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DARK SKIES Zabel & Friedman 41.<br />
LOENGARD<br />
Uh, Mark, I'm gonna take care of<br />
that research right now. I'll see<br />
you back at the office.<br />
Loengard peels off. Simonson shrugs, continues on. From a<br />
distance, Simonson observes Loengard and the MIB talking.<br />
BEHIND THE COLUMN<br />
MIB #5 pulls a plane ticket from his coat, hands it to<br />
Loengard.<br />
LOENGARD<br />
This is only one way. When am I<br />
coming back<br />
MIB #5<br />
(ignoring him)<br />
At the airport, bring a Washington<br />
paper and read the sports page.<br />
MIB #5 then turns and walks away.<br />
LOENGARD<br />
What am I doing! What's the job!<br />
No answers. Loengard is left staring apprehensively at the<br />
ticket.<br />
INT. WHITE HOUSE - NIGHT<br />
<strong>The</strong> BLACK-AND-WHITE VIDEOTAPE of Jackie Kennedy's White House<br />
Tour.<br />
We are really in:<br />
JACKIE KENNEDY<br />
Historical preservation is one of<br />
the things we have felt the White<br />
House should properly be involved<br />
in, especially with so many artifacts<br />
hidden away ...<br />
INT. WHITE HOUSE - GREEN ROOM - NIGHT<br />
Where Sayers stands transfixed looking at a small BLACK-AND-<br />
WHITE MONITOR of the First Lady's presentation. She is next<br />
to a network cameraman manning a huge, cumbersome studio<br />
camera. ALICIA BURNSIDE, Sayers' pretty-but-pushy boss,<br />
enters in a hurry, motions Sayers aside.
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