An exploration into colour symbolism as used by - National Centre ...
An exploration into colour symbolism as used by - National Centre ...
An exploration into colour symbolism as used by - National Centre ...
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Work of p<strong>as</strong>t theorists<br />
In order to understand the <strong>symbolism</strong> that is <strong>as</strong>signed to a <strong>colour</strong>, we have to consider how the<br />
meanings that have come to be <strong>as</strong>sociated with that <strong>colour</strong> have evolved throughout history.<br />
Since antiquity many prominent scientists, philosophers and theorists have attempted to<br />
investigate the development of <strong>colour</strong> <strong>symbolism</strong>. Others, such <strong>as</strong> Sir Isaac Newton (1643-<br />
1727) and more recently, Johannes Itten (1888-1967), also carried out extensive studies and<br />
research, but they were only interested in the physics of <strong>colour</strong>, and not its emotional or<br />
psychological significance. Not all developed their own conclusions, some merely expanded<br />
on the work of others who had gone before them, adding to it or disagreeing with it <strong>as</strong> they<br />
saw fit. Below I have outlined some of the most notable contributors, in the chronological<br />
order that they were active.<br />
As far back <strong>as</strong> <strong>An</strong>cient Grecian times, <strong>colour</strong>s were <strong>used</strong> <strong>as</strong> a mark of social respect or<br />
suspicion. The Pythagoreans had a marked aversion to <strong>colour</strong>, where<strong>as</strong> Empedocles (c. 490<br />
BCE – c. 430 BCE) considered it to be “the soul of life and the root of all existence”,<br />
<strong>as</strong>signing the key natural elements of earth, air, fire and water to be represented <strong>by</strong> the <strong>colour</strong>s<br />
yellow, black, red and white respectively (Brusatin, 1991).<br />
In the second century CE, Artemidorus Daldianus wrote that in dreams red clothes are a sign<br />
of “good fortune and fame”, and that white clothes signify “great calamity” and uncertainty<br />
due to the <strong>as</strong>sociation with the white shrouds in which the dead were clothed when they were<br />
buried (Brusatin 1991 cited Daldianus). He went on to say that black is a symbol of mourning<br />
and slavery, but in a dream it represents only “minor misfortunes”. He also mentions violet,<br />
describing it <strong>as</strong> a “shade of separation” and a “sign of detachment and widowhood”.<br />
©Laura Dilloway, NCCA 2006 5