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Download Catalogue (pdf 5.3MB) - Watch Arts

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S usan Fell-Mclean<br />

the Garden Path<br />

Finds<br />

Silk, felted wool, wire, stitch & shibori in wooden museum boxes, 2006<br />

30 x 40 x 15cm (each wooden box)<br />

Susan’s work varies from small sculptural forms and flat wall pieces<br />

to large installations occupying interior spaces. She has recently<br />

shown a solo exhibition of her works at Yarra Sculpture Gallery. She<br />

works with textiles, manipulating age old processes in contemporary<br />

interpretations. Silks, cottons, felted wools and other fibres are<br />

stretched, wrapped, stressed, stitched and dyed. They are combined<br />

with wood, copper wire, wax and other materials to explore concepts<br />

of palimpsests and sense of place. Susan has been involved in<br />

several contemporary International conferences: (as presenter) The<br />

World Batik Conference Boston, Massachusetts, USA and KLIB Kuala<br />

Lumpur International Batik, both in 2005. The same year, she<br />

exhibited in The World Shibori Symposium in Melbourne. In 2003 at<br />

the Museum of Industrial Archaeology and Textiles, Belgium at the<br />

Ghent Centre for Artistic Confrontation, she exhibited and conducted<br />

workshops, for which she was awarded an <strong>Arts</strong> Victoria Grant for<br />

Professional Development. That same year she completed an Artist<br />

Residency at Cumnor House School in Sussex UK, felt making with<br />

children and teachers.<br />

These works are a<br />

response to my research<br />

journey in Herculaneum<br />

looking for the palimpsests<br />

of Italy. In 2006 I<br />

completed a Master of<br />

Visual <strong>Arts</strong> Degree, and<br />

was very fortunate to be<br />

awarded a studio position<br />

in Palazzo Vaj, the<br />

Monash University Study<br />

Centre in Prato in Tuscany.<br />

My deconstructed and<br />

constructed textile pieces<br />

help us to journey back to<br />

ancient Roman times,<br />

and to imagine the ‘finds’<br />

of excavations. The<br />

colourants for these shibori<br />

pieces (local Tuscan vino<br />

rosso, noce, cipolla and<br />

porcini), were used as a<br />

metaphor for the way in<br />

which the mud from the<br />

volcanic devastation<br />

preserved the daily life of<br />

an ancient civilisation, the<br />

archaeological excavations<br />

of Herculaneum revealing<br />

its secrets.<br />

26

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