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Visual Language Magazine Contemporary Fine Art Vol 2 no 10 October 2013

Visual Language Magazine is a contemporary fine art magazine filled with dynamic international fine art, brilliant colors and stimulating composition. This month features the Miller Gallery Fall Show in Cincinnati, and studio visits with Nocona Burgess, Artspan artist Joe Belt, Sarah Beth Banning, Dave Sime, Connie Morse, and Texas artist Kristine Byars. Enjoy an up close and person interview with Texas Artspan artist Sharon Hodges and the gallery show of Texas Artspan artist Melissa Doron. The issue would not be complete without the fascinating photography of Artspan Photographer Rudolph De Ram. On the Cover is the artwork of Artspan Artist Joe Belt. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

Visual Language Magazine is a contemporary fine art magazine filled with dynamic international fine art, brilliant colors and stimulating composition. This month features the Miller Gallery Fall Show in Cincinnati, and studio visits with Nocona Burgess, Artspan artist Joe Belt, Sarah Beth Banning, Dave Sime, Connie Morse, and Texas artist Kristine Byars. Enjoy an up close and person interview with Texas Artspan artist Sharon Hodges and the gallery show of Texas Artspan artist Melissa Doron. The issue would not be complete without the fascinating photography of Artspan Photographer Rudolph De Ram. On the Cover is the artwork of Artspan Artist Joe Belt. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

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VL Show Review<br />

Melissa Doron<br />

The Den-Draw-logy Exhibition<br />

The Next Door Gallery Houston, Texas<br />

Walking into an art opening you <strong>no</strong>rmally find a quiet place with stark white walls, spotlights,<br />

hors d’oeuvres and a small wine selection to enjoy while you peruse the art work. A<br />

steady hum of conversation surrounds you as other patrons stop and discuss the merits of<br />

certain paintings.<br />

The Den-draw-logy Exhibition by Melissa Doron at The Next Door Gallery in Houston was<br />

quite the opposite, and a pleasant surprise. Entering the door, you were met with the captivating<br />

sounds of a live band, Berry, Zamorra<strong>no</strong> and Bell Jazz Trio. Inside this extraordinary<br />

gallery was a full bar open to the patrons attending the opening. There were <strong>no</strong> small<br />

plates of finger food, instead the opening was catered by “This Is It” soul food. A quick<br />

glance around the room of guests exploring Melissa’s work, it was easy to see this solo<br />

exhibit differed from most. There was a defined theme for the entire body of work and the<br />

collectors were at ease browsing through the twenty plus paintings included in the show.<br />

Melissa Doron shared with the group, “This series came from an idea that a very dear<br />

friend, Laurie Pace, had. She told me I should pick something I am interested in and paint<br />

that subject for 50 days. This is the result....The Den-DRAW-logy Exhibition. Actually, my<br />

husband came up with the title. Dendrology is the study of trees. The spelling was just a<br />

fun play on words.”<br />

Melissa’s amazing body of work contained trees of every species. It was <strong>no</strong>t the <strong>no</strong>rmal<br />

brown trunk and green leaves. Melissa’s work captured trees in their very essence of existence,<br />

teeming with color, despite the realization that most were painted without leaves.<br />

Her palette seemed endless as you strolled through the collection. Crimson to indigo, richly<br />

blended and sliced by knife. Wide brush and vibrant hues wove through many pieces.<br />

Every painting in the gallery was of a tree, and yet every painting totally different.<br />

“Irish Storm” seemed to pull you straight into the canvas. You could be standing a cliff in<br />

Ireland watching a storm roll in off the ocean, leaving you reeling with the scent of salt and<br />

rain in the air. “Dancing Euphoria”, an abstract painting with bright colors blending across<br />

the surface into a dance emerging from the canvas into the room.<br />

Melissa Doron’s show runs through September 26th at The Next Door Gallery located at<br />

2020 Waugh Houston, Texas, 77006. Gallery Owner, Mike Bell commented on the exhibit,<br />

“The reason I decided to initially show Melissa Doron’s work is due to the fact she paints<br />

with oils and does a fantastic job at that. Most modern artists I come across deal mostly in<br />

acrylic and pastels. Its refreshing to see someone <strong>no</strong>t afraid of using oils. In 2012 I was introduced<br />

to a piece of hers called “Derby”. It was a beautiful piece of a horse racing in the<br />

Kentucky Derby. It caught the whole excitement and essence of the race itself. This years<br />

show was the intrigue of her concept “50 trees in 50 days”.”<br />

150 | VL <strong>Magazine</strong> - <strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com

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