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Turkish archaeology<br />
hundreds of visitors come there<br />
every day. But what do you see<br />
when you reach the high limestone<br />
plateau on which Göbekli Tepe sits<br />
As your vehicle approaches cautiously<br />
along the rough track across<br />
the bare rock, you begin to see a<br />
round brown hill on the pale grey<br />
limestone horizon: Göbekli Tepe.<br />
the name of the site in Turkish,<br />
means ‘belly-like mound’. And if it<br />
is the belly of a giant lying on his<br />
back, then he was some giant. The<br />
hill is entirely man-made. It is composed<br />
of brown soil, in sharp contrast<br />
to the surrounding bare rock,<br />
and it is 330 metres in diameter and<br />
15-17 metres thick in archaeological<br />
deposits. If this were somewhere<br />
more habitable, then archaeologists<br />
would easily recognise it as a typical<br />
settlement mound, where prehistoric<br />
people built and rebuilt<br />
their houses over many centuries.<br />
But Göbekli Tepe is in the wrong<br />
place to be a regular settlement and,<br />
as soon as the visitor walks to the<br />
huge area that Schmidt’s team has<br />
excavated, it becomes clear that<br />
the mound is not made up of the<br />
average domestic buildings of early<br />
Neolithic villages.<br />
The main focus of excavation has<br />
been a cluster of four massive circular<br />
enclosures. Schmidt believes<br />
that they were not free-standing<br />
structures, but were constructed in<br />
cylindrical cavities that were dug<br />
into the already existing mound.<br />
Each circular enclosure has a pair<br />
of T-shaped monoliths at its centre.<br />
Another 12, slightly smaller monoliths<br />
are set into the perimeter wall<br />
of the enclosure. The monoliths<br />
range from three metres to five and<br />
a half metres tall. And the enclosures<br />
are at least 20 metres in diameter,<br />
their perimeter walls standing<br />
four or five metres tall. At first<br />
sight, it is the scale of the enclosures<br />
and the size of the monoliths that<br />
is so striking. And when their age<br />
is taken into consideration<br />
– they date from between<br />
9600 BC and 8800 BC, that<br />
is around 11,000 years ago<br />
– first impressions turn into<br />
culture shock.<br />
The excavators are preparing<br />
for the installation<br />
of a protective roof over<br />
the cluster of enclosures.<br />
Once the giant umbrellalike<br />
roof is in place, the<br />
temporary walkway suspended<br />
above the enclosures<br />
can be replaced by a<br />
permanent walkway that<br />
6. A second small<br />
stone plaque with<br />
incised signs. Between<br />
two horizontal lines,<br />
there are schematic<br />
snakes on either side<br />
of a column of V-signs.<br />
7. Looking down<br />
on Enclosure D,<br />
which is still under<br />
excavation. The floor<br />
and the pedestals<br />
of the two central<br />
monoliths are made<br />
from the living rock;<br />
12 more monoliths<br />
are embedded in the<br />
retaining wall and<br />
the stone ‘bench’<br />
at its foot.<br />
8. A detail of one of<br />
the central pair of<br />
pillars in Enclosure D<br />
(see 1) showing the<br />
H-shaped symbols<br />
on the belt (which<br />
is repeated on the<br />
pendant at its neck).<br />
The details of the<br />
paws of the fox pelt<br />
are also visible.<br />
9. Pillar 33, one of the<br />
peripheral monoliths<br />
of Enclosure D, is<br />
covered with a carpet<br />
of motifs. The narrow<br />
front edge is filled<br />
with multiple snakes,<br />
a spider, and the<br />
H-motif (see 9). On<br />
either side of the<br />
lower part of the<br />
stone, there are<br />
multiple snakes’<br />
heads; their bodies<br />
are interlaced on the<br />
flanks of the stone.<br />
6<br />
7<br />
will take visitors close to the massive<br />
monoliths. A visitor interpretation<br />
centre is also currently under<br />
construction a short distance from<br />
the site. Meanwhile, in the nearby<br />
city of Urfa, a big new museum is<br />
being built (to replace the existing<br />
one) which will have a large gallery<br />
able to display many more of<br />
the sculptures from Göbekli Tepe.<br />
The basic construction work on<br />
the museum is nearing completion,<br />
and the word is that the interpretation<br />
centre at the site, and the new<br />
museum, will be completed before<br />
the end of 2013. Brown tourist<br />
signs for Göbekli Tepe are already<br />
in place on the motorway as you<br />
approach the exit for Urfa,<br />
and the city itself has signs<br />
pointing the way to the site<br />
at every major intersection.<br />
Urfa already attracts<br />
many pilgrims, as in Muslim<br />
tradition it is the birthplace<br />
of Abraham. But now<br />
there are several hundred<br />
visitors each day who<br />
come to see Göbekli Tepe,<br />
and the city eagerly awaits<br />
the visitor facilities at the<br />
site and its new museum<br />
in expectation of many<br />
more tourists in the future.<br />
Only when the enclosures are<br />
protected from winter rain and cold<br />
will Professor Schmidt and his team<br />
be able to carry out the detailed<br />
investigations that may give him the<br />
answers to some pressing questions.<br />
Were all four enclosures built at the<br />
same time, or do they follow one<br />
another in succession Some of the<br />
enclosures have two or three concentric<br />
walls: were these successive<br />
perimeter walls, or were there circular<br />
corridors around the central<br />
enclosure area This year, the excavations<br />
have been concentrated on<br />
digging at the points where the legs<br />
that will support the protective roof<br />
are to reach down into the bedrock.<br />
The temporary wooden walkway<br />
already takes visitors around the<br />
four enclosures but even before they<br />
step on to it, they can see that the<br />
monoliths in the first enclosure bear<br />
animals and birds carved in low,<br />
raised relief on their flat sides.<br />
As the visitor begins to peer into<br />
the other enclosures, it becomes<br />
clear that each monolith is different.<br />
Some are strikingly simple,<br />
with just one animal – a wild boar<br />
with big tusks, a snarling lion, a<br />
massive wild bull – on a smooth,<br />
14<br />
Minerva January/February 2013