Untitled - ArtNetLab

Vabilo na večerjo
dvajsetega stoletja nas vodi
v virtualnost preteklosti in identitete.
Hkrati vstopamo v svet virtualne večerje,
kjer je identiteta historično pogojena, ter v
dejansko, časovno bližnjo preteklost. Na eni
strani nam ponuja avtorefleksijo že doživetega, na
drugi pa zadovoljuje perverznost instinktivnega
vojerizma. Refleksija že po definiciji potrebuje
časovno distanco in danes je refleksija dvajsetega stoletja
možna in nujna. Z udeležbo na virtualni večerji metaforično
poustvarjamo lastno preteklost in vstopamo v fenomen
resničnostnega šova, kjer izrednost zaznavamo skozi princip
vsakdanjosti. Poklici, katerih vloge lahko prevzamemo, so
izbrani ravno glede na izrednost v vsakdanjosti dvajsetega stoletja.
Virtualne večerje se lahko udeleži vsak in s tem odigra aktualno igro,
s katero vzpostavi refleksijo lastne zgodovine. Gledalec ni več
gledalec, temveč postane aktivni udeleženec v ustvarjalnem procesu.
Gibamo se med realnim in virtualnim in mejá med gledalcem,
umetniškim delom in ustvarjalcem ni več.
Začetna statična slika, kjer uporabnik vpiše svojo EMŠO, ta
pa odpre določena polja, kjer se odvrtijo videi, pogojeni s
kodo (slika spodaj). Če uporabnik ne posreduje številke z
določenim algoritmom, ga aplikacija na to opozori in
uporabnik lahko stopi v odnos z avtorjevo EMŠO ter vidi delo
skozi njegove oči ali pa se zadovolji z vpisno sliko.
The first static picture, where the user enters a personal
identity number, which opens certain fields with videos
playing (picture underneath). If the user does not whish or
does not own the CPIN with certain algorithm, the
application warns him and he can enter in relationship with
the author's CPIN and see the work trough his eyes or be
satisfied with the entering picture.
An Invitation to the 20th Century Dinner takes us to the virtuality of
the past and of identity. We are simultaneously entering the world
of the virtual dinner, where the identity is historically conditioned, and
into the actual time based past. Firstly, it offers auto-reflection of the
already experienced and secondly, it satisfies the voyeuristic
perversity. Reflection is only possible, already by definition, if based
in a certain time distance and today it is not only possible but
almost a must. Attending the virtual dinner we are metaphorically
recreating our own past and we are entering the phenomena of
reality shows where exception is perceived through the
principal of ordinary. The professions used are chosen exactly
through the same exception to the common in the 20th Century.
The virtual dinner can be attended by anyone and so
each attendant has a possibility to create a reflection
on his or her history. The spectator is no longer
a spectator as such, but an active element in
the creative process. We are lingering
between real and virtual and the
boundaries between the spectator,
the creation and the creator
no longer exist.
Programiranje/Coding: Boris Kodelja, Matija Mestnik Mentor: Srečo Dragan co-mentor: Franc Solina