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Visual Language Magazine Contemporary Magazine Vol 3 no 8

Vol 3 No 8 Visual Language Magazine Contemporary Fine Art featuring Waterscapes, Landscapes, Seascapes and more. Cover Artist is Kathryn Wilson. Featured are VL Top Artists to Collect are Carol Jo Smidt, David Terrar, Jonelle T. McCoy, Vanessa Katz and Russ Mackensen: CFAI.co Colors on My Palette Rae Andrews; Visual Language Studio Visit with William Beebe, Dawn Waters Baker and photographer Brian Bennett: Artspan Discovery Carol Engles; Visual Language Studio Visit with Artspan Artist Valerie Travers; Hall Groat Sr shares Learning to See Takes Practice; Artspan Spotlight with Jean Howard; CFAI.co Art Showdown; CFAi Juried Show ; VL Photographer John Lomba. Visual Language Magazine published through Graphics One Design. Visual Language is the common connection around the world for art expressed through every media and process. No interpreters are necessary because Visual Magazine crosses all boundaries.

Vol 3 No 8 Visual Language Magazine Contemporary Fine Art featuring Waterscapes, Landscapes, Seascapes and more. Cover Artist is Kathryn Wilson. Featured are VL Top Artists to Collect are Carol Jo Smidt, David Terrar, Jonelle T. McCoy, Vanessa Katz and Russ Mackensen: CFAI.co Colors on My Palette Rae Andrews; Visual Language Studio Visit with William Beebe, Dawn Waters Baker and photographer Brian Bennett: Artspan Discovery Carol Engles; Visual Language Studio Visit with Artspan Artist Valerie Travers; Hall Groat Sr shares Learning to See Takes Practice; Artspan Spotlight with Jean Howard; CFAI.co Art Showdown; CFAi Juried Show ; VL Photographer John Lomba. Visual Language Magazine published through Graphics One Design. Visual Language is the common connection around the world for art expressed through every media and process. No interpreters are necessary because Visual Magazine crosses all boundaries.

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VL<br />

Russ Mackensen<br />

http://rmackensenfineart.com/<br />

Having worked as an Architect for over 40 years I produced a lot of drawings and renderings of projects,<br />

but was <strong>no</strong>t involved in fine art. Yet I have been “seeing” projects in lights and darks, texture, composition,<br />

movement and color. All these elements of architecture are the same ones that artists apply to their works.<br />

In 2009 I decided to try Oil Pastels. A drawing medium that allows my mind to naturally transfer what I “see”<br />

onto the ground I’m working on. I soon discovered this was a medium <strong>no</strong>t too well k<strong>no</strong>wn or understood.<br />

An application of pure pigment in stick form, similar to Dry Pastels. They are relatively new in the art world<br />

being developed as a fine art medium for Picaso in the 50’s.<br />

My approach to creating realism in my work is seldom attempted due to its difficulty. With a limited palette<br />

of colors to work from the direct application of one color is <strong>no</strong>t viable. Working on 400 grit sandpaper everything<br />

is mixed right on the final location, so any mistakes are <strong>no</strong>t easily repaired.<br />

In my life and my art I strive to give praise to the Creator of all who forgives my mistakes and allows me to<br />

share the beauty I see with those who view my art.<br />

A Blue Plate Special<br />

26 | VL <strong>Magazine</strong> - <strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com

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