2007-2008 - Yerba Buena Center for the Arts
2007-2008 - Yerba Buena Center for the Arts
2007-2008 - Yerba Buena Center for the Arts
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DARK MATTERS: ARTISTS SEE THE IMPOSSIBLE<br />
Jul 28–Nov 11, <strong>2007</strong> // First Floor Galleries<br />
A group exhibition of hi-tech installations, photography,<br />
video and conceptual projects that uncover <strong>the</strong><br />
unexpected, <strong>the</strong> invisible and <strong>the</strong> hidden. Delving into<br />
<strong>the</strong> obscure and often sinister, <strong>the</strong> works allow us to<br />
experience what we only suspect exists. Projects include<br />
<strong>the</strong> internet-eaves dropping installation Listening Post<br />
by Ben Rubin and Mark Hansen; surveillance projects<br />
by artist/experimental geographer Trevor Paglen;<br />
and multi-channel panoramic videos by Bull.Miletic.<br />
Additional works by Sergio Prego, Walid Raad, Kambui<br />
Olujimi, Alison Sant, Richard Johnson, Richard Barnes,<br />
Alex Schweder and Charles Mason.<br />
JOACHIM SCHMID: PHOTOWORKS 1982 – <strong>2007</strong><br />
Jul 28–Oct 14, <strong>2007</strong> // Terrace Galleries<br />
A self-described “professional looker,” Berlin-based<br />
artist Schmid has scoured archives, <strong>the</strong> streets around<br />
photo booths, and internet webcam sites <strong>for</strong> <strong>the</strong> raw<br />
materials out of which he crafts his sly and sardonic<br />
works. He invites us to re-“see” photography, questioning<br />
<strong>the</strong> nature of authorship and <strong>the</strong> role of <strong>the</strong><br />
photographer. This mid-career survey includes his<br />
signature series Bilder von der Strasse (Pictures from<br />
<strong>the</strong> Street) to more recent multi-channel digital photo<br />
installations. Exhibition accompanied by an artist booklet<br />
and a monograph. Organized by <strong>the</strong> Tang Museum at<br />
Skidmore College, Saratoga Springs, New York and The<br />
Photographers’ Gallery, London.<br />
BIOTECHNIQUE<br />
Oct 26–Jan 6,<strong>2008</strong> // Terrace Galleries<br />
Curated by Philip Ross<br />
Nor<strong>the</strong>rn Cali<strong>for</strong>nia hosts more life sciences companies<br />
than anywhere else in <strong>the</strong> world. BioTechnique showcases<br />
a visually rich assortment of organisms, semi-living<br />
objects, and intricate life support systems, shining<br />
light on <strong>the</strong> technologies that are changing <strong>the</strong> global<br />
economy and <strong>the</strong> earth itself. The product of biological<br />
techniques—<strong>the</strong> artworks in <strong>the</strong> exhibition have been<br />
“grown” ra<strong>the</strong>r than manufactured. Shown alongside<br />
<strong>the</strong>se artworks are artifacts made by industrial technologists,<br />
ecological researchers and biological engineers, in<br />
an enlightening exhibition that explores <strong>the</strong> increasingly<br />
fuzzy line between <strong>the</strong> technological and <strong>the</strong> natural.<br />
YBCA 07_08 ANNUAL REPORT / BIG IDEA 1: REALITY CHECK / VISUAL ARTS / P. 0<br />
Image: Dark Matters