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18 10 Rough Cuts season.pdf - The Royal Court Theatre

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Sloane Square<br />

London SW1W 8AS<br />

Wednesday 22 June 2011<br />

ROUGH CUTS AT ROYAL COURT TO INCLUDE SHORT PLAYS ON<br />

NIGERIAN WITCH CHILDREN, CHILDHOOD, THE ARAB SPRING<br />

AND A ROCK OPERA<br />

ROUGH CUTS<br />

9 – 20 August 2011.<br />

Jerwood <strong>The</strong>atre Upstairs at the <strong>Royal</strong> <strong>Court</strong><br />

Telephone<br />

020 7565 5050<br />

Box Office<br />

020 7565 5000<br />

Fax<br />

020 7565 5001<br />

E-mail<br />

info@royalcourttheatre.com<br />

Web<br />

www.royalcourttheatre.com<br />

<strong>The</strong> Jerwood <strong>The</strong>atres<br />

at the <strong>Royal</strong> <strong>Court</strong><br />

<strong>Rough</strong> <strong>Cuts</strong> – a regular mini <strong>season</strong> of short plays, experimental readings and<br />

works in progress continues at the <strong>Royal</strong> <strong>Court</strong> from 9 – 20 August 2011.<br />

Highlights include a project about Nigerian Witch Children set in London by Arinze<br />

Kene, an exploration into the notion of childhood in contemporary Britain by Molly<br />

Davies, a programme of short plays responding to the Arab Spring and a rock opera set<br />

in the hedonistic world of Mama Funk’s Catfish Club.<br />

Arinze Kene’s project Wild Child on 9-<strong>10</strong> August looks at Nigerian Witch Children and<br />

the shocking experiences that can arise from a fanatic belief in a distorted Christianity<br />

and an ingrained African belief in the spirit world. This project will centre on the<br />

shocking truth behind the exorcism of ‘witch children’ here in London as a teenage girl is<br />

denounced by her church, rejected by her family and labelled as a witch.<br />

Arinze Kene was part of the <strong>Royal</strong> <strong>Court</strong> <strong>The</strong>atre’s Critical Mass writing programme.<br />

His latest play Little Baby Jesus recently played at Oval House <strong>The</strong>atre and won an Off<br />

West End <strong>The</strong>atre Award for Most Promising Playwright for Estate Walls at Oval House.<br />

After the Spring on 11-12 August presents a series of short plays from the Arab World,<br />

specially commissioned by the <strong>Royal</strong> <strong>Court</strong>. Responding to the recent extraordinary<br />

events in this region’s history, the programme will include shorts from Mohammad Al<br />

Attar from Syria, Laila Soliman from Egypt and Arzé Khodr from Lebanon. After the<br />

Spring is an International <strong>Rough</strong> Cut: A Genesis Foundation Project.<br />

Artistic Director<br />

DOMINIC COOKE<br />

Executive Director<br />

KATE HORTON<br />

President<br />

Dame Joan Plowright CBE<br />

Chairman<br />

Anthony Burton<br />

Vice Chairman<br />

Graham Devlin CBE<br />

Council<br />

Jennette Arnold OBE<br />

Judy Daish<br />

Sir David Green KCMG<br />

Joyce Hytner OBE<br />

Stephen Jeffreys<br />

Wasfi Kani OBE<br />

Phyllida Lloyd CBE<br />

James Midgley<br />

Sophie Okonedo OBE<br />

Alan Rickman<br />

Anita Scott<br />

Katharine Viner<br />

Stewart Wood<br />

Honorary Council<br />

Sir Richard Eyre CBE<br />

Alan Grieve CBE<br />

Martin Paisner CBE<br />

<strong>The</strong> English Stage<br />

Company Ltd<br />

Registered Charity<br />

No. 231242<br />

Company Registration<br />

No. 539332 (London)<br />

Principal Sponsor Coutts & Co<br />

More follows…/<br />

Page 1 of 4


Molly Davies’ God Bless This Child on 17-<strong>18</strong> August examines the notion of childhood in<br />

contemporary Britain, inspired by interviews with leading academics, activists,<br />

psychologists and educators. Molly Davies will collaborate again with director Lyndsey<br />

Turner who directed her first full length play A Miracle, which was part of the Young<br />

Writers festival at the <strong>Royal</strong> <strong>Court</strong> in 2009. She was a member of the Young Writers<br />

Programme and her new play Shooting Truth will be part of the National <strong>The</strong>atre's New<br />

Connections 2011.<br />

Leo Butler and Dan Persad’s rock opera A Separate Reality will be the finale of the<br />

<strong>Rough</strong> <strong>Cuts</strong> <strong>season</strong>. Directed by Nick ‘Slash’ Bagnall and with live music performed ‘up<br />

to eleven’, A Separate Reality introduces Alison, as she escape the stresses of her<br />

humdrum life and discovers her inner rock-goddess in the wild and hedonistic world of<br />

Mama Funk’s Catfish Club.<br />

Leo Butler’s previous work at the <strong>Royal</strong> <strong>Court</strong> includes Faces in the Crowd, Lucky Dog,<br />

Redundant, which won the George Devine Award in 2001 and Made of Stone, which was<br />

presented as part of the <strong>Royal</strong> <strong>Court</strong>’s Young Writers Festival. Leo is currently the<br />

Writers’ Tutor for the <strong>Royal</strong> <strong>Court</strong> <strong>The</strong>atre’s Young Writers Programme.<br />

<strong>Rough</strong> <strong>Cuts</strong> is sponsored by Kudos Film and Television<br />

