11.02.2015 Views

Doc Market

Doc Market

Doc Market

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

The Thessaloniki International Film Festival<br />

is supported by the Hellenic Ministry of Culture and Tourism


14th Thessaloniki<br />

<strong>Doc</strong>umenTary FesTival<br />

IMages of The 21st CenTury<br />

9-18 MarCh 2012<br />

14th Thessaloniki<br />

International<br />

<strong>Doc</strong> <strong>Market</strong><br />

12-17 March 2012<br />

Organized by<br />

With the support of<br />

Υ.Π.Α.<br />

Communication Sponsors


General information<br />

Venue:<br />

Electra Palace Hotel, Byzantium Hall<br />

Opening hours:<br />

10:00 - 20:00<br />

Happy hour:<br />

18:00 - 19:00, at Excelsior Lounge, Electra Palace Hotel<br />

Reservations:<br />

Screening booths can be booked for a maximum<br />

of four consecutive hours.<br />

Please show up on time otherwise your reservation<br />

will be cancelled.<br />

Reservations should be made one day in advance.<br />

Please note<br />

• You are kindly requested to register your evaluation for each film you have<br />

watched.<br />

• You are kindly requested to leave the screening booth the way you found it.<br />

• Smoking is not allowed at the <strong>Doc</strong><strong>Market</strong>’s facilities.<br />

• Priority to screenings booths is given to <strong>Doc</strong> <strong>Market</strong> Accreditations.


Indexes<br />

Index of Directors 499<br />

Index of Sales Companies 505<br />

<strong>Doc</strong>umentaries Participating<br />

0-9 14<br />

A 25<br />

B 49<br />

C 83<br />

D 109<br />

E 139<br />

F 153<br />

G 169<br />

H 187<br />

I 213<br />

J 233<br />

K 235<br />

L 243<br />

M 267<br />

N 301<br />

O 319<br />

P 337<br />

R 363<br />

S 375<br />

T 417<br />

U 449<br />

V 453<br />

W 461<br />

Y 493<br />

Z 497


Th e s s a l o n i ki<br />

I nternat i o n a l<br />

D o c M a r ke t<br />

docmarket@filmfestival.gr<br />

Head of <strong>Doc</strong> <strong>Market</strong>: Yianna Sarri<br />

Coordinator: Denise Andreola, Angeliki Vergou<br />

Digitization Coordinator: Yorgos Nounesis<br />

<strong>Doc</strong> <strong>Market</strong> Catalogue Editor-in-Chief: Mary Kitroeff<br />

Coordination: Geli Mademli<br />

Design-Art Direction: Andreas Remountis<br />

I m a g e s o f t h e 2 1 s t centur y<br />

1 4 t h T H E S S A LO N I K I D O C UMENTA RY FESTIVA L<br />

Founder-Director: Dimitri Eipides<br />

Thessaloniki:<br />

10 Aristotelous Sq., Thessaloniki 546 23, Greece<br />

Τ. +30 2310 378 400 F. +30 2310 285 759<br />

Athens:<br />

9 Alexandras Ave., Athens 114 73, Greece<br />

Τ. +30 210 870 6000 F. +30 210 644 8143<br />

info@filmfestival.gr<br />

www.filmfestival.gr


We are happy to welcome you to the 14th edition<br />

of the Thessaloniki International <strong>Doc</strong> <strong>Market</strong><br />

Having entered its 14th year, the <strong>Doc</strong> <strong>Market</strong> of the Thessaloniki <strong>Doc</strong>umentary Festival<br />

– Images of the 21st Century can pride itself on the course it has pursued so far.<br />

An inseparable and invaluable part of the Festival, the market may have started out<br />

as a Balkan <strong>Market</strong>, hosting buyers and films from the Balkans, but it has now become<br />

established as a locus where filmmakers from all over the world meet with<br />

representatives of TV channels (mostly European, but also American and Asian), with<br />

a view to promote and sell their films. With each passing year attendance has increased,<br />

proving that Thessaloniki has secured its place as a crossroad for worldwide<br />

cultural and commercial transactions.<br />

The <strong>Market</strong>’s primary goal is, of course, to sell the rights of documentaries for airing<br />

by TV channels, but that doesn’t mean that distribution to film theaters or screenings<br />

at other Festivals are not an option. But since documentary film distribution is,<br />

generally speaking, limited, and because another chief purpose of the Festival’s is to<br />

communicate with its audience, the <strong>Market</strong> functions mainly as a bridge, connecting<br />

the cinematic product which is the documentary to the powerful medium of television.<br />

Thus, the <strong>Market</strong> is rendered especially crucial in terms of the dissemination<br />

of the genre. And, obviously, the support and promotion of Greek documentaries to<br />

nearby or faraway destinations is number one on our list of priorities.<br />

For the first time this year we are also organizing the <strong>Doc</strong>s in Progress. A session<br />

dedicated to documentaries that are not completed yet but they will be ready during<br />

the next months. They will start their career from Thessaloniki. They come from<br />

Greece, the Balkans and the Mediterranean and will have the opportunity to find coproducers,<br />

distribution or even to be selected to other international festivals.<br />

Proof of the <strong>Market</strong>’s success is the fact that there are more films and more buyers<br />

participating this year than ever before. There are more than 470 documentaries<br />

making up the <strong>Market</strong>’s offerings, while interested buyers are more than 60. The <strong>Doc</strong><br />

<strong>Market</strong> is fully Digital. Buyers will be able to watch documentaries without the use<br />

of DVDs or VHS tapes; all films will be easily accessible from the “digital library” in<br />

each of the booths. Even though the results of such an event are not immediate felt,<br />

if we had to make certain predictions we might quote some numbers from the past.<br />

In and of itself, 25% of the total number of films that is sold through the <strong>Market</strong> is<br />

considered extremely successful. And if one takes into account the fact that only about<br />

1/4 of the films that form part of the <strong>Market</strong> belong to the Festival program, then one<br />

can easily conceive the breadth and the potential of the <strong>Market</strong>. It is our hope that, this<br />

year, even more documentaries will find their way to a television or cinema screen<br />

and will succeed in reaching the audience that seeks them out.<br />

Happy viewing!<br />

Dimitri Eipides<br />

Founder-Director


0-9<br />

401<br />

MEXICO<br />

History & Politics<br />

0,0056<br />

Lorenzo Hagerman<br />

Within the history of the struggle for power in Mexico, in the year 2006 a man defied the<br />

institutions and proclaimed himself the legitimate president: Andrés Manuel López<br />

Obrador. The chronicle of the unexpected defeat of the man who led the electoral polls for<br />

four years and who, in spite of having received over 14 million votes on 2 July 2006, was<br />

finally defeated by a half a percentage point.<br />

Running time: 95΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Mexican Film Institute<br />

Iván Gutiérrez Aráico<br />

Mexican Film Institute<br />

Iván Gutiérrez Aráico<br />

Insurgentes sur 674, 2nd floor<br />

Del Valle 03100 Mexico City, Mexico<br />

T. +52 55 5448 5345<br />

difuinte@imcine.gob.mx<br />

14<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


132<br />

DENMARK<br />

0-9<br />

History & Politics<br />

1/2 REVOLUTION<br />

Omar Shargawi, Karim El Hakim<br />

Film director Omar and his friend Karim were researching a film in Cairo when the revolution<br />

broke out in February 2011. They mingle with the rebels, walk the streets and participate<br />

in demonstrations against decades of oppression by the regime of Hosni Mubarak.<br />

Running time: 71’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Globus ApS<br />

Carsten Holst<br />

LevelK<br />

Tine Klint<br />

Gammel Kongevej 137<br />

Over gården, 3.<br />

1850 Frederiksberg C, Denmark<br />

T. +45 4844 3072<br />

tine.klint@levelk.dk<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 15


0-9<br />

359<br />

GREECE<br />

Current Affairs<br />

1 0 0 (173 ALEXANDRAS AV., ATHENS)<br />

Gerasimos Rigas<br />

1 0 0 (173 Alexandras Ave., Athens) – an episode of <strong>Doc</strong>ville, a cinéma-vérité documentary<br />

series about urban life in Greece in a time of crisis – depicts the wide range of services<br />

the police in Athens is asked to perform. By observing daily life at Police Headquarters,<br />

we realize that what takes place is symptomatic of a deeper social crisis that includes<br />

justice or injustice in relation to the law, racism, poverty, and social violence.<br />

Running time: 61’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Minimal Films, ERT S.A Hellenic Broadcasting Corp.<br />

Marco Gastine<br />

5 Fotiou Patriarchou Str.<br />

11471 Athens Greece<br />

T. +30 6972318826<br />

F. + 30 210 3606730<br />

fminimal@otenet.gr<br />

ERT SA Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

T. +30 210 6075 711<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

www.ert.gr<br />

16<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


402<br />

MEXICO<br />

0-9<br />

Lifestyles<br />

12 OUNCES<br />

Patricio Serna Salazar<br />

To reach the top you have to receive many blows, for only one out of three thousand boxers<br />

makes it.<br />

Running time: 54΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Mexican Film Institute<br />

Iván Gutiérrez Aráico<br />

Mexican Film Institute<br />

Iván Gutiérrez Aráico<br />

Insurgentes sur 674, 2nd floor<br />

Del Valle 03100 Mexico City, Mexico<br />

T. +52 55 5448 5345<br />

difuinte@imcine.gob.mx<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 17


0-9<br />

284<br />

GREECE<br />

Current Affairs<br />

155 SOLD<br />

Yorgos Panteleakis<br />

The doc covers the events that took place around Syntagma Square (Constitution Square)<br />

in Athens on 28-29 June 2011, during the Austerity Measures Vote by the Greek Parliament.<br />

It goes through the events of the extensive protests by the people opposing the Greek sellout.<br />

It documents the spirit of the people while at the same time unfolds the solidarity and<br />

courage of the protestors and the Police brutality, with its extensive use of force and chemicals,<br />

in a raw style with minimal commentary. Shot with a hand held camera along with<br />

takes from other protestors, in order to accurately record by the hour the action taken by<br />

the Police, Government, Para-state and Protestors. It records mainstream ordinary people<br />

from all classes as they reflect their frustration for the sell-out in which corrupt politicians<br />

along with their allies and lenders are forcing them, in what is probably the most significant<br />

Vote in post Junta political Greek system.<br />

Running time: 65΄<br />

Year of production: 2012<br />

Production Contact Person:<br />

Sales Contact Person:<br />

Yorgos Panteleakis<br />

89 Fotomara St.<br />

117 45 Neos Kosmos, Greece<br />

T. +30 211 4018 131 +30 6944 232 524<br />

panteleakis@live.com<br />

Yorgos Panteleakis<br />

panteleakis@live.com<br />

18<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


647<br />

IRAN<br />

0-9<br />

Lifestyles<br />

21 DAYS AND ME<br />

Shirin Barghnavard<br />

The film is about the director herself, a 35-year-old woman who has been married for 11<br />

years with no children. She believes that she still has time to decide whether or not she<br />

wants to become a mother when she finds out there is a fibroma growing in her womb.<br />

After visiting the doctor, she is told the best time to get pregnant is right after the surgery.<br />

This film covers the 21 days before her operation as she struggles with this issue.<br />

Running time: 58΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Sheherazad Media International<br />

Katayoon Shahabi<br />

Sheherazad Media International<br />

Katayoon Shahabi<br />

1, 3rd Sarvestan, Pasdaran St, Shariati Ave<br />

Tehran 16619, Iran<br />

T. +98 21 2286 3260<br />

F. +98 21 2285 8962<br />

Fest.smi@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 19


0-9<br />

363<br />

GREECE<br />

History & Politics<br />

25TH MERIDIAN<br />

Chryssa Tzelepi, Tania Hatzigeorgiou<br />

Island of Imvros 2005. The documentary portrays the everyday life and the memories of<br />

the people who never left their land. It presents the dreams that people continue to make<br />

for a homeland that they were deprived of, that was violently taken from them. Memories,<br />

dreams, sacrifices, agony, nostalgia, life. All these unfold through the stories of our heroes.<br />

It is their homeland that they are looking for in the rubbles. It is their lives that they<br />

want to recreate. It is their dreams that they wish to revive.<br />

Running time: 70΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Anemicinema<br />

Chryssa Tzelepi<br />

7 Skra St.<br />

546 22 Thessaloniki, Greece<br />

T. +30 2310 266 702 +30 6946 384 026<br />

+30 6936 572 708<br />

xryssasu@yahoo.gr<br />

Anemicinema<br />

Chryssa Tzelepi<br />

T. +30 2310 952 603<br />

xryssasu@yahoo.gr<br />

20<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


658<br />

POLAND<br />

0-9<br />

Current Affairs<br />

3 DAYS OF FREEDOM<br />

Lukasz Borowski<br />

The world as seen from the perspective of the main protagonist makes us realize how easily<br />

people become accustomed to changing reality. After 15 years behind prison walls, Piotr<br />

goes on his first leave. He is entitled to three days of freedom, which turn out to be very<br />

intense. At every turn, Piotr is surprised by the world around him, which has undergone<br />

considerable change over this period. So has he, which he realizes when he visits his sister.<br />

Running time: 27΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Wajda Studio<br />

Joanna Skalska<br />

Krakow Film Foundation<br />

Katarzyna Wilk<br />

Bsztowa 15/8a,<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 21


0-9<br />

171<br />

FRANCE-PALESTINE-ISRAEL<br />

Current Affairs<br />

FIVE BROKEN CAMERAS<br />

Emat Burmat, Guy Davidi<br />

Palestinian farm laborer Emad has five video cameras, and each of them tells a different part<br />

of the story of his village’s resistance to Israeli oppression. Emad lives in Bil’in, just west of the<br />

city of Ramallah in the West Bank. Using the first camera, he recorded how the bulldozers came<br />

to rip the olive trees out of the ground in 2005. Here, a wall was built directly through his fellow<br />

villagers’ land to separate the advancing Jewish settlements from the Palestinians. In the<br />

first days of resistance to the Jewish colonists and the ever-present Israeli soldiers, Emad’s fourth<br />

son Gibreel was born. Scenes shift from the infant growing into a precocious preschooler to<br />

the many peaceful acts of protest, and the steady progress of the construction of the dividing<br />

wall. Sympathizers from all over the world, including Israel, provide help as resistance develops,<br />

but when the situation intensifies, people are arrested and villagers are killed. Emad keeps<br />

on filming despite pleas from his wife, who fears reprisals.<br />

Running time: 90’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Alegria Productions<br />

CAT&<strong>Doc</strong>s<br />

Catherine Le Clef<br />

T. +33 1 44 59 63 53<br />

cat@catndocs.com<br />

22<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


125<br />

UNITED KINGDOM<br />

0-9<br />

Current Affairs<br />

66 MONTHS<br />

James Bluemel<br />

For 66 months, Nigel survived under the radar of social services. This is a dark, lonely and<br />

often dangerous place to inhabit. Eventually, Nigel found Robbie, a violent Glaswegian,<br />

who, in the absence of anyone else, became his carer. Together they lived in poverty in the<br />

midst of the dreaming spires of Oxford. Shot over a 6-year period, this film chronicles the<br />

complex relationship between the two men. Alcohol, mental illness and sex all play a part<br />

and the film raises many difficult questions about the nature of love, abuse and society’s<br />

duty of care. But at its core, this film is a love story, an acutely observed portrait of a dysfunctional<br />

relationship within a dysfunctional world.<br />

Running time: 85’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Contact Person:<br />

Dartmouth Films<br />

Matt Hird<br />

Christopher Hird<br />

Room F62, South Building<br />

Somerset House Strand, London<br />

WC2R 1LA<br />

T. (+44207) 8455857<br />

matt@dartmouthfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 23


403<br />

THE NETHERLANDS<br />

A<br />

Art, Music & Culture<br />

ABOUT CANTO<br />

Ramon Gieling<br />

About Canto is an inventive mosaic about the dramatic influence that the modern classical<br />

piece “Canto Ostinato” by Dutch composer Simeon ten Holt has had on the lives of a<br />

number of people. Like true love, music can bring about this radical change. This composition<br />

continues to do so.<br />

Running time: 78΄<br />

Year of production: 2011<br />

Production Companies:<br />

Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Eyeworks Film & TV Drama BV<br />

Janneke Doolaard<br />

NPO/RNW Sales<br />

Ellie Beijaard<br />

Sumaumatralaan 45<br />

1217 GP Hilversum, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

info@nposales.com<br />

www.nposales.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 25


A<br />

404<br />

USA<br />

Art, Music & Culture<br />

ABOUT FACE:<br />

SUPERMODELS, THEN AND NOW<br />

Timothy Greenfield-Sanders<br />

About Face is a step back in time to a glamorous, yet complicated era when drugs were<br />

rampant and women were routinely harassed and mistreated. The divergent attitudes<br />

among the women about everything from the business of modeling to aging and plastic<br />

surgery are fascinating and priceless. This insightful documentary celebrates the raw intelligence<br />

and staying power of these timeless icons.<br />

Running time: 75΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Perfect Day Films Inc<br />

Timothy Greenfield-Sanders<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

Montreal / Quebec<br />

H3L 1A8 Canada<br />

T. +1 514 844 3358<br />

johnnadai@filmstransit.com<br />

26<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


405<br />

SOUTH KOREA<br />

A<br />

Current Affairs<br />

ACROSS LAND, ACROSS SEA INTO<br />

FREEDOM WHATEVER THE TIDE<br />

Harkjoon Lee, Dongkyun Ko, Hein S. Seok<br />

Songgook and Sueryun are a newly-wed North Korean couple now living in the South. As<br />

is the case for an estimated 20,000 defectors who have built or are trying to build a new<br />

life in South Korea, they are attempting to secure their entire family’s freedom by arranging<br />

their defection along with them to the South. This phenomenon has been coined “the<br />

chain of escapes.” The Songgook couple’s family members have contacted them to seek assistance<br />

to escape from the North. Songgook puts his life at risk, making a dangerous trek<br />

to the Tumen River, a border zone between China and North Korea. He makes plans to lead<br />

a daring escape: to smuggle his family into the South by boat. Because of the extreme dangers<br />

associated with this journey, this kind of attempt is very rare. And this is the first ever<br />

to be filmed.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ICTV<br />

Michel Noll<br />

17 Rue du Colisee<br />

Paris 75008, France<br />

T. +33 1 4359 2679<br />

F. +33 1 6403 7101<br />

m.noll@ictv-solferino.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 27


A<br />

303<br />

GREECE<br />

Adventure & Travel<br />

AETOLIA, A JOURNEY<br />

Nikos Stathogiannopoulos<br />

In southwestern Greece, there is a place known since antiquity by the name of Aetolia. This<br />

documentary takes us through the many-faceted, rich landscape of Aetolia, which extends<br />

from the alpine crests of the Vardoussia Mountains down to the coastal plains by the Gulf<br />

of Corinth and the Ionian Sea.<br />

The film dwells upon the beauty of the scenery, specific traits of nature, wildlife and local<br />

culture. In the course of our trip we shall come upon the Lagoon of Messolonghi, Mount<br />

Arakynthos, the coastal area of Nafpaktos, Kravara (mountainous Nafpaktia), and Focian<br />

Doris, finally arriving at Southern Evrytania.<br />

Running time: 54΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Aylon Productions<br />

Nikos Stathogiannopoulos<br />

20 Larisis St.<br />

135 61 Athens, Greece<br />

T. + 30 210 2628 854<br />

aylon@ath.forthnet.gr<br />

28<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


406<br />

AUSTRIA<br />

A<br />

History & Politics<br />

ALBERT SCHWEITZER –<br />

ANATOMY OF A SAINT<br />

Georg Misch<br />

Albert Schweitzer can be considered one of the modern saints of the 20th Century: Symbol<br />

of the doctor saving lives in Africa, winner of the Peace Nobel Prize, creator of the concept<br />

of “reverence for life.” He was a universal genius, a great theologist, philosopher, musician<br />

and doctor, one of the first campaigners against nuclear weapons and a forefather<br />

of the environmental movement. Behind the public image of the “greatest man in the<br />

world,’ as the media called him, the film’s ultimate goal is to find the relevance he holds<br />

for our disaster-ridden world today.<br />

Running time: 52΄ & 77΄<br />

Year of production: 2010<br />

Production Companies:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

NFP neue film production & Mischief Films & Seppia<br />

Georg Misch<br />

Rise and Shine World Sales<br />

Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 29


A<br />

407<br />

ITALY<br />

Lifestyles<br />

ALL NATURALS – WOMEN WHO<br />

MAKE ORGANIC WINE<br />

Giulia Graglia<br />

Four organic wine producers talk about their lives, their work as mothers, winegrowers and<br />

businesswomen, each telling her story in a different season and a different phase of work<br />

in the vineyard or winery. Though completely different, the four women share the same<br />

passion for and roots with their homeland. Devoid of bucolic idealisation of farm work, the<br />

film gives an accurate portrait of the women by following them in their daily routine, capturing<br />

their movement, faces and words.<br />

Running time: 77΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Associazione Effetto Notte<br />

Marco Fiumara<br />

Vitagraph<br />

Filippo D’Angelo<br />

Via Schiavonia, 1<br />

I-40121 Bologna, Italy<br />

T.-F +39 051 267 150<br />

vitagraph@libero.it<br />

30<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


408<br />

GUADELOUPE<br />

A<br />

Adventure & Travel<br />

ALMENDRON MI CORAZON<br />

Steve James<br />

Cuba, magical island, musical island, is also the world’s biggest rolling museum.<br />

Everyday, more than 60,000 American vintage cars take to the streets of Havana and small<br />

country roads. Their claim to fame They were all made before 1959, when the Cuban revolution<br />

put a brutal stop to all imports coming from the United States. They are above all<br />

a symbol of the resilience and ingenuity of the Cuban people and belong to the historical<br />

heritage of this amazing country.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Shakti Productions<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 31


A<br />

115<br />

DENMARK<br />

History & Politics<br />

THE AMBASSADOR<br />

Mads Brügger<br />

What happens when a very white European man buys a diplomatic title which turns him<br />

into an African diplomat overnight – right in the middle of one of Central Africa’s most failed<br />

nations A genre-breaking documentary, The Ambassador highlights both tragic and<br />

comic sides of the bizarre and hidden world of African diplomacy, where gin and tonics<br />

flow on a daily basis and diamond hustlers and corrupt politicians run free.<br />

Running time: 93’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Zentropa Entertainments ApS<br />

