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Download Catalogue (pdf 5.3MB) - Watch Arts

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L oretta Quinn<br />

the Garden Path<br />

Memory of Dreams<br />

Hand cut aluminium, 2002<br />

262 x 74 x 74cm<br />

Loretta was born in Hobart where she began her art studies at the University<br />

of Tasmania. She has been living and working in Melbourne since 1981 and<br />

this year commenced a PHD at Monash University. She recently held a<br />

retrospective exhibition of her works entitled A Decade of Sculpture at<br />

Stonnington Stables Museum of Art at Deakin University in Toorak. Loretta<br />

has been a lecturer and teacher in Sculpture at Victorian Universities since<br />

1985, including the Victorian College of the <strong>Arts</strong>, Monash University,<br />

University of Melbourne and RMIT University where she is currently<br />

employed. Her over eighty exhibitions have included fourteen solo shows<br />

and she has received numerous awards and funding grants. Her work is<br />

represented in collections nationally and internationally, including the<br />

Australian National Gallery Canberra, Melbourne City Council and the City of<br />

Port Phillip, with five permanent public sculptures in prominent locations<br />

throughout the Melbourne CBD, including Beyond the Ocean of Existence, a<br />

six metre bronze work at the corner of Flinders Lane and Swanston Street.<br />

I have been<br />

fascinated with<br />

gardens since my<br />

early childhood in<br />

Tasmania. Looking<br />

back now I realise<br />

they appeared to me<br />

to be sacred places<br />

where the balance<br />

between the natural<br />

and built environments<br />

were at their<br />

most harmonious.<br />

Shrines and the 19th<br />

century landscaping<br />

became mysterious<br />

and almost magical<br />

when combined with<br />

the beautifully cared<br />

for trees and<br />

plantings. These were<br />

the settings for<br />

childhood dreams<br />

that now have turned<br />

to memories. This<br />

work represents the<br />

garden as a place for<br />

reverence and<br />

contemplation.<br />

44

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