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Visual Language Magazine Contemporary Fine Art Vol 3 no 9

Vol 3 No 9 Visual Language Magazine Contemporary Fine Art featuring Wildlife, Equine Art and more. Cover Artists is Texas Artist James Loveless. Featured are the VL top artists to collect Isabelle Gautier, Lelija Roy, Linda McCoy, Bob Coonts, and Alejandro Castanon; CFAI Colors on My Palette, Patricia A. Griffin; Visual Language studio visit with Marcia Baldwin, James Loveless, Milton Wagoner and J. W. Burke; Barry W. Scharf shares American Artist Today; Artspan Spotlight with Jan Sasser; CFAI.co Art Showdown; VL Photographer Fran J Scott. Visual Language Magazine published through Graphics One Design. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

Vol 3 No 9 Visual Language Magazine Contemporary Fine Art featuring Wildlife, Equine Art and more. Cover Artists is Texas Artist James Loveless. Featured are the VL top artists to collect Isabelle Gautier, Lelija Roy, Linda McCoy, Bob Coonts, and Alejandro Castanon; CFAI Colors on My Palette, Patricia A. Griffin; Visual Language studio visit with Marcia Baldwin, James Loveless, Milton Wagoner and J. W. Burke; Barry W. Scharf shares American Artist Today; Artspan Spotlight with Jan Sasser; CFAI.co Art Showdown; VL Photographer Fran J Scott. Visual Language Magazine published through Graphics One Design. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

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VL<br />

Barry W. Scharf<br />

Why in a modern and prosperous America are so many living artists ig<strong>no</strong>red<br />

By Barry W. Scharf<br />

Is it just me or have you <strong>no</strong>ticed that our modern culture<br />

does <strong>no</strong>t provide much for living hard working artists<br />

in the contemporary or classical visual arts There<br />

are <strong>no</strong> living Picasso’s, <strong>no</strong> Leonardo’s, if you are <strong>no</strong>t a<br />

dead painter or already famous for something else you<br />

are of little or <strong>no</strong> importance to this culture. When the<br />

paintings of many dead artists like Picasso and Van<br />

Gough are breaking all records selling at auction for<br />

multi-millions of dollars, struggling living artists have a<br />

hard time even showing their work. Any sales are far<br />

and few between with much of that money going to<br />

promotion, material expenses and overhead.<br />

In today’s world “artists” are <strong>no</strong> longer fine art painters<br />

or sculptors skillfully working for years in the solitude of<br />

their studios to perfect techniques and vision; instead<br />

they are showmen, entertainers, socialites or merely<br />

personalities that have become k<strong>no</strong>wn for becoming<br />

k<strong>no</strong>wn. The art of this culture has less to do with talent<br />

then with being seen in the right places at the right<br />

time. It is <strong>no</strong>w a here today gone tomorrow (leaving little<br />

trace of any contribution to the history of art) America.<br />

American culture is <strong>no</strong>w catering to the generation<br />

of the immediate fix. It is a here today gone tomorrow<br />

web tweeting culture that has boiled down everything<br />

of value into 140 characters or a Facebook photo of<br />

what they are having for dinner. It seems there is less<br />

and less time for the subtle colors of a morning mist<br />

falling across a meadow, or the complexity of brush<br />

strokes that make up a sunset envisioned to awaken<br />

wonder about life, mindfulness and spirituality.<br />

As long as our institutions of culture, community and<br />

government ig<strong>no</strong>re the work of living talented fine artists<br />

there will be <strong>no</strong> growth in the world of art as we<br />

have seen for the past centuries. It will be the era of the<br />

first person shooter, web jewels and bubbles games<br />

and an endless stream of personal videos describing<br />

meaningless content of what their cat is doing.<br />

Digital graphics and animation <strong>no</strong>w holds the hope<br />

as a medium of this new generation. After all there is<br />

money to be made here. There are cyber war games<br />

taking place in the web ether and we all need to team<br />

up to play and be a part of the battle for available creative<br />

jobs and available dollars.<br />

Don’t get me wrong this is <strong>no</strong>t a critique of the artist,<br />

there are still amazing artists out there working hard<br />

to create new visions and directions. They are passionate,<br />

dedicated, studied and skilled. They work relentlessly<br />

without feedback or reward. They are the<br />

keepers of the torch of artistic k<strong>no</strong>w how and they are<br />

ready and waiting for the world to wake from the opiate<br />

of digital newness.<br />

http://barrywscharf.squarespace.com/<br />

124 | VL <strong>Magazine</strong> - <strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com

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