Peter Engel, Carsten Holst<br />

Trust Film Sales ApS<br />

Susan Wendt<br />

“TrustNordisk<br />

Filmbyen 26<br />

2650 Hvidovre<br />

T. +45 3686 8788<br />

F. +45 3677 4448<br />

www.trustnordisk.com<br />

info@trustnordisk.com<br />

32<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


263<br />

GREECE<br />

A<br />

History & Politics<br />

AMBELOKIPI [VINEYARDS]<br />

<strong>Doc</strong>umentary Team Of Municipality Of Athens 2011<br />

Ambelokipi (Vineyards) is a district of Athens which, though outlying when it was first established,<br />

now finds itself at the center of the city. Stretching from the “Elena Venizelos” maternity<br />

hospital to the Athens Old People’s Home, Ambelokipi comprises historical landmarks<br />

such as the refugee housing estates on Alexandras Avenue, the Panathinaikos<br />

football pitch, the Averoff prison, the Kountouriotika neighborhood, and many legendary<br />

cinemas. The film chronicles the history, the present and the future of the neighborhood<br />

of Ambelokipi, from birth, to life and survival, and into old age.<br />

Running time: 33’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Poulidis Productions<br />

Yorgos Poulidis<br />

5-7 Peanias Str.<br />

Athens Greece<br />

O.P.A.N.D.A. - Poulidis Productions<br />

Yorgos Poulidis<br />

50 Akadimias Str.<br />

Athens Greece<br />

T. + 306972833318- +302107700616<br />

poulidis2003@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 33


A<br />

409<br />

ISRAEL<br />

Current Affairs<br />

AMEER GOT HIS GUN<br />

Naomi Levari<br />

Ameer is about to enlist in the army. As opposed to the majority of 18-year-old boys in<br />

Israel, for whom army service is mandatory, Ameer is exempt from military service under<br />

the assumption that his enlistment may endanger Israel’s security: Ameer, an Israeli citizen,<br />

is a Muslim Arab. But Ameer has decided to volunteer. He believes that his induction<br />

is the way to equality. He is considered an enemy, a fifth column in the eyes of Israeli Jews,<br />

and a traitor of the worst kind in the eyes of Arab citizens; the kind who turns against his<br />

brothers. Ameer sets out on a journey to self-definition, while carefully navigating the thin<br />

line between Jewish and Arab societies. Ameer, an eternal optimist, wishes to be both a<br />

proud Arab and an enthusiastic Israeli, while his only enemy is reality.<br />

Running time: 58΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Black Sheep Film Productions<br />

Saar Yogev<br />

Rise and Shine World Sales<br />

Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

34<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


271<br />

GREECE<br />

A<br />

Art, Music & Culture<br />

THE ANCIENT OSTRAKON<br />

Nikos Alevras<br />

How and why are Ancient Greek words, Ancient Greek notions, and Ancient Greek philosophy<br />

still prevalent in our lives, 2,500 years on Why is a piece of baked clay, an ostrakon<br />

– which derives from the Ancient Greek word for bone – the hardest material on earth<br />

How is earth transformed into bone to protect one’s brain Was Heraclitus right when he<br />

wrote “Everything flows” These questions are all posed and answered in the film.<br />

Running time: 22’<br />

Year of production: 2010<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Lallouda<br />

Nikos Alevras<br />

Tsimboura Str.<br />

19002 Peania Greece<br />

T. + 30 2310 266702,+30 6946384026<br />

nikosalevras@yahoo.gr<br />

Lallouda<br />

Nikos Alevras<br />

nikosalevras@yahoo.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 35


A<br />

410<br />

GERMANY<br />

History & Politics<br />

ANDREAS BAADER –<br />

LIFE OF A PUBLIC ENEMY<br />

Klaus Stern<br />

The RAF proved to be the biggest and most brutal terror organization in post-war West Germany.<br />

Their actions culminated in the “German Autumn” of 1977 which led to a national<br />

crisis. Andreas Baader was the founder and head of the RAF. Thirty years after the “German<br />

Autumn” and Baader’s suicide in Stammheim prison, the myths and mysteries that surround<br />

him grow rather than fade. Who was he really The film reveals archival footage and<br />

facts, some of which have never been shown before. For the first time, Ello Michel, the<br />

mother of Baader’s daughter, reads from his love letters to her. The film portrays a spoiled<br />

mama’s boy and a narcissist attention seeker without any moral scruples.<br />

Running time: 59΄<br />

Year of production: 2010<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

sternfilm<br />

Klaus Stern<br />

Rise and Shine World Sales<br />

Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

36<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


411<br />

FRANCE<br />

A<br />

Current Affairs<br />

ANOTHER LIFE<br />

Alexandre Dereims<br />

Every year, hundreds of thousand of Africans risk their lives trying to get into Europe. This<br />

is their story. We follow a convoy of young migrants. First, the hopes and idealism of the<br />

journey’s beginning. They will be the lucky ones who overcome all the odds to build a new<br />

life in Europe. Next comes the growing comprehension of just what they have undertaken.<br />

The loss of their money in bribes to corrupt officials. The dried-out bodies of other migrants<br />

in the desert – a constant reminder of what would happen to them if they ran out of water.<br />

Then, the hell of Libya’s internment camps. The squalid conditions and beatings. And<br />

finally, the bitter knowledge that they are simply pawns, to be used and abused by every<br />

authority they encounter, and the sickening realisation that they have lost the biggest gamble<br />

of their lives.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Companies:<br />

Sales Company:<br />

Sales Contact Person:<br />

Maha Productions & Premiere Nouvelle<br />

Java Films<br />

Kathryn Bonnici<br />

4-6 Villa Thoreton,<br />

75015 Paris, France<br />

T. +33 1 4060 2624<br />

F. +33 1 4060 2649<br />

kathryn@javafilms.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 37


A<br />

412<br />

FRANCE<br />

Science & Technology<br />

ARCHAEOLOGISTS OF DNA<br />

François-Xavier Busnel<br />

Recovering DNA from ancient remains! Nobody believed it was possible, and yet, around<br />

thirty years ago, some researchers embarked on this adventure. Thus, palaeogenetics was<br />

born. A new discipline that allows you to recover and analyze DNA from ancient organisms.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

C Productions Chromatiques<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

38<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


413<br />

THE NETHERLANDS<br />

A<br />

Current Affairs<br />

ARE ALL MEN PEDOPHILES<br />

Jan-Willem Breure<br />

We live in a society that condemns paedophiles, though biological instinct and world cultures<br />

throughout history suggest that an attraction to adolescents is as natural as it is unavoidable.<br />

The fashion industry on the one hand sexualizes ever-younger girls, while<br />

those who act on these instincts are reviled. The apparent hypocrisy at the heart of society<br />

forces the question:<br />

What do we mean when we talk about pedophilia Are all men pedophiles<br />

Running time: 70΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

JW Productions<br />

Jan-Willem Breure<br />

Sideways Film<br />

Kazz Basma<br />

19 Windus Road<br />

London N16 6UT, UK<br />

T. +44 788 147 3603<br />

kazz@sidewaysfilm.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 39


A<br />

653<br />

POLAND<br />

Current Affairs<br />

ARGENTINIAN LESSON<br />

Wojciech Staron<br />

In 1998, Wojciech Staron made The Siberian Lesson, a documentary about a young teacher<br />

who goes to live in the lake Baikal area to teach Polish to the descendants of Polish exiles.<br />

Many years later, already married and with two children, the director and his film character<br />

go to Argentina. For their son, the trip is an encounter with a new language. Assisted by<br />

his Argentinean friend, little Janek will enter the fascinating world of games but also discover<br />

the bitter taste of childhood, prematurely tainted by adults’ problems, he had not<br />

known until now.<br />

Running time: 60΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Staron Film<br />

Malgorzata Staron<br />

Krakow Film Foundation<br />

Katarzyna Wilk<br />

Bsztowa 15/8a,<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

40<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


414<br />

FRANCE<br />

A<br />

Current Affairs<br />

ART TRAFFICKING:<br />

THE SPOILS OF THE WAR ON TERROR<br />

Romain Bolzinger<br />

Is the illegal traffic in antiques, pillaged from the Middle East, funding insurgency groups<br />

and Hezbollah Iraq, cradle of one of the oldest civilisations in the world, is an archaeologist’s<br />

goldmine. Artifacts from Mesopotamia sell for small fortunes in the West. But in the<br />

ensuing chaos after the fall of Saddam Hussein, hundreds of thousands of objects were<br />

looted from Iraq’s archeological sites and museums. Money raised from the sale of these<br />

objects went to fund the Sadr Army and other insurgents: there were reports of a “hidden<br />

fatwa” authorizing looting if the proceeds were used to fight the coalition. In Lebanon, the<br />

cradle of the Phoenician civilisation, art trafficking is a significant source of income for<br />

Hezbollah. We follow the illegal art trade from Iraq, Syria, Lebanon and Jordan to the West.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Tac Presse<br />

Java Films<br />

Kathryn Bonnici<br />

4-6 Villa Thoreton,<br />

75015 Paris, France<br />

T. +33 1 4060 2624<br />

F. +33 1 4060 2649<br />

kathryn@javafilms.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 41


A<br />

282<br />

GREECE<br />

Environment & Wildlife<br />

ASPROPOTAMOS (WHITE RIVER)<br />

Angeliki Pittaki<br />

The river Aspropotamos (white river), which is the second name of the river Acheloös from<br />

its headwaters and up to a certain point, owes this name to the white effect of its foamy<br />

waters during the springtime. The river is a source of life for the unspoilt area of Aspropotamos<br />

and its eleven Vlach villages on the westernmost edge of Thessaly, on the border<br />

with Epirus. Its contribution to the development of the mountainous area that gives<br />

birth to the river is of great importance, not only in the past but also in the present time.<br />

Running time: 28΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Angeliki Pittaki<br />

9 Kondylaki St.<br />

111 41 Athens, Greece<br />

T. +30 6972 997 544<br />

angel_pitt2002@yahoo.gr<br />

42<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


415<br />

UK<br />

A<br />

Art, Music & Culture<br />

ASTRONAUTS, VIKINGS AND GHOSTS<br />

Robert Haines<br />

In the 70s, in his hometown of Merthyr Tydfil, as a 19-year-old photography student Robert<br />

Haines photographed his family, his friends, and sometimes just total strangers, capturing<br />

what he thought were ordinary moments in the lives of ordinary people. He took hundreds<br />

of photographs, put them in a box and forgot about them. Forty years later he rediscovered<br />

the box. Suddenly the people in the photographs didn’t seem so ordinary any<br />

more. Now everybody wanted to see the images. A book and an exhibition followed.<br />

Running time: 59΄<br />

Year of production: 2010<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Flicks<br />

Robert Haines<br />

Taskovski Films<br />

Manuela Buono<br />

7 Granard Business Centre, Bunns Lane<br />

London NW7 2DQ, UK<br />

T. +39 34 7627 3790<br />

sales@taskovskifilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 43


A<br />

416<br />

GERMANY<br />

Lifestyles<br />

AT LAST – LIVING WITH THE DEAD<br />

Katja Dringenberg, Christiane Voss<br />

What happens to us after death Through whose hands do our bodies pass before they vanish<br />

from this world once and for all At Last seeks out the mysterious places that the dead<br />

pass through. In this shadow realm, it is the service providers for the dead that rule, the<br />

carers and the disposal experts. At Last takes us to places never seen before and leads us<br />

into a fascinating and previously hidden world.<br />

Running time: 80΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Herbstfilm Produktion<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin,<br />

Paris 75003, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

44<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


112<br />

SWEDEN-DENMARK<br />

A<br />

Art, Music & Culture<br />

AT NIGHT I FLY<br />

Michel Wenzer<br />

Images from New Folsom, where men at California’s first maximum security prison offer<br />

us a glimpse of their world. This world is less about dangerous drama and more, as one<br />

of them describes it, “about isolation; about closure of both the mind and the heart; and<br />

the spirit.” This intimate documentary shows prisoners, most of them serving a life sentence,<br />

who refuse such closure and instead work to reveal and express themselves. Their<br />

primary tool is making art and the film takes us to New Folsom’s “Arts in Corrections” program,<br />

to prison poetry readings, gospel choirs, blues guitar on the yard, and to many more<br />

instances of creativity. At Night I Fly shows the artistic and human journey these men make,<br />

as well as the need that fuels it, and the beauty and pain encountered along the way.<br />

Running time: 88‘ & 56’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Story AB<br />

The Yellow Affair<br />

Miira Paasilinna<br />

T.-F. +46 8 645 1212<br />

miira@yellowaffair.com<br />

www.yellowaffair.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 45


A<br />

417<br />

CANADA<br />

Lifestyles<br />

AT NIGHT THEY DANCE<br />

Isabelle Lavigne, Stephane Thibault<br />

Welcome to the mysterious and dangerous world of a clan of belly dancers in workingclass<br />

Cairo. Selected for the Directors’ Fortnight, Cannes 2011.<br />

Running time: 60΄<br />

Year of production: 2010<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Les Films du Tricycle<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17,<br />

Vienna 1040, Austria<br />

T. +43 720 34 6934<br />

welcome@autlookfilms.com<br />

46<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


153<br />

DENMARK<br />

A<br />

Lifestyles<br />

AU PAIR<br />

Nicole N. Horanyi, Heidi Kim Andersen<br />

In the film Au Pair we meet three young Filipino women with three different reasons to<br />

leave home – and with three different dreams for the future. Roselie has left her country<br />

to support her younger sisters’ education. With permission to work in Denmark for only 18<br />

months, she has to find a new host family in Norway or she will have to go back home.<br />

Matet supports her parents and a cousin adopted by her parents. But then Matet’s mother<br />

is diagnosed with cancer and has to send even more money each month. Theresa has left<br />

her two-year-old daughter with her mother back in an extremely poor village. She earns<br />

money for her daughter’s survival and future possibilities, but the fact is the whole family<br />

is depending on her. The stories of these three women become the story of a complex<br />

world, in which it is difficult to tell who is exploiting whom; a world in which money corrupts<br />

emotions.<br />

Running time: 58’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Made in Copenhagen ApS<br />

Helle Faber<br />

DR International Sales<br />

Helene Aurø<br />

DR TV International Sales.<br />

DR Byen, Emil Holms Kanal 20<br />

0999 København C<br />

T. +45 3520 3040<br />

drsales@dr.dk<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 47


A<br />

418<br />

MEXICO<br />

Lifestyles<br />

AZTEC PRINCE<br />

A. Fernández<br />

The two sides of the December 1997 killings in the Zapatista community of Acteal are confronted<br />

through two connected stories. Lorenzo, a wrestling gladiator, is serving out his sentence<br />

at the El Amate prison for having shot several innocent people, including five-yearold<br />

Zenaida who now, as a result of the bullet to her head, has problems with her eyesight.<br />

They each live in their own prison, victims of a war and a system of which they are ignorant.<br />

Running time: 99΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Mexican Film Institute<br />

Iván Gutiérrez Aráico<br />

Mexican Film Institute<br />

Iván Gutiérrez Aráico<br />

Insurgentes sur 674, 2nd floor<br />

Del Valle, 03100 Mexico City, Mexico<br />

T. +52 55 5448 5345<br />

difuinte@imcine.gob.mx<br />

48<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


288<br />

UK-GREECE<br />

B<br />

Art, Music & Culture<br />

BACK TO THE SWING OF THINGS<br />

Danae Mikelli<br />

In olden days, people relied on their kin and were surrounded by extended families.<br />

Nowadays most people don’t have the luxury of those extended families, either because<br />

they’ve moved away or because they tend to live more isolated lives. Lindy Hop is a great<br />

way of creating that kind of extended family. Back in the Swing of Things is a short documentary<br />

film about the development of the Lindy Hop scene in Bristol, UK. Featuring David<br />

Zilkha, founder of Swing Dance Bristol, and some of the area’s finest dancers, here is the<br />

story of the revival of a dance craze, which was born in Harlem in the 1920s and spread<br />

all over Europe, captivating thousands of people.<br />

Running time: 10΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

University of Bristol<br />

Kate Withers<br />

Kate.Withers@bristol.ac.uk<br />

4 Laodigitrias St.<br />

54634 Thessaloniki Greece<br />

T. +30 6942 258 981<br />

dmikelli@yahoo.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 49


B<br />

419<br />

THE NETHERLANDS<br />

History & Politics<br />

BACKLIGHT:<br />

BETWEEN EGYPT AND GAZA<br />

Sabine Lubbe Bakker<br />

1400 tunnels between Egypt and Gaza are the heart of the local economy. While under the<br />

Mubarak administration the Egyptian government officially supported the embargo<br />

against Gaza, it turned a blind eye to the illegal supplies through tunnel routes between<br />

Egypt and Gaza. In this post-revolution period, Egypt will have to rethink its position when<br />

it comes to its policy in the region. The people of the Egyptian border village of Rafah can<br />

finally openly discuss the profitable trade through the tunnels. But do they even want the<br />

borders to be opened<br />

Running time: 50΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

VPRO Television<br />

Swaze Hartog<br />

NPO/RNW Sales<br />

Ellie Beijaard<br />

Sumatralaan 45<br />

1217 GP Hilversum, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

50<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


420<br />

THE NETHERLANDS<br />

B<br />

Science & Technology<br />

BACKLIGHT: MONEY AND<br />

SPEED – INSIDE THE BLACK BOX<br />

Marije Meerman<br />

On May 6th, 2010, the American stock markets plunged by almost 10% in only 20 minutes.<br />

By reconstructing this mysterious “flash crash,” Money and Speed uncovers a world<br />

of computer driven financial markets, in which profit or loss are determined at the speed<br />

of light. Mind-blowing visualizations of financial data show what goes on in the black boxes<br />

of the world of finance. What are the consequences of putting computers in charge of our<br />

financial system<br />

Running time: 50΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

VPRO Television<br />

Swaze Hartog<br />

NPO/RNW Sales<br />

Ellie Beijaard<br />

Sumatralaan 45<br />

1217 GP Hilversum, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 51


B<br />

421<br />

THE NETHERLANDS<br />

Current Affairs<br />

BACKLIGHT: THE COMPETITION<br />

FOR THE ARAB VIEWER<br />

Nordin Lasfar<br />

Western media rely heavily on reports gathered by the two most influential Arab media<br />

organizations that indirectly play an import role in the turbulent events stirring up the Arab<br />

world. Focusing on two chief correspondents of Al Jazeera and Al Arabiya, we not only learn<br />

more about the often difficult conditions they have to work in, but also about their methods<br />

and journalistic views vis-à-vis the Arab revolution. Most importantly, we investigate<br />

how far the news channels they work for are subjected to the foreign and internal policy<br />

of the countries that finance them.<br />

Running time: 50΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

VPRO Television<br />

Swaze Hartog<br />

NPO/RNW Sales<br />

Ellie Beijaard<br />

Sumatralaan 45<br />

1217 GP Hilversum, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

52<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


291<br />

GREECE<br />

B<br />

Art, Music & Culture<br />

BACKSTAGE - MARIA BONAPARTI<br />

Yorgos Skevas<br />

Maria Bonaparti, of descent from Napoleon, is known in Greece as the beloved wife of<br />

Prince George, high commissioner of Crete. At the age of 25, she marries Prince George,<br />

and upon her arrival to Greece she was welcomed with great honours despite the fact that<br />

she lived her life as a royalty. Bonaparti was one of the founding members of the psychoanalysis<br />

group in Paris, established in 1926. At the same time she took up writing several<br />

of her books and articles on female sexuality were published, and was pronounced as<br />

the Queen of psychoanalysis in Europe. In Greece Bonaparti contributed in establishing the<br />

first psychoanalysis group, together with Andreas Empeirikos, Dimitris Kouretas and Goerge<br />

Zabitzanos. One of her most interesting hobbies was her amateur cinematography,<br />

filming amazing celebrities, taking exquisite pictures of impoverished Greece with her camera.<br />

In Backstage we watch rare audiovisual material which outlines Bonaparti’s personality<br />

and behaviour. We see her childhood and the loss of her mother just a few days after<br />

her birth. Her fight with depression and phobias and her struggle to find the true<br />

meaning of love.<br />

Running time: 50΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 53


B<br />

422<br />

GERMANY-UK<br />

Current Affairs<br />

BAD WEATHER<br />

Giovanni Giommi<br />

Bad Weather tells the story of Banishanta Island. It is made up of a community of sex workers.<br />

Living on a tiny sliver of land 100 meters long and only ten meters wide in the Bay of<br />

Bengal, south Bangladesh, this community survives at the front line of climate change. The<br />

rising river, soil erosion and frequent cyclones are slowly destroying what is left of the island.<br />

Razia, Khadija and Shephalie, three of the last 65 women left living there, are in a<br />

battle for their homes, the future of their families, and even their quest for true love. As they<br />

strive to hold onto their livelihood, time is running out. Soon, the whole of Banishanta will<br />

be totally submerged under water, making it one of the first real casualties of the shifting<br />

global environment.<br />

Running time: 82΄<br />

Year of production: 2011<br />

Production Companies:<br />

Sales Company:<br />

Sales Contact Person:<br />

ma.ja.de. filmproduktion & ZDF & ARTE & YLE<br />

Deckert Distribution<br />

Heino Deckert<br />

Marienplatz 1<br />

04103 Leipzig, Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

54<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


423<br />

ITALY<br />

B<br />

Lifestyles<br />

BALCONING – A LEAP IN THE DARK<br />

Milchele Malgarini Bertini<br />

Balconing – Salto Nel Vuoto is an emotional journey into the world of extreme entertainment<br />

for young people. Risk and adrenaline as an expression of self, the leap of faith and<br />

the desire to overcome their physical limitations as key elements of the path to search for<br />

thrills. Trying to decipher the reasons, motivations and needs that drive a guy to risk his life<br />

for fun. From “Balconing,” a social phenomenon born in Spain which involves jumping from<br />

the balcony of your hotel room directly into the pool below, to the “Choking Game” practice<br />

used by American-born children to “Car Surfing,” in which one uses the roof of the car<br />

as a surf board, to lying on the railway tracks and waiting for the train to pass over your<br />

body. The project is developed through various channels of analysis and multiple points<br />

of view, which will try to describe and represent the reality of the young people of today’s<br />

electronic society.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Fuorisync<br />

