WRWA Newsletter.pub - Wisconsin Writers Association
WRWA Newsletter.pub - Wisconsin Writers Association
WRWA Newsletter.pub - Wisconsin Writers Association
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Page 31<br />
Patricia Fry—The Right Way by Dorothy Lund<br />
Patricia Fry has contributed articles to<br />
two hundred magazines and written<br />
twenty-five books. She is an editor, ghost<br />
writer, promoter, and self-<strong>pub</strong>lisher. The<br />
president of Small Publishers Artists and<br />
<strong>Writers</strong>' Network (SPAWN), she is the<br />
author of The Right Way to Write Publish<br />
and Sell Your Book.<br />
Patricia began her presentation by informing<br />
us that if we wanted to write a<br />
book, we should look upon the actual writing as our last step.<br />
She eased our puzzled minds by outlining the steps that should<br />
come first.<br />
•Study the <strong>pub</strong>lishing industry; know which <strong>pub</strong>lishers deal<br />
with the type of book you plan to write and how friendly<br />
they are to your subject. Know your options.<br />
•Write a book proposal, keeping in mind why you want to<br />
write this book and what needs it might satisfy for readers.<br />
Focus your work on today's market and reader's demand.<br />
Identify your target audience.<br />
•Ask yourself, “What is your platform or ways of reaching<br />
your audience” Possibilities could be joining or creating<br />
organizations dealing with your subject or doing writeups<br />
for newsletters, magazines and the Internet. Always<br />
look for promotional opportunities you can build into<br />
your book. For instance, a character in your novel may<br />
have a secondary dimension involving an infirmity, such<br />
as diabetes, or a special interest, such as horse training,<br />
bird watching, or collecting antique cars. These are mar-<br />
kets to pursue.<br />
•Start talking about your book; set up speaking gigs, workshops,<br />
mailing lists, and a Web site. Become a storyteller.<br />
Get yourself out there.<br />
Patricia concluded that if writers are going to successfully<br />
write, <strong>pub</strong>lish, and sell their books, they must shift from the<br />
creative right-brain process to the rational left brain. This can<br />
save time in the long run, and, by focusing your writing in the<br />
proper direction, you may very well facilitate the creative<br />
process and make things easier and more gratifying when you<br />
switch back to the right side of your brain and write your<br />
book. #<br />
Get Published in<br />
2007<br />
Order Patricia Fry’s Book:<br />
The Right Way to Write,<br />
Publish, and Sell Your<br />
Book<br />
(as discussed at <strong>WRWA</strong> Fall Conference)<br />
$19.95, 328 pages, Matilija<br />
Press, 2006<br />
www.matilijapress.com/rightway.html<br />
Jack Magestro: Changing the Paradigm of Publishing by Claudia Anderson<br />
A feisty and articulate speaker, Jack<br />
Magestro tackled the topic of <strong>pub</strong>lishing.<br />
He explained that there are two ends to<br />
<strong>pub</strong>lishing: self-<strong>pub</strong>lishing—or vanity<br />
<strong>pub</strong>lishing—on one end, and traditional<br />
<strong>pub</strong>lishing in the other. Vanity <strong>pub</strong>lishing<br />
(Print on Demand and other forms of<br />
self-<strong>pub</strong>lishing) entails the most risk for<br />
the author, as the editing, design, distribution,<br />
and <strong>pub</strong>licity fall largely in the<br />
author’s lap. The rewards for self<strong>pub</strong>lishing<br />
are lower <strong>pub</strong>lishing costs, higher percentage of<br />
sales returned to the author, and the ability to promote yourself<br />
the way you want.<br />
On the other end of the scale, traditional <strong>pub</strong>lishers take all<br />
the risk—finding editors, typesetters, graphic designers, and<br />
others who do the legwork to promote your book. Their<br />
amount of involvement is the reason why it is hard to get a<br />
<strong>pub</strong>lisher to take a risk on a new author.<br />
To make <strong>pub</strong>lishing our writing easier, Jack suggested we<br />
find a way to manage the risk, finding a middle ground between<br />
doing everything ourselves and waiting for someone<br />
else to do all the footwork for us. That means doing some of<br />
the work ourselves. Suggestions included finding someone to<br />
edit your writing objectively, designing your own work<br />
through programs such as InDesign or Microsoft Word, submitting<br />
your work to objective readers and working their comments<br />
into your manuscript, and even producing a full mockup<br />
of your book, similar to a galley proof.<br />
Jack suggested there are several programs on the Internet<br />
that can help you create a professional-looking document.<br />
Www.lulu.com has a free utility that helps distill (translate)<br />
Microsoft Word documents into PDF files. Once you convert<br />
your document, he recommended having the PDF file mailed<br />
to you so that you can see how it looks. Then you can have<br />
your manuscript printed and bound with a soft cover in up to<br />
five copies for a very low cost just to demonstrate the final<br />
product. According to Jack, the closer you are to producing a<br />
manuscript in its final form, the more likely you are to get it<br />
read by an agent or <strong>pub</strong>lisher, and the less risk there will be,<br />
both for you and the <strong>pub</strong>lisher.<br />
Final submissions and production depends on how much<br />
we are willing to risk; how much we are willing to put out to<br />
succeed. Self <strong>pub</strong>lishing can be a bonus to getting picked by a<br />
larger <strong>pub</strong>lisher if you have a selling record. But preparing a<br />
professional looking document will take you one step closer to<br />
being considered by a larger <strong>pub</strong>lisher. #