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The official screening of Whale Valley will take place May 25th at Cannes Film Festival. If you're
eager for more information, check out the film's Facebook page: facebook.com/whalevalley.
Film
30
Rough Love And Reykjavík
An Icelandic film's international debut
at Cannes Film Festival
INTER
VIEW
Forty-five minutes north of Reykjavík is the quiet town of Hvalfjörður (“Whale Valley”). It is here that
Icelandic filmmaker Guðmundur Arnar Guðmundsson went to create what he describes as "a moment"
of rough, brotherly love. When they finished shooting the scene, Guðmundur realised that
they had something special, and what began as a small experiment spiralled into a fifteen-minute
short fiction. On May 25, the resulting film titled "Whale Valley" makes its debut as one of nine short
films, selected from a batch of over 3,500 entries, to compete at Cannes Film Festival in France. It’s
the third time an Icelandic short film has been chosen to compete in the festival's sixty-six year
history.
So you've made a couple of experimental films, some
animations, but this is your first short fiction. Tell me,
what led to its creation
It started with a moment that I wanted to create. It’s
a moment in the beginning of the film where an older
brother is holding down his younger brother and trying
to calm him down. I was trying to capture some kind
of 'rough love' in that scene. And then we went out to
shoot it. It was supposed to be a practice shoot, but it
worked really well, so I sat down and decided 'okay I’m
going to make a whole story based on these brothers.'
QUALITY CONTROL
So this whole endeavour spiralled out of the creation
of one moment. And now you have a professional,
high quality film competing at Cannes. Did you have
professional aspirations when you shot that first
scene
I think before, because of my fine arts background, I was
just keen on experimenting. We did this film called “Jeffery
and Beth” and it was all done in improvisation, in
one room, and it was for us to just kind of practice, to try
working with actors. But this time it was more serious.
This was like, ‘okay, now we have to see how good we
are, how well we can control the medium.’
fit the medium. And I think the nature and the small boy
really helped too.
SHOW ME THE MONEY
Of the nine films in competition, yours is the only
Nordic one. Does Iceland have a particularly strong
film community
I think it’s growing, a lot. Now we’ve gotten this new
support from the doubling of the Icelandic Film Fund [a
government fund set aside to support Icelandic films].
I mean, it is a small milieu, but that’s a nice thing, because
it’s easy to get into.
For film, Iceland is a springboard. Iceland is too small
a market for feature films. So you have to think outside
of Iceland. You’re aware that you want to make films
that Icelanders enjoy because that’s the ground that you
stand on, but it’s also really important to get your films
out. And I think that’s for all artists because it’s hard to
make a living on just the Icelandic market.
I’ve heard actually that after the crash that a lot of
money was directed toward arts, which is something
you never hear about in other countries. Arts are
typically the first to be cut and the last to be picked
back up.
"I think that if you are true to your vision, and
do what you want to do, something nice is
going to come out of it."
How did making Whale Valley compare
to making your other films
I spent three months intensively writing a seven-page
script and that was driving me crazy. But it actually
turned out like we planned. The most surprising thing,
maybe, was that it just all seemed to kind of fit.
With the other films we were always collaborating
and compromising, and seeing how that always fails, or
at least I think it always fails. So this time it was more
‘I’m going to do it exactly like I want to no matter what,
and if people don’t like it, so be it.’ I think that if you are
true to your vision, and do what you want to do, something
nice is going to come out of it. Maybe not everybody
is going to like it, but it is more important that you
like it yourself. That was the way we approached this.
We wanted to like it.
What stands out to you in Whale Valley Why do you
think the judges saw this film as the one that should
be put in the competition
I think it has a lot of strong elements that we were aware
of. You know, it’s a simple film, and it fits really well in the
'short film' medium. Something I really don’t like when I
see short films is when there is just one final ‘dot’ in the
end. We wanted to make a big story, but still a story that
Yeah, I hope that our new government isn’t going to cut
back on that. I don’t think they will though, because I
think that there is an awareness of how big art has
grown in outside of the country and how tourism has
grown because of the art scene.
BON VOYAGE!
Well, congratulations on making it to Cannes.
Any expectations once you get overseas
I think it's really about making contacts for our next
project. Something that’s more fun than just going to
a friend and saying 'hey help me out.' Otherwise, I was
hoping this would be time to relax. I was really looking
forward to just sitting on the beach, but now there are
all these meetings being scheduled—I’m going to try
and skip some of these meetings. It's like ten days. Ten
days of meetings and parties.
You could become the first Icelandic short film
to win, so best of luck to you!
Yeah, thanks. I think the doors have now opened for us,
but if we win, they are just wider open.
- Parker Yamasaki