Lorenzo Dionisi<br />

Rossellini film e tv<br />

Eduardo Rumolo<br />

125 Via Flaminia,<br />

00196 Rome, Italy<br />

T. +39 335 1646 796<br />

lorenzo@fuorisync.it<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 55


B<br />

186<br />

DENMARK<br />

Sports<br />

BALLROOM DANCER<br />

Christian Bonke, Andreas Koefoed<br />

Slavik is a former world champion in Latin American dance. He is about to make his final<br />

comeback as a professional dancer with his partner and lover Anna. Slavik is addicted to<br />

the limelight and dance. His body, however, is causing him aches and pains and his flaring<br />

temper puts his relationship with Anna at risk. Ballroom Dancer follows Slavik and Anna<br />

as they put everything on the line in their ultimate push for the throne one last time.<br />

Running time: 84’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Danish <strong>Doc</strong>umentary Production<br />

Jakob Nordenhof Jønck, Sigrid Dyekjær<br />

DR International Sales<br />

Kim Christiansen<br />

DR International Sales<br />

DR Byen, Emil Holms Kanal 20<br />

0999 København C<br />

www.drsales.dk<br />

drsales@dr.dk<br />

T. +45 3520 3040<br />

56<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


424<br />

MEXICO<br />

B<br />

History & Politics<br />

BARBAROUS MEXICO 2010<br />

Luis Rincón<br />

1810: Miguel Hidalgo abolished slavery in Independent Mexico. 1910: John K. Turner published<br />

México Bárbaro, a book that reveals the slavery networks that operated under the<br />

Porfirio Díaz dictatorship. 2010: in the midst of the celebrations for the Centennial and Bicentennial<br />

of the Mexican Revolution and Independence, the slavery networks still exist.<br />

Running time: 90΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

Mexican Film Institute<br />

Pablo Briseño<br />

Insurgentes sur 674, 2nd floor<br />

Del Valle 03100 Mexico City, Mexico<br />

T. +52 55 5448 5339<br />

F. +52 55 5448 5380<br />

difuinte@imcine.gob.mx<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 57


B<br />

425<br />

FINLAND-LITHUANIA<br />

History & Politics<br />

BARZAKH<br />

Mantas Kvedaravicius<br />

In Chechnya, where life is no longer war but not yet peace, the disappeared rarely return,<br />

but when they come back in dreams they are said to come from Barzakh – a land between<br />

the living and the dead.<br />

Running time: 59΄<br />

Year of production: 2011<br />

Production Companies:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Sputnik Oy & Extimacy Films<br />

Aki Kaurismäki<br />

The Match Factory GmbH<br />

Michael Weber<br />

Balthasarstrasse 79-81<br />

Cologne 50670, Germany<br />

T. +49 221 539 709 0<br />

F. +49 221 539 709 10<br />

info@matchfactory.de<br />

58<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


426<br />

USA<br />

B<br />

Art, Music & Culture<br />

BEATS, RHYMES & LIFE: THE TRAVELS<br />

OF A TRIBE CALLED QUEST<br />

Michael Rapaport<br />

A behind-the-scenes documentary, directed by Hollywood actor Michael Rappaport,<br />

about one of the most influential and groundbreaking musical groups in hip hop history:<br />

A Tribe Called Quest. Electrifying footage and commentary from Busta Rhymes, Pharell<br />

Williams, Mary J. Blige, De La Soul, Kanye West, Ludacris, the Beastie Boys, and many more.<br />

Running time: 98΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Rival Pictures<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17,<br />

Vienna 1040, Austria<br />

T. +43 720 34 6934<br />

welcome@autlookfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 59


B<br />

427<br />

POLAND<br />

Art, Music & Culture<br />

BEHIND THE POSTER<br />

Marcin Latallo<br />

A very first documentary film presenting one of the most influential movements in graphic<br />

design of the 20th century: the Polish School of Posters that has become famous all<br />

around the world.<br />

Polish posters have put art over commercialism. They aimed at grasping the essence of a<br />

particular phenomenon: a film, theater play, art exhibition, sport or political event in one<br />

iconic picture. They expressed a paradoxical creative freedom for an artist in communist<br />

times, devoid of pressures of commerce. From today’s perspective, the Polish Poster shows<br />

a history of post-WWII Poland and the relations between the artists and communist power.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company: Kalejdoskop Film Studio & TVP - Channel 1<br />

Production Contact Person: Aleksandra Biernacka<br />

Sales Company:<br />

TVP SA<br />

Sales Contact Person: Maria Nadolna<br />

17, J.P. Woronicza st<br />

Warsaw 00-999, Poland<br />

T. +48 22 547 8501<br />

F. +48 22 547 4248<br />

festivals@tvp.pl<br />

60<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


428<br />

GERMANY<br />

B<br />

Current Affairs<br />

BEING KOSHER<br />

Ruth Olshan<br />

“Kosher”, in a figurative sense, means “pure”. And in the Jewish kitchen, everything that is<br />

pure is certified as such by the kosher certificate of purity. In Being Kosher, Ruth Olshan applies<br />

this Jewish tradition of verifying the purity of things to her own Jewish family history.<br />

The director’s ancestors crisscrossed Europe and changed religions as they went: The<br />

great-grandmother converted to Catholicism out of fear of the pogroms, her mother<br />

married a Jew and emigrated with him to Israel. The director herself was baptized in secret<br />

by her grandmother before immigrating to Germany, where she first attended a Jewish<br />

kindergarten, then a Catholic school, and now celebrates the Sabbath at her grandma’s<br />

house and sings Christmas songs during the Advent season. In order to solve this identity<br />

puzzle, Ruth Olshan interviews not only her own mother, but also Rabbis, scholars and<br />

other Jewish families about their observance of the 613 Jewish rules and their own Jewish<br />

background. In the process, she delves in a very personal manner into a dark chapter<br />

of European history, and ultimately confronts the question of whether, after the pogroms<br />

and world wars, Jewish identity is even ascertainable.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Indi Film GmbH<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 61


B<br />

429<br />

ITALY<br />

History & Politics<br />

BEING LUCY<br />

Gabriella Romano<br />

Lucy can narrate part of the 20th century from a point of view often neglected, she is therefore<br />

a precious testimony to the life of a transsexual person who lived through the most<br />

dramatic moments of recent history, from fascism to deportation to a concentration camp,<br />

and from the Italian economic post-war “miracle” to sexual liberation.<br />

Running time: 60΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Gabriella Romano<br />

Vitagraph<br />

Filippo D’Angelo<br />

Via Schiavonia, 1<br />

I-40121 Bologna, Italy<br />

T.-F. +39 051 267 150<br />

vitagraph@libero.it<br />

62<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


682<br />

URUGUAY-GERMANY<br />

B<br />

Lifestyles<br />

THE BELLA VISTA<br />

Alicia Cano<br />

The Bella Vista is the story of a house in a small conservative village in Uruguay, that started<br />

as a football club, became a successful transvestite brothel and eventually turned into a<br />

Catholic Chapel.<br />

Two transvestites, the former madam of the brothel, a brickmaker -ex football player-, and<br />

a nun will bring to life this battle for control of a single physical space, home to mutually<br />

antagonistic institutions, driven by the same motivation: passion.<br />

Running time: 73’<br />

Year of production: 2012<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Thomas Mauch<br />

Taskovski Films<br />

Manuela Buono<br />

7 Granard Business Centre,<br />

Bunns Lane, NW7 2DQ, London UK<br />

T. + 39 34 7627 3790<br />

sales@taskovskifilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 63


B<br />

134<br />

UK-USA-INDIA<br />

Lifestyles<br />

THE BENGALI DETECTIVE<br />

Phil Cox<br />

When the citizens of Kolkata, one of the world’s most populated cities, lose trust in the authorities,<br />

the way is paved for a new phenomenon: a boom in the use of the private detective.<br />

This film follows intrepid Kolkata detective Rajesh Ji and his motley band of detectives<br />

on raids and investigations across India. The narrative centers on three compelling cases with<br />

intimate access to all involved. The first case is counterfeiting, the biggest growing crime across<br />

Asia. The second case is adultery and domestic abuse. The last case is the most brutal triple<br />

murder ever to be known in Kolkata. On his off hours, the dynamic Rajesh dreams of winning<br />

a national TV talent show. He soon takes his detectives on weekly dance routines to prepare<br />

for a TV dance competition – can Rajesh and a beautiful choreographer prepare his boys for<br />

stardom Beneath his dance fervor and investigations, Rajesh juggles a fraught family life that<br />

reveals a heartbreaking love story at the film’s core.<br />

Running time: 91’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Native Voice Films<br />

Phil Cox<br />

eOne Films International<br />

Natalie Kampelmacher<br />

175 Bloor Street East, Suite 1400<br />

North Tower, Toronto, ON M4W3R8 Canada<br />

T. +41 66462400<br />

F. 416 646 2399<br />

internationalsales@entonegroup.com<br />

64<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


430<br />

GERMANY<br />

B<br />

Art, Music & Culture<br />

BERLIN BURLESQUE<br />

Ivan Arranega<br />

The kinky and bohemian mood of the 1920s is back! Burlesque, the taboo breaking revueshow<br />

format which became popular in the US during the first half of the 20th century, celebrates<br />

a revival in today’s Berlin. Four American burlesque dancers arrive in Germany’s capital.<br />

Their work is dazzlingly sexy, carnal and romantic, with a generous lashing of biting<br />

political satire. Their back stories tell us about women who were disheartened by America<br />

and the dominant ideals about body image. The film dives into their world and culminates<br />

in the big show they are staging, featuring spicy performances according to their<br />

motto: “All shapes, all sizes.”<br />

Running time: 48΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Broken Heel Productions<br />

Ivan Arranega<br />

Rise and Shine World Sales<br />

Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 65


B<br />

431<br />

USA<br />

Art, Music & Culture<br />

BERT STERN: ORIGINAL MADMAN<br />

Shannah Laumeister<br />

In the unconventional documentary Bert Stern: Original Madman, the photographer reveals<br />

himself for the first time. Bert’s meteoric career began as a mailroom-boy at Look magazine,<br />

where he formed a close relationship with a young staff photographer, Stanley<br />

Kubrick. The launch of Stern’s career and the Golden Age of Advertising would coincide with<br />

Stern’s “Driest of the Dry” campaign for Smirnoff. This ad would end up selling more<br />

vodka than Smirnoff dreamed, making America for the first time a vodka drinking country,<br />

and Stern a very successful photographer at the age of 25. Sought after by Madison<br />

Avenue, Hollywood, and the international fashion scene, Bert was at the heart of what<br />

George Lois would call the “creative evolution.” Along with Irving Penn and Richard Avedon,<br />

Stern minted the concept “photographer” as a star in his own right. Photographing<br />

what seemed like the world’s most beautiful women, including Jean Shrimpton, Suzie<br />

Parker, Audrey Hepburn, Bridget Bardot, Twiggy, Liz Taylor and Marilyn Monroe, the kid from<br />

Brooklyn was living a dream.<br />

Running time: 87΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Magic Film Productions<br />

Shannah Laumeister & Gregory McClatchy<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

Montreal / Quebec H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

johnnadai@filmstransit.com<br />

66<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


338<br />

GREECE<br />

B<br />

History & Politics<br />

BETWEEN<br />

Georgia Salambassi<br />

This is a historical documentary with people at its core. A documentary about the repatriated<br />

Greek political refugees from Tashkent, Uzbekistan. This is the story of the children<br />

of three political refugees. Life before and after their arrival in Greece. The marks that the<br />

cultural differences between the two countries have left and continue to leave on their personalities<br />

and their very lives.<br />

Running time: 21’<br />

Year of production: 2011<br />

Production Contact Person:<br />

Georgia Salambassi<br />

37 Aidiniou Str.<br />

Ymittos,Athens<br />

T. + 30 2109964173<br />

salambasig@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 67


B<br />

432<br />

USA<br />

Environment & Wildlife<br />

BETWEEN THE HARVEST<br />

Scott Drucker<br />

Between the Harvest is the story of Ostional, a small coastal community that relies on a legal<br />

harvest of the endangered olive ridley sea turtle egg. Told through the eyes of of both<br />

people and turtles, this short documentary delves into one of the biggest controversies in<br />

the marine world: is this harvest an exemplary project<br />

Running time: 29΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

University of Southern California<br />

Sandrine Cassidy<br />

900 West 34th Street<br />

Los Angeles CA 90089, USA<br />

T. +1 213 740 4432<br />

scassidy@cinema.usc.edu<br />

68<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


258<br />

GREECE-FINLAND<br />

B<br />

Art, Music & Culture<br />

BETWEEN TWO HOMELANDS<br />

Christos N. Karakasis<br />

Between Two Homelands is about a Greek immigrant, Ilias Missiris, who moved to Finland<br />

and how he adjusted to the Finnish way of living. He discovered the Finnish-Greek associations<br />

and through Greek music he found a way to keep his identity but also felt a new<br />

kind of patriotism. Travelling back and forth, he felt often homesick for the country he was<br />

leaving behind but gradually the longing became weaker and he enjoyed his life wherever<br />

he was. The idea of making a documentary about people who have found another<br />

home began many years ago. During the filming process we, the creative team, all entered<br />

an inner journey stage. After this journey we are simpler, more conscious seekers of<br />

beauty in life and human relations, and our thoughts are far richer! The text written by the<br />

author Vasiliki Kappa was born as a synthesis of lyricism and philosophical thinking. Vasiliki<br />

followed this journey of self-awareness with us and captured the essentials that make<br />

a project special; to be simple, to be about human nature and enable us to think about tomorrow,<br />

while building the present, currently living in today, and critically looking back<br />

at yesterday!<br />

Running time: 54΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

KOYINTA Production<br />

Christos N. Karakasis<br />

74 Kanari Str.<br />

15344 Gerakas, Athens, Greece<br />

T. +30 2106049942<br />

F. +30 2106049942<br />

karakasis@koyinta.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 69


B<br />

344<br />

CYPRUS<br />

History & Politics<br />

BIRDS OF A FEATHER<br />

Stefanos Evripidou, Stephen Nugent<br />

On the south-eastern edge of Europe, two communities remain divided on the Mediterranean<br />

island of Cyprus, playing host to the UN’s third longest peacekeeping mission after<br />

Kashmir and the Middle East.<br />

This documentary looks at the contrasting personal memories formed in a post-conflict<br />

space after decades of physical separation. The well-oiled narratives of each community’s<br />

official histories have left little room for dialogue or mutual understanding.<br />

As stories unravel across the island’s coffee-shops, homes, open landscapes and the UNcontrolled<br />

buffer zone, the film raises questions that resonate with every frozen conflict on<br />

the notions of truth, history and victimhood while examining the need for dialogue in a<br />

seemingly perpetual conflict.<br />

Running time: 40΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Stefanos Evripidou and Stephen Nugent Production<br />

Stefanos Evripidou<br />

3 Ioanni Polemi St.<br />

1076 Nicosia, Cyprus<br />

T. +357 99587885<br />

stefanos@cyprus-mail.com<br />

70<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


158<br />

USA-INDIA<br />

B<br />

Lifestyles<br />

BITTER SEEDS<br />

Micha X. Peled<br />

Bitter Seeds, the final film in Micha X. Peled’s Globalization Trilogy following Store Wars:<br />

When Wal-Mart Comes to Town and China Blue, explores the future of how we grow things.<br />

The worldwide debate focuses on how farming is being drastically transformed by the demands<br />

of industrial agriculture. Companies like the US-based Monsanto claim that their<br />

genetically modified seeds offer the most effective solution to feeding the world’s growing<br />

population, but on the ground, many small-scale farmers are losing their land. In India,<br />

the controversy has become a matter of life and death. Every 30 minutes one farmer<br />

in India, deep in debt and unable to provide for his family, commits suicide. Featuring compelling<br />

characters, Bitter Seeds tells a deeply moving story from the heart of the worldwide<br />

controversy about the future of farming.<br />

Running time: 57’ & 88’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Teddy Bear Films<br />

Micha X. Peled<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

H3L 1A8, Montreal / Quebec, Canada<br />

T. + 1 514 844 3358<br />

F. + 1 514 844 7298<br />

johnnadai@fimstransit.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 71


B<br />

348<br />

GREECE<br />

Lifestyle<br />

THE BLIND FISHERMAN<br />

Stratis Voyatzis, Thekla Malamou<br />

The Blind Fisherman presents the life of Yannis Koukoumialos, who lost his eyesight and<br />

his arm at the age of eleven. Born in the fishing village of Langada, on the island of Chios,<br />

he learned the art of fishing at a very young age. Using images he recalls from before he<br />

was blinded, in a world that is organized and structured in his mind, guided by his sixth<br />

sense and a divine power, he has charted a map with which he has been sailing the sea<br />

for the last 70 years. In this documentary we embark with kyr Yiannis on a journey where<br />

fairytale and reality are two sides of the same coin, revealing the opposing and fascinating<br />

forces that color the human soul.<br />

Running time: 37’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Thetis Company<br />

Thekla Malamou, Stratis Voyatzis<br />

1 Pipinou Str.<br />

Chios 82100<br />

T. + 30 6976438311, +30 6936824914<br />

info@stratisvogiatzis.com<br />

72<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


433<br />

PORTUGAL<br />

B<br />

Lifestyles<br />

ΤΗΕ BLUE SALON<br />

Luciana Hees<br />

The everyday life of a small beauty salon in Maputo (Mozambique)<br />

Women come, chat and leave looking and feeling beautiful.<br />

The ambience is cheerful to the sound of the radio. No dialogue.<br />

Running time: 19΄<br />

Year of production: 2011<br />

Production Companies:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Laboratório de Cinema <strong>Doc</strong>umental<br />

Nοmadlab & Terratreme Filmes<br />

Joana Gusmão<br />

Marfilmes<br />

Renée Gagnon<br />

Av. Duque de Loulé, 79 r/c Dto. A<br />

Lisbon 1050-088, Portugal<br />

T. +35 121 314 0339<br />

F. +35 121 353 3075<br />

marfilmes@netcabo.pt<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 73


B<br />

434<br />

IRAN<br />

Art, Music & Culture<br />

BORN OF HUMAN<br />

Mazdak Mirabedini<br />

Over 15 years of drawing and painting, Neda Saremi Monfared has reached an exclusive<br />

style of abstract figurative painting. As an Iranian woman, an independent instructor and<br />

a contemporary artist, she has to face economic hardship, as well as Iran’s notorious censorship.<br />

Running time: 25΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Mazdak Mirabedini<br />

Iranian Independents<br />

Mohammad Atebbai<br />

PO Box 15875-4769<br />

Tehran, Iran<br />

T. +98 912 319 8693<br />

info@iranianindependents.com<br />

74<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


435<br />

BULGARIA-GERMANY<br />

B<br />

History & Politics<br />

THE BOY WHO WAS A KING<br />

Andrey Paounov<br />

Royalty meets Reality: the biography of Simeon Saxe-Coburg-Gotha, the exiled boy-king<br />

who gloriously returned as a republican politician to fall from grace in one of the greatest<br />

experiments of democracy today.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Agitprop<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17,<br />

Vienna 1040, Austria<br />

T. +43 720 34 6934<br />

welcome@autlookfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 75


B<br />

436<br />

FRANCE<br />

History & Politics<br />

BRAZILIAN MAZURKA<br />

Pierre Meynadier<br />

In the south, in Rio Grande do Sul State, the city of Aura is 98% populated by descendants<br />

of a Polish community which, in 1911, came to settle in Brazil. A century later, some of<br />

them try to revive the memory so that the courage of the settlers and the difficulties they<br />

had to overcome may serve as an example to all. If you close your eyes you can imagine<br />

what they experienced from the moment they arrived in a hostile environment with<br />

deep forest in all directions. A century rolls by through recollections and reconstructions:<br />

sick children, clashes with German immigrants during the war and the courage it took to<br />

build a new life on the other side of the world. The youngest do not remember this history<br />

and have blended into Brazilian culture, but some seek to preserve the memory of the<br />

history that forged their characters, even if they do not know it.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Image Images Production<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

Paris 75019, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

76<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


437<br />

MEXICO<br />

B<br />

Lifestyles<br />

BRILLIANT SOIL<br />

José Luis Figueroa Lewis, Sebastián Díaz Aguirre<br />

Traditionally, thousands of artisans in Mexico use lead in their glazed pottery, not knowing<br />

the damage that this toxic element has on their health. Herlinda, an indigenous<br />

Purépecha potter, is one of the few craftswomen who uses alternative lead-free glazes.<br />

Now that she has ensured the health of her family, she faces the difficult task of finding a<br />

market for her impressive pieces. But this does not dampen her dreams of her shop thriving<br />

and her brothers returning from the United States to rejoin the family tradition.<br />

Running time: 90΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

Mexican Film Institute<br />

Pablo Briseño<br />

Insurgentes sur 674, 2nd floor<br />

Del Valle 03100 Mexico City, Mexico<br />

T. +52 55 5448 5339<br />

F. +52 55 5448 5380<br />

difuinte@imcine.gob.mx<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 77


B<br />

438<br />

IRAN<br />

Lifestyles<br />

BROKEN BORDER<br />

Keywan Karimi<br />

Across all the borders of Iran, smuggling of fuel is very prevalent and many people are engaged<br />

in it. The kind of equipment used for transporting the smuggled cargo is different<br />

based on the geographical conditions, but in each case human beings have the most important<br />

role. The reasons for smuggling are also varied, depending on on the existing situation<br />

in each area. Trying to record the process of smuggling in the western borders of Iran<br />

and Iraq (Kurdistan) is the main topic of the film. Being with people who don’t talk to anybody<br />

during the day and just see to matters related to smuggling. The fuel is taken to a secret<br />

place and then, after going over mountains and valleys, it eventually reaches its final<br />

destination in Iraq. Here there is a kind of traditional café where these laborers can rest.<br />

Running time: 19΄<br />

Year of production: 2011<br />

Production Company:<br />

Satak Film<br />

4th flat, plaque Number 35, 14<br />

Al. Jahan Ara St. Gomnam Highway,<br />

Golha Square, Fatemi Square,<br />

Tehran, Iran<br />

T. +98 932 902 0625<br />

keywan1985@gmail.com<br />

78<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


439<br />

INDIA<br />

B<br />

History & Politics<br />

BROKEN MEMORY SHINING DUST<br />

Nilosree Biswas<br />

Broken Memory, Shining Dust, is a film about the lives of women in wait for their dearest<br />

ones, who have gone missing in the last two decades of conflict in the valley of Kashmir,<br />

India. Built around the life of Parveena Ahanger and women like her, the film interweaves<br />

their memories of separation, emotional catharsis and their deep desire to get back their<br />

dearest in their lives again, along with their struggle for social justice. It is a story of grief,<br />

waiting, anger, devotion, resistance, sisterhood and spirituality expressed through their existence.<br />

