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WRWA Newsletter.pub - Wisconsin Writers Association

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Page 32<br />

Article - Jennifer Brantley<br />

Positives: It was an honor for me to read these submissions<br />

and I thank all of the entrants for their work. Overall, I<br />

thought the contributions were quite interesting and very enthusiastic.<br />

Of the top 10, it was difficult to make the sometimes<br />

minor distinctions among award winners. All the essays<br />

were rich with information and some of the essays that did not<br />

win awards were still very moving, even you want moving me<br />

to tears, but I looked for a blend of professionalism good writing<br />

and emotion.<br />

Negatives: In the midst of good writing, clichés and grammatical<br />

mistakes, as well as proofreading errors, can mar an<br />

otherwise good submission. Some of the submissions seem<br />

too brief to give this reader a full flavor, providing instead a<br />

surface treatment of what could be some interesting subjects.<br />

Perhaps my biggest complaint, however, has to do with source<br />

of information. If an article is factual-based, then the sources<br />

need to be clearly delineated. In some cases, the writer is relying<br />

on interviews and personal knowledge. These seem clear.<br />

In other cases, the source of the information is very unclear.<br />

Essay - Carolyn Wedin<br />

It is an indication of the high level of the set of essays that I<br />

had a terrible time choosing the winners. They are all winners<br />

in various ways, and I would have had no trouble writing winning<br />

paragraphs about any one of them. There is a lot of variation<br />

in writing style and in subject, which is as it should be,<br />

and different essays would be effective with different audiences.<br />

A couple of things I noticed might be of some help or<br />

interest in the non-stop, never-ending task we all face of improving<br />

or writing. First, many essays had, I thought, relatively<br />

ineffective conclusions. It is difficult to come up with<br />

the right sentence or phrase to pull the whole thing together<br />

and yet not say too much. Second, in the abstract, but all too<br />

real matter of tone, there was sometimes a bit of a "tin ear," I<br />

thought, with the author coming off as haughty or judgmental.<br />

This was especially true in the essays on poetry, which tended<br />

to dismiss or condemn whole undefined categories, such as<br />

"academic poetry." Perhaps, it bears repeating that one can<br />

more effectively comment negatively on something very specific,<br />

but better yet, convey the positive and let the reader supply<br />

the other side.<br />

Nostalgia - Wilma Bednarz<br />

Your subjects and ideas were good. However, some of you<br />

showed little knowledge of preparing a manuscript, even using<br />

single spacing. Chances are, with the number of manuscripts<br />

an editor must read in a day, they would not read a<br />

single-spaced manuscript. Always set your first manuscript<br />

aside for a few days and then go back to it. Read it aloud to<br />

yourself while taking notes. Now is the time to make changes.<br />

Listen to your verbs. Are they strong enough to make the<br />

reader see how, for instance, "the trapped bird flutters in his<br />

cage" Are you using too many "was" and "were" Get rid of<br />

them with a strong verb. Remember, strong verbs are more<br />

Judges’ Comments on the Jade Ring Entries<br />

descriptive than nouns or adjectives. Also, I want to remind<br />

you that your first sentence should hook the reader. Read<br />

books on writing. One of my favorites is William Zinsser’s<br />

"On Writing Well." Good luck to all of you.<br />

Adult Short Story – Anthony Bukoski<br />

As judge of the adult fiction competition for 2006, I faced a<br />

daunting task—to read 43 manuscripts totaling 430 pages,<br />

then to choose the several works I fell to stood out. As you<br />

know, rules limited judges to selecting first, second, and third<br />

place winners, plus three honorable mentions, a difficult undertaking<br />

when I found at least 10 manuscripts, I thought especially<br />

worthy of notice. Each of the 43 submissions, by the<br />

way, pleased me in some way, so I want no one to leave discouraged.<br />

I also want you to know I am grateful for the opportunity<br />

to have read your work, which was filled with humanity,<br />

goodness, and warmth.<br />

On the other hand, I can offer these general, critical observations<br />

that might be of use to you. I thought that too many<br />

stories relied on unlikely plot coincidences or introduced characters<br />

that were merely types, not fully developed characters. I<br />

felt that too many stories dealt with "big" problems (love and<br />

death, for example), a difficult thing to do convincingly, especially<br />

with stereotypic characters. And finally, I felt that conflicts<br />

were sometimes too easily, too patently, resolved, and<br />

thus lacked the mystery of accomplished artistic creation, or<br />

that stories concluded with unearned surprises.<br />

Juvenile Short Story – Cornell M. Brellenthin<br />

it is always exciting to read what young voices are writing<br />

today. Perhaps the most significant strength in this group of<br />

2006 fiction entries is the appreciation these writers have the<br />

skills, crafts, and labors of their own family enterprises: readers<br />

who have never worked in a bakery or on a bass boat can<br />

learn a great deal of what it must be like to live and work in<br />

such environments. Many young writers, too, are able to<br />

imagine themselves beyond familiar places, finding themselves<br />

behind the eyes of so many of our four-legged friends,<br />

whether wild or domesticated, to observe the human condition<br />

with objective eyes. Some writers are able to travel even further,<br />

into fantastic places and times where we learn that the<br />

power of "magic" is in love and compassion—all the time<br />

keeping readers grounded with reminders of the mundane.<br />

These 2006 fiction entries display remarkable innovation and<br />

the writers have a knack for descriptive writing, richly engaging<br />

the the senses—sight, sound, smell, touch, and taste—and<br />

the use of simile and metaphor is fresh and exciting. Perhaps<br />

what sets the winning an honorable mention stories above the<br />

rest is the additional attention to all the formal elements of<br />

fiction that are so critical in telling a good story—plot development,<br />

characterization, setting, and a strong sense of voice.<br />

Each of these elements must work together to underscore the<br />

theme, and in a winning story will also create just enough<br />

attention to keep readers turning the page! #

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