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Turkish archaeology<br />

hundreds of visitors come there<br />

every day. But what do you see<br />

when you reach the high limestone<br />

plateau on which Göbekli Tepe sits<br />

As your vehicle approaches cautiously<br />

along the rough track across<br />

the bare rock, you begin to see a<br />

round brown hill on the pale grey<br />

limestone horizon: Göbekli Tepe.<br />

the name of the site in Turkish,<br />

means ‘belly-like mound’. And if it<br />

is the belly of a giant lying on his<br />

back, then he was some giant. The<br />

hill is entirely man-made. It is composed<br />

of brown soil, in sharp contrast<br />

to the surrounding bare rock,<br />

and it is 330 metres in diameter and<br />

15-17 metres thick in archaeological<br />

deposits. If this were somewhere<br />

more habitable, then archaeologists<br />

would easily recognise it as a typical<br />

settlement mound, where prehistoric<br />

people built and rebuilt<br />

their houses over many centuries.<br />

But Göbekli Tepe is in the wrong<br />

place to be a regular settlement and,<br />

as soon as the visitor walks to the<br />

huge area that Schmidt’s team has<br />

excavated, it becomes clear that<br />

the mound is not made up of the<br />

average domestic buildings of early<br />

Neolithic villages.<br />

The main focus of excavation has<br />

been a cluster of four massive circular<br />

enclosures. Schmidt believes<br />

that they were not free-standing<br />

structures, but were constructed in<br />

cylindrical cavities that were dug<br />

into the already existing mound.<br />

Each circular enclosure has a pair<br />

of T-shaped monoliths at its centre.<br />

Another 12, slightly smaller monoliths<br />

are set into the perimeter wall<br />

of the enclosure. The monoliths<br />

range from three metres to five and<br />

a half metres tall. And the enclosures<br />

are at least 20 metres in diameter,<br />

their perimeter walls standing<br />

four or five metres tall. At first<br />

sight, it is the scale of the enclosures<br />

and the size of the monoliths that<br />

is so striking. And when their age<br />

is taken into consideration<br />

– they date from between<br />

9600 BC and 8800 BC, that<br />

is around 11,000 years ago<br />

– first impressions turn into<br />

culture shock.<br />

The excavators are preparing<br />

for the installation<br />

of a protective roof over<br />

the cluster of enclosures.<br />

Once the giant umbrellalike<br />

roof is in place, the<br />

temporary walkway suspended<br />

above the enclosures<br />

can be replaced by a<br />

permanent walkway that<br />

6. A second small<br />

stone plaque with<br />

incised signs. Between<br />

two horizontal lines,<br />

there are schematic<br />

snakes on either side<br />

of a column of V-signs.<br />

7. Looking down<br />

on Enclosure D,<br />

which is still under<br />

excavation. The floor<br />

and the pedestals<br />

of the two central<br />

monoliths are made<br />

from the living rock;<br />

12 more monoliths<br />

are embedded in the<br />

retaining wall and<br />

the stone ‘bench’<br />

at its foot.<br />

8. A detail of one of<br />

the central pair of<br />

pillars in Enclosure D<br />

(see 1) showing the<br />

H-shaped symbols<br />

on the belt (which<br />

is repeated on the<br />

pendant at its neck).<br />

The details of the<br />

paws of the fox pelt<br />

are also visible.<br />

9. Pillar 33, one of the<br />

peripheral monoliths<br />

of Enclosure D, is<br />

covered with a carpet<br />

of motifs. The narrow<br />

front edge is filled<br />

with multiple snakes,<br />

a spider, and the<br />

H-motif (see 9). On<br />

either side of the<br />

lower part of the<br />

stone, there are<br />

multiple snakes’<br />

heads; their bodies<br />

are interlaced on the<br />

flanks of the stone.<br />

6<br />

7<br />

will take visitors close to the massive<br />

monoliths. A visitor interpretation<br />

centre is also currently under<br />

construction a short distance from<br />

the site. Meanwhile, in the nearby<br />

city of Urfa, a big new museum is<br />

being built (to replace the existing<br />

one) which will have a large gallery<br />

able to display many more of<br />

the sculptures from Göbekli Tepe.<br />

The basic construction work on<br />

the museum is nearing completion,<br />

and the word is that the interpretation<br />

centre at the site, and the new<br />

museum, will be completed before<br />

the end of 2013. Brown tourist<br />

signs for Göbekli Tepe are already<br />

in place on the motorway as you<br />

approach the exit for Urfa,<br />

and the city itself has signs<br />

pointing the way to the site<br />

at every major intersection.<br />

Urfa already attracts<br />

many pilgrims, as in Muslim<br />

tradition it is the birthplace<br />

of Abraham. But now<br />

there are several hundred<br />

visitors each day who<br />

come to see Göbekli Tepe,<br />

and the city eagerly awaits<br />

the visitor facilities at the<br />

site and its new museum<br />

in expectation of many<br />

more tourists in the future.<br />

Only when the enclosures are<br />

protected from winter rain and cold<br />

will Professor Schmidt and his team<br />

be able to carry out the detailed<br />

investigations that may give him the<br />

answers to some pressing questions.<br />

Were all four enclosures built at the<br />

same time, or do they follow one<br />

another in succession Some of the<br />

enclosures have two or three concentric<br />

walls: were these successive<br />

perimeter walls, or were there circular<br />

corridors around the central<br />

enclosure area This year, the excavations<br />

have been concentrated on<br />

digging at the points where the legs<br />

that will support the protective roof<br />

are to reach down into the bedrock.<br />

The temporary wooden walkway<br />

already takes visitors around the<br />

four enclosures but even before they<br />

step on to it, they can see that the<br />

monoliths in the first enclosure bear<br />

animals and birds carved in low,<br />

raised relief on their flat sides.<br />

As the visitor begins to peer into<br />

the other enclosures, it becomes<br />

clear that each monolith is different.<br />

Some are strikingly simple,<br />

with just one animal – a wild boar<br />

with big tusks, a snarling lion, a<br />

massive wild bull – on a smooth,<br />

14<br />

Minerva January/February 2013

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