Running time: 34΄<br />

Year of production: 2011<br />

Sales Contact Person:<br />

Nilosree Biswas<br />

Flat 9, Building 1, Cardinal Gracias<br />

Orlem, Malad (West),<br />

Mumbai 400064. India<br />

T. +91 996 775 0847<br />

nilosree@hotmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 79


B<br />

440<br />

POLAND<br />

History & Politics<br />

BRONISLAW HUBERMAN<br />

OR THE UNIFICATION OF EUROPE<br />

AND THE VIOLIN<br />

Piotr Szalsza<br />

Bronisław Huberman, born in Częstochowa, Poland in 1882, was one of greatest violin virtuosos<br />

of the early 20th century. At the same time, he was also a pan-European, trans-national<br />

politician, social activist, writer, teacher, sponsor of the arts, philanthropist, humanist<br />

and citizen of the world, introducing the idea of the unification of Europe at the times of<br />

the rising nationalisms that were increasingly overwhelming the political discourse.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Media Kontakt, TVP Kultura<br />

Aleksandra Biernacka<br />

TVP SA<br />

Maria Nadolna<br />

17, J.P. Woronicza St.<br />

Warsaw 00-999, Poland<br />

T. +48 22 547 8501<br />

F. +48 22 547 4248<br />

festivals@tvp.pl<br />

80<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


441<br />

FRANCE<br />

B<br />

History & Politics<br />

BURKINA FASO, A REVOLUTION<br />

RECTIFIED: FROM THE AFRICAN<br />

EMPIRES TO SANKARA’S REVOLUTION<br />

Thuy-Tien Ho<br />

In August 1983, Captain Thomas Sankara seizes power in the former French colony of Upper<br />

Volta. He is helped by a commando led by his friend and brother-in-arms Blaise Compaoré.<br />

Sankara’s coup d’état has revolutionary objectives of Marxist inspiration. One year<br />

later, Thomas Sankara changes the name of his country to Burkina Faso, signifying that revolution<br />

henceforth will rhyme with development, solidarity, and especially with the end<br />

of corruption. The implementation into reality of the fine principles declared in speeches<br />

is often difficult. Dissidence occurs, and four years after the beginning of the August Revolution,<br />

Sankara is assassinated. It’s his brother-in-arms Blaise Compaoré who leads the<br />

counter-revolution, even using Sankara’s concept of the necessary “rectification.” Through<br />

interviews of eye-witnesses and actors of this period, as well as often new archival material<br />

and expert views, this documentary makes us discover the real history of a country<br />

that is often quoted as an example of stability among the former French colonies in West<br />

Africa. The film reveals the price for the country’s stability. Certain observers even wonder:<br />

will there be at some point a popular awakening following the example of the latest revolts<br />

in the Arabic world<br />

Running time: 52΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ICTV<br />

Michel Noll<br />

17 Rue du Colisee<br />

Paris 75008, France<br />

T. +33 1 4359 2679<br />

F. +33 1 6403 7101<br />

m.noll@ictv-solferino.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 81


B<br />

330<br />

GREECE<br />

History & Politics<br />

BY-STANDING AND STANDING-BY<br />

Fofo Terzidou<br />

A documentary/essay on sensitive issues such as historical memory, silence, collective<br />

trauma, the constructs of official history, the perceptions prevalent in Greece regarding the<br />

German Occupation and the extermination of 87% of Greek Jews, one of the Holocaust’s<br />

highest killing rates, comprising testimonials by Greeks who survived the Holocaust, as well<br />

as in-depth analyses by leading historians and other scholars. The documentary starts with<br />

the shoah of Thessaloniki’s Jewish community – Europe’s most ancient Jewish community<br />

– and continues with the unknown story of the rescue of Greece’s smallest Jewish<br />

community at the time, that of the neighboring town of Katerini. .<br />

Running time: 72’<br />

Year of production: 2012<br />

Production Contact Person:<br />

Sales Contact Person:<br />

Fofo Terzidou<br />

3, Tsoha Str.<br />

11521 Athina Greece<br />

T. +30 6988141010<br />

milapolla@yahoo.com<br />

Periklis Kortsaris<br />

periclesk@hotmail.com<br />

82<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


442<br />

EGYPT-UK<br />

C<br />

History & Politics<br />

CAFÉ RICHE<br />

Sedi Ghadiri<br />

The documentary Café Riche – Cairo in a Bubble explores the cultural heritage of the infamous<br />

cafe in Downtown Cairo and the challenges and changes it faces in the post-<br />

Mubarak era.<br />

Running time: 10΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Problemkind Productions<br />

Sedi Ghadiri<br />

Flat B, 302 Amhurst Road,<br />

London N16 7UE, UK<br />

T. +44 779 622 8859<br />

sedi.ghadiri@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 83


C<br />

183<br />

UK<br />

Art, Music & Culture<br />

CALVET<br />

Dominic Allan<br />

Jean Marc Calvet lived a dark and violent life. Then aged 38, via a terrifying trip to hell and<br />

back, he was given a second chance. On the run in Central America and haunted by his past,<br />

he shut himself in a house and decided that death was his only way out. For nine months<br />

he declared war on his body, turning into a shadow of his former self; he was saved thanks<br />

to a can of paint. Now a successful artist with solo exhibitions in New York, his work sells<br />

for thousands of dollars. But on a quest for redemption, he must return to France and find<br />

the six-year-old son he abandoned twelve years ago without a word.<br />

Running time: 86’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Firewalk Films<br />

Dominic Allan<br />

CAT&<strong>Doc</strong>s<br />

Catherine Le Clef<br />

T. +33 1 44 59 63 53<br />

cat@catndocs.com<br />

84<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


118<br />

MEXICO<br />

C<br />

Art, Music & Culture<br />

CANICULA<br />

José Álvarez<br />

In a small town in Veracruz, clay becomes life and wisdom becomes flight.<br />

Running time: 65’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Alacrán con alas<br />

José Álvarez<br />

Emilio Esteva N0.45B int5<br />

Col. San Miguel Chapultepec<br />

C.P.11850 México DF, México<br />

T. +52 5558 531 7187<br />

santosxx@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 85


C<br />

443<br />

FINLAND<br />

Current Affairs<br />

CANNED DREAMS<br />

Katja Gauriloff<br />

Canned Dreams is a lyrical journey across the world. It builds a portrait of ordinary workers,<br />

through their own personal stories. All this happens in a frame of following a route of<br />

one canned food product, which starts its journey from the other side of the world and travels<br />

all across Europe. Behind this product are countless pairs of hands and their stories.<br />

Running time: 52΄ & 78΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Oktober Oy & ARTE & YLE & Al Jazeera<br />

Joonas Berghäll<br />

Deckert Distribution<br />

Heino Deckert<br />

Marienplatz 1<br />

04103 Leipzig, Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

86<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


677<br />

USA<br />

C<br />

Environment & Wildlife<br />

CARBON NATION<br />

Peter Byck<br />

Carbon Nation is an optimistic, solutions-based, non-preachy, non-partisan, big tent film<br />

that shows tackling climate change boosts the economy, increases national and energy security<br />

and promotes health and a clean environment.<br />

Public opinion is sliding the wrong way – far fewer people are concerned about climate<br />

change than even a year ago.<br />

Carbon Nation was made to give an entertaining, informed and pragmatic primer about<br />

why it’s incredibly smart to be a part of the new, low-carbon economy. Even if you doubt<br />

the severity of the impact of climate change or just don’t buy it at all, this is a compelling<br />

and relevant film that illustrates how solutions to climate change also address other social,<br />

economic and national security issues.<br />

We meet a host of entertaining and endearing characters along the way, including entrepreneurs,<br />

visionaries, scientists and the everyday man, all making a difference and working<br />

towards solving climate change. We already have the technology to combat most of<br />

the worst-case scenarios.<br />

Running time: 58΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Earth School Foundation<br />

Peter Byck<br />

Sideways Film<br />

Kazz Basma<br />

19 Windus Road,<br />

London N16 6UT, UK<br />

T. +44 788 147 3603<br />

kazz@sidewaysfilm.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 87


C<br />

444<br />

SWITZERLAND<br />

Lifestyles<br />

CAROLE ROUSSOPOULOS,<br />

A WOMAN WITH HER CAMERA<br />

Emmanuelle de Riedmatten<br />

A portrait of Carole Roussopoulos (1945-2009), who pioneered light video in France in the<br />

early 1970s. Through extracts from her films, archival images, and interviews with family<br />

and friends, the itinerary of a fighter who filmed the Women’s Liberation Movement, factory<br />

occupations, and early gay rights demands, and who, throughout her life, gave voice<br />

to the unknown – to the “voiceless” – participants in social struggles and movements for<br />

emancipation.<br />

Running time: 76΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Le CinéAtelier Ltd.<br />

Emmanuelle de Riedmatten<br />

Case postale 267<br />

CH-1880 Bex, Switzerland<br />

T. +41 24 463 3731<br />

F. +41 79 449 4940<br />

admin@cineatelier.ch<br />

88<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


108<br />

SPAIN<br />

C<br />

Current Affairs<br />

CARTOGRAPHY OF LONELINESS<br />

Nocem Collado<br />

Observing widows from India, Nepal and Afghanistan – countries with the highest population<br />

of widows in the world, the most child widows and largest percentage of widows<br />

respectively – Cartography of Loneliness is not just telling stories, but showing how these<br />

women are able to rise out of their solitude. What emerges are their similarities, despite<br />

location and culture. Heart-breaking accounts, beautiful photography and simple, truthful<br />

filmmaking, make this documentary an important testament of unjustifiable pain.<br />

Running time: 69’<br />

Year of production: 2011<br />

Production Contact Person:<br />

Nocem Collado<br />

C/ San Isidoro nº18 2ºB<br />

41.004 Sevilla<br />

Spain<br />

T. +34 63 994 9229<br />

nocemcollado@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 89


C<br />

445<br />

SPAIN<br />

Current Affairs<br />

CATWALK KIDS<br />

Sara Gibbings<br />

Why do the Americans stage fashion shows where prospective parents can view children<br />

available for adoption And should we try it in Europe We travel to Middle America to witness<br />

the extraordinarily aggressive way they market children available for adoption. The<br />

catwalks shows, photos in shopping malls and weekly TV spots are highly controversial.<br />

Critics claim that putting the most vulnerable members of society on display in this way<br />

is dangerous, and question the motives of adults who appear to be “shopping for a child.”<br />

But they work. Children deemed impossible to adopt – teenagers, sibling groups and those<br />

with special needs – very often find permanent homes thanks to these events. In contrast,<br />

in European countries like Spain, thousands of young children grow up in homes, never<br />

finding permanent families. So which system is better Are the catwalks the lesser of two<br />

evils<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Padi Productions<br />

Java Films<br />

Kathryn Bonnici<br />

4 - 6 Villa Thoreton,<br />

F-75015 Paris, France<br />

T. +33 1 4060 2624<br />

F. +33 1 4060 2649<br />

kathryn@javafilms.fr<br />

90<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


163<br />

COLOMBIA-BOLIVIA-USA<br />

C<br />

Current Affairs<br />

CERRO RICO, TIERRA RICA<br />

Juan Vallejo<br />

During the 16th and 17th centuries, Cerro Rico – an enormous conical mountain that towers<br />

over the city of Potosi, in Southwestern Bolivia – provided half of the world’s silver and<br />

sustained the Spanish Empire during colonial times. Most of the mineral wealth of the Cerro<br />

has been depleted, but today more than ten thousand miners still work on the slopes and<br />

tunnels of the mountain, looking for zinc, tin, lead, or a good vein of silver. Bolivia has recently<br />

discovered it contains half of the world’s lithium reserves in the desolate white plains<br />

of the Salar de Uyuni, also located in the Potosi region. But the lithium reserves are, for the<br />

moment, completely untapped. The parallel stories of the Cerro and the Salar speak of the<br />

past and the future of Bolivia, and help create a compelling mosaic of mining life on the<br />

high mountains of South America – making us wonder if the Andean nation will be able<br />

to finally harness the mineral resources for itself, its people, its own development.<br />

Running time: 90’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Pisco Films<br />

Juan Vallejo<br />

29 Claremont Avenue 6N<br />

New York, New York, 10027, USA<br />

T. 1 212 8649408<br />

piscofilms@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 91


C<br />

446<br />

TURKEY<br />

History & Politics<br />

THE CHILDREN OF CRACKED EARTH<br />

Omer Leventoglu<br />

Zarokên Axa Qelişî – The Children of Cracked Earth tells the story of expatriate/temporary<br />

land workers as a type of employment and a form of exploitation. One year in the life of<br />

one of these workers is traced by means of six families living in Ceylanpınar in this film and<br />

the working conditions of women and child labor are emphasized.<br />

Running time: 58΄<br />

Year of production: 2010<br />

Sales Company:<br />

Sales Contact Person:<br />

Fer Film Productions – Istanbul<br />

Omer Leventoglu<br />

M.Şefket Pasa Mh. Gaziler Sk. No: 15/9<br />

Okmeydanı-Sisli,<br />

İstanbul, Turkey<br />

T. +90 532 516 2833<br />

leventoglu@hotmail.com<br />

92<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


172<br />

FRANCE<br />

C<br />

History & Politics<br />

CHILDREN OF THE GULAG<br />

Romain Icard<br />

Under Stalin, hundreds of thousands of children were born into or sent to the Gulags. Children<br />

as young as 3 years old could be considered dangerous counter-revolutionaries and<br />

taken to the wilds of Siberia. Condemned for “coming from the worst stock,” these children<br />

were separated from their families, abused, neglected and starved. Over time, more and<br />

more babies were born into the hell of the work camps. They grew up never knowing their<br />

families or homeland, believing that every child in the world lived the same way. Of the<br />

generations that grew up in the Gulags, only a few remain. In this moving documentary,<br />

they tell their stories.<br />

Running time: 52’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Les Films en Vrac - Utopic<br />

Java Films<br />

Kathryn Bonnici<br />

4 - 6 Villa Thoreton, 75015 Paris, France<br />

T. 0033 140 60 26 24<br />

F. 0033 140 60 26 49<br />

kathryn@javafilms.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 93


C<br />

252<br />

GREECE-UK<br />

Current Affairs<br />

CHILDREN OF THE RIOTS<br />

Christos Georgiou<br />

December 6th, 2008, fifteen-year-old Alexandros Grigoropoulos was killed by police<br />

while out with his friends. His death prompted thousands of young people to take to the<br />

streets in riots that lasted three weeks, setting Athens ablaze and consuming a nation in<br />

violence and chaos. In this film, some of those teenagers who witnessed his death and the<br />

running battles with the police, reflect on their world three years later, as they deal with<br />

Greece’s on-going crisis. This film gives voice to young people thrust into a conflict which<br />

changed, and continues to change, their lives. We observe their lives and hear of their<br />

hopes, dreams and fears, as they navigate uncertain futures through times of great upheaval.<br />

Running time: 52’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

World Sales:<br />

World Sales Contact:<br />

Glasshead / Al Jazeera<br />

Christos Georgiou<br />

T. +30 6973 015675<br />

lychnari@gmail.com<br />

Al Jazeera<br />

Ingrid Falk<br />

T. +974 4489 7446<br />

F. +974 4489 7472<br />

distribution.int@aljazeera.net<br />

www.aljazeera.net<br />

94<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


447<br />

CANADA-CHINA<br />

C<br />

Sports<br />

CHINA HEAVYWEIGHT<br />

Yung Chang<br />

In central China, a master coach recruits poor rural teenagers and turns them into Western-style<br />

boxing champions. Through hard work and discipline, these boys and girls come<br />

of age, trained in the art of boxing and the game of life. They are filled with Olympic dreams,<br />

hoping to become China’s next amateur heroes. But the pull of professionalism also<br />

weighs upon their shoulders. Their coach hopes to make a storied comeback in a final pro<br />

fight, to show them the way. The top student boxers face dramatic choices as they graduate<br />

– should they fight for the collective good as amateurs or for their own personal gain<br />

as professionals It’s a metaphor for the choices that everyone faces now, in the New China.<br />

Running time: 89΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

EyeSteelFilm - Yuan Fan Media<br />

Bob Moore<br />

CAT&<strong>Doc</strong>s<br />

Catherine Le Clef<br />

18 Rue Quincampoix<br />

F-75004 Paris, France<br />

T. +33 1 44 59 63 53<br />

cat@catndocs.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 95


C<br />

306<br />

GREECE<br />

Sports<br />

CHRISTINA<br />

Haris Xydias<br />

This documentary records the efforts of Christina Gousso from September 2010 to July 2011<br />

and her unexpected success in Special Olympics Athens 2011, where she won two gold<br />

medals in running. Through her participation in the Games, Christina managed very<br />

quickly to believe in herself and gained a new purpose in life.<br />

Running time: 56’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Gabari Productions<br />

Haris Xydias, Stefania Xydia<br />

7 Megalou Alexandrou Str.<br />

14233 Nea Ionia Athens Greece<br />

T. + 30 210 2794 942<br />

F. +30 210 2794 948<br />

info@gabariproductions.com<br />

96<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


448<br />

FRANCE<br />

C<br />

History & Politics<br />

CHRONICLES 1944-1949<br />

Stavroula Bellos<br />

Original and not published documents about struggle and exile during WW II in Greece<br />

between 1944 and 1949<br />

Running time: 55΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

Plein La Tête<br />

Stavroula Bellos<br />

1 Place des Pianos<br />

F-93200 Saint-Denis, France<br />

T. +33 6 6787 2608<br />

sbellos@univ-paris8.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 97


C<br />

449<br />

SLOVAK REPUBLIC<br />

Art, Music & Culture<br />

CIGARETES AND SONGS<br />

Marek Šulík, Jana Kovalčíková-Bučka<br />

During a long-running musicology project, Jana Belišová collected hundreds of ancient<br />

Roma songs from all over Slovakia. The documentary shows a week-long meeting of amateur<br />

Roma singers and professional musicians with a classical education at an Evangelical<br />

church, where they are recording songs for the CD entitled AfterPhurikane Giľa. It is a<br />

film not only about music and the possibility of mutual influence, but also about tolerance,<br />

creativity and the world we live in.<br />

Running time: 52΄<br />

Year of production: 2010<br />

Sales Company:<br />

Sales Contact Person:<br />

Žudro<br />

Jana Belišová, Marek Šulík<br />

Dražická 20,<br />

SK-841 01Bratislava, Slovak Republic<br />

T. +421 915 955 017<br />

zudro@zudro.sk<br />

98<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


450<br />

ISRAEL-GERMANY<br />

C<br />

History & Politics<br />

CINEMA JENIN<br />

Marcus Vetter<br />

An ambitious initiative to re-open a previously abandoned cinema in the West Bank city<br />

of Janin offers a nuanced and textured view into the city and the dedicated, loyal, and often<br />

conflicted group of people who follow a dream.<br />

Running time: 95΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Boomtown Media & Cinephil<br />

Marcus Vetter<br />

Cinephil<br />

Ori Bader<br />

18 Levontin Street,<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 99


C<br />

451<br />

FRANCE-CANADA<br />

Current Affairs<br />

CITIZEN OR STRANGER<br />

Jon Kalina<br />

With an estimated 33 million people on the move every year, fleeing from war and misery<br />

in search of a better life, immigration has become one of the biggest challenges facing<br />

our developed nations. The way we welcome these newcomers to our countries, the<br />

place we make for them and their culture and religion has become one of the most explosive<br />

issues of our times. We will be following one extended Somali family, whose members<br />

have emigrated all over the world. Their personal stories will be acting as a mirror of<br />

our own societies, pointing out the best – and worst – of each country and showing us<br />

what we could learn from each other to help “strangers” to become new citizens.<br />

Running time: 2 x 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Intuitive Pictures<br />

Doris Weitzel<br />

Point du Jour International<br />

Doris Weitzel<br />

23 Rue de Cronsadt<br />

F-75015 Paris,. France<br />

T. +33 1 7544 8088<br />

F. +33 1 4531 1305<br />

d.weitezl@pointdujour.fr<br />

100<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


452<br />

THE NETHERLANDS<br />

C<br />

Lifestyles<br />

COFFEE, CAKE & CREMATORIUM<br />

Sergej Kreso<br />

They’re a phenomenon in Germany, the so-called ‘Kaffeefahrten’ – coach trips with a sales<br />

pitch and coffee and cake thrown in – on which elderly German tourists visit manufacturers<br />

that offer a variety of merchandise. In exchange for a cheap and pleasant trip, the<br />

organizers expect them to dig deep into their pockets along the way. Filmmaker Sergej<br />

Kreso demonstrates how such sales strategies are even used to flog funerals these days.<br />

With his camera, Kreso follows German funeral director Karl Schumacher, who has a<br />

good nose for these commercial excursions, to a Dutch crematorium in Venlo. This film<br />

draws the audience’s attention to the commercialization of the ‘last farewell’ in relation to<br />

our inhibitions about death.<br />

Running time: 55΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Zuidenwind Filmproductions<br />

Joost Seelen<br />

NPO/RNW Sales<br />

Ellie Beijaard<br />

Sumatralaan 45<br />

1217 GP Hilversum, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 101


C<br />

453<br />

ISRAEL-USA-FRANCE<br />

Current Affairs<br />

THE COLLABORATOR AND HIS FAMILY<br />

Ruthie Shatz, Adi Barash<br />

The Collaborator and His Family is a chronicle of family, assimilation and espionage that follows<br />

the El-Akels, a Palestinian family whose father, Ibrahim, has been a collaborator out<br />

of ideology with the Israeli security services for 20 years. Branded as traitors by Palestinians,<br />

the entire family fled to Israel seeking asylum as promised by Ibrahim’s Israeli ‘operator.’<br />

Over a two-and-a-half-year period, as each day passes with no progress towards citizenship,<br />

tension builds within the family. Alienated and humiliated, Ibrahim’s wife Yusra,<br />

three teenage sons and two daughters bear the consequences of Ibrahim’s decision while<br />

struggling to assimilate into Israeli society.<br />

Running time: 56’ & 84΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Yulari Films, ITVS, ARTE France<br />

Ross Kauffman<br />

Deckert Distribution<br />

Heino Deckert<br />

Marienplatz 1<br />

04103 Leipzig, Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

102<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


454<br />

ISRAEL<br />

C<br />

Current Affairs<br />

CONCRETE<br />

Nurit Kedar<br />

A war story can be told either by the victims or by the soldiers. Here, filmmaker Nurit Kedar<br />

uncovers this untold war story through the voices of young soldiers. Operation “Cast Lead”<br />

in Gaza wasn’t covered by the media due to the military embargo. For the first time, Israeli<br />

soldiers who took part in “Cast Lead” in Gaza 2009 come forward. Ten soldiers and officers,<br />

recently released from service, sat in front of a camera with their faces revealed. These soldiers,<br />

in their very unique way, have created a narrative of an unknown war. It’s not<br />

