik’s rolling hills beckon those of a slightly creative ilk.”
Liz Vercoe, Artist & former resident
78

continue the
conversation
Questions for a future of
creative expression
How do we maintain Nillumbik as a haven for artists with a
creative environment that is accessible to all
How can we encourage the integration of creativity into urban
settings within the Shire
How can this artistic expression continue to enhance the tourism
experience and prosperity within the Shire
80

Chapter 6
Experience, discovery and
fulfilment
“The children of today don’t need teachers to be the holders of knowledge, because children can access
information themselves. Rather, it is imperative to provide guidance through the complex technological maze of
information so they can develop their knowledge.”
Dr David Warner, Eltham College Principal
81

Learning
through discovery
Nillumbik fosters local learning and stimulates curiosity
in its community. It is alive with opportunities for learning
and participation, both formal and informal. It is a place
for personal growth and discovery for people of all ages,
abilities and stages of life.
Learning through curiosity and investigation starts early,
and in Nillumbik the children enjoy the opportunity to get
their hands dirty.
82

“I visit the parks with his sister and Mum.
Swings are the best – can’t get sister off the
swings!”
Hurstbridge resident, aged three
“I also like to go to the Diamond Creek pool and we
go down the big straight slide. I like to play on the
swirly whirly slide when I go to the park. I would like
to have treasure hunts when I go to the pool, and a
merry go round at the park. I like coming to Meruka
[childcare] because I like to play with my friends.”
Diamond Creek resident, aged four
and a half
“ In my neighbourhood I would like a café with an
apple tree next to it so they could make delicious apple
pies to eat.”
Panton Hill resident, aged four
“It’s fun at kinder. Playing with friends outside
is the best.”
North Warrandyte resident aged four
83
“Grandparents’ farm has animals. They have lambs,
four sheep and four goats.”
ELTHAM NORTH RESIDENT, AGED THREE

Learning is
connecting the community
There are many great examples of social learning
occurring throughout the Shire of Nillumbik, providing
children and their families with opportunities to connect
with the wider community, as well as tailored programs
supporting the personalised growth and development of
children and young people within the community.
Nillumbik Learning Tree is a free program for children up
to five years of age and their families to play, learn and
grow through storytelling, music, art and movement.
Edendale Community Education Farm offers a range of
environmental information and educational programs
about sustainable food growing, and runs an indigenous
plants nursery. A range of activities are available for
preschool and primary school aged children.
84

Catholic Ladies College is situated in a beautiful,
natural environment, which makes it a unique
learning community. The College ensures that young
girls not only learn about school subjects, but how
to maintain a healthy mental state and to manage
the stresses of life. It creates strong women who are
ready for the future and the endless possibilities in the
Nillumbik Shire.
Senior Student, Catholic Ladies
College
The Co-op is a community of families
committed to providing a stimulating
alternative to the mainstream classroom. We
believe that every member of the community
can contribute to teaching and raising its
children.
Programs include building design, surveying and
construction; interior decoration; digital media;
computer systems; information technology;
horticulture and landscaping; music and sound
production. Most people wouldn’t think you could
learn all this out here.
MARKETING MANAGER, NMIT
Gregory Richardson,
Coordinator of Hurstbridge
Learning Cooperative
Students are challenged to think critically, to
work in teams, show leadership and achieve
success along many pathways.
Darren Squires, Assistant
Principal
Eltham High School, Chris
Crowe, Eltham
The boundaries of the school fence are being ever
lessened, with students demonstrating leadership and
accessing the resources of the broader community to
bring their ideas to fruition. Through teamwork and
commitment they have an authentic connection to the
community, and they in turn enable students to make
a difference locally.
Robyn Watson - Turner
Principal, Arthurs Creek Primary
School
85

Learning
through life
Learning is seen as a lifelong journey in Nillumbik – it is
a journey that is well supported and shared within the
community. Experiential learning and opportunities for
informal learning underpin the success of the programs
across Nillumbik.
Programs range in size and formality. Some examples
include the community-run heritage and historical
groups; self-guided Indigenous trails like the Gawa Trail
at Watsons Creek or the Moor-rul viewing platform in
Kangaroo Ground; the Past Matters and World Matters
festivals and the adult learning environments of Allwood
Neighbourhood House, Living & Learning Nillumbik and
the University of the Third Age.
The community’s love of the landscape and environment
is reflected in the popular courses on offer at Living &
Learning Nillumbik. Courses such as veggie gardening
for kids, composting and worm farming, upcycling
and keeping chooks reveal a keen interest in making a
difference to the environment and living sustainably.
86

A place of ‘pitching in’
and taking action
Nillumbik has some of the highest rates of volunteering in
Victoria, demonstrating the community’s generosity and
willingness to participate and lend a hand to help one
another.
There are many ways people choose to do their bit
in Nillumbik. Volunteers are involved in a number of
community events and organisations. The opportunities
are diverse – from volunteering with the CFA or SES
or adopting a garden bed at Montsalvat to mentoring
learner drivers through Council’s L2P Learner Driver
Mentor Program or helping children learn and grow at the
Nillumbik Learning Tree.
“Volunteers comment they are learning new skills, making new friends and contributing to their community; organisations tell how well
volunteers are doing and how they bring new skills, understanding and experience to their organisation.”
Manager, North East Region Volunteer Resources Centre
88

