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Assam 2009 - Posoowa

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4. Raas (8 minutes): will be<br />

presented in Sattriya Dance<br />

Style<br />

Radha accentuates the linkage between the<br />

human soul and the Divine. This dance<br />

piece is choreographed by the president of<br />

Natyasangam dance academy of Colorado<br />

Springs Bonmayuri Kalita and she will be<br />

accompanied by her student dancers<br />

Divyanka Gupta, Kuhu Basak, Tia Basak<br />

and Vanika Hans.<br />

8. <strong>Assam</strong>ese Contemporary Dance (5<br />

minutes) Nilakshi Thakuria and<br />

Suravi Kalita, NJ<br />

Sattriya dance, which has an ancient<br />

history, was traditionally performed by<br />

monks in the monasteries of <strong>Assam</strong>. The<br />

main distinctiveness of this dance form is<br />

– dipping and bobbing of the body and the<br />

pull of gravitation. This is called “ULAHA”<br />

and this Ulaha has to be maintained in<br />

every movement. Sattriya, or Sattriya<br />

Nritya, is one among eight principal<br />

classical Indian dance traditions. Whereas<br />

some of the other traditions have been<br />

revived in the recent past, Sattriya has<br />

remained a living tradition since its creation<br />

by the <strong>Assam</strong>ese Vaishnava saint Srimanta<br />

Sankardeva, in 15th century <strong>Assam</strong>.<br />

Sankardeva created Sattriya Nritya as an<br />

accompaniment to the Ankiya Naat (a<br />

form of <strong>Assam</strong>ese one-act plays devised<br />

by him), which were usually performed in<br />

the sattras, as <strong>Assam</strong>’s monasteries are<br />

called. As the tradition developed and grew<br />

within the sattras, the dance form came<br />

to be called Sattriya Nritya. Today,<br />

although Sattriya Nritya has emerged<br />

from within the confines of the sattras to<br />

a much wider recognition, the sattras<br />

continue to use the dance form for<br />

ritualistic and other purposes for which it<br />

was originally created circa 500 years ago.<br />

About Raas: Lord Krishna took part in<br />

Rasalila, the secrets of which can only be<br />

understood by devotees like Narada, Radha,<br />

the Gopis and Sri Gouranga. Lila is the<br />

mosaic of music and dance of Krishna<br />

with the gopis: as a group and with Radha<br />

in particular. His frolic with the gopis<br />

expresses the intimate relationship<br />

between God and the devotees, where the<br />

melody flowing from Krishna’s flute is the<br />

call of the Divine, inviting all creatures to<br />

rejoin God in eternal bliss. His affair with<br />

34<br />

5. Violin: Monalisa Baishya of NE (18<br />

minutes)<br />

Monalisa Baishya will be a freshman<br />

at University of Nebraska at Lincoln and<br />

will major in Biochemistry along with Pre-<br />

Medicine. She has been playing the violin<br />

for over 8 years, and will continue<br />

throughout college. Outside of music,<br />

Mona also plays tennis and was a part of<br />

National Honor Society. She will be playing<br />

Churalia Hai Tum and Kal Ho Na Ho.<br />

6. Bharatanatyam Natraj Anjali<br />

Dance: Nikita Bhuyan, Phoenix, (6<br />

minutes)<br />

Bharat Natyam is one of oldest<br />

devotional classical Indian dance forms.<br />

The word ‘Bharat’ is made up of three<br />

Sanskrit terms: Bhaav meaning emotion,<br />

Raag meaning music, and Taal meaning<br />

rhythm. The word Natyam means drama.<br />

In this dance theme called “Natraj Anjali”<br />

is performed to pay respect to the Lord<br />

Shiva who is also known as Natraj. It is<br />

said that Natraj’s dance is the energy that<br />

keeps the universe running, and that if<br />

he ever stops dancing the universe will<br />

cease to exist.<br />

Nikita Bhuyan from Phoenix, Arizona is<br />

the daughter of Samar and Rashmi<br />

Bhuyan. She has been learning<br />

Bharatnatyam and Indian classical dances<br />

for past 7 years in Arathi School of India<br />

Dances in Phoenix from her guru Kalashri<br />

Asha Gopal.<br />

7. <strong>Assam</strong>ese Songs(15), artists: Rick<br />

and Nick Bhuyan, NJ (15<br />

minutes)<br />

Rupak (Rick) Kumar and Neepak<br />

(Nick) Kumar Bhuyan are twin brothers.<br />

They have recently graduated from high<br />

school. They are fully and professionally<br />

trained vocalists for Western style music.<br />

Rick has had the rare distinction and honor<br />

to represent the state of New Jersey as a<br />

vocalist in the all-state chorus for two<br />

consecutive years in 2007 and 2008. In<br />

addition, Rick and Nick have both<br />

represented Southern New Jersey as<br />

vocalists for three consecutive years. Rick<br />

and Nick have also recorded five remix<br />

albums containing forty songs. Rick is<br />

heading to Harvard and Nick to Rutgers<br />

in the fall.<br />

The two sisters will perform a<br />

Modern <strong>Assam</strong>ese based on the Song<br />

“Jonakore Raati”. The dance is<br />

choreographed by Suravi, Nilakshi and<br />

Pronoti Tahbildar.<br />

9. Songs, artist: Surekha Baishya,<br />

Longmont, Colorado (15 minutes).<br />

Surekha D.Baishya is trained in<br />

Hindustani Classical Music (vocal).<br />

Blessed with a lovely voice, she also trained<br />

under Kalyanjibhai (of Kalyanji-Anandji<br />

fame). She loves singing bhajans, ghazals<br />

and old Hindi film songs.<br />

10. Kathak (10 minutes), artist: Hilli<br />

Kalita, LA<br />

Hilly is going to<br />

perform a<br />

Kathak dance<br />

named<br />

Chaturang.<br />

The meaning<br />

of the word<br />

Chaturang is<br />

four colors.<br />

Hilly is going<br />

to show<br />

different<br />

shades and<br />

colors of Ek<br />

Taal. It is a special 12 beats cycle<br />

which will consists of Geet with<br />

lyrics such as ‘Sakhiyon Saab Hil mil<br />

ke Gawat Chaturang Hai’; the<br />

second part is Tabla with boal like<br />

POSOOWA • June <strong>2009</strong>

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