Lebanon of 1982, not Lebanon of the 1990s, not Operation “Defensive Shield” and not the<br />

October War of 1973... It is a hallucinatory narrative of Gaza in 2009, a war partly hidden<br />

from the world.<br />

Running time: 65΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

Ruth Diskin films Ltd.<br />

Cara Saposnik<br />

PO Box 7153<br />

Jerusalem 91071, Israe<br />

T. +972 2 672 4256<br />

F. +972 2 672 4210<br />

cara@ruthfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 103


C<br />

455<br />

FRANCE<br />

History & Politics<br />

A CONTAGIOUS REVOLUTION: HO CHI<br />

MINH AND VIETNAM’S INDEPENDENCE<br />

Thuy-Tien Ho<br />

For centuries, the fertility of the land had turned Vietnam into a conveyed geopolitical prey.<br />

To start with, China, considered for a long time it should be one of its provinces. Japan too,<br />

was interested in this elongated land. Finally, colonial France, to be followed soon after by<br />

the USA. To gain independence, it was necessary for the Vietnamese to neutralize China<br />

and then Japan. In addition, they had to win the French War at Diên Biên Phu. And finally,<br />

they had to overcome the most powerful army of the world, USA. The most powerful<br />

“weapon” assisting the under-equipped army of volunteers. Their leader, Ho Chi Minh,<br />

played a major role throughout these events. He entered the scene with his solemn declaration<br />

of independence on September 2nd, 1945, giving birth to the Democratic Republic<br />

of Vietnam. The evolution of this nation in the 20th century is connected in an absolute way<br />

to this man. This film offers the viewer a compelling journey in Time. A series of on-site<br />

testimonies of Vietnamese veterans will add a more personal perspective to the journey.<br />

Finally, highly respected historians and researchers will bring their expert views to the equation.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ICTV<br />

Michel Noll<br />

17 Rue du Colisee<br />

F-75008 Paris, France<br />

T. +33 1 4359 2679<br />

F. +33 1 6403 7101<br />

m.noll@ictv-solferino.com<br />

104<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


354<br />

GREECE<br />

C<br />

History & Politics<br />

CRETAN TURKS IN HALICARNASSUS<br />

Costas Dandinakis<br />

Cretan-Turks are the Islamised Greeks of Crete. After their exile from the island before and<br />

after the decision of the population exchange treaty of Lausanne, the Muslims of Crete were<br />

scattered along the coast of Asia Minor. Today, in Halicarnassus (Bodrum), first, second and<br />

third generation Cretan-Turks nostalgic for the homeland of their ancestors call themselves<br />

“Cretans” and keep alive the Cretan dialect, lifestyle, cooking, etc. The elders remember a<br />

harmonious coexistence with their Christian compatriots, their flight from Crete, and difficulties<br />

in adapting to life in Turkey.<br />

Running time: 40’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Centre Arts Visuels<br />

Costas Dandinakis<br />

15 E. Protopapadaki Str.<br />

73131 Chania Crete Greece<br />

T. + 30 6979058458<br />

costasdandinakis@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 105


C<br />

681<br />

USA<br />

Current Affairs<br />

CULTURES OF RESISTANCE<br />

Iara Lee<br />

In 2003, on the eve of the Iraq war, acclaimed filmmaker Iara Lee embarked on a journey<br />

to better understand a world increasingly embroiled in conflict and, as she saw it, heading<br />

for self-destruction. After several years, traveling over five continents, Iara encountered<br />

growing numbers of people who committed their lives to promoting change. From Iran,<br />

where graffiti and rap became tools in fighting government repression, to Burma, where<br />

monks acting in the tradition of Gandhi take on a dictatorship, moving on to Brazil, where<br />

musicians reach out to slum kids and transform guns into guitars, and ending in Palestinian<br />

refugee camps in Lebanon, where photography, music, and film have given a voice to those<br />

rarely heard, Cultures of Resistance explores how art and creativity can be ammunition in<br />

the battle for peace and justice.<br />

Running time: 73’<br />

Year of production: 2010<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

George Gund<br />

Taskovski Films<br />

Manuela Buono<br />

7 Granard Business Centre,<br />

Bunns Lane, NW7 2DQ, London UK<br />

T. + 39 34 7627 3790<br />

sales@taskovskifilms.com<br />

106<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


456<br />

ISRAEL<br />

C<br />

History & Politics<br />

CUTTING THE PAIN<br />

Yonatan Nir, Zafrir Gelman<br />

In March 2002, an IDF tank ran over an explosive device in Gaza. Three soldiers were killed.<br />

Matan Berman, the dog handler that accompanied the unit became shell-shocked following<br />

this tragic event. A few weeks later he started to complain of horrendous pain in<br />

his leg, not triggered by any physical injury, which was subsequently diagnosed as CRPS,<br />

a mysterious pain syndrome. The slightest touch – the whisper of the wind or a drop of<br />

water – now causes him pain that can only be contained with the use of large doses of<br />

morphine. Cutting the Pain reveals, layer by layer, the soul of a man who fights for his life<br />

and keeps coming up against inner demons that give him no peace. The surprising finale<br />

awakens speculation about the complicated connections between body and soul<br />

Running time: 52΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Lama Films LTD<br />

Amir Harel<br />

Go2Films Distribution & <strong>Market</strong>ing<br />

Hedva Goldschmidt<br />

37/8 Issar Natanzon St.<br />

Jerusalem 97787, Israel<br />

T. +972 2 583 1371<br />

F. +972 2 583 5450<br />

hedva@go2films.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 107


C<br />

457<br />

CROATIA<br />

Art, Music & Culture<br />

THE CYCLE<br />

Goran Markoš<br />

The film questions the connection between love and sexuality (by linking that connection<br />

with creative tension between traditional and mysterious aspects of life itself).Divided into<br />

three major components, the film investigates various influences that build that relationship:<br />

manifestation(teenagers, pensioners, chatters), profusion of variety (prostitute, abstainer),<br />

harmony(Pero and his lady, family).The movie has been fashioned by a method<br />

of gut instinct, based upon development of artistic relation between unforeseen and<br />

foreseen life courses, therefore, stress is being put on encouraging a subliminal/cognizant<br />

connection between the presented and omitted.<br />

Running time: 187΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Independent filmmaker<br />

Goran Markoš<br />

Vijenac F.Gotovca 5,<br />

Zagreb 10 000, Croatia<br />

T. +385 1 6602 708<br />

gmarkos@vip.hr<br />

108<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


458<br />

BULGARIA<br />

D<br />

Art, Music & Culture<br />

DAD MADE DIRTY MOVIES<br />

Jordan Todorov<br />

A tribute to the greatest erotic filmmaker in the US: A.C. Stephen. Together with his close<br />

friend Ed Wood, he became the father of sexploitation cinema – erotic entertainment before<br />

the liberalization of pornography.<br />

Running time: 58΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Agitprop<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17,<br />

Vienna 1040, Austria<br />

T. +43 720 34 6934<br />

welcome@autlookfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e<br />

109


D<br />

459<br />

POLAND<br />

Current Affairs<br />

DAD WENT FISHING<br />

Grzegorz Pacek<br />

Afrikaner Juan van Tonder, bon vivant of Cape Town, decides to change his life as a result<br />

of a traumatic event and establishes a children’s home in a remote South African village<br />

– Pamfret. The past, however still return in painful memories.<br />

Gradually, the film unveils the motivations that have led Juan to Pamfret. Is he a saint A<br />

fugitive A wreck A pedophile Or perhaps Juan, accepting a disgrace of the apartheid,<br />

as in Cotzee’s book, tries to pay the debt<br />

Running time: 51΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Wytwornia Filmow, TVP Kultura<br />

Aleksandra Biernacka<br />

TVP SA<br />

Maria Nadolna<br />

17, J.P. Woronicza st<br />

Warsaw 00-999, Poland<br />

T. +48 22 547 8501<br />

F. +48 22 547 4248<br />

festivals@tvp.pl<br />

110<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


674<br />

USA-PHILIPPINES<br />

D<br />

Art, Music & Culture<br />

DANCE OF MY LIFE<br />

Lydia Benitez Brown<br />

Meet Bessie Badilla, the first Philippine Carnival Queen in Brazil. Dance of My Life traces<br />

Bessie’s life from the Philippines, to Paris, and later life as a wife and mother in the US. Go<br />

behind-the-scenes as Bessie prepares to star for three samba schools in Sao Paulo, an unprecedented<br />

feat for a non-Brazilian and a “woman of a certain age.” Bessie tells stories that<br />

are sometimes funny, sometimes sad, showing how she was able to face the challenges<br />

of carnival and her own past to emerge as “queen, even for an hour” in what was to become<br />

the dance of her life.<br />

Running time: 75΄<br />

Year of production: 2010<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Queen Bessie, LLC<br />

Lydia Benitez Brown<br />

Queen Bessie, LLC<br />

Nick Brown<br />

67 Lockwood Lane<br />

Riverside, CT 06878, USA<br />

T. +1 203 962 3790<br />

F. +1 203 637 3585<br />

info@queenbessie.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 111


D<br />

137<br />

CHILE<br />

Adventure & Travel<br />

DAUGHTER<br />

María Paz González<br />

An existential documentary that brings together histories and relationships from all walks of life in<br />

today’s Cuban society. Philosophical views on human nature from a housewife, a cobbler, revolutionaries,<br />

party officials, musicians... Cuban traditions are vividly depicted here. Exhumation of relatives’<br />

remains, or the famous Latin American rite of passage in which a family of modest means is<br />

ready to spend its entire year’s budget to celebrate their daughter’s fifteenth birthday. The moves of<br />

the Rueda Casino dance that keeps Europeans coming to the island; the musical group of the Izquerda<br />

brothers, who may play to entertain dancers today and tomorrow may use their rhythms to put a<br />

voodoo ritual audience into a trance. An unhurried philosophical narrative against background<br />

shots of Havana’s daily routines.<br />

Running time: 84’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Blume<br />

Taskovski Films<br />

Manuela Buono<br />

Taskovski Films<br />

7 Granard Business Centre, Bunns Lane<br />

London UK NW7 2DQ<br />

T. +393476273390<br />

sales@taskovskifilms.com<br />

112<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


460<br />

THE NETHERLANDS<br />

D<br />

Lifestyles<br />

DAUGHTERS OF MALAKEH<br />

Jet Homoet, Sharog Heshmat Manesh<br />

Three generations of women, wedged between two worlds, struggle to give shape to their<br />

lives in present-day Iran. In the world outside they wear headscarves and obey the rules<br />

of the state, yet in their world at home, breadwinner Maryam runs the show, aided by her<br />

mother and her younger sister Ghazal. When Maryam wants to get married, however, these<br />

two worlds clash painfully, and the entire family gets involved. Son and co-director<br />

Sharog Heshmat Manesh, living in the Netherlands, leads us into this, otherwise closed,<br />

private world. Daughters of Malakeh gives us a unique and genuine picture of family life<br />

in Iran.<br />

Running time: 58΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Bonanza Films<br />

Harmen Jalvingh<br />

Taskovski Films<br />

Manuela Buono<br />

7 Granard Business Centre, Bunns Lane<br />

London NW7 2DQ, UK<br />

T. +39 347 627 3790<br />

sales@taskovskifilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 113


D<br />

138<br />

SOUTH AFRICA<br />

Lifestyles<br />

THE DAWN OF A NEW DAY<br />

Ryley Grunenwald<br />

A South African plastic surgeon, Dr. Tertius Venter, wants to leave his private practice to join<br />

a hospital ship providing free surgeries in Benin, West Africa – but at a personal cost his<br />

wife Trudi may not be willing to pay. She cannot bear the thought of only seeing her husband<br />

three months a year. Tertius must wrestle between being with the woman he has<br />

always loved and his destiny. Meanwhile, a mischievous and charming ten-year-old, Hyacinthe,<br />

not only needs specialized surgery, but also a chance to see his mother for the first<br />

time in years.<br />

Running time: 60’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Marie-Vérité Films<br />

Ryley Grunenwald<br />

Journeyman Pictures<br />

Edward Caffrey<br />

4-6 High Street, Thames Ditton, Surrey<br />

KT7 0RY, United Kingdom<br />

T. 44 208 398 4616<br />

F. 44 208 972 9100<br />

sales@journeyman.tv<br />

114<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


461<br />

FRANCE<br />

D<br />

Art, Music & Culture<br />

DAY BY DAY – FEMI KUTI<br />

Thomas Bataille<br />

This film is a journey into the heart of making music. As the film follows the development<br />

of a track from Femi Kuti’s latest album, it sets out to explain the artistic decisions. These<br />

choices are inseparable from Femi’s involvement in the political situation in his home country,<br />

Nigeria. The film thus sheds light on the unsung work of the record producer, Sodi, in<br />

the specific context of urban music of political dissent: Afrobeat. Day by Day explores this<br />

musical journey in the Parisian studio and also documents the intimidation Femi is subject<br />

to in Nigeria, because of his opposition to the current regime.<br />

Running time: 50΄<br />

Year of production: 2010<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Animals Production<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

F-75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 115


D<br />

462<br />

AUSTRIA<br />

Lifestyles<br />

DAY IN, DAY OUT<br />

Richard Rossmann<br />

“The day I stop work is the day I die!” When my grandfather died in 1958, my grandmother<br />

Thresl took on the farm and inn at Harhamhof, high in the Austrian Alps. Day-in, day-out,<br />

she works the farm and runs the guesthouse. Next April she will be 100 years old, yet for<br />

her guests she remains mistress of a timeless world. But not everyone likes how Thresl manages<br />

the Harhamhof. Thresl’s determination to keep working denies her son, Hans, his<br />

chance to take over. A documentary about persistence, willpower and the dignity of old<br />

age.<br />

Running time: 80΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Richard Rossmann Filmproduktion<br />

Richard Rossmann<br />

Harham 18<br />

A-5760 Saalfelden, Austria<br />

T. +43 681 1086 5094<br />

mail@richardrossmann.com<br />

116<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


679<br />

USA<br />

D<br />

Current Affairs<br />

DEATH OF A CEMETERY<br />

Jeanie Duque Dizon<br />

In Manila North Cemetery in the Philippines, 3,000 people live among the dead. Gravekeepers<br />

grow gardens around tombs; chefs cook up hearty fare in crypt-side restaurants;<br />

and children play basketball in between school and funerals. Although more peaceful than<br />

other shantytowns, it is rife with conflict. A teenage boy must undergo an exorcism lest<br />

he be forever possessed by spirits, and the government wants to evict all the residents.<br />

Death of a Cemetery is a ghost tale, a biopic, and a family drama. Most importantly, it is a<br />

call to raise the standards of living for those in developing countries.<br />

Running time: 58΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Empyreal Productions<br />

Jeanie Duque Dizon<br />

Sideways Film<br />

Kazz Basma<br />

19 Windus Road<br />

London N16 6UT, UK<br />

T. +44 788 147 3603<br />

kazz@sidewaysfilm.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 117


D<br />

463<br />

FRANCE<br />

Adventure & Travel<br />

DECODING DRESS CODES<br />

Various<br />

Spotlight on “Dress” in different countries and cultures, be it traditional, trendy, practical<br />

or outrageous! Dress is like a visual indicator of social habits and national identity. This collection<br />

is not just about dress or even fashion, but about getting to know our neighbours<br />

on this planet – their history and cultural background – by decoding the way they dress<br />

and present themselves. Our first destination in the new series is Brazil, a country that loves<br />

colourful clothing – sometimes minimalist, often cool and also traditional and stunningly<br />

beautiful dress! Some people come up with surprising accessories. We’ll also visit New York,<br />

Dubai, Australia, Iraqi Kurdistan, Tajikistan, Mongolia and many other places.<br />

Running time: 39 x 26΄ (3 series)<br />

Year of production: 2009-2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Point du Jour & Arte<br />

Doris Weitzel<br />

Point du Jour International<br />

Doris Weitzel<br />

23 Rue de Cronsadt<br />

F-75015 Paris, France<br />

T. +33 1 7544 8088<br />

F. +33 1 4531 1305<br />

d.weitezl@pointdujour.fr<br />

118<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


656<br />

POLAND<br />

D<br />

Current Affairs<br />

DECRESCENDO<br />

Marta Minorowicz<br />

Decrescendo tells the story of the blossoming friendships that take place between the young<br />

psychologist Tomek and his patients from an old people’s home, each of whom bears their<br />

own touching and tragic story. Each day, Tomek’s fascination with beauty and youth<br />

clashes not only with the aging and the dying, but also with their emphatic will to live. In<br />

this context, the musical term decrescendo takes on a new meaning.<br />

Running time: 25΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Wajda Studio<br />

Joanna Skalska<br />

Krakow Film Foundation<br />

Katarzyna Wilk<br />

Bsztowa 15/8a,<br />

Krakow 31-143, Poland<br />

T. +48 12 2946 945<br />

katarzyna@kff.com.pl<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 119


D<br />

101<br />

CANADA<br />

Current Affairs<br />

DESERT RIDERS<br />

Vic Sarin<br />

Thousands of children, some as young as two, were trafficked to work as camel jockeys in<br />

the Middle East. At the training schools, they were starved, injected with hormones and<br />

physically abused. Many died. Even more never returned. Although the use of children as<br />

camel jockeys has now been banned, many suspect the practice is still continuing. We hear<br />

the stories of the children whose lives have been marred forever by their experiences.<br />

Running time: 52’ & 80’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

FilmBlanc<br />

Java Films<br />

Kathryn Bonnici<br />

4 - 6 Villa Thoreton, 75015 Paris, France<br />

T. 0033 140 60 26 24<br />

F. 0033 140 60 26 49<br />

kathryn@javafilms.fr<br />

120<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


178<br />

MEXICO<br />

D<br />

Lifestyles<br />

DIE STANDING UP<br />

Jacaranda Correa<br />

Filled with unexpected twists and turns, and intercutting archival footage with interviews<br />

and observational cinema, Die Standing Up paints the portrait of the disabled activist Irina<br />

Layevska and her daily routine at the side of her life partner Nelyda. Old photos and film<br />

clips shed light on the past of this 50-year-old woman. In the 60s, her militant leftist parents<br />

gave their children a strict communist upbringing. At an early age, Irina was diagnosed<br />

with multiple sclerosis. Despite her health problems, during the 80s, inspired by the ideas<br />

of Che Guevara, Irina was very active in the solidarity campaign towards Cuba. Having spent<br />

many years confined to a wheelchair, Irina is now also blind, which makes her even more<br />

dependent on her partner. Her health is deteriorating, Che’s ideals remain unrealized, but<br />

Irina’s struggle against discrimination and prejudice continues unabated.<br />

Running time: 52’ & 74’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Instituto Mexicano de Cinematografia,<br />

Martfilms, Media m9<br />

Martha Orozco<br />

Rise and Shine World Sales<br />

Diana Karklin<br />

Schlesische Str. 29/30, 10997, Berlin<br />

T. +49 30 47372980<br />

F. +49 30 473729820<br />

diana.karklin@riseandshine-berlin.de<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 121


D<br />

672<br />

ROMANIA<br />

Lifestyles<br />

DIGGING FOR LIFE<br />

Pavel Cuzuioc<br />

A cemetery is not a forbidden place. However, this is not an area where most people prefer<br />

to spend their time. The only living inhabitants of a cemetery are the gravediggers. Be<br />

it winter, spring, summer or fall – the concerns of the diggers always remain the same.<br />

They dig and they bury. They seem to lack fear and sensibility. They are immune to tears<br />

and lamentations. One of the living “ghosts” at Doina Cemetery is Ms. Eleonora. She’s been<br />

making arrangements for her funeral for ten years now, although she’s only 62, healthy<br />

and sober. This preoccupation is part of her culture. The St. Lazarus Cemetery or Doina (as<br />

everyone calls it) ιν Chisinau, Republic of Moldova, is one of the largest cemeteries in Europe,<br />

two million square meters, the place where both camps meet: the gravediggers and<br />

Ms. Eleonora – the only Big Mystery binding them being death.<br />

Running time: 56΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

HBO Central Europe Original Programming<br />

Aurelian Nica<br />

Bucharest 1,<br />

Buzesti 62-64, Romania<br />

T. +40 21 307 7777<br />

F. +40 21 307 7788<br />

aurelian.nica@hbo.ro<br />

122<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


269<br />

GREECE<br />

D<br />

Art, Music & Culture<br />

DIRECTING HELL<br />

Christos Houliaras<br />

This documentary about multi-awarded Greek film director and author Nikos Nikolaidis is<br />

an effort to decipher his unique and rare personality, his universe and symbols. During an<br />

era when political visions had begun to fade, he offered a dark and pessimistic present,<br />

where hope and redemption can be found only in the death of his heroes. Collaborators,<br />

friends, archival footage from the making of his films, clips from his films and the director<br />

himself attest to the changes Nikos Nikolaidis brought about to film, what he had to<br />

offer and continues to offer to the art of cinema.<br />

Running time: 79’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Marni Films, Theodora Pikrou-Valentis<br />

Mina Dreki<br />

12 Mnisikleous Str.<br />

10556 Athens Greece<br />

T. +30 210 3228860<br />

info@marnifilms.gr<br />

Marni Films<br />

Theodora Pikrou-Valendi<br />

info@marnifilms.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 123


D<br />

651<br />

POLAND<br />

Lifestyles<br />

DOCTORS<br />

Tomasz Wolski<br />

What happens behind the closed doors of surgical wards, treatment rooms and other<br />

spaces where specialist medical consultations take place The film follows the everyday<br />

work of doctors in a surgical ward: the hierarchy between them, the need to take important<br />

decisions, the struggle with economic problems. Although they usually use a vernacular<br />

incomprehensible to the average person, they also tell jokes or insider anecdotes.<br />

Their work, despite the knowledge and experience acquired, may still involve surprising<br />

moments.<br />

Running time: 80΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Kijora<br />