A place of CELEBRATION
There are also a multitude of activities held throughout the
shire celebrating or commemorating important times and
events and the search for social justice. Activities are as
current and relevant as the community that participates,
and yet many have a rich history, facilitated by groups of
people with special interests and passions in Nillumbik.
Township festivals led locally; themed festivals such as
the Eltham Jazz Festival; and the Welcome Platypus
Festival headline activity across the shire, yet there is also
space for targeted events; the intimate, the small, the
informal. World Matters and Past Matters are examples
of local events with strong social justice and educational
frameworks.
90

case study
The Nillumbik Reconciliation Group
Why is this place inspiring
The Nillumbik Reconciliation Group is a group of volunteers
committed to furthering the process of reconciliation with
Australia’s Indigenous people. This includes co-hosting
events such as the Past Matters Literary Festival and a local
Writing for Rights event, where people talk about culture,
history, family, memory and reconciliation.
case study
BOOTS FOR ALL
Why is this place inspiring
A recent development involving Nillumbik residents is a
program to recycle football boots aimed at providing good
quality, cleaned and re-studded second hand boots
at a minimal cost to less advantaged young footballers
[Australia wide].
92

A place to stay active
and healthy
Sport and leisure is a major part of the Nillumbik way
of life. From elite level sports to casual recreation, there
is something for everyone. With the country town feel,
trails and open spaces it is no wonder that sport and
recreation are enjoyed by many Nillumbik residents.
94

Belief in Action – A community legacy
Eltham is now the major population centre of Nillumbik. A strong community tradition in Eltham has proved a catalyst for individual and
cooperative achievement, which though not unique, is hard to match.
Artists have been attracted to the area by its tranquil bush environment and unique light. The establishment of Montsalvat created an
ambience and tradition that encouraged more and more artists and craftspeople to choose Eltham as a place to develop their talents as
sculptors, potters, jewellers, musicians and writers. [It] provided an idyllic venue for musicians of many styles over the years and has
directly contributed to Australia’s international reputation for jazz.
Alastair Knox highlighted the importance of preserving and passing on the values inherent in the Eltham lifestyle; the Eltham community
continued to prove its strength and spirit for the balance of the 20th century.
‘Belief in action’ was a phrase used by Alistair Knox to describe Eltham’s community spirit. There are many examples of ‘belief in
action’ – that is, seeing a need and doing something about it. There are many examples of this spirit.
Possibly the biggest sporting success has been achieved by the Eltham Basketball Club, creating what is believed to be the largest junior
basketball tournament in the world.
Eltham community responded to protect an endangered species, the Eltham Copper Butterfly. With support from state and local
government, an art auction of works contributed by many local artists, and a number of other community events, raised sufficient money
to buy tracts of the butterfly’s habitat, creating two butterfly reserves.
Mal Harrop, Eltham resident
96

continue the
conversation
Questions for the future
How do we ensure learning and participation opportunities
are available to all
How can we foster the next generation of volunteers
and community leaders
How can we be better prepared for tomorrow
Can ‘belief in action’ be reinvigorated as a rallying
slogan in Nillumbik
98

Chapter 7
Stewarding the
Nillumbik Way
99

Stewarding the
Nillumbik Way
Together, we are stewards of the past, present and future. Our
intertwined lives bring strength, joy and meaning. We must
move just to stand still and act from a position of confidence
in who we are and what we stand for. The Nillumbik Way is a
story millennia old but constantly evolving. What will the child
born today say of our choices when they come to picture
Nillumbik in the future
This book provides a snapshot of values expressed by
Nillumbik residents, reflected through the themes:
• local village life
• deep connection and a resilient community
• balance with nature
• a sustaining and evolving economy
• creative expression, art and cultural exchange
• experience, discovery and fulfilment
This book tells a story of a desire, across the Shire, to prosper
and manage change, while balancing many priorities including
the beauty and fragility of bushland and rural landscapes,
the unique and charming qualities of towns and villages, the
precious social and cultural heritage, and the diversity, vibrancy
and vulnerability of people.
As community values continue to evolve, it is hoped that this
book will provide a touchstone to stimulate further discussion
and reflection. It is also hoped that it inspires people to explore
more of their local area. For Nillumbik Shire Council, this book
provides an important input to planning and a guidepost for
navigating the challenges ahead.
Ultimately it is hoped that this book paints a picture of a
community striving to live in harmony with its values – the
Nillumbik way.
100

101

Civic Drive, Greensborough
PO Box 476, Greensborough, VIC 3088
Telephone 9433 3111 Facsimile 9433 3777
Website www.nillumbik.vic.gov.au
Email nillumbik@nillumbik.vic.gov.au
Printed in Nillumbik.