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Visual Language Magazine Contemporary Fine Art Vol 3 No 4 April 2014

Visual Language Magazine is a contemporary fine art magazine filled with dynamic international fine art, brilliant colors and stimulating composition. Cover Artist is Artspan Artist Claire Bull. Enjoy her bright contemporary artwork. In addition featured this month is Artspan Artist David Yapp and Photographer Charles Dunn. More featured artists are Jeanne Bassette, Pat Meyer, and Kit Hevron Mahoney as well as NY Art Critic Hall Groat II. Enjoy featured artists from both CFAI.co and Artspan. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

Visual Language Magazine is a contemporary fine art magazine filled with dynamic international fine art, brilliant colors and stimulating composition. Cover Artist is Artspan Artist Claire Bull. Enjoy her bright contemporary artwork. In addition featured this month is Artspan Artist David Yapp and Photographer Charles Dunn. More featured artists are Jeanne Bassette, Pat Meyer, and Kit Hevron Mahoney as well as NY Art Critic Hall Groat II. Enjoy featured artists from both CFAI.co and Artspan. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

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VL<br />

Kay Reinke<br />

http://www.kayreinkeart.com<br />

Experience and Feelings<br />

<strong>Art</strong> has been a part of my life since I was 12 years of age, when I began studying at The Houston<br />

Museum of <strong>Fine</strong> <strong>Art</strong> and the Texas <strong>Art</strong> Institute. The daughter of a journalist, who was also a cartoonist<br />

for the Army newspaper during WW II, I was always encouraged in my artistic efforts.<br />

Painting has always been an exciting experience to me. The mixing of creamy paints and the<br />

application of vibrant colors provide a sensual experience. The focus of my luminist landscapes is<br />

light and the affect of that illumination on nature. I want my paintings to suggest experiences and<br />

feelings in a way that sparks viewers’ imagination, draws them into the paintings and makes them<br />

want to stay. It is my belief that art is evidence of God’s willingness to let us share with him in the<br />

expression of the beauty and majesty of our world.<br />

Exploration<br />

22 | VL <strong>Magazine</strong> - <strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com

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