Anna Gawlita<br />

Krakow Film Foundation<br />

Katarzyna Wilk<br />

Bsztowa 15/8a,<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

124<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


321<br />

GREECE<br />

D<br />

Current Affairs<br />

DOCVILLE:<br />

11 ADRIANOU ST., KERATSINI<br />

Kalliopi Legaki<br />

11, Andrianou St., Keratsini is an episode of <strong>Doc</strong>ville, a cinéma-vérité documentary series<br />

about urban life in Greece today, during a time of crisis: In the working-class neighborhood<br />

at Keratsini, Piraeus, there is a place were elderly people can come and pass the time: the<br />

First Elderly Care Center or KAPI. It’s an important recourse for those that go there every<br />

morning. Through participating in its different activities, but mainly by communicating with<br />

and supporting each other, the elderly resist loneliness and enjoy life.<br />

Running time: 45’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Minimal Films, ERT S.A Hellenic Broadcasting Corp.<br />

Marco Gastine<br />

T.-F.+30 210 3606 730<br />

fminimal@otenet.gr<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 125


D<br />

293<br />

GREECE<br />

Current Affairs<br />

DOCVILLE: 21 SOUTSOU ST., ATHENS<br />

Eva Stefani<br />

A small public hospital in the centre of Athens. The daily life of the hospital usually consists<br />

of tragic and sometimes funny situations, as we come in contact with the daily routine<br />

of the patients as well as the staff. We witness the modern multinational Greek reality<br />

of foreigners who come for check ups in order to obtain a work permit. On the other<br />

hand we see immigrant nurses who have been taking care of patients for years. Lots of the<br />

staff members have been working at the hospital for over 15 years, thus having formed<br />

close bonds of friendship amongst them. What happens in the case of a sudden merging<br />

of this small public hospital and a bigger one Will this small paradoxical world come<br />

apart<br />

Running time: 44΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Minimal Films, ERT S.A Hellenic Broadcasting Corp.<br />

Marco Gastine<br />

T.-F.+30 210 3606 730<br />

fminimal@otenet.gr<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

126<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


292<br />

GREECE<br />

D<br />

Current Affairs<br />

DOCVILLE: 280 CONSTANTINOPLE ST.,<br />

THESSALONIKI<br />

Yannis Missouridis<br />

280 Constantinople St., Thessaloniki is the first episode of <strong>Doc</strong>ville, a cinéma-vérité documentary<br />

series about urban life in Greece today, during a time of crisis: The people working<br />

at Zygos, a seedy cabaret in Thessaloniki, are all poor and have to struggle for their<br />

everyday survival. Waiters, bouncers, dancers and singers create a micro-society with its<br />

own rules on the margins of “respectable” society. They work hard at night trying to cope<br />

with the financial crisis. Aris is one of them. An endless night that vacillates dangerously<br />

between bravery and misery...<br />

Running time: 46’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Minimal Films, ERT S.A Hellenic Broadcasting Corp.<br />

Marco Gastine<br />

T.-F.+30 210 3606 730<br />

fminimal@otenet.gr<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 127


D<br />

323<br />

GREECE<br />

Current Affairs<br />

DOCVILLE:<br />

SYNTAGMA SQUARE, ATHENS<br />

Katerina Patroni<br />

Syntagma Square. Athens is an episode of <strong>Doc</strong>ville, a cinéma-vérité documentary series<br />

about urban life in Greece today, in a time of crisis: Syntagma Square, summer 2011. Every<br />

day the central square of Athens is full of people who peacefully besiege the Greek Parliament,<br />

searching for ways to be listened, ways to play a role in social and political<br />

things. Everyone is there for their own reasons. Yet they all demand a change. On the margin<br />

of those demonstrations, the camera follows a monk, a foreign vegetarian pacifist as<br />

well as other lonely persons who make up this incongruous crowd that succeeds, even for<br />

a little while, in coexisting, searching and hoping.<br />

Running time: 47’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Minimal Films, ERT S.A Hellenic Broadcasting Corp.<br />

Marco Gastine<br />

T.-F.+30 210 3606 730<br />

fminimal@otenet.gr<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

128<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


322<br />

GREECE<br />

D<br />

Current Affairs<br />

DOCVILLE:<br />

ANAPAFSEOS ST., ATHENS<br />

Angelos Kovotsos, Natassa Xydi<br />

Anapafseos Street, Athens is an episode of <strong>Doc</strong>ville, a cinéma-vérité documentary series<br />

about urban life in Greece today, in a time of crisis: Anapafsis in Greek means resting, and<br />

it is usually the name given to streets leading to cemeteries. Two women who cannot accept<br />

their children’s deaths have turned the cemetery into their second home and try to<br />

support each other during this traumatic experience. The “drama” takes place in the district<br />

of the dead. The neighbors are the pallbearers, the necro-cosmetologists, the morticians,<br />

the marble grave makers, the people selling flowers, the cake makers, the gravediggers,<br />

police officers and amateur storytellers. The land of the dead as a part of the land of<br />

the living.<br />

Running time: 45’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Minimal Films, ERT S.A Hellenic Broadcasting Corp.<br />

Marco Gastine<br />

T.-F.+30 210 3606 730<br />

fminimal@otenet.gr<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 129


D<br />

465<br />

SPAIN<br />

Art, Music & Culture<br />

THE DOOR OF NO RETURN<br />

Santiago Ahuanojinou Zannou<br />

Santiago A. Zannou takes his father Alphonse to Benin, his homeland, 40 years after he left,<br />

to bring him face to face with his fears and his lies. During this journey of redemption,<br />

Alphonse will search for reconciliation with his last living sister, but also the forgiveness<br />

of his ancestors, with the hope to eventually heal the wounds of the past.<br />

Running time: 53΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Dokia Films<br />

Benjamin Arraou<br />

Taskovski Films<br />

Manuela Buono<br />

7 Granard Business Centre, Bunns Lane<br />

London NW7 2DQ, UK<br />

T. +39 347 627 3790<br />

sales@taskovskifilms.com<br />

130<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


466<br />

ISRAEL<br />

D<br />

Current Affairs<br />

THE DREAMERS<br />

Efrat Shalom Danon<br />

Orthodox teacher and wigmaker, Ruchama and Tikva, embark on a journey to fulfil their<br />

dream of making movies within their closed society. Ruchama is writing and producing<br />

her first film while Tikva prepares for her first acting role. Like other orthodox women who<br />

in recent years have started making films for strictly female audiences, they feel a strong<br />

need to express themselves despite strict rabbinical censorship. A delicate portrait of<br />

women trying to break new ground as artists in a patriarchal world where they are to raise<br />

children and be the breadwinners. Will they find freedom in their art How will they sound<br />

their voice within a strict world of limitations and prohibitions<br />

Running time: 58΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Yifat Prestelnik Films Ltd.<br />

Yifat Prestelnik<br />

Go2Films Distribution & <strong>Market</strong>ing<br />

Hedva Goldschmidt<br />

37/8 Issar Natanzon St.<br />

Jerusalem 97787, Israel<br />

T. +972 2 583 1371<br />

F. +972 2 583 5450<br />

hedva@go2films.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 131


D<br />

165<br />

NICARAGUA-SPAIN-USA<br />

Current Affairs<br />

DREAMING NICARAGUA<br />

Marcelo Bukin<br />

Dreaming Nicaragua is a sensitive portrayal of four children living in extreme poverty in<br />

Nicaragua. The film takes us beyond their hardships and gives voice to the children, who<br />

are surprisingly funny, hopeful and optimistic. A traveling art teacher provides a safe<br />

arena for our four unlikely protagonists to express their innermost thoughts. When painting,<br />

the children momentarily escape the stresses of their reality into a world of dreams<br />

and ideas – a stark contrast to their lives outside: a vicious cycle of hunger, child labor and<br />

violence. Despite the extreme circumstances, the children and their families face their realities<br />

with an inspiring unity and strength.<br />

Running time: 60’<br />

Year of production: 2010<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Fabretto Children’s Foundation and Tula Films<br />

Christina Falck<br />

Fabretto Children’s Foundation<br />

Christina Falck<br />

3124 N 10th St, Arlington, VA 22201<br />

T. +1 703 525 8716<br />

F. +1 703 525 3310<br />

falckc@fabretto.org<br />

132<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


164<br />

MEXICO<br />

D<br />

Current Affairs<br />

DROUGHT<br />

Everardo González<br />

Residents from the ejido (communal land) of Los Cuates de Australia, in Northeast Mexico,<br />

perform every year a massive exodus in search of water during the drought. During this<br />

self-imposed “exile,” men, women, elders and children wait for the first drops of water<br />

which will allow them to return to Los Cuates, a land which, though dry and arid, belongs<br />

to them.<br />

Running time: 84’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Cienega <strong>Doc</strong>s SA DE CV<br />

(in co-production with FOPROCINE<br />

in association with Jan Vrijman Fund,<br />

Tribeca Film Institute, FONCA)<br />

Martha Orozco<br />

Deckert Distribution<br />

Heino Deckert<br />

Marienplatz 1, 04103 Leipzig, Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 133


D<br />

337<br />

GREECE<br />

Environment & Wild Life<br />

DRY STONE-WALL,<br />

SUPPORTS OF THE AEGEAN<br />

Amalia Zepou, Lydia Carras<br />

The film records the process by which traditional builders teach volunteers how to restore<br />

dry-stone walls that had collapsed and were threatening an old footpath in a beautiful part<br />

of the island of Sifnos. The builders improvise verses and songs as they work. The film, made<br />

at minimal cost, serves as an introduction to one of the oldest crafts in the Aegean Islands.<br />

As many as twenty different words are used to describe the stones used. Dry-stone walls<br />

not only protect the soil from erosion and the island from desertification, but also help extend<br />

the tourist season by protecting a network of footpaths that are attracting more and<br />

more hikers.<br />

Running time: 19’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Hellenic Society for Heritage & Environment<br />

LC Productions<br />

Lydia Carras<br />

19 Prytaniou Str.<br />

10556 Athens Greece<br />

T. +30 210 3220 043, +30 6944 656 915<br />

F. +30 210 3311 977<br />

lycarr@gmail.com<br />

134<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


114<br />

BELGIUM<br />

D<br />

Current Affairs<br />

DUBLIN’S TRAP<br />

Bryan Carter<br />

Through the story of an Afghan asylum seeker who won a historic victory at the European<br />

Court of Human Rights, this film shines a new light on the consequences of EU migration<br />

policies in Greece. Dublin’s Trap gives a voice to politicians, intellectuals, activists, extremists<br />

and immigrants in order to understand how austerity measures in times of economic<br />

crisis, combined with an unprecedented influx of immigrants and an uneven repatriation<br />

mechanism, known as Dublin II, fosters racial tensions, increased nationalism and a humanitarian<br />

crisis at Europe’s external borders.<br />

Running time: 51’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Contact Person:<br />

Association des Journalistes<br />

Professionnels de Belgique<br />

Jean-Pierre Borloo<br />

Bryan Carter<br />

1A Champ du Roussart<br />

1410 Waterloo<br />

Belgium<br />

T. +32 478 284 610<br />

becarter20@hotmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 135


D<br />

467<br />

ISRAEL<br />

History & Politics<br />

DUMA<br />

Abeer Zeibak Haddad<br />

An inner perspective into the phenomena of sexual abuse in Palestinian society.<br />

The creator of a puppet show, “Duma” (dolls in Arabic), which deals with sexual abuse in<br />

childhood, decides to document Arab women who dare to reveal the sexual abuse they<br />

endured in their close circle of family and friends. Together they aim to break the systems<br />

of silence which were imposed by family and society.<br />

Running time: 55΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Abeer Productions<br />

Abeer Zeibak Haddad<br />

Go2Films Distribution & <strong>Market</strong>ing<br />

Hedva Goldschmidt<br />

37/8 Issar Natanzon St.<br />

Jerusalem 97787, Israel<br />

T. +972 2 583 1371<br />

F. +972 2 583 5450<br />

hedva@go2films.com<br />

136<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


468<br />

CHINA-FRANCE<br />

D<br />

Current Affairs<br />

DUST, CONSTRUCTION WORKERS<br />

PAYING WITH THEIR LIVES<br />

Huaqing Jin<br />

Shenzhen, once a small fishing village near Hong Kong, has joined the ranks of Chinese<br />

megacities. To enable this incredible urban sprawl, metropolitan planners had to rely on<br />

foreign investments and on the strength of millions of construction workers. Xu Chunlin<br />

is one of those for whom a job offer, 20 times better paid than traditional labor work,<br />

seemed to be an opportunity not to be missed. He and five friends left his native village<br />

Shuang Xi during in the early 90s. He and his comrades did not know that breathing rock<br />

dust could be fatal... Until the day when they were faced with a terrible diagnosis: they had<br />

contracted pneumoconiosis, a chronic, fatal respiratory disease, caused by the inhalation<br />

of mineral dust over a long period. Today, residents of the Lei Yang region know all too well<br />

that this disease is deadly. While Xu Chunlin’s mother regularly mourns the loss of her other<br />

three sons, who all died of this disease, two other women also accompany the last days<br />

of their husbands, Xu Chunlin’s friends. These men’s lives are a very heavy price to pay for<br />

economic and urban growth, which seems to develop without any limits or constraints.<br />

Running time: 52΄<br />

Year of production: 2012<br />

Sales Company:<br />

Sales Contact Person:<br />

ICTV<br />

Michel Noll<br />

17 Rue du Colisee<br />

F-75008Paris, France<br />

T. +33 1 4359 2679<br />

F. +33 1 6403 7101<br />

m.noll@ictv-solferino.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 137


D<br />

469<br />

FRANCE<br />

History & Politics<br />

DYNASTIES OF STEEL<br />

Olivier Spiro, Anaïs Spiro<br />

The development of the iron and steel industry marked a turning point in the history of<br />

Europe. Its economy developed at an unprecedented speed, affecting people’s living standard<br />

and material comfort, as well as the social and cultural framework of European nations.<br />

At the expense of many wars, Europe imposed its economy, laws and values onto<br />

the rest of the world. The iron and steel industry represented the essence of capitalism in<br />

all its force, violence and wealth. A new brand of owners, the “Ironmasters,” had control<br />

over a new class of steel workers, employees and miners. Our protagonists – the heirs of<br />

the steel barons and the workers – have lived through the “great years” and tell the story<br />

first hand. Today, the torch is carried on in India…<br />

Running time: 2 x 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Point du Jour & Arte<br />

Doris Weitzel<br />

Point du Jour International<br />

Doris Weitzel<br />

23 Rue de Cronsadt<br />

F-75015 Paris, France<br />

T. +33 1 7544 8088<br />

F. +33 1 4531 1305<br />

d.weitezl@pointdujour.fr<br />

138<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


470<br />

USA<br />

E<br />

Art, Music & Culture<br />

EAMES:<br />

THE ARCHITECT AND THE PAINTER<br />

Jason Cohn, Bill Jersey<br />

Charles and Ray Eames gave their name to an era. “Just like Queen Victoria represents an<br />

attitude toward life that is reflected in Victorian art and literature, Eames also embodies a<br />

certain approach to life and to ideas,” notes film director Paul Schrader early in this eyeopening<br />

documentary about the iconic American industrial designers. The “Eames Era,”<br />

which began in the optimistic flush of American victory in WWII, ended when Charles died<br />

in 1978. Yet their impact grows unabated. The work of Charles and Ray Eames remains for<br />

designers and consumers an ideal of design at its most virtuous – an alchemical combination<br />

of beauty and purpose.<br />

Running time: 90΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Catticus Corporation<br />

Camille Servan-Schreiber<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

Montreal / Quebec. H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

johnnadai@filmstransit.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 139


E<br />

350<br />

GREECE<br />

Lifestyles<br />

ECOLOGICAL DIARIES – MEAT<br />

Yannis Missouridis<br />

The eternal battle between vegetarians and meat eaters has been going on for years, but<br />

we usually choose to ignore it until it bites us in the ass. Yannis, father to two young children,<br />

the question finally arose when his wife announced they had another baby on the<br />

way. It was the first time he had dared question his nutritional values, which so far had begun<br />

and ended with meat. Trying to convince himself it was time to change sides, he delved<br />

into the urban food landscape: sworn vegans, gourmet meat eaters, raw vegans, alternative<br />

nutritionists, philosophers, psychologists and animal lovers take us on a rollercoaster<br />

ride through food ethics, seeking the answer to the ultimate question: are we really entitled<br />

to survive at someone else’s expense – even if they’re animals<br />

Running time: 45’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

<strong>Doc</strong> 3 Productions, ERT S.A Hellenic Broadcasting Corp.<br />

Valerie Kontakos, Marianna Economou<br />

vkontakos@aol.com<br />

mecon2@gmail.com<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

140<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


351<br />

GREECE<br />

E<br />

Environment & Wild Life<br />

ECOLOGICAL DIARIES –<br />

SLEEP WITH THE FISHES<br />

Haris Raftoyannis<br />

Once upon a time, South Aegean fishermen used to catch huge amounts of fish that kept<br />

everyone fed and happy. But the fish kept getting fewer until it was pretty obvious the sea<br />

was unable to keep up. Official studies showed that numbers had reached a record 90%<br />

decrease, which would soon make this profession extinct – unless they put a stop to all<br />

this destruction. They would have to ban fishing in certain areas so they could eventually<br />

work as breeding grounds for disappearing species. The President of South Aegean Federation<br />

of Coastal Fishermen, introduced this proposal to all and sundry, eliciting a variety<br />

of reactions. Luckily, most of his colleagues agreed on this environmentally friendly solution.<br />

Now all they need is to get the state to help them pass the bill in Parliament.<br />

Running time: 45’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

<strong>Doc</strong> 3 Productions, ERT S.A Hellenic Broadcasting Corp.<br />

Valerie Kontakos, Marianna Economou<br />

vkontakos@aol.com<br />

mecon2@gmail.com<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 6075 711<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 141


E<br />

471<br />

GERMANY<br />

History & Politics<br />

ΑΝ ECOLOGY OF MIND –<br />

A DAUGHTER’S PORTRAIT<br />

OF GREGORY BATESON<br />

Nora Bateson<br />

An Ecology of Mind is a film portrait of Gregory Bateson, celebrated anthropologist,<br />

philosopher, author, naturalist, systems theorist, and filmmaker, produced and directed by<br />

his daughter, Nora Bateson. The film includes footage from Bateson’s own films shot in the<br />

1930s in Bali (with Margaret Mead) and New Guinea, along with photographs, filmed lectures,<br />

and interviews. His youngest child, Nora, depicts him as a man who studied the interrelationships<br />

of the complex systems in which we live with a depth motivated by scientific<br />

rigor and caring integrity. Nora Bateson’s rediscovery of his work documents the vast<br />

– and continuing – influence Bateson’s thinking has had on the work of an amazingly wide<br />

range of disciplines. Through contemporary interviews, along with his own words, Bateson’s<br />

way of thinking reveals practical approaches to the enormous challenges confronting<br />

the human race and the natural world. Gregory Bateson’s theories, such as “the double bind”<br />

and “the pattern which connects,” continue to impact the fields of anthropology, psychiatry,<br />

information science, cybernetics, urban planning, biology, and ecology, challenging<br />

people to think in new ways.<br />

Running time: 60΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Nora Bateson<br />

mindjazz pictures<br />

Holger Recktenwald Geisselstr. 12<br />

Cologne 50823, Germany<br />

T. +49 221 301 4988<br />

F. +49 221 301 4989<br />

office@mindjazz-pictures.de<br />

142<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


668<br />

PORTUGAL<br />

E<br />

Art, Music & Culture<br />

EDEN’S ARK<br />

Marcelo Felix<br />

Eden’s Ark narrates the continuous adventure of preserving the world and our images,<br />

through the dilemmas of those who discover and conserve them. Following their course<br />

from forests to deserts, and from labs to archives, the film is a journey in different times,<br />

confronting extinction and memory.<br />

Running time: 80΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

C.R.I.M<br />

Susanne Malorny<br />

Av. Almirante Reis 194/ 3esq<br />

Lisbon 1000-055, Portugal<br />

T. +35 121 844 6102<br />

F. +35 121 846 3284<br />

crimfestivals@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 143


E<br />

472<br />

GERMANY<br />

Lifestyles<br />

ΤΗΕ EDUCATION OF AUMA OBAMA<br />

Branwen Okpako<br />

A feature documentary on the life and times of Auma Obama, told from her homestead<br />

in Kenya during the run-up to the 2008 US Presidential elections that brought her brother<br />

Barack Obama to power.<br />

Running time: 79΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Filmkantine UG<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

144<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


473<br />

FRANCE<br />

E<br />

Art, Music & Culture<br />

ELIZABETH GAROUSTE<br />

Marie Van Glabeke, Ilan Teboul<br />

A meeting with the designer Elizabeth Garouste and her fantasmagoric universe. Crossroads<br />

of imagination, images for eastern countries, Jewish roots, the war – all this is the<br />

source of her hidden demons. A research for poetic and magic potential in the femininity<br />

of the “power of love.”<br />

Running time: 50΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Vanglabeke Films, On Line Productions<br />

Insomnia World Sales<br />

Luc Ntonga/Anja Strelec<br />

21 Rue Saint Guilhem<br />

Montpellier 34000, France<br />

T. +33 4 9961 0835<br />

F. +33 4 6759 9497<br />

communication@insomnia-sales.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 145


E<br />

474<br />

USA<br />

Current Affairs<br />

EMBRACEABLE<br />

Jon Kent<br />

You think you know the meaning of kindness, charisma, musical passion and joy until you<br />

meet Ben Monkaba and others like him with a rare genetic condition called Williams Syndrome.<br />

Despite medical hardships and intellectual challenges, people with Williams embrace<br />

life, and everyone around them, with unconditional love and acceptance. Embraceable<br />

celebrates this beautiful variation of life through candid interviews, unforgettable social<br />

encounters, amazing musical performances, and dramatic portrait photography. Running<br />

commentaries by top scientific experts bring to light how this rare genetic abnormality can<br />

teach us a great deal about ourselves.<br />

Running time: 50΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

501 Cinema<br />

Jon Kent<br />

Taskovski Films<br />

Manuela Buono<br />

7 Granard Business Centre, Bunns Lane<br />

London NW7 2DQ, UK<br />

T. +39 34 7627 3790<br />

sales@taskovskifilms.com<br />

146<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


475<br />

GERMANY-AUSTRIA<br />

E<br />

Lifestyles<br />

EMPIRE ME<br />

Paul Poet<br />

The idea of Utopia is a dream mankind has long imagined in many versions, but the rigid<br />

principles of the world out there hardly allow alternatives and visions. In spite of all of this,<br />

hundreds of do-it-yourself entities have build their own little microcosms, creating an alternative<br />

way of living together, with real territories and communities. Over 500 have been<br />

invented since the late 90s, some barely bigger than a sheep farm or a sea platform. Thousands<br />

of free spirits thus battle against the new world order. They annex whole regions and<br />

districts. They create their own laws, languages, stamps and banknotes. The populations<br />

range from 1 to 500,000, and they come from different strata and ideologies. Traveling<br />

across the planet, Empire Me encounters some of these alternative nations which represent<br />

the movement at its best<br />

Running time: 60΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Gebrüder Beetz Filmproduktion Berlin GmbH<br />

