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Robert Delves the Garden Path ‘Blind Faith’ is a nightmare scene. It is a depiction of dark times. Man in his inimitable ignorance is plunged .... like Dante‘s hell - into the bleak abyss of his own design. Demonic like creatures - a manifestation of his tormented end, ravage flesh and bone in a symbiotic act of retribution. Blind Faith Mixed media, 2007 Dimensions variable Robert was born in Melbourne in 1964 and took his B.A. in Fine Art from RMIT in 1985 before going on to complete a Graduate Diploma in Sculpture at Victorian College of the <strong>Arts</strong> in 1990. He has exhibited widely since then in a host of group exhibitions including Yering Station Sculpture Exhibition and Contempora 2, Docklands Festival of Sculpture in 2005 and as a finalist in the Montalto Sculpture Prize in 2006. He has also produced seven solo exhibitions of his works most recently at Anita Traverso Gallery in 2006. 20
the Garden Path S ean Diamond Can we reclaim what is left to decay in the Earth or in her atmosphere My interest is in taking waste energy and materials from the environment discarded by humans and reforming them to be utilised and appreciated once again but in a different form. I use found railway and farm equipment, making sculptural elements that honour the history of those elements as human tools from a previous age and their integral role enabling humans to persuade the earth. These are disused machines, laid to waste by time, technology and the movement of humans… like dinosaur bones! Zero Emission Art – A native tree has been planted Raptosaur Mild steel & found objects, 2007 180 x 340 x 170cm Having worked in a variety of international corporate roles for two of Australia’s biggest companies, and having lived and travelled extensively throughout Asia, Sean has more recently turned his experience and energy into exploring the relationships humans have with tools used to manipulate the earth and the inevitable waste it creates. His creative practice has evolved from light paintings with photography into more sculptural concerns over the past few years. In 2006 he received the People’s Choice Award at the St Kilda Community Artist Gardens open day sculpture competition with the three metre Mediasaur, a Papier Mache dinosaur made from the now extinct Punch Magazine (1986/7). 21
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Page 12 and 13: Tony Adams the Garden Path Port Phi
Page 14 and 15: D on Barrett the Garden Path In thi
Page 16 and 17: Judith Ben-Meir the Garden Path Def
Page 18 and 19: C hris Bold REPRESENTED BY 4 CATS G
Page 20 and 21: M ark Cowie the Garden Path Rising
Page 24 and 25: Rowan S Douglas the Garden Path I l
Page 26 and 27: Ursula Dutkiewicz the Garden Path T
Page 28 and 29: S usan Fell-Mclean the Garden Path
Page 30 and 31: T anja George the Garden Path My fa
Page 32 and 33: C hristopher Headley the Garden Pat
Page 34 and 35: W illiam Holt the Garden Path Royal
Page 36 and 37: G aby Jung the Garden Path My work
Page 38 and 39: S tone Lee the Garden Path Trivialn
Page 40 and 41: F leur McArthur the Garden Path Col
Page 42 and 43: Marianne Midelburg the Garden Path
Page 44 and 45: C arlo Pagoda the Garden Path Balan
Page 46 and 47: L oretta Quinn the Garden Path Memo
Page 48 and 49: F iona Ruttelle the Garden Path Fio
Page 50 and 51: Roh Singh REPRESENTED BY DIANNE TAN
Page 52 and 53: Jennyfer Stratman REPRESENTED BY UB
Page 54 and 55: A shley Turner the Garden Path Moon
Page 56 and 57: Robert Waghorn the Garden Path Powe
Page 58 and 59: M ichael Walsh the Garden Path Dive
Page 60 and 61: D awn Whitehand the Garden Path Equ

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