Bibliography of non-indigenous literary writings on the Pacific
Bibliography of non-indigenous literary writings on the Pacific
Bibliography of non-indigenous literary writings on the Pacific
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@L<strong>on</strong>d<strong>on</strong>, Jack, Michael, bro<strong>the</strong>r <str<strong>on</strong>g>of</str<strong>on</strong>g> Jerry, L<strong>on</strong>d<strong>on</strong>: Mills / NY: Macmillan ^1919 (1917?),<br />
%US #MEL NHeb *Fic(dog story) search<br />
@L<strong>on</strong>d<strong>on</strong>, Jack, A S<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> <strong>the</strong> Sun, L<strong>on</strong>d<strong>on</strong>: Mills (&Bo<strong>on</strong>?) ? (Subramani/ Mana)<br />
@L<strong>on</strong>d<strong>on</strong>, Jack, South Sea Tales, L<strong>on</strong>d<strong>on</strong>: Mills / NY: Macmillan, ^1911/Cleveland: World<br />
Publishing Co., 1946, %US #PAC *Stories search PS 3523/O46S65 Main U.Q.<br />
South Sea Tales, Leipzig: Tauchnitz, nd %US #PAC *Fic 813.5/LON/2 grant<br />
C<strong>on</strong>tains: "The House <str<strong>on</strong>g>of</str<strong>on</strong>g> Mapuhi" (starting-point for Frisbee's novel?— native wants to trade<br />
enourmous pearl for a house with an octag<strong>on</strong> clock and sewing machine) great piece<br />
<str<strong>on</strong>g>of</str<strong>on</strong>g> hurricane descripti<strong>on</strong>.<br />
"The Whale Tooth" Fiji: John Starhurst's martyr missi<strong>on</strong> to c<strong>on</strong>vert <strong>the</strong> highland cannibal<br />
warriors <str<strong>on</strong>g>of</str<strong>on</strong>g> Rewa. More a Kipling-esque account <str<strong>on</strong>g>of</str<strong>on</strong>g> mutual respect am<strong>on</strong>g str<strong>on</strong>g men<br />
than a Christian hagiography.<br />
"Mauki" <strong>the</strong> story <str<strong>on</strong>g>of</str<strong>on</strong>g> <strong>the</strong> escapes and revenge <str<strong>on</strong>g>of</str<strong>on</strong>g> a Malaita pris<strong>on</strong>er-labourer, reducing to a<br />
two-man c<strong>on</strong>flict <strong>on</strong> Lord Howe (Ont<strong>on</strong>g Java)—more a waiting game for <strong>the</strong> o<strong>the</strong>r to<br />
break than an outright battle, but <strong>the</strong> black man comes out <str<strong>on</strong>g>of</str<strong>on</strong>g> it better overall.<br />
"'Yah! Yah! Yah!'" <strong>the</strong> first <str<strong>on</strong>g>of</str<strong>on</strong>g> L<strong>on</strong>d<strong>on</strong>'s tales about "<strong>the</strong> inevitable white man", whose power<br />
rests <strong>on</strong> c<strong>on</strong>vincing natives that he or his breed are indestructible, bey<strong>on</strong>d <strong>the</strong> normal<br />
c<strong>on</strong>straints <str<strong>on</strong>g>of</str<strong>on</strong>g> human c<strong>on</strong>duct and implacable in <strong>the</strong>ir punishment <str<strong>on</strong>g>of</str<strong>on</strong>g> attacks <strong>on</strong><br />
whites. Solom<strong>on</strong>s.<br />
"The Hea<strong>the</strong>n" touching tale <str<strong>on</strong>g>of</str<strong>on</strong>g> 'blood bro<strong>the</strong>rhood' between white and brown. Ano<strong>the</strong>r<br />
dramatically graphic account <str<strong>on</strong>g>of</str<strong>on</strong>g> a hurricane. Otoo is more moral and perspicacious<br />
than his white counterpart, sets him <strong>on</strong> his road to success and finally sacrifices<br />
himself to a shark for his friend/master.<br />
"The Terrible Solom<strong>on</strong>s" comic tale <str<strong>on</strong>g>of</str<strong>on</strong>g> scaring <strong>the</strong> newcomer adventurer with bloodthirsty<br />