Christian Beetz<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

Montreal / Quebec. H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

johnnadai@filmstransit.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 147


E<br />

318<br />

GREECE<br />

Art, Music & Culture<br />

ENCARDIA,THE DANCING STONE<br />

Angelos Kovotsos<br />

The film follows the Greek band Encardia that is inspired by, creates and performs music<br />

and songs derived from the rich musical tradition of South Italy. They travel to South Italy<br />

searching and bringing to light basic elements of the folk culture that developed there.<br />

Mainly “grigo,” an Ancient Greek dialect that also contains Italian words, which is spoken<br />

in the area of Grecia Salentina of South Italy and “tarantela pizzica,” a local variation of the<br />

well-known Italian dance which in the area took on magic, religious and therapeutic dimensions.<br />

Today, through their songs and poetry during celebrations, the local musicians,<br />

poets and researchers old and young alike, bring to life this powerful Mediterranean tradition.<br />

These are the Don Quixotes that Encardia will meet in order to enrich their experiences<br />

and bring back to life this vanishing culture, thus contributing to is rescue.<br />

Running time: 80’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Poulidis Productions<br />

Yorgos Poulidis<br />

5 - 7 Peanias Str.<br />

Athens Greece<br />

T. +30 6972833318, +302107700616<br />

poulidis2003@gmail.comgr<br />

148<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


476<br />

BELGIUM<br />

E<br />

Lifestyles<br />

EPILOGUE<br />

Manno Lanssens<br />

Diagnosed with terminal cancer, Neel decides to orchestrate her own death. Epilogue offers<br />

a unique and extraordinary insight into her final months and her family’s heartbreaking<br />

acceptance and love.<br />

Running time: 90΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Serendiptiy Films<br />

Ellen de Waele<br />

Cinephil<br />

Ori Bader<br />

18 Levontin Street,<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 149


E<br />

255<br />

GREECE<br />

Current Affairs<br />

EVROS, THE OTHER SIDE<br />

Chronis Pehlivanidis<br />

Evros, the other side focuses on the interaction between smugglers and refugees. The film<br />

investigates the human trafficking business, conducting interviews with all parties involved,<br />

as well as related NGOs and security officials. Over the past decade, both Turkey and<br />

Greece have been exposed to the flow of irregular migrants being smuggled through the<br />

Middle East to the Balkans. The Turkish-Greek border – a land border of more than 203 kilometers<br />

in addition to the intricately indented coastline of the Aegean Sea. The immigrants’<br />

journey begins in their home country and ends, if they are lucky, in Europe. The film follows<br />

their journey through the harrowing accounts of smugglers operating on the Turkish<br />

side of the Evros River, where most of the crossings occur.<br />

Running time: 96’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Onos Productions<br />

Chronis Pechlivanidis<br />

42 Ipsilandou Str.<br />

115 21 Athens Greece<br />

T. + 302103417228, F: + 302103417256<br />

onosproductions@gmail.com<br />

info@onos.gr<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

T. +30 210 6075 711<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

150<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


324<br />

GREECE<br />

E<br />

History & Politics<br />

THE EXARHOPOULOS MANSION<br />

Christos Kallitsis<br />

“The protection of the cultural environment is the obligation of the State and the right of<br />

all individuals.” Greek Constitution, article 24. Director’s statement: From the early 80s, I remember<br />

– one example were the apartment blocks on Navarinou Square – how the architectural<br />

traces have been destroyed in Thessaloniki, especially those of the early 20th<br />

century. And they said that the damage done was too great to be restored. But then, as I<br />

observed the city more closely, I realized that the traces still existed, despite all the damage.<br />

Such a trace is the Exarhopoulos Mansion. A short documentary about the need to protect<br />

our hsitorical memory.<br />

Running time: 3’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

<strong>Doc</strong>umenta Films<br />

Christos Kallitsis<br />

69 Tsimiski Str.<br />

54622 Thessaloniki Greece<br />

T. + 302310331333<br />

F: + 302310331333<br />

kallitsisfilm@gmail.com<br />

documenda.gr@gmail.com<br />

www.documenda.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 151


E<br />

360<br />

GREECE<br />

History & Politics<br />

EXPROPRIATION<br />

Manos Papadakis<br />

In Western Macedonia, an area of over 200 acres is home to the lignite mines owned by<br />

the Public Power Corporation (DEH). These mines supply DEH’s turbo-generators with<br />

Greece’s “national fuel.” So far, more than 3,000 people have been thrown out of their<br />

houses, and soon another 10,000 will follow. The official response of DEH is that it has no<br />

choice, if the Greek economy is to continue to be supplied with electric power. According<br />

to the law, DEH has to continue to provide electricity, a common good, to all Greeks, in order<br />

to insure development and prosperity.<br />

Running time: 110’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

SPiRTO Productions<br />

Manos Papadakis<br />

1 Odysseous Str.<br />

54627 Thessaloniki Greece<br />

T. + 30 2310519930<br />

info@spirto.net<br />

152<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


477<br />

GERMANY<br />

F<br />

History & Politics<br />

FACE THE WALL<br />

Stefan Weinert<br />

The five life stories told by former East German citizens incarcerated for attempting to flee<br />

the GDR, who are representing a group of around 72,000 ex-convicts, are shocking to the<br />

core. The subjects speak with extraordinary openness of their struggles with the regime,<br />

of horrific prison conditions and interrogation methods. This sensitive documentary maintains<br />

a close proximity to its protagonists throughout, examining open wounds and bringing<br />

psychological damage to light that has made it impossible for them to live a normal<br />

fear-free life ever since.<br />

Running time: 85΄<br />

Year of production: 2010<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

The Core Films<br />

Insomnia World Sales<br />

Luc Ntonga/Anja Strelec<br />

21 Rue Saint Guilhem<br />

Montpellier 34000, France<br />

T. +33 4 9961 0835<br />

F. +33 4 6759 9497<br />

communication@insomnia-sales.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 153


F<br />

478<br />

CANADA<br />

Art, Music & Culture<br />

FACEBOOK FOLLIES: THE UNEXPECTED<br />

CONSEQUENCES OF THE SOCIAL MEDIA<br />

Geoff D’Eon<br />

Love it or hate it, Facebook is the world’s most successful social networking site. And<br />

whether you use it or not, it is fundamentally changing the way people connect and communicate.<br />

Facebook is easy to use and, so far, more than three-quarters of a billion people<br />

all over the world have signed up. Our relationships, our thoughts, our pastimes, our<br />

memories, our lives and deaths – all are now routinely recorded on Facebook. It represents<br />

a paradigm shift in communications as significant as the printing press, or the telegraph,<br />

or the television. Inevitably, mishaps, embarrassment and trouble accompany such change.<br />

Running time: 54΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Tell Tale Productions Inc<br />

Edward Peill<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

Montreal / Quebec. H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

johnnadai@filmstransit.com<br />

154<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


102<br />

CANADA<br />

F<br />

Lifestyles<br />

FAMILY PORTRAIT<br />

IN BLACK AND WHITE<br />

Julia Ivanova<br />

Olga Nenya is a foster mother to sixteen black orphans in Ukraine – where 99.9% of the<br />

population is white and where race does matter. Olga is a loving mother but she is not<br />

Mother Teresa; she bears a closer resemblance to a platoon leader. Raised by the Soviet<br />

regime, she believes in communal responsibility over individual freedom and runs the family<br />

with a Stalinist determination. What Olga can’t control is how the modern world is interconnected.<br />

These kids from a tiny town in Ukraine spend summers with host families<br />

in France and Italy year after year. When the European families offer to adopt her kids, Olga<br />

refuses,despite being aware of what awaits a black Ukrainian beyond the protective shield<br />

of her family. While Olga is on a crusade to save her children from the unjust world that<br />

surrounds them, she is also determined to shape their future according to her own, often<br />

limited vision.<br />

Running time: 90’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Interfilm<br />

The Film Sales Company<br />

Herwitz Andrew<br />

165 Madison Avenue, Suite 601<br />

New York, NY 10016, USA<br />

T. +1 212 481 5020<br />

F. +1 212 481 5021<br />

andrew.herwitz@filmsalescorp.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 155


F<br />

659<br />

POLAND<br />

Adventure & Travel<br />

FAR FROM THE CITY<br />

Maciej Cuske<br />

A group of boys stay in the countryside for the summer, far away from the hustle and bustle<br />

of the city. Bored, they spend time talking about their future adult life and make a film.<br />

It brings back the memories of childhood holidays that lasted forever. There was enough<br />

time to do anything: sleep in a tent or talk about ghosts at night. “They are just a different<br />

race,” as one of the protagonists says. The boys are still immature – they can still have a<br />

serious discussion about the Bermuda Triangle.<br />

Running time: 51΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Centrala<br />

Agnieszka Janowska<br />

Krakow Film Foundation<br />

Katarzyna Wilk<br />

Bsztowa 15/8a,<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

156<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


664<br />

BOLIVIA<br />

F<br />

Lifestyles<br />

FAST FOOD OFF THE SHELF (WHY DID<br />

MC DONALD’S FAIL IN BOLIVIA)<br />

Fernando Martinez<br />

[Please note this is an evaluation copy of the film.] In December of 2002, McDonald’s had<br />

to shut down their restaurants in Bolivia. The company cited financial problems, but the<br />

real reasons were to be found elsewhere. Bolivia may be a small, poor nation on the global<br />

market, but a country’s fierce local food culture can sometimes be a more powerful factor<br />

than economic clout. In his first feature-length documentary, Fernando Martinez<br />

shows what happened, a story driven by the characters behind the events and their life<br />

stories, such as renowned cooks and a review of popular sayings about Bolivian food. The<br />

symbolism is obvious when a multinational giant is “brought to its knees” by a country’s<br />

traditions and heritage.<br />

Running time: 60΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Producen Bolivia<br />

Viviana Saadevra<br />

JMT Films Distribution<br />

Michael Treves<br />

20 Bialik st<br />

Tel Aviv 63324, Israel<br />

T. +972 5 2363 3398<br />

michael@JMTFilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 157


F<br />

169<br />

TURKEY<br />

Environment & Wild life<br />

A FEW BRAVE PEOPLE<br />

Rüya Arzu Köksal<br />

A Few Brave People chronicles the extraordinary struggle of the Black Sea locals to protect their<br />

rivers and their livelihood from a government that is keen to sell them to private corporations.The<br />

people of Findikli, Ikizdere and Senoz, three valleys in the Black Sea region, cannot make sense<br />

of the fact that their rivers are to be rented out to private companies to exploit for the next 49<br />

years. The authorities tell them that this is a must, necessary for Turkey’s development and energy<br />

independence. Trees are cut, massive water pipes are laid and as the river goes quiet, it is<br />

as if the locals in Senoz slowly begin to expire. In Ikizdere, there are those who believe the dams<br />

will mean more employment, and then there are those who are determined to resist this brutal<br />

intervention into their lives. Aware of what happened in Senoz and Ikizdere, people in Findikli<br />

begin a determined campaign against the state and its corporations. Over the course of three<br />

years, this film follows a few brave people who decide to struggle not only for their own sakes,<br />

but also for generations to come.<br />

Running time: 87’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Turkishmoon Films<br />

Rüya Arzu Köksal<br />

Turkishmoon Films Portakal Yokuşu,<br />

Duvarcı sk. No19/4<br />

34347 Ortaköy, Instanbul, Turkey<br />

T. +90 533 238 4251<br />

F. +90 212 327 2433<br />

ruya@turkishmoon.com<br />

158<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


670<br />

RUSSIA-USA<br />

F<br />

Art, Music & Culture<br />

A FILM ABOUT ANNA AKHMATOVA<br />

Helga Landauer<br />

[Please note this is an evaluation copy of the film.] Anna Akhmatova was the most famous<br />

Russian poet of her time, a ‘”femme fatale.”‘ For the Russians, Akhmatova was iconic not<br />

just for what she had done, but for what she had not been allowed to do. By the time Anna<br />

Akhmatova was twenty-five, fate had granted her every conceivable gift: poetic talent,<br />

strength of character and beauty. She was then crushed by the tragedies of her century:<br />

the arrest and execution of her loved ones, starvation, persecution, isolation, and betrayal.<br />

With the commentary of the poet Anatoly Naiman, who knew Akhmatova in her final years.<br />

Running time: 58΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Turnstyle TV LLC<br />

Darya Zhuk<br />

JMT Films Distribution<br />

Michael Treves<br />

20 Bialik st<br />

Tel Aviv 63324, Israel<br />

T. +972 5 2363 3398<br />

michael@JMTFilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 159


F<br />

676<br />

ITALY<br />

Lifestyles<br />

FLOWERS AND KNIVES<br />

Elena Zervopoulou<br />

While a local priest from a traditional village of Flores in Indonesia is celebrating his ordainment<br />

in an impressive animistic-catholic ceremony, another young man coming<br />

from that same island, watches. This is what Yansen’s life will turn into in a few short<br />

years… Studying theology in Rome to become a missionary priest for migrants, Yansen<br />

is stuck in a dilemma that will define the rest of his life. Will he choose religion or will he<br />

choose a wife His own ordainment ritual in Flores has yet to come. Torn between two<br />

worlds, Yansen’s journey unfolds between Flores and Rome, between the joyful fulfilment<br />

of an objective and the effort to attain it, between flowers and knives, just as in the ritual.<br />

Running time: 52΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

One Vibe Films<br />

Elena Zervopoulou<br />

Via Taranto 3G,<br />

Matera 75100, Italy<br />

T. +39 333 565 2331<br />

F. +30 697 8720 336<br />

elena.z@onevibefilms.com<br />

160<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


479<br />

ISRAEL<br />

F<br />

Art, Music & Culture<br />

FLUCHKES<br />

Ofer Inov<br />

Fluchkes (Yiddish for flabby arms) follows the creation process of the dance performance<br />

Gila. A group of colorful, energetic 72 to 82-year-old women, bravely confront the hardships<br />

and demands of the art of dance. At the same time, these honest and conscious<br />

women openly share their personal experience and feelings of getting old. Each one of<br />

them presents a unique personal view of old age. The film followed the group for a year<br />

of rehearsals, through moments of hardships, failures and inside intrigues as well as moments<br />

of friendship, happiness, noble beauty and great success. Finally, in front of an applauding<br />

audience, a truly artistic professional performance is born.<br />

Running time: 54΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

One Light Productions<br />

Anath Kandell<br />

Go2Films Distribution & <strong>Market</strong>ing<br />

Hedva Goldschmidt<br />

37/8 Issar Natanzon St.<br />

Jerusalem 97787, Israel<br />

T. +972 2 583 1371<br />

F. +972 2 583 5450<br />

hedva@go2films.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 161


F<br />

135<br />

CANADA<br />

Lifestyles<br />

FORTUNATE SON<br />

Tony Asimakopoulos<br />

Fortunate Son is an autobiographical feature documentary about a son of Greek immigrants,<br />

who turns to look at his complicated, painful relationship with his aging parents. Over a<br />

decade ago, filmmaker Tony Asimakopoulos fell into a hole of severe drug use and nearly<br />

destroyed himself. Only recently did he discover the extent to which he shattered the lives<br />

of his parents. This narrative is interrupted by his fiancée, Natalie, a lighter spirit who tries<br />

to adapt to his dark and intense family. A trip to Greece provides the backdrop as Tony’s two<br />

worlds come together. Eventually, a picture begins to emerge of a family coming to terms<br />

with itself, relying on a mix of humor, healthy cynicism and pragmatism to discover love<br />

both within and across generations.<br />

Running time: 78’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

EyeSteelFilm<br />

Daniela Flori<br />

CAT&<strong>Doc</strong>s<br />

Catherine Le Clef<br />

T. +33 1 44 59 63 53<br />

cat@catndocs.com<br />

162<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


480<br />

UK<br />

F<br />

History & Politics<br />

FOUR HORSEMEN – LET US PREY<br />

Ross Ashcroft<br />

A very timely film about the financial crisis today. Understanding that we will never return<br />

to “business as usual,” 23 international experts break their silence and explain how we<br />

must shift our priorities and be prepared to have a chance of survival. In this eye-opening<br />

film, they join forces to describe how we arrived at such an amoral mess and why there<br />

is still hope in re-establishing a moral, human and just society. Four Horsemen could be<br />

seen as the update of the now 10-years-old and very successful The Corporation.<br />

Running time: 97΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Motherlode Limited<br />

Megan Ashcroft<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

Montreal / Quebec. H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

johnnadai@filmstransit.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 163


F<br />

110<br />

FRANCE<br />

History & Politics<br />

THE FRAGMENT (MY MOUTH,<br />

MY REVOLT, MY NAME)<br />

Sylvain George<br />

Fragments of voices, laughter and rage; snatches of words, images and memories; words,<br />

near and far, from yesterday, from today; the breath of the wind, the gesture of the sun at<br />

sunset, the reflections, blood red; the police raids, processions of warriors, court of injustice...<br />

A map of the violence inflicted on migrants, the recurrence of colonialism, and the<br />

unacceptability of the "world as it is."<br />

Running time: 84’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Noir Production<br />

Sylvain George / Joana Ribelle<br />

26, rue Damrémont 75018 PARIS<br />

T. +33 6 5030 9669<br />

noirproduction@no-log.org<br />

164<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


481<br />

ISRAEL<br />

F<br />

Lifestyles<br />

FREEFLOW<br />

Ramy A. Katz<br />

Ahead of his father’s release from prison, the virtual reality of the Parkour world in which<br />

Avshalom is a super hero, starts to crack. The inevitable upcoming showdown with the man<br />

he testified against is going to dictate his mother’s fate.<br />

The father’s arrest three years ago shocked the Gil family. The father was sentenced to three<br />

years in jail and Riki (42) remained the sole provider for her family of eight. The court<br />

banned Avshalom’s father from seeing his children. In 10th grade, Avshalom dropped out<br />

of school and was unable to hold down a job. As his childhood world collapsed, Avshalom<br />

started creating an alternative reality for himself in which he was a superhero.<br />

The film accompanies the internal and external conflicts Riki and her son, Avshalom, experience<br />

during the nine months the family’s father returns home. Ahead of her husband’s<br />

release from prison, Riki seeks to clear her husband’s name and fights to maintain the disputed<br />

truth – that she was the one guilty of splitting up the family, and the absent father<br />

was the victim. Now she will have to deal with a man who returns home after three years<br />

in prison.<br />

Running time: 50’ & 57΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Homevideos<br />

Ramy A. Katz<br />

Haamoraim 8 apt 19<br />

Tel Aviv 69207, Israel<br />

T. +972 5 4598 3095<br />

ramykz@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 165


F<br />

308<br />

GREECE<br />

Current Affairs<br />

FROM EAST TO WEST<br />

Lara Christen<br />

The camera follows one of the hundreds of immigrants living in the area of the port of Patras,<br />

while trying to continue their journey to the west.<br />

Running time: 15΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Lara Christen<br />

16 Megalou Alexandrou Str.<br />

56430 Stavroupoli Thessaloniki Greece<br />

T. +30 6975 770 596<br />

bay.bay13@hotmail.com<br />

166<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


259<br />

GREECE<br />

F<br />

History & Politics<br />

FROZEN TIME<br />

Elias Iosifidis<br />

The Cyprus Dispute is one of the darkest pages of Μodern Greek history. It is difficult to assess<br />

what happened in Cyprus and to attribute responsibilities to those who were involved<br />

in one way or another in what is commonly known as the betrayal of Cyprus, since many<br />

aspects of this case are hidden under a veil of guilty silence. After the end of the war in<br />

Cyprus in 1974, subsequent Greek governments showed disdain for Greek soldiers and officers<br />

who participated in the war, and treated them with enmity.<br />

Running time: 97’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Ilias Iosifidis - Zopiros<br />

Efi Korosidou<br />

19 Tobazi Str,<br />

151 21 Pefki Athens Greece<br />

T. + 30 693 4210 082<br />

F. +30 2106127906<br />

zopiros@yahoo.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 167


119<br />

SPAIN<br />

G<br />

Current Affairs<br />

GAELLE<br />

Natalie Johanna Halla<br />

A magnitude 7 earthquake shook Haiti on 12 January 2010, reducing the poorest country<br />

in America to rubble. The earthquake, which took place close to the capital of Port-au-<br />

Prince and cost the life of over 316,000 people, is considered one of the worst humanitarian<br />

disasters in history. Rescue teams from all over the world rushed to the island to search for<br />

people trapped below the rubble in a fight against the clock. A team of Spanish firefighters,<br />

accompanied by the rescue dog “Turco,” answered the international call for help and<br />

became the protagonists of a rescue that received extensive media coverage: two-yearold<br />

Redjeson was found alive 48 hours after the earthquake. Their mission in Haiti changed<br />

these men’s life forever. One year after the tragedy, three Spanish firefighters decide to return<br />

to search for Redjeson and try to heal their wounds.<br />

Running time: 65’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Creative Movies SL, Six Birds SL,<br />

Global Network Solutions SL<br />

Natalie Johanna Halla<br />

Creative Movies SL<br />

Alfredo Villa<br />

C/Zarcera 35<br />

47130 Simancas, Spain<br />

T. +00 34 983 590 595<br />

info@creativemovies.net<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 169


G<br />

482<br />

FRANCE<br />

Current Affairs<br />

GARDEN OF WONDERS<br />

Anush Hamzehian<br />

A unique and magic vegetable garden behind prison walls. Incarcerated women working<br />

in a garden by the lagoon in Venice…This is a story of women, herbs and vegetables…<br />

The women’s prison on Giudecca, has an unexpected feature: a large fruit and vegetable<br />

garden. There are no surveillance cameras here, no wardens… just six female prisoners<br />

at work; planting, pruning, watering to the sounds coming from the lagoon and the<br />

rhythm of their own singing. To the chosen few admitted to this section, this small patch<br />

of land represents a concrete link to the outside world. With honesty, they reflect on their<br />

story and tell us of their hopes “for afterwards”. Garden of Wonders is not a film in praise<br />

of the redemptive virtues of incarceration, far from it. It is a human encounter, a beautiful<br />

portrait of a group of women who “hang in there” thanks to a turnip or a cherry.<br />

