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WRWA Newsletter.pub - Wisconsin Writers Association

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Page 31<br />

Patricia Fry—The Right Way by Dorothy Lund<br />

Patricia Fry has contributed articles to<br />

two hundred magazines and written<br />

twenty-five books. She is an editor, ghost<br />

writer, promoter, and self-<strong>pub</strong>lisher. The<br />

president of Small Publishers Artists and<br />

<strong>Writers</strong>' Network (SPAWN), she is the<br />

author of The Right Way to Write Publish<br />

and Sell Your Book.<br />

Patricia began her presentation by informing<br />

us that if we wanted to write a<br />

book, we should look upon the actual writing as our last step.<br />

She eased our puzzled minds by outlining the steps that should<br />

come first.<br />

•Study the <strong>pub</strong>lishing industry; know which <strong>pub</strong>lishers deal<br />

with the type of book you plan to write and how friendly<br />

they are to your subject. Know your options.<br />

•Write a book proposal, keeping in mind why you want to<br />

write this book and what needs it might satisfy for readers.<br />

Focus your work on today's market and reader's demand.<br />

Identify your target audience.<br />

•Ask yourself, “What is your platform or ways of reaching<br />

your audience” Possibilities could be joining or creating<br />

organizations dealing with your subject or doing writeups<br />

for newsletters, magazines and the Internet. Always<br />

look for promotional opportunities you can build into<br />

your book. For instance, a character in your novel may<br />

have a secondary dimension involving an infirmity, such<br />

as diabetes, or a special interest, such as horse training,<br />

bird watching, or collecting antique cars. These are mar-<br />

kets to pursue.<br />

•Start talking about your book; set up speaking gigs, workshops,<br />

mailing lists, and a Web site. Become a storyteller.<br />

Get yourself out there.<br />

Patricia concluded that if writers are going to successfully<br />

write, <strong>pub</strong>lish, and sell their books, they must shift from the<br />

creative right-brain process to the rational left brain. This can<br />

save time in the long run, and, by focusing your writing in the<br />

proper direction, you may very well facilitate the creative<br />

process and make things easier and more gratifying when you<br />

switch back to the right side of your brain and write your<br />

book. #<br />

Get Published in<br />

2007<br />

Order Patricia Fry’s Book:<br />

The Right Way to Write,<br />

Publish, and Sell Your<br />

Book<br />

(as discussed at <strong>WRWA</strong> Fall Conference)<br />

$19.95, 328 pages, Matilija<br />

Press, 2006<br />

www.matilijapress.com/rightway.html<br />

Jack Magestro: Changing the Paradigm of Publishing by Claudia Anderson<br />

A feisty and articulate speaker, Jack<br />

Magestro tackled the topic of <strong>pub</strong>lishing.<br />

He explained that there are two ends to<br />

<strong>pub</strong>lishing: self-<strong>pub</strong>lishing—or vanity<br />

<strong>pub</strong>lishing—on one end, and traditional<br />

<strong>pub</strong>lishing in the other. Vanity <strong>pub</strong>lishing<br />

(Print on Demand and other forms of<br />

self-<strong>pub</strong>lishing) entails the most risk for<br />

the author, as the editing, design, distribution,<br />

and <strong>pub</strong>licity fall largely in the<br />

author’s lap. The rewards for self<strong>pub</strong>lishing<br />

are lower <strong>pub</strong>lishing costs, higher percentage of<br />

sales returned to the author, and the ability to promote yourself<br />

the way you want.<br />

On the other end of the scale, traditional <strong>pub</strong>lishers take all<br />

the risk—finding editors, typesetters, graphic designers, and<br />

others who do the legwork to promote your book. Their<br />

amount of involvement is the reason why it is hard to get a<br />

<strong>pub</strong>lisher to take a risk on a new author.<br />

To make <strong>pub</strong>lishing our writing easier, Jack suggested we<br />

find a way to manage the risk, finding a middle ground between<br />

doing everything ourselves and waiting for someone<br />

else to do all the footwork for us. That means doing some of<br />

the work ourselves. Suggestions included finding someone to<br />

edit your writing objectively, designing your own work<br />

through programs such as InDesign or Microsoft Word, submitting<br />

your work to objective readers and working their comments<br />

into your manuscript, and even producing a full mockup<br />

of your book, similar to a galley proof.<br />

Jack suggested there are several programs on the Internet<br />

that can help you create a professional-looking document.<br />

Www.lulu.com has a free utility that helps distill (translate)<br />

Microsoft Word documents into PDF files. Once you convert<br />

your document, he recommended having the PDF file mailed<br />

to you so that you can see how it looks. Then you can have<br />

your manuscript printed and bound with a soft cover in up to<br />

five copies for a very low cost just to demonstrate the final<br />

product. According to Jack, the closer you are to producing a<br />

manuscript in its final form, the more likely you are to get it<br />

read by an agent or <strong>pub</strong>lisher, and the less risk there will be,<br />

both for you and the <strong>pub</strong>lisher.<br />

Final submissions and production depends on how much<br />

we are willing to risk; how much we are willing to put out to<br />

succeed. Self <strong>pub</strong>lishing can be a bonus to getting picked by a<br />

larger <strong>pub</strong>lisher if you have a selling record. But preparing a<br />

professional looking document will take you one step closer to<br />

being considered by a larger <strong>pub</strong>lisher. #

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