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Visual Language Magazine Contemporary Fine Art Vol 4 No 2

Visual Language Magazine Contemporary Fine Art Vol 4 No 2 featuring contemporary landscape, seascape, pets, animals and more.. Cover Artist is Jeanne Illenye. Featured as Artists to Collect are Carolyn Hancock, Hilda Rueda, Kristine Byars, Marchita Priest, Tina Bohlman, Suzy Pal Powell;, Visual Language studio visits with Karen Margulis, Dawn Waters Baker, Jeanne Illenye, and interview with Kathy O'Leary. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

Visual Language Magazine Contemporary Fine Art Vol 4 No 2 featuring contemporary landscape, seascape, pets, animals and more.. Cover Artist is Jeanne Illenye. Featured as Artists to Collect are Carolyn Hancock, Hilda Rueda, Kristine Byars, Marchita Priest, Tina Bohlman, Suzy Pal Powell;, Visual Language studio visits with Karen Margulis, Dawn Waters Baker, Jeanne Illenye, and interview with Kathy O'Leary. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

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VL<br />

Dawn Waters Baker 66<br />

Dawn feels like her first language was beauty. That was how<br />

her heart was stirred to art. Born and raised a missionary kid<br />

she learned to look for it in the cracks and crevices of lives<br />

much harder then her own. In college, she learned how to find<br />

her own way to express her heart through painting.<br />

Kathy O’Leary 124<br />

“When did you realize you loved art and wanted<br />

to be an artist<br />

In 1989, having rediscovered I still had my drawing<br />

skills (developed from early college experience)<br />

I was drawn to painting and drawing again<br />

as a release from stresses of my job. As my<br />

skills grew rapidly I decided in 1990 that I wanted<br />

to leave my job and work closer to the field of<br />

art. After a year working for the local art’s council,<br />

being around art every day, artists, helping<br />

curate and hang shows, I quit to work full time<br />

at my own art. I committed myself to learning as<br />

much as I could, to see whether I could do this<br />

professionally. I honed my skills working at first<br />

in watercolor, pastel, mono printing, and finally<br />

trying oils. From my first experimentation with<br />

oils as a medium (in ‘94), I knew immediately that<br />

this was my medium and that the life I wanted<br />

was as a painter working in oils.<br />

6 | VL <strong>Magazine</strong> - <strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com

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