Running time: 52’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Point du Jour International<br />

Doris Weitzel<br />

23 Rue de Cronsadt<br />

Paris 75015. France<br />

T. +33 175 44 8 0 88<br />

F. +33 145 311 305<br />

d.weitezl@pointdujour.fr<br />

170<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


342<br />

GREECE<br />

G<br />

Lifestyles<br />

GAVDOS. SOUTHWARDS<br />

Anthi Daoundaki<br />

An island in the Libyan Sea. Land’s end; a place of exile; a refuge. There, at Europe’s<br />

southern-most point, people from different countries and different backgrounds coexist.<br />

Locals, who have spent their “hidden” life there, away from the outside world and are now<br />

trying to juggle the benefits of progress and their old morals. And “self-exiled” romantics,<br />

who have found a lost paradise. Two worlds that coexist, despite their differences, sharing<br />

the same concerns for the future of the island, facing the same problems of everyday<br />

life and setting the example of living together in solidarity over economic competition.<br />

Running time: 93’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Telefilm-Nikos Kavoukidis & CO<br />

Nikos Kavoukidis<br />

16, 25 Martiou Str. & 2, Anapiron Polemou Str.<br />

162 33 Vyronas Athens Greece<br />

T. + 30 210 7656 746<br />

F. +30 210 7640 678<br />

info@telefilm.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 171


G<br />

483<br />

ISRAEL<br />

Current Affairs<br />

G_D FORBID<br />

Ron Ofer, Dr. Yohai Hakak<br />

A rare journey to the heart of Ultra-Orthodox society in Israel. 700,000 Ultra Orthodox Jews<br />

(Haredim) in Israel, who live in segregated communities, zealously guard the gates from<br />

the influences of western culture. Six characters, influential community leaders, are torn<br />

between safeguarding ancient traditions and accepting change, though only selectively.<br />

This is an extraordinary glimpse into an isolated and unique world.<br />

Running time: 88΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Itay Ken-Tor, Noemi Schori<br />

Go2Films Distribution & <strong>Market</strong>ing<br />

Hedva Goldschmidt<br />

37/8 Issar Natanzon St.<br />

Jerusalem 97787, Israel<br />

T. +972 2 583 1371<br />

F. +972 2 583 5450<br />

hedva@go2films.com<br />

172<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


484<br />

USA<br />

G<br />

Lifestyles<br />

GIRL MODEL<br />

Ashley Sabin, David Redmon<br />

Despite a lack of obvious similarities between Siberia and Tokyo, a thriving model industry<br />

connects these distant regions. Girl Model follows two protagonists involved in this industry:<br />

Ashley, a deeply ambivalent model scout who scouts the Siberian countryside looking<br />

for fresh faces to send to the Japanese market, and one of her discoveries, Nadya, is a<br />

thirteen-year-old plucked from the Siberian countryside and dropped into the center of<br />

Tokyo with promises of a profitable career. After Ashley’s initial discovery of Nadya, the two<br />

rarely meet again, but their stories are inextricably bound. As Nadya’s optimism about rescuing<br />

her family from their financial difficulties grows, her dreams contrast against Ashley’s<br />

more jaded outlook about the industry’s corrosive influence.<br />

Running time: 78΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Carnivalesque Films<br />

Ashley Sabin<br />

Dogwoof<br />

Ana Vicente<br />

Unit 211 Hatton Square Business Centre<br />

16-16a Baldwins Gardens<br />

London EC1N 7RJ, UK<br />

T. +44 207 831 7252<br />

global@dogwoof.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 173


G<br />

357<br />

GREECE<br />

History & Politics<br />

THE GIRLS OF THE RAIN<br />

Alida Dimitriou<br />

Girls of the Rain concludes Alida Dimitriou’s film trilogy on the contribution of women to<br />

political struggles in Greece during the twentieth century. The film is about women imprisoned<br />

and tortured during the Colonels’ dictatorship of 1967-1974. At the time, these<br />

women were in their twenties. Fifty women offer their testimonials. They all share the ethos<br />

of the women who took part in the National Resistance, and pursue the establishment of<br />

human dignity just as persistently. The “Girls of the Rain” consider themselves successors<br />

of those women. One of them said:“...we are their successors, just like the youth of today<br />

are our successors”. Remarkably, these are the words of a woman deprived by her torturers<br />

of the ability to have children.<br />

Running time: 120’<br />

Year of production: 2011<br />

Production Contact Person:<br />

Alida Dimitriou<br />

51 Taxiarchon Str.<br />

17 455 Alimos Athens Greece<br />

T. + 30 210 9810 549<br />

F. +30 210 9810 549<br />

alida.sotiris@gmail.com<br />

174<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


103<br />

USA<br />

G<br />

Current Affairs<br />

GIVE UP TOMORROW<br />

Michael Collins<br />

On a stormy night in July 1997, two sisters disappear without a trace... Simultaneously a<br />

murder-mystery and an exposé of endemic corruption in the Philippines today, Give Up Tomorrow<br />

examines the case of Paco Larrañaga, a student accused of murder on the provincial<br />

island of Cebu. The film exposes a Kafkaesque world populated by flamboyantly<br />

crooked public officials, cops on the take, and a frenzied legal and media circus. It’s also<br />

an intimate drama focused on the near mythic struggle of two angry, sorrowful mothers<br />

who have dedicated more than a decade to executing or saving one young man.<br />

Running time: 95’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Thoughtful Robot Productions<br />

Marty Syjuco<br />

ro*co films international<br />

Annie Roney<br />

80 Liberty Ship Way,<br />

Suite 5, Sausalito, CA 94965 USA<br />

T. +415 332 6471<br />

annie@rocofilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 175


G<br />

485<br />

TURKEY<br />

Art, Music & Culture<br />

GOD IS NOT DEAD<br />

Bahar Kılıç<br />

The film investigates the outstanding phenomenon of Muslim immigrants across Europe<br />

who employ the methods of Western-born sub-cultural and musical movements including<br />

punk an hip hop, to stand against both the demonization of the visage of Islam and<br />

Eastern cultures by the conservative political forces of the West and the political Islamists’<br />

imposing a religion-centered, militant and anti-social lifestyle on Muslim youth. Scrutinizing<br />

the reflections of a sensitive subject at the heart of the global political agenda, God<br />

Is Not Dead does not hesitate to step into the controversial territory with taboo-breaking<br />

courage and opens wide the gray area of thinking that seems to be forsaken in the black<br />

and white political atmosphere of the post-9/11 world. Shot in London, Berlin, Istanbul,<br />

Frankfurt and Dortmund, it features extensive interviews with the pioneers of the movement<br />

from Aki Nawaz (political activist, filmmaker, band leader) and Fun-Da-Mental to The<br />

Kominas, from the female hip hop duo Poetic Pilgrimage to Mecca2Medina, as well as expert<br />

opinions from a list of names that include Chris Bohn (editor, The Wire Magazine), John<br />

Hutnyk (Goldsmiths, University of London) and the author of The Taqwacores Michael Mohammed<br />

Knight.<br />

Running time: 78΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Sata Prod.co.<br />

Mutlu Yetkin<br />

Meltem Mh. Anakent Sit. B2 Blok, D44<br />

Antalya 07030, Turkey<br />

T. +90 532 575 6800<br />

mutluyetkin@gmail.com<br />

176<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


486<br />

FRANCE<br />

G<br />

Current Affairs<br />

GOLDMAN SACHS:<br />

MASTERS OF THE UNIVERSE<br />

Jean-Luc Leon<br />

Did Goldman Sachs use insider information to profit from the financial crisis How did a<br />

brokerage house, founded in 1869 by a German immigrant, become one of the biggest,<br />

most powerful banks in the world The embattled bank, which is facing a range of legal<br />

claims for its conduct during the financial crisis, has already been criticized by a Senate Panel<br />

for misleading investors and Congress. Critics also accuse it of masking the scale of Greece’s<br />

debt in obscure trade derivatives and not disclosing bond swaps. This investigation reveals<br />

how the company first became aware of the looming financial crisis in 2006. Instead of<br />

warning investors, it used this valuable information to boost its profits. Speaking to<br />

bankers, senators and economists, we scrutinize Goldman Sach’s role in the financial crisis<br />

and ask where the blame really lies.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Album Productions<br />

Java Films<br />

Kathryn Bonnici<br />

4 - 6 Villa Thoreton,<br />

F-75015 Paris, France<br />

T. +33 1 4060 2624<br />

F. +33 1 4060 2649<br />

kathryn@javafilms.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 177


G<br />

329<br />

GREECE<br />

Current Affairs<br />

GOLFLAND<br />

Nelly Psarrou<br />

An investigational documentary about tourist golf development in Greece. Specifically, the<br />

film examines the attempts being made to upgrade tourism through a variety of speculations<br />

involving the creation of golf courses, hotels and housing, the opposition to this by<br />

citizens and various organizations, the opinions of various specialists as well as the real objectives<br />

of the Greek state.<br />

In order to ensure the reliability of the film, a whole range of organizations and individuals<br />

were consulted, including ecologists, scientists (both for and against), the developers<br />

themselves and their representatives and political factors were taken into consideration.<br />

Closely linked to the subject and keynotes to the film is an investigation into the objectives<br />

of “strategic investment” and the role of the state in the “fast-track” scheme.<br />

The film-makers travelled to Atalanti, Volos, Cassandra in Chalkidiki, Hersonissos in Crete<br />

and Pylos.<br />

Running time: 80΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Greeny<br />

Nikos Psarros, Nelly Psarrou<br />

15A 15th Martiou St.<br />

153 54 Glika Nera, Greece<br />

T. + 30 6976 171 815<br />

contact@golfland.gr<br />

178<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


487<br />

POLAND<br />

G<br />

History & Politics<br />

GOOD MORNING, LENIN!<br />

Konrad Szołajski<br />

Konrad Szolajski’s movie observes a group of western left-wingers during their visit to<br />

Poland. The aim is to confront their common expectations regarding communism and the<br />

transformation of the former socialist countries with reality. The Crazy Guides agency provides<br />

lots of attractions for heroes by stowing them into Trabis and taking them to Nowa<br />

Huta – the perfect city according to the rules of social realism. The group not only admires<br />

the newest historical monuments, but also gets a feel for how the villagers lived. The protagonists<br />

milk a cow, plough a field and thresh wheat, filling their stomachs with potatoes<br />

during their break. A visit to the metallurgical factory followed by an illustrative lecture<br />

and discussion with Nowa Huta’s true dwellers changes the protagonists’ attitude. The<br />

tourists notice that the perfect world had also its darker sides and that the central system<br />

of planned economy wasn’t such a brilliant idea after all. The movie refers to a German production<br />

titled Good Bye, Lenin!, which also takes up the matter of disparaging communism.<br />

Good Morning, Lenin! Looks at the other side of this issue, by showing recent Polish history<br />

through the eyes of western tourists and keeping its tone amusing and irreverent.<br />

Running time: 50΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

ZK Studio Ltd<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

F-75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 179


G<br />

488<br />

UAE-QATAR-LEBANON<br />

Art, Music & Culture<br />

GRANDMA, A THOUSAND TIMES<br />

Mahmoud Kaabour<br />

Teta Fatima is the 83-year-old matriarch of the Kaabour family and the sharp-witted queen<br />

bee of an old Beiruti quarter. With great intimacy, this playful magical-realist documentary<br />

documents her larger-than-life character as she combats the silence of her oncebuzzing<br />

house as well as her imaginings of what awaits her beyond death. Meanwhile,<br />

her beloved violinist husband (deceased 20 years) is both an essential absence and presence,<br />

his face manifesting itself through the face of their filmmaker grandson and his previously<br />

unpublished violin improvisations weaving through her world and that of the film.<br />

Grandma, a Thousand Times brings together grandfather, grandmother and grandson in<br />

a playful magic-realist documentary that aims to defy a past death and a future one.<br />

Running time: 48΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Veritas Films<br />

Eva Sayre<br />

Taskovski Films<br />

Manuela Buono<br />

7 Granard Business Centre, Bunns Lane<br />

London NW7 2DQ, UK<br />

T. + 39 34 7627 3790<br />

sales@taskovskifilms.com<br />

180<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


489<br />

SWEDEN<br />

G<br />

History & Politics<br />

GRANDMA’S TATTOOS<br />

Suzanne Khardalian<br />

In 1919, just at the end of WW I, the Allied forces reclaimed 90,819 Armenians, young girls<br />

and children who, during the war years, were forced to become prostitutes to survive, or<br />

had given birth to children after forced or arranged marriages or rape. Many of these<br />

women were tattooed as a sign that they belonged to their abductor. European and<br />

American missionaries organized help and picked up and saved thousands of refugees who<br />

later were scattered all over the world to places like Beirut, Marseille and Fresno. Grandma’s<br />

Tattoos is a personal film about what happened to many Armenian women during the<br />

Genocide of 1915. Filmmaker and writer Suzanne Khardalian makes a personal journey into<br />

her own family to investigate the truth behind Khanoum, her late grandmother.<br />

Running time: 58΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

HB PeA Holmquist Film<br />

PeA Holmquist<br />

Deckert Distribution<br />

Heino Deckert<br />

Marienplatz 1<br />

04103 Leipzig, Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 181


G<br />

266<br />

GREECE<br />

Art, Music & Culture<br />

GREAT GREEKS<br />

Elias Iosifidis<br />

Pontos in Asia Minor, for centuries the most remote part of Hellenism, has managed to preserve<br />

the Greek morals and customs, as well as its special anthropological and cultural characteristics,<br />

even under adverse conditions. Ninety years ago, Christian inhabitants were<br />

forced by the population exchange to abandon their homeland and to settle in Greece. This<br />

documentary captures the traditions of the Pontic Greeks and reveals that nowadays we<br />

can find a second Pontos in the Greek territories, vibrant and strong, similar to the one of<br />

the old homeland.<br />

Running time: 82΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Ilias Iosifidis - Zopiros<br />

Efi Korosidou<br />

19 Tobazi St.<br />

151 21 Pefki, Greece<br />

T. +30 6934 210 082<br />

F. +30 210 6127 906<br />

zopiros@yahoo.gr<br />

182<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


295<br />

GREECE<br />

G<br />

Lifestyle<br />

GREEKTOWN, NEW ENGLAND<br />

Nikos Panoutsopoulos<br />

A journey through the Greek-American communities of New England becomes a quest for<br />

the definition of their identity. The film portrays a group of Americans of Greek descend,<br />

first, second and third generation immigrants, exploring the cultural connection and the<br />

common idiosyncrasy among them. Featuring Magnum photographer Constantine Manos,<br />

pop star Michael Angelakos, businessman and arts benefactor George Behrakis, and remembering<br />

sculptor Dimitri Hadzi, Greektown, New England reveals the presence and evolution<br />

of a community that moved from survival to prosperity and from diaspora to assimilation<br />

without losing its heritage along the way.<br />

Running time: 56’<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 183


G<br />

490<br />

ESTONIA<br />

History & Politics<br />

GREETINGS FROM SOVIET ESTONIA!<br />

Urmas E. Liiv<br />

“Everyone owns a house, nice furniture, a radio and a television set. That’s more than we<br />

ever dreamed of!” The people in kolkhozes were happy, as this film from the 50s shows. At<br />

that time, Estonia was one of the most western republics of the USSR. Today, Estonia lies<br />

on the eastern limits of Europe. Surveys held 15 years after the fall of the Soviet Union show<br />

that more than half the Estonians who had witnessed the Soviet era feel more positive<br />

about the past than they do about the present. But was Estonia really the socialist paradise<br />

that it presented itself to be in the news, commercials and documentary films of the<br />

time Greetings from Soviet Estonia! contrasts a series of eastern nostalgia-laden filmic documents<br />

from the 50s to the 70s with the accounts given by three former dissidents - MEP<br />

Tunne Kelam, Lagle Parek, who works for a monastery and Tiit Madisson, an eternal<br />

rebel. Their memories raise images of another, less harmonious, Estonia.<br />

Running time: 59΄<br />

Year of production: 2010<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Ruut<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

F-75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

184<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


104<br />

G<br />

GERMANY-CANADA-SWITZERLAND-FRANCE<br />

History & Politics<br />

THE GUANTANAMO TRAP<br />

Thomas Selim Wallner<br />

In 2006, Murat Kurnaz was released from Guantanamo after five years detention. Matthew<br />

Diaz, Navy Advocate in Guantanamo, was sentenced to six months imprisonment for passing<br />

on detainees’ names to a human rights organization. Diane Beaver was also deployed<br />

in Guantanamo. She wrote the so called torture memo. Three people, whose lives were forever<br />

changed. The film depicts their search for a life after Guantanamo.<br />

Running time: 92’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

zero one film GmbH,<br />

Guantanamo Trap Canada Productions Inc<br />

Sophie Dienrberger<br />

First Hand Films<br />

Gitte Hansen<br />

First Hand Films<br />

Fritz Heb-Weg 5<br />

8050 Zürich, SCHWEIZ<br />

T. +41 44 312 2060<br />

F. +41 44 312 2080<br />

gitte.hansen@firsthandfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 185


145<br />

FRANCE<br />

H<br />

Current Affairs<br />

HABANA MUDA<br />

Eric Brach<br />

This beautifully crafted and carefully observed film follows Chino, a deaf working-class husband<br />

and father trying to support his mute wife and two young children in Havana while<br />

maintaining an open relationship with a financially supportive gay lover living abroad in<br />

Mexico. This tangled love triangle slowly unravels in surprising and sometimes bizarre ways,<br />

revealing questionable motives and rich complexities, confounding and moving at the<br />

same time.<br />

Running time: 61’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Quad Productions<br />

Nicolas Duval Adassovsky<br />

Wide House<br />

Anais Clanet<br />

40 RUE Sainte Anne, 75002 Paris, France<br />

T. +33 1 53 95 24 44<br />

F. +33 1 53 95 04 65<br />

ac@widemanagement.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 187


H<br />

660<br />

POLAND<br />

Art, Music & Culture<br />

HAKAWATI<br />

Marcin Sauter<br />

Hakawati in the Arab tradition is a master of storytelling, a brilliant raconteur who tells stories<br />

to everybody willing to listen. Hakawati played a very important role in Arab culture:<br />

they gathered crowds of people eager to hear new fairy tales and strange stories. And now<br />

there are no real Hakawati left. In the contemporary world people have no time to listen<br />

to stories. The director sets off to search for true storytellers and finds the remnants of the<br />

tradition, which, unfortunately, are rather for camera-holding tourists than local people.<br />

Running time: 40΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Kalejdoskop Film Studio<br />

Zbigniew Domagalski<br />

Krakow Film Foundation<br />

Katarzyna Wilk<br />

Bsztowa 15/8a,<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

188<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


148<br />

H<br />

SWEDEN-DENMARK-NORWAY-POLAND-GERMANY<br />

History & Politics<br />

HARBOR OF HOPE<br />

Magnus Gertten<br />

In 1945 Irene, Ewa and Joe were among the nearly 30,000 survivors rescued from German<br />

concentration camps and sent to the peaceful harbor town of Malmö, Sweden. Here they<br />

started a new life. Through unique archival footage, we see 10-year-old Irene taking her<br />

first shaky steps as a free person. We see newborn Ewa being carried off the boat by her<br />

mother. And we meet Joe, who arrived as a child without his family. In Harbor of Hope,<br />

they tell their amazing stories from the moment of liberation to the unsolved mysteries of<br />

the present time. A film about dealing with war memories, the importance of a helping<br />

hand and finding a harbor of hope.<br />

Running time: 76’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Auto Images<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17, 1040 Vienna<br />

T. +43 720 34 69 34<br />

welcome@autlookfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 189


H<br />

491<br />

CHINA-FRANCE<br />

History & Politics<br />

HARD OLD ROCK, CITIZEN ZHENG,<br />

A JOURNEY THROUGH HIS LIFE,<br />

A VIBRANT MEMORY OF CHINA’S<br />

HISTORY<br />

Zuolong Shan<br />

As a young man, Zheng was a wild boy: he’d rather spend his time gambling and dancing<br />

than studying. But his exuberant way of life comes to an end when, during the Cultural<br />

Revolution, he is charged with counter-revolutionary behavior and sent to prison. Step<br />

by step, he looses everything. He faced each challenge with courage, bravery and the<br />

knowledge that life is a never-ending journey, and that only wisdom is the food that survival<br />

is fed with. Now, he lives in the boarding house of Shuanglin Town. Unyielding to his<br />

neighbors, to his society, to its history, as well as to the omnipresent Chinese system, he<br />

realizes that he is almost independent of himself. Very poor in resources, but immensely<br />

rich in memories, our esteem for him grows with each day we observe the little gestures<br />

and omissions that his life is now made of. This intimate and respectful portrait of a striking<br />

83-year-old Chinese citizen offers us an inside view into the way China treats its seniors<br />

and gives us the opportunity to better understand the story of Shanghai’s, as well as<br />

China’s contemporary history.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ICTV<br />

Michel Noll<br />

17 Rue du Colisee<br />

F-75008 Paris, France<br />

T. +33 1 4359 2679<br />

F. +33 1 6403 7101<br />

m.noll@ictv-solferino.com<br />

190<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


492<br />

POLAND<br />

H<br />

Lifestyles<br />

HARMONY OF CHAOS<br />

Jan Sosinski<br />

A portrait of Nigel Kennedy – an unconventional English violinist performing classical music<br />

not only at traditional concert halls, but also at other venues: jazz and sport clubs, cafés,<br />

pubs. He approaches people directly, attracting popular audiences with his spectacular interpretations<br />

of the 19th century classics.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company: TVP - Channel 2<br />

Production Contact Person: Aleksandra Biernacka<br />

Sales Company:<br />

TVP SA<br />

Sales Contact Person: Maria Nadolna<br />

17, J.P. Woronicza st<br />

Warsaw 00-999, Poland<br />

T. +48 22 547 8501<br />

F. +48 22 547 4248<br />

festivals@tvp.pl<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 191


H<br />

356<br />

GREECE<br />

Environment & Wild life<br />

HEALING THE VICTIM AND THE SLAYER<br />

Antonis Vasileiadis<br />

An Ayurvedic doctor struggles to save his unique botanical garden from getting destroyed,<br />

in order to provide space for a residential area. For the last eight years, he has been gathering<br />

extremely rare and vanishing medicinal plants that are essential for the traditional<br />

medicines as Ayurveda and Yunani (Ionian- Greek), followed by 83% