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Visual Language Magazine Contemporary Fine Art Vol 2 No 8

VL Visual Language Magazine Vol 2 No 8 August 2013 Visual Language Magazine is a contemporary fine art magazine with pages filled with dynamic fine art, brilliant color and stimulating composition. This month features Marine Art Gallery in Salem MA, Spotlight Interview with Canadian Artist Drew Keilback, studio visits with German/UK Artist Nick Gonzalez, Maritime Artist Austin Dwyer, American Landscape artists David Forks and Jason Tako and Artspan Photographer John G. Lomba. On the Cover is the artwork of Artspan Artist Victoria Pendragon. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language crosses all cultures around the world.

VL Visual Language Magazine Vol 2 No 8 August 2013 Visual Language Magazine is a contemporary fine art magazine with pages filled with dynamic fine art, brilliant color and stimulating composition. This month features Marine Art Gallery in Salem MA, Spotlight Interview with Canadian Artist Drew Keilback, studio visits with German/UK Artist Nick Gonzalez, Maritime Artist Austin Dwyer, American Landscape artists David Forks and Jason Tako and Artspan Photographer John G. Lomba. On the Cover is the artwork of Artspan Artist Victoria Pendragon. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language crosses all cultures around the world.

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CFAI.co Colors On My Palette<br />

Angela Sullivan<br />

http://www.cfai.co/angelasullivan<br />

http://www.cfai.co/colors-on-my-palette/angela-sullivan<br />

When did you realize you loved art and wanted to be ‘an artist’<br />

<strong>Art</strong> has always been a part of my life though uncontrolled and in its<br />

rawest form. Some of the fondest memories of my childhood are of the<br />

times I made countless intricate paper doll clothes. When I was 16 my<br />

mother bought me a wood art box filled with oil paints. I did not know<br />

how to paint or anything about painting and so with much determination<br />

my journey began. <strong>No</strong>w a day without painting is a day that I feel<br />

in the depths of my soul that something is amiss.<br />

Who has been the greatest influence from your past to mentor you to this career<br />

My father was my greatest influence. From as far back as I can remember he always told me that I can do<br />

anything if I wanted to bad enough. He would tell me that my paintings were good even from my very first efforts<br />

which were actually far from being good.<br />

Who is your mentor today, or another artist you admire and why<br />

Two artists who have greatly affected my life and encouraged me when I have felt like giving up are Hilda<br />

Muxo Klinger and Carol Blackburn who comment on my blog almost daily. They both have been a great inspiration<br />

to me and have given me the push I needed to stay on course.<br />

What is your favorite surface to paint on Describe it if you make it yourself.<br />

I love to paint on gallery wrapped canvas. 6x6 is my size of choice but of course I paint larger as the need arises.<br />

What brand of paints do you use<br />

Winsor & Newton artist grade paints. I have also used Gamblin with satisfaction.<br />

Do you have a favorite color palette<br />

I usually use the same colors but add a few rogue ones in just for good measure. Pthalo Blue, Ultramarine Blue,<br />

Zinc White, Alizarin Crimson, Cadmium Red Light, Cadmium Yellow Light, Burnt Umber. I do add Permanent<br />

Rose and sometimes Sap Green for special touches.<br />

What is your favorite color in your palette<br />

Permanent Rose by Winsor & Newton<br />

What subject appears the most in your paintings and why<br />

I add cherries quite often to my still life paintings. They are just right when you just need to add a little something<br />

here or there. The subject which I love to paint the most are cows. Any time I paint a cow I find myself<br />

smiling for no particular reason.<br />

How often do you paint How many hours a week<br />

I paint daily. I would say that I paint approximately 20-30 hours a week.<br />

How would you like to be remembered<br />

I would like to be remembered as a peacemaker.<br />

Read more at http://www.cfai.co/colors-on-my-palette/angela-sullivan<br />

36 | VL <strong>Magazine</strong> - <strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com

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