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Visual Language Magazine Contemporary Fine Art Vol 4 No 1

Visual Language Magazine Contemporary Fine Art Vol 4 No 1 Contemporary Modern Art, Abstract Art, Mixed Media and More. Cover Artist Andrew Baird VL Artists to Collect are Vanessa Katz, Valerie Travers and Elaine Vileria, Visual Language Studio Visits with Andy Baird, Sallie-Anne Swift, Slav Krivoshiev, Elizabeth Chapman and Demian Dressler; also included Barry W. Scharf featured writing and more. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

Visual Language Magazine Contemporary Fine Art Vol 4 No 1 Contemporary Modern Art, Abstract Art, Mixed Media and More. Cover Artist Andrew Baird VL Artists to Collect are Vanessa Katz, Valerie Travers and Elaine Vileria, Visual Language Studio Visits with Andy Baird, Sallie-Anne Swift, Slav Krivoshiev, Elizabeth Chapman and Demian Dressler; also included Barry W. Scharf featured writing and more. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

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VL<br />

Sallie-Anne Swift<br />

Finally it was together and I was looking at the<br />

finished piece, it would still take another 24<br />

hours to be completely dry but it was done and<br />

ready to hang. Oooh.. hang This was one extremely<br />

heavy painting and I hadn’t given much<br />

thought to how I was going to hang it. I found<br />

some fabulous dry wall hooks on amazon.com<br />

that would hold 200 lb each – perfect! When the<br />

tradesmen arrived for work on Monday morning<br />

they could hang this for me. It took 5 men to<br />

hang this painting but it’s up and in it’s place<br />

and every time I walk in through the front door,<br />

I marvel at the sight of it and think to myself… I<br />

did that and I feel so proud that I achieved this<br />

goal, this enormous 3D painting looks fabulous<br />

and the lighting makes all the difference in the<br />

world.<br />

For years I would transform my dining room<br />

into a studio, pushing the table and chairs to<br />

the side, throwing down drop cloths to cover the<br />

floors and then setting up my portable easel on<br />

wheels and my portable cart that housed my<br />

paint, it would quickly became my work area.<br />

It’s no wonder I would get depressed when we<br />

were having dinner guests. This meant packing<br />

away everything and moving it all into a storage<br />

unit so the room could once again resemble a<br />

place where we could entertain. I’ve lost count<br />

how many times I have done this!<br />

Eleven months of preparation, designing and<br />

planning the remodel of our new apartment will<br />

finally see me in my own dedicated studio…<br />

YIPPIE! I’m still pinching myself! It is a home<br />

studio, with plenty of space (even enough room<br />

for an 8’ x 6’ painting and plenty of natural light<br />

with breathtaking views that stretch across the<br />

city to the mountains that are soon to have<br />

snow capped peaks on them. <strong>No</strong> more packing<br />

away my paints and brushes… I am one very<br />

lucky and very happy artist!<br />

http://sallieswiftart.com/<br />

86 | VL <strong>Magazine</strong> - <strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com<br />

Hanging the Painting

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