20.01.2015 Views

SWITCHING GEARS

A new year is upon us. All the trappings and trimmings of the holidays have been packed away (maybe), and thoughts have turned to all the things we will and will not do (maybe) in the coming year. In our house, there was no Christmas tree to take down and haul away. We didn’t make the trek to the tree farm to labor over the decision of which conifer was the perfect size, shape and color. We never put one up at all, in fact. Our living room is in a state of semi-chaos, a rather lengthy one resulting from an enduring remodel-in-the-works. So, we made the most of the situation. My daughter Chloe recently turned 13, and part of the celebration of such a momentous occasion was a slumber party, where she and her friends Maya, Clare and Holly painted a Christmas tree on one wall of the living room, complete with decorations and presents underneath. Why not? After all, the wall will eventually be repainted when the remodeling project is complete. Maybe. There’s nothing wrong with shaking up the routine. In this issue, you’ll meet four locals who shook up their own routines, taking big detours from their chosen paths and embarking on new adventures. The payoff, it seems, often far outweighs a little fear and trepidation. We also take a look at some of the projects that have altered our city’s cultural landscape – many that made it better, a few that can’t quite get off the ground and others that hold promise for the future. All things change, and we change with them. And so we arrive at the dawn of a new year, taking stock of what is behind us and what lies ahead. We seek to correct mistakes, but will likely repeat a few, and to undertake new endeavors – large and small – that will make life better for ourselves and those around us. As you embark on your journey, we at Slice wish you peace, love and laughter in the coming year. May your approach be unique and your confidence unwavering. You never know what’s just around the bend.

A new year is upon us. All the trappings and trimmings of the holidays have
been packed away (maybe), and thoughts have turned to all the things we
will and will not do (maybe) in the coming year.
In our house, there was no Christmas tree to take down and haul away.
We didn’t make the trek to the tree farm to labor over the decision of which
conifer was the perfect size, shape and color. We never put one up at all, in
fact. Our living room is in a state of semi-chaos, a rather lengthy one resulting
from an enduring remodel-in-the-works. So, we made the most of the situation.
My daughter Chloe recently turned 13, and part of the celebration of such
a momentous occasion was a slumber party, where she and her friends Maya,
Clare and Holly painted a Christmas tree on one wall of the living room, complete
with decorations and presents underneath. Why not? After all, the wall
will eventually be repainted when the remodeling project is complete. Maybe.
There’s nothing wrong with shaking up the routine.
In this issue, you’ll meet four locals who shook up their own routines, taking
big detours from their chosen paths and embarking on new adventures.
The payoff, it seems, often far outweighs a little fear and trepidation. We also
take a look at some of the projects that have altered our city’s cultural landscape
– many that made it better, a few that can’t quite get off the ground and others
that hold promise for the future.
All things change, and we change with them. And so we arrive at the dawn
of a new year, taking stock of what is behind us and what lies ahead. We seek to
correct mistakes, but will likely repeat a few, and to undertake new endeavors
– large and small – that will make life better for ourselves and those around us.
As you embark on your journey, we at Slice wish you peace, love and laughter
in the coming year. May your approach be unique and your confidence
unwavering. You never know what’s just around the bend.

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SIZZLE TO FIZZLE<br />

Though Oklahoma City has seen major growth and development<br />

over the past several years, there have also been some projects that<br />

have yet to pan out. Here's an update on where some of those stand.<br />

MIXED<br />

EMOTIONS<br />

A Cultural Collaboration Derailed<br />

The unfinished American Indian Cultural Center and<br />

Museum sits near the intersections of Interstates 35 and 40,<br />

prompting many travelers to wonder about the hulking, oversized<br />

mound and white circular structure. The multi-million<br />

dollar museum was proposed years ago to honor Oklahoma's<br />

unique Native American history and draw tourists interested in<br />

learning about the state's 39 tribes in one central location. But<br />

years of legislative wrangling over funding has left the project<br />

unfinished – and costing more money the longer it sits empty.<br />

More than $90 million has already been invested into the<br />

$170 million project, leaving $80 million necessary for its completion.<br />

If museum officials raised $40 million in private funding,<br />

Gov. Mary Fallin promised a matching $40 million investment to<br />

complete the project. But Republican lawmakers have repeatedly<br />

balked at providing the funding, most recently during<br />

the 2014 legislative term. So the sprawling campus featuring a<br />

symbolic promontory mound continues to sit idle, and museum<br />

officials remain unsure of when – or if – it will be completed.<br />

Coming<br />

Attraction<br />

(Hopefully)<br />

First opened in July 1937, the 30,000-square-foot<br />

Tower Theatre holds the distinction of hosting the<br />

longest-running movie in the state's history with the<br />

82-week run of “The Sound of Music” in 1965. It has<br />

also hosted performances by blues guitarist Bo Diddley<br />

and comedian Tommy Chong during its time as<br />

a live entertainment venue. But the theater, despite<br />

its spectacularly renovated marquee out front, has<br />

been closed for several years, and its reopening has<br />

remained elusive even as the Uptown 23rd District is<br />

in the midst of a revitalization.<br />

But there is hope. Local businessmen Marty and<br />

Mike Dillon, who bought the theater in 2006 and<br />

helped oversee repair and improvement ef forts,<br />

announced that they have sold the property to a trio<br />

of developers who are expected to start construction<br />

on the theater in early 2015.<br />

Stage Center is gone.<br />

The demise of this modernist<br />

building also known as Mummers<br />

Theatre had been years in the<br />

making. Built by John Johansen, a<br />

student of Frank Lloyd Wright, the<br />

Brutalist-style structure's avantgarde<br />

design was said to be based<br />

on an electrical circuit system. The<br />

completion of the building capped<br />

a decade-long effort to establish<br />

a professional theater company<br />

in Oklahoma, according to David<br />

Pettyjohn, executive director of<br />

the nonprofit group Preservation<br />

Oklahoma, which had included the<br />

structure on its list of endangered<br />

historic buildings.<br />

The destruction of the building<br />

had been discussed for some time<br />

following flooding and the high<br />

costs of maintaining it. Supporters,<br />

however, fought to keep the historically<br />

significant building around,<br />

arguing that the Downtown Design<br />

Review Committee had violated<br />

city ordinances requiring that<br />

historic preservation efforts be<br />

thoroughly vetted before demolition.<br />

But it didn't work, and razing<br />

was completed in fall 2014 to make<br />

way for the new OGE Energy Corporation<br />

headquarters.<br />

“Stage Center was a downtown<br />

landmark with international<br />

architectural significance that<br />

played an important role in the<br />

cultural history of Oklahoma City,”<br />

Pettyjohn says. “Of course we are<br />

disappointed that the structure has<br />

been demolished, but we are gratified<br />

to have played a role in raising<br />

awareness of the importance of this<br />

iconic structure, and the guidelines<br />

that were put in place to protect it.”<br />

JANUARY 2015 // SLICE 41

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