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The Reykjavík Grapevine Issue 6 — 2013<br />
Music 28<br />
The Mess Is Back!<br />
by John Rogers<br />
Reykjavík Music Mess is a DIY music festival held annually in a couple of the city's downtown venues. The festival started in 2011 and has consistently brought together<br />
the finest acts on the Reykjavík scene for a series of almighty parties, topped off with sets by overseas visitors like Deerhunter (USA), Jarse (FI), Fossils (DK) and Laura J<br />
Martin (UK). This weekend (May 24–26), Reykjavík Music Mess takes over Volta and KEX with a choice menu of live music including sets by DZ Deathrays, Bloodgroup,<br />
Oyama, Mammút and Muck, as well as an exhibition of adapted band portraits and a daytime off-venue programme. With the third festival bearing down fast, we caught<br />
up with two of the acts playing—homegrown electro stars Sykur and Anglo-Australian experimenters PVT—to find out what they have in store for us.<br />
24 26<br />
MAY<br />
MAY<br />
Volta<br />
Tryggvagata 22<br />
KEX Hostel<br />
Skúlagata 28<br />
www.reykjavikmusicmess.com 4.990<br />
Sykur by Guðný Hrönn Antonsdóttir<br />
PVT by Julia Mai Linnéa Maria<br />
Guðný Hrönn graduated from the Iceland Academy of the Arts in 2011 and went on to study photography<br />
and fashion, which are her main areas of interest. Fashion photography is usually the biggest<br />
influence in her artwork, but not so with her illustration of electro-pop group Sykur. “When I saw the<br />
picture of them I wanted to do something different,” she says. “Recently I have been finding myself<br />
drawing weird, defaced Mickey Mouse characters, so I decided to use that as inspiration. The background<br />
had to be colourful, of course, because they are a colourful band.”<br />
Julia Mai is a freelance illustrator from Sweden who has lived in Iceland for the past seven years<br />
and has no intentions of leaving. This autodidact skipped art school altogether, opting instead to<br />
hone her craft independently. Her illustration of Australian band PVT came from free-flow simplicity.<br />
“I can't really put my finger on what I was thinking,” she says. “The drawing just appeared on the<br />
paper while I was listening to their music. They’re really interesting and dreamy so I guess I wanted<br />
to connect their music to something visual.”<br />
Hello Sykur. Could you introduce yourselves<br />
and tell us how you met<br />
Hi Grapevine! We are Sykur! We are (in alphabetical<br />
order) Agnes, Halldór, Kristján and Stefán.<br />
Halldór and Stefán started making electro while<br />
playing together in a marching band and somehow<br />
Agnes and Kristján got entangled along the<br />
way. We all live on the same street and we have<br />
pancakes together on Sunday mornings.<br />
Tell us about your sound and setup. What are<br />
the sounds you're attracted to, and what's the<br />
aesthetic<br />
Our music is mostly synth-driven and we have a<br />
geeky fascination for all things analogue. That<br />
being said, we have been incorporating more<br />
and more other instruments as well, guitar and<br />
vibes, for example. When we play live, you can<br />
expect to see three smartly clad lads stroking<br />
their music-making machines (does that sound<br />
dirty) and a girl with copious amounts of stage<br />
presence making up for the geekiness of the former.<br />
Do you see yourselves as a pop band, or a<br />
dance music act, or is it something you never<br />
think of<br />
This is not something that we think about a lot.<br />
We just make the music that we want to make<br />
and leave it up to others to interpret the results.<br />
When we're working in the studio we think of<br />
ourselves as producers, but when we play live<br />
we want people to forget about these labels and<br />
just have fun, regardless of musical taste.<br />
Do you see yourselves as part of an Icelandic<br />
scene, or an international electro scene, or<br />
both<br />
The Icelandic scene is fundamentally different<br />
from the international scene. Here, all the<br />
bands are good friends and help each other out;<br />
there's very little competition. This is something<br />
we feel is largely missing from the international<br />
scene. When we're playing abroad we see<br />
ourselves as a part of the international scene,<br />
but we still try to bring with us some of the good<br />
nature of the Icelandic scene.<br />
Are you aware of the visiting bands, PVT,<br />
DZ Deathrays and Withered Hand What<br />
do you think<br />
We listened, we like.<br />
Any Icelandic acts playing at Reykjavík Music<br />
Mess that you're looking forward to, or anything<br />
brand new that you'd recommend<br />
Oyama are an amazing new act; their EP is fantastic.<br />
We're looking forward to hearing Mammút's<br />
new stuff; it's going to be great if their<br />
new single is any indication. Bloodgroup just<br />
released a great new record and their stage performance<br />
is fantastic.<br />
Hey PVT, nice to virtually meet you. Could<br />
you introduce yrselves please and tell us how<br />
your AUS/UK long-distance-relationship came<br />
about<br />
Three Australians, one of which currently lives<br />
in London, two of which have British passports,<br />
one of which used to live in London, two of<br />
which are brothers.<br />
Tell us about ‘Homosapien’—was it a long time<br />
in the making How did the writing, recording,<br />
release go<br />
We made it over the course of about nine<br />
months, with most of the recording being done<br />
over a month in an old haunted mansion in the<br />
Australian countryside. It was mixed by Ben<br />
Hillier in London and was released on a few different<br />
labels across the world, but mainly a new<br />
one from Brooklyn called Felte.<br />
Are you excited to take it on the road Have<br />
you any European gigs lined up that you're are<br />
especially excited about<br />
We've been playing it for a while now, but it's<br />
good to play it to people who have finally heard<br />
it. We've done an Australian tour and are in the<br />
middle of a European one now.<br />
You're playing the Reykjavík Music Mess. Have<br />
you been to Iceland before, and if not, what's<br />
your impression of the place<br />
I've only stopped by in the airport, but it's always<br />
been on my to-do list, so I'm glad we're<br />
getting the opportunity to do so. I'm expecting<br />
to see a country like no other.<br />
Iceland has a famously prolific music scene. Is<br />
there a buzz about Icelandic music in Australia<br />
do you think<br />
If a new group from Iceland puts a record out,<br />
they generally get a bit more attention than if<br />
they'd come from other countries, yeah. Iceland<br />
is a long, long way away from Australia in many<br />
ways.<br />
Have you any Icelandic favourites<br />
Björk of course. We also played some shows<br />
with Sigur Rós a few years ago too.<br />
You're playing with some of the best new<br />
bands on the scene, have you had a chance to<br />
check out the RMM line-up<br />
I know our buds DZ Deathrays are playing, which<br />
is always fun.<br />
Are you planning on any trips out into the<br />
countryside while you're here, or is there anything<br />
you'd like to check out<br />
Yes! But need to do more research....<br />
What should people expect from your set<br />
Energy. Emotion. Electronics.<br />
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