dramatic enactments <str<strong>on</strong>g>of</str<strong>on</strong>g> <strong>the</strong> dangers <str<strong>on</strong>g>of</str<strong>on</strong>g> life am<strong>on</strong>gst cannibals and a 'nigger-loving'<br />
government. Preaches <strong>the</strong> necessity <str<strong>on</strong>g>of</str<strong>on</strong>g> hard-bitten, amoral survival skills in <strong>the</strong><br />
"inevitable white man".<br />
"The Inevitable White Man" ano<strong>the</strong>r tale <str<strong>on</strong>g>of</str<strong>on</strong>g> mass slaughter in retributi<strong>on</strong> for native attack <strong>on</strong> a<br />
white ship. There's no point in trying to understand blacks; white destiny is "to farm<br />
<strong>the</strong> world" and <strong>the</strong> "stupidity" <str<strong>on</strong>g>of</str<strong>on</strong>g> whites is a protective virtue in achieving this goal<br />
(refusing to recognise when <strong>the</strong> odds are against him and mastering elementary skills<br />
like shooting).<br />
"The Seed <str<strong>on</strong>g>of</str<strong>on</strong>g> McCoy" descendant <str<strong>on</strong>g>of</str<strong>on</strong>g> <strong>the</strong> violent mutineers <strong>on</strong> Pitcairn soo<strong>the</strong>s a mutinous<br />
crew and desperate captain and navigates <strong>the</strong>m through <strong>the</strong> treacherous Paumotus<br />
to beach <strong>the</strong>ir burning ship.<br />
Sudseegeschichten, Munich: Sudwest, 196? 8 stories<br />
Die Glüchlichen Inseln, Munich: Sudwest, nd stories<br />
@Loti, Pierre, [Louis Marie Julien Viaud], The Marriage <str<strong>on</strong>g>of</str<strong>on</strong>g> Loti ( tr. Clara Bell) L<strong>on</strong>d<strong>on</strong>: T.<br />
Werner Laurie/ NY F.A. Stokes, ^1925<br />
(Rarahu, ^1880 becomes Tahiti:Le Mariage de Loti, ^1882)<br />
The Marriage <str<strong>on</strong>g>of</str<strong>on</strong>g> Loti (tr. Wright & Eleanor Friers<strong>on</strong>) H<strong>on</strong>olulu: U Hawaii, 1976 %FRA #POL<br />
*Fic<br />
Le Mariage de Loti, Paris: Calmann-Levy, 1893 PQ2472/M3 Main U.Q.Closed access<br />
(Compare with <strong>the</strong> supposedly lyrical portrayal <str<strong>on</strong>g>of</str<strong>on</strong>g> <strong>the</strong> isles <str<strong>on</strong>g>of</str<strong>on</strong>g> golden youth in <strong>the</strong> sketches <str<strong>on</strong>g>of</str<strong>on</strong>g><br />
Charles Warren Stoddard, South Sea Idylls, Bost<strong>on</strong>: James Osgood, ^1873)<br />
in Pears<strong>on</strong>, pp.74-6; reached 211 editi<strong>on</strong>s by 1926<br />
Romance <str<strong>on</strong>g>of</str<strong>on</strong>g> young sailor with teenage girl Rarahu in idyllic surroundings. Harry Grant also<br />
searches for <strong>the</strong> Tahitian wife and children <str<strong>on</strong>g>of</str<strong>on</strong>g> his dead bro<strong>the</strong>r, and gives pen portraits <str<strong>on</strong>g>of</str<strong>on</strong>g><br />
Queen Pomare IV's court and <strong>the</strong> hinterland <str<strong>on</strong>g>of</str<strong>on</strong>g> Papeete, plus a brief sketch <str<strong>on</strong>g>of</str<strong>on</strong>g> a visit to Nuku<br />
Hiva. Much sighing and sentimental torment as Loti rehearses his inevitable departure and<br />
<strong>the</strong> 'inevitable' death <str<strong>on</strong>g>of</str<strong>on</strong>g> Rarahu's charming but savage (and tubercular) race. C<strong>on</strong>siderable<br />
tensi<strong>on</strong> between keeping things pure and revelling in sensuous license, relishing <strong>the</strong> 'laidback'<br />
life <str<strong>on</strong>g>of</str<strong>on</strong>g> <strong>the</strong> islands and resisting <strong>the</strong> urge to shed civilised accomplishment finds