Download Catalogue (pdf 5.3MB) - Watch Arts
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S usan Fell-Mclean<br />
the Garden Path<br />
Finds<br />
Silk, felted wool, wire, stitch & shibori in wooden museum boxes, 2006<br />
30 x 40 x 15cm (each wooden box)<br />
Susan’s work varies from small sculptural forms and flat wall pieces<br />
to large installations occupying interior spaces. She has recently<br />
shown a solo exhibition of her works at Yarra Sculpture Gallery. She<br />
works with textiles, manipulating age old processes in contemporary<br />
interpretations. Silks, cottons, felted wools and other fibres are<br />
stretched, wrapped, stressed, stitched and dyed. They are combined<br />
with wood, copper wire, wax and other materials to explore concepts<br />
of palimpsests and sense of place. Susan has been involved in<br />
several contemporary International conferences: (as presenter) The<br />
World Batik Conference Boston, Massachusetts, USA and KLIB Kuala<br />
Lumpur International Batik, both in 2005. The same year, she<br />
exhibited in The World Shibori Symposium in Melbourne. In 2003 at<br />
the Museum of Industrial Archaeology and Textiles, Belgium at the<br />
Ghent Centre for Artistic Confrontation, she exhibited and conducted<br />
workshops, for which she was awarded an <strong>Arts</strong> Victoria Grant for<br />
Professional Development. That same year she completed an Artist<br />
Residency at Cumnor House School in Sussex UK, felt making with<br />
children and teachers.<br />
These works are a<br />
response to my research<br />
journey in Herculaneum<br />
looking for the palimpsests<br />
of Italy. In 2006 I<br />
completed a Master of<br />
Visual <strong>Arts</strong> Degree, and<br />
was very fortunate to be<br />
awarded a studio position<br />
in Palazzo Vaj, the<br />
Monash University Study<br />
Centre in Prato in Tuscany.<br />
My deconstructed and<br />
constructed textile pieces<br />
help us to journey back to<br />
ancient Roman times,<br />
and to imagine the ‘finds’<br />
of excavations. The<br />
colourants for these shibori<br />
pieces (local Tuscan vino<br />
rosso, noce, cipolla and<br />
porcini), were used as a<br />
metaphor for the way in<br />
which the mud from the<br />
volcanic devastation<br />
preserved the daily life of<br />
an ancient civilisation, the<br />
archaeological excavations<br />
of Herculaneum revealing<br />
its secrets.<br />
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