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C. The Majic-12 Documents: The ET Myth vs the Nazi Legend<br />

The Majic-12 documents are well-known in UFOlogy circles,<br />

and a controversy has ensued over their genuineness and<br />

authenticy, or lack thereof. The documents themselves purport to<br />

be highly classified top secret memoranda, studies, and so on,<br />

concerning the Roswell crash and its aftermath: the establishment of<br />

a deep cover, highly classified UFO retrieval, back-engineering, and<br />

study group composed of top civilian and military leaders with a<br />

large black projects budget. The documents, complete with many<br />

blacked out areas - represented by strings of question marks<br />

"" in the quotations which follow - were leaked to the public<br />

in two different sets.<br />

As well known and respected UFOlogist Stanton Friedman put<br />

it, the first set of documents arrived in December of 1984, quite<br />

literally "on Jaimie Shandera's doorstep." 10 Shandera, a film<br />

director, had contacted Friedman about the possibility of doing a<br />

fictional movie concerning UFOs, wanting Friedman to be a<br />

consultant for the movie.<br />

Then, in December 1984, the Majestic-12 documents showed up on<br />

Jaimie Shandera'a doorstep.<br />

To be more exact, a roll of undeveloped black-and-white 35mm<br />

film came in the mail to Shandera's home in Burbank in a doublewrapped<br />

plain brown envelope with no return address and an<br />

Albuquerque, New Mexico postmark. Why was it sent to Jaimie One<br />

possibility is that it was well-known that Shandera had been working<br />

closely with Bill Moore and myself on the Roswell crash story, and<br />

that together with Bill, had had many contacts with insiders, some of<br />

whom were connected with OSI in Albuquerque.<br />

Bill and Jaime's meetings with Agent Doty and others had left<br />

them with the impression that these insiders were interested in having<br />

the facts about flying saucers released to the public, in a manner that<br />

would protect their identity and their status. But we may never know.<br />

After Bill and Jaime developed the film, they called me. What<br />

they found on the film were duplicate sets of eight pages of documents<br />

that were classified TOP SECRET/MAJ1C, with a title page declaring<br />

10<br />

Stanton Friedman, Top Secret/Majic (New York: Marlowe and<br />

Company, 1996), p. 20.<br />

281

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