<strong>The</strong> <strong>Rough</strong> <strong>Cuts</strong> <strong>season</strong> will be in the Jerwood <strong>The</strong>atre Upstairs at the <strong>Royal</strong><br />

<strong>Court</strong> <strong>The</strong>atre from 9-20 August 2011. Tickets go on sale to Friends and<br />

supporters today at 9am (Wednesday) and to the general public on Thursday<br />

23 June. Tickets available online at www.royalcourttheatre.com or from the<br />

Box Office on 020 7565 5000.<br />

- ends -<br />

(22/06/11)<br />

For further information please contact Anna Evans in the <strong>Royal</strong> <strong>Court</strong> Press Office on<br />

020 7565 5063 or e-mail annaevans@royalcourttheatre.com.<br />

For further information please contact Anna Evans in the <strong>Royal</strong> <strong>Court</strong> Press Office on 020<br />

7565 5063 or e-mail annaevans@royalcourttheatre.com.<br />

Page 2 of 4<br />

More follows…/


Listings information<br />

<strong>Rough</strong> <strong>Cuts</strong> Season: 9-20 August 2011<br />

Tuesday 9 - Wednesday <strong>10</strong> August 7pm<br />

Wild Child<br />

By Arinze Kene<br />

Directed by Matthew Xia<br />

A teenage girl is denounced by her church, rejected by her family, and labelled as a<br />

witch. This play looks at the unholy marriage of distorted Christianity and an ingrained<br />

African belief in the spirit world; uncovering the shocking truth behind the exorcism of<br />

‘witch children’ here in London.<br />

Thursday 11 – Friday 12 August 7pm<br />

After the Spring: New Short Plays from the Arab World<br />

Directed by Simon Godwin<br />

Some of the Arab World’s most exciting theatre voices respond to an extraordinary<br />

time in the region’s history through specially commissioned short plays in translation.<br />

International <strong>Rough</strong> <strong>Cuts</strong>: A Genesis Foundation Project<br />

Wednesday 17 – Friday <strong>18</strong> August 7pm<br />

God Bless the Child<br />

By Molly Davies<br />

Directed by Lyndsey Turner<br />

Inspired by interviews with leading academics, activists, psychologists and educators,<br />

playwright Molly Davies and director Lyndsey Turner examine the notion of childhood<br />

in contemporary Britain.<br />

Friday 19 – Saturday 20 August<br />

A Separate Reality: A Rock Opera 9pm<br />

book and music by Leo Butler & Dan Persad directed by Nick Bagnall<br />

Are y'all ready to ROCK!<br />

Join Alison as she escapes the stresses of her humdrum life and discovers her inner<br />

rock-goddess in the wild and hedonistic world of Mama Funk's Catfish Club.<br />

With LIVE music performed 'up to eleven' by Dan & Leo's band, and directed by Nick<br />

'Slash' Bagnall, A Separate Reality will leave you rocking all over Sloane Square.<br />

Jerwood <strong>The</strong>atre Upstairs at the <strong>Royal</strong> <strong>Court</strong> <strong>The</strong>atre, Sloane Square, London SW1W<br />

8AS. Tickets £8 available from 020 7565 5000 or www.royalcourttheatre.com.<br />

More follows…/<br />

For further information please contact Anna Evans in the <strong>Royal</strong> <strong>Court</strong> Press Office on 020<br />

7565 5063 or e-mail annaevans@royalcourttheatre.com.<br />

Page 3 of 4


Coutts & Co is the Principal Sponsor of the <strong>Royal</strong> <strong>Court</strong> <strong>The</strong>atre<br />

Coutts & Co is the UK private banking arm of the <strong>Royal</strong> Bank of Scotland. Coutts has a<br />

long history of supporting the arts going back 200 years, having looked after the financial<br />

affairs of many famous clients connected with the arts such as Bram Stoker, Charles<br />

Dickens and Chopin. In <strong>18</strong>16, Thomas Coutts married Harriot Mellon, a popular actress<br />

of her day, and together they became partners of a number of London <strong>The</strong>atres,<br />

including the Drury Lane and the <strong>Royal</strong> Opera House. Coutts has even featured in a<br />

number of artistic works including <strong>The</strong> Gondoliers by Gilbert and Sullivan, and Robert<br />

Louis Stevenson’s classic story Dr Jekyll and Mr Hyde. In the new millennium, this<br />

tradition has continued not only through managing the finances of many of today’s top<br />

writers, actors and musicians, but also through our arts sponsorship programme and we<br />

are delighted to support <strong>The</strong> <strong>Royal</strong> <strong>Court</strong> and its diverse range of ground-breaking<br />

performances.<br />

International <strong>Rough</strong> <strong>Cuts</strong>: A Genesis Foundation Project<br />

<strong>The</strong> Genesis Foundation supports the <strong>Royal</strong> <strong>Court</strong>'s International<br />

Playwrights Programme<br />

To find and develop the next generation of professional<br />

playwrights, the Genesis Foundation funds workshops in diverse countries as well as<br />

residencies at the <strong>Royal</strong> <strong>Court</strong>. <strong>The</strong> Foundation's involvement extends to productions<br />

and rehearsed readings and helps the <strong>Royal</strong> <strong>Court</strong> offer a springboard for young writers<br />

to greater public and critical attention. January this year sees the Genesis Foundation<br />

celebrate <strong>10</strong> years of nurturing and supporting emerging talent in the arts. For more<br />

information, please visit www.genesisfoundation.org.uk.<br />

For further information please contact Anna Evans in the <strong>Royal</strong> <strong>Court</strong> Press Office on 020<br />

7565 5063 or e-mail annaevans@royalcourttheatre.com.<br />

Page 4 of 4

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