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New Energy Technologies Magazine nr 3 2005.pdf - Index of

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It can be done in a variety <strong>of</strong> ways depending<br />

on whether this external vibration is<br />

accordant to its own tone or no. If vibrations<br />

<strong>of</strong> two bodies are acordant, the bodies are<br />

attracted; if there is a dissonance in their<br />

sound, they avoid each other. All physical<br />

forces appear due to a certain concordance<br />

(or a disagreement) <strong>of</strong> wave characteristics<br />

<strong>of</strong> vibration fields, which unite all existing<br />

matter. Vibrations play a role <strong>of</strong> an allorganizing<br />

and all-controlling source. And<br />

this source is not energy. Vibrations carry not<br />

energy but only an incentive to its absorption<br />

or production, i.e. its transformation from<br />

latent forms into evident ones. The energy is<br />

everywhere in the environment, which<br />

surrounds us and penetrates into us in an<br />

unbounded quantity. Eternal motion occurs<br />

everywhere and always. <strong>Energy</strong> reserves are<br />

unlimited in nature. We do not produce this<br />

energy and do not use it but, knowing the laws,<br />

we can transform it into useful forms. In order<br />

to do this, it is only necessary to co-ordinate<br />

operation <strong>of</strong> separate “molecular units”. It<br />

can be achieved by obtaining their<br />

consonance.<br />

Imagine that a metal support stands on a<br />

table, in front <strong>of</strong> you, and supports a hollow<br />

copper ball-sphere with a diameter <strong>of</strong> about<br />

30 cm. Numerous metal rods <strong>of</strong> different<br />

lengths and thicknesses are around the<br />

support’s base. They vibrate like tuning forks<br />

being touched by fingers. Plates and<br />

resonance tubes are placed inside the sphere.<br />

Their inter-location can be changed by<br />

handles. All this construction is called a<br />

“sympathetic transmitter”.<br />

Next to it, a cylindrical glass vessel with a<br />

diameter <strong>of</strong> 25 cm and a height <strong>of</strong> 120 cm is<br />

placed. It is filled with water. The vessel’s<br />

head, which is also metal, is connected with<br />

the sphere by thick wire from gold, silver or<br />

platinum. Three metal spheres lie on the<br />

vessel’s bottom, each <strong>of</strong> them with weight <strong>of</strong><br />

about 1 kg. As the experimenter explains,<br />

each <strong>of</strong> the spheres, as well as any other<br />

material body, has its own internal melody.<br />

The inventor comes to the sympathetic<br />

transmitter and begins to make the tuning<br />

forks vibrate, the handles turn. Suddenly, a<br />

trumpet sounds briefly and the sphere on the<br />

vessel’s bottom begins to swing, then it slowly<br />

comes <strong>of</strong>f from the bottom and goes up<br />

through water column. It hits the head,<br />

bounces <strong>of</strong>f, goes up again and, finally, settles<br />

down pressing itself to the head tightly.<br />

The trumpet sounds again, and the second<br />

metal sphere reacts to it and comes to the<br />

surface. Then the third does the same. Music<br />

subsides but the spheres still float. Actually,<br />

they still slightly come down sometimes,<br />

possibly, under the influence <strong>of</strong> accessory<br />

chords.<br />

This astonishing experiment and many others<br />

took place in John Keely’s labortory in<br />

Philadelphia more than 100 years ago. The<br />

scientist said that sound is “a violation <strong>of</strong><br />

atomic balance destroying the existing<br />

atomic particles and a substance, which is<br />

released during this process, must<br />

undoubtedly be an aether current <strong>of</strong> some<br />

order”. It is possible to say that Nature is<br />

based on vibrations <strong>of</strong> different frequencies,<br />

which create various combinations. The<br />

“accordant” harmonious combinations cause<br />

attraction and have a creative nature while<br />

disharmonious ones cause repulsion,<br />

destroy.<br />

An example <strong>of</strong> the orginized vibrations are<br />

music. When two strings <strong>of</strong> an instrument are<br />

attuned in a harmonic combination (for<br />

example, according to a third, fifth or<br />

octave), motion <strong>of</strong> one <strong>of</strong> them causes a<br />

respond in another. Since ancient times,<br />

another music was known, Kepler’s “music <strong>of</strong><br />

the spheres” created by the Sun, the Moon<br />

and planets. Today we can listen to this music<br />

in a computer arrangement.<br />

Keely brought his Sympathetic Vibratory<br />

Physics to fourty laws, in which, particularly,<br />

the unity <strong>of</strong> force and matter and also<br />

fundamental infinity <strong>of</strong> matter’s divisibility<br />

are postulated. Keely considers force as a<br />

released matter and matter as a constrained<br />

force. This was brilliantly confirmed in the<br />

XX century in the form <strong>of</strong> famous formula<br />

E=mc 2 . An idea <strong>of</strong> neutral center is<br />

considered by Keely as one <strong>of</strong> the most<br />

important physical and metaphysical<br />

42 <strong>New</strong> <strong>Energy</strong> <strong>Technologies</strong> #3(22) 2005

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