13.01.2015 Views

Last Name 1 Student's Name Writing 39B Instructor's Name Date ...

Last Name 1 Student's Name Writing 39B Instructor's Name Date ...

Last Name 1 Student's Name Writing 39B Instructor's Name Date ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

<strong>Last</strong> <strong>Name</strong> 1<br />

Student’s <strong>Name</strong><br />

<strong>Writing</strong> <strong>39B</strong><br />

Instructor’s <strong>Name</strong><br />

<strong>Date</strong><br />

How to Be Cool<br />

My RIP project is a horatian satire of the stereotypical version of “cool” in high school,<br />

which is characterized by slouching in chairs, acting indifferent, and behaving in a mundane<br />

way. I feel that a desire to be cool is faulty--it is a desire to be uninteresting and unfriendly. In<br />

my project, I expose and mock this desire in hopes that it will point readers in the direction of a<br />

better attitude: being friendly, open, and expressive of one’s individuality. My project is a comic<br />

book guide designed for high school students entitled “How to Be Cool: A High Schooler’s<br />

Guide.” The genre is comedy, and I created it as something that might be available to high<br />

school students online. I used the comic book “Sunny Side Down” by Lev Yilmaz as a model<br />

text. In my project I make use of persona and contrasting illustrations to portray to my readers<br />

that individuality is more valuable than being cool.<br />

I find Yilmaz’s style appealing and loved the variety within his book “Sunny Side<br />

Down.” Some of his pages are mainly text, some mainly drawings, and some a well-balanced<br />

combination. Some topics in his book spanned through several pages and others filled only a<br />

page, but every topic was linked together by a consistent theme, color scheme, and art style. I<br />

had many different aspects of a cool person’s attitude in mind when brainstorming my project, so<br />

utilizing the same comic style as Yilmaz was very beneficial. The style allowed me to jump from


<strong>Last</strong> <strong>Name</strong> 2<br />

topic to topic, such as from attitude to hairstyle, with ease. It also gave me freedom to comment<br />

on each topic in the way I saw fit; I was not constrained to a consistent layout or ratio of text to<br />

art.<br />

In order to appeal to high school students and help get my message across, I used a<br />

catchy color scheme, sloppy fonts, and simple art. I selected a bright and eye-catching color<br />

scheme that I felt would contrast nicely with the images of cool people within the book—making<br />

them look dull by contrast. I also felt the colors were overly cheery and added to the guide’s<br />

enthusiasm, which teenagers could relate to the overly-optimistic inspirational posters popular at<br />

elementary and high schools. Though my guide may be similar to these posters by sharing the<br />

theme of “be yourself,” high school posters preach this topic by stressing the benefits of<br />

expressing yourself. However, I aim to persuade the reader to be an individual by poking fun at<br />

those who aren’t. I do this by sarcastically advising the reader on how to be a stereotypical cool<br />

person. This contrast between the cheerful optimism of an inspirational poster and directions on<br />

how to be stereotypical, mundane, and smug adds to the guide’s comedy and appeals to<br />

teenagers because it also mocks the inspirational advice they’ve grown up with and likely roll<br />

their eyes at. For much of the text in my guide I chose a hand drawn look. The title is in hand<br />

drawn lettering, much like the movies “Juno,” “Scott Pilgrim vs. the World,” and “Nick and<br />

Norah’s Infinite Playlist” which are aimed towards teen audiences and had similar lettering. The<br />

text within the guide is a hand drawn style as well. I felt that a standard font would be associated<br />

with textbooks and academic writing, so to avoid this relation I chose a casual, sloppier font.<br />

This will appeal to my audience because it sends the message that this guide is meant for casual<br />

entertainment, which most teenagers will prefer to a text that appears educational or that appears<br />

to take a high degree of focus to read and understand. My art is also simple, with limited shading


<strong>Last</strong> <strong>Name</strong> 3<br />

and details. High school students can associate this with internet comics or other simple, easy to<br />

understand formats.<br />

In “How to Be Cool” I utilize dual personas to expose faults within a cool person’s<br />

attitude. Throughout the guide, my persona has a very instructive and knowledgeable tone and<br />

gives advice on how to be cool, yet at times I have inserted my own comments, which are much<br />

more direct attacks on the attitude of a cool person than the persona’s instructions. This is similar<br />

to Jonathan Swift’s technique within “A Modest Proposal.” Though most of the proposal was<br />

written in the voice of Swift’s persona, there are times at which Swift intrudes to make more<br />

cutting attacks. My persona advocates being cool, yet my own comments expose the attitude’s<br />

hypocrisy or faults. On the page entitled “People You Dislike,” for example, my persona is<br />

providing information about what groups of people to dislike and why. Yet after the listing of<br />

“the openly gay” I have inserted my own comment, “They are much too comfortable with<br />

themselves, a luxury you can’t enjoy.” This comment is a direct stab at the cool attitude,<br />

suggesting that cool people dislike groups which express themselves freely because cool people<br />

are jealous that they don’t have a similar level of comfort. In another example, on the page<br />

“Expert Advice,” my persona provides a quote from an imaginary character, Joe, who complains<br />

about the inconvenience of heavy textbooks. He then complains that rolling backpacks are<br />

“dorky” and advices, “If you’re cool, you will demonstrate your disapproval* of this<br />

‘convenience’ [rolling backpacks].” Joe feels that heavy textbooks required for class are<br />

inconvenient, but later in an illustration kicks a rolling backpack because it is dorky. However,<br />

rolling backpacks are a realistic solution to the very thing he is complaining about—the<br />

inconvenience of heavy textbooks. So, within Joe’s quote I added an asterisk after “disapproval”<br />

which led to my own commentary: “possible jealousy of convenience.” My comment makes a


<strong>Last</strong> <strong>Name</strong> 4<br />

point of Joe’s hypocrisy and suggests that the true motive for disapproval of rolling backpacks is<br />

that a cool person wouldn’t be confident enough to make use of one him or herself. A high<br />

school student can relate to these examples because homosexuality is currently a popular<br />

controversy in high schools and rolling backpacks are something generally understood as<br />

“uncool.”<br />

I also use contrasting illustrations to magnify the effect of a cool attitude on a person.<br />

Throughout the guide, the cool people are drawn in dull colors that do not stand out. This<br />

contrasts with the images of the non-cool students, who vary greatly in colors of clothing. This is<br />

to emphasize that an attitude which advocates being disinterested in turn makes the person<br />

uninteresting. Furthermore, in the majority of the illustrations, the cool person is expressing<br />

boredom, smugness, or unhappiness, while other people are joyful and expressive. The cool<br />

people are unexpressive because they are instructed by their stereotype to be this way, yet I<br />

chose to make others very expressive to make it look like being an individual, friendly, and<br />

interested was more fun and exciting than being cool. An example of this contrast can be seen on<br />

the first and last pages of the guide. When the guide begins, an excited character in bright clothes<br />

has his arms thrown up in anticipation of learning to be cool. Yet, on the last couple pages, the<br />

character is shown again with a calmer hairstyle, an unhappy expression, crossed arms, and dull<br />

clothes. With this contrast I displayed how much less appealing the character was once he<br />

became cool, and on the final page he tellingly wonders, “Is it cool to miss the uncool me”<br />

I am not only very relieved to be done with my project, but I am very glad I did it. For<br />

several years I have been interested in learning how to design images on Photoshop, but I never<br />

had the motivation to do it. I knew I wanted my project to be paper comic book, and I quickly<br />

realized that if I wanted it to look professional, I had to ditch the colored pencils and design my


<strong>Last</strong> <strong>Name</strong> 5<br />

pages digitally. My goal for this project forced me to put up with the frustration and difficulties<br />

of figuring out Photoshop, and now I have basic knowledge that I can build on in the future. I<br />

was also concerned that I wouldn’t have time to finish this project, but somehow it all fell<br />

together just in time. Although it’s not perfect, I am fairly proud of my final product and hope<br />

that it marks the beginning of more digital artistic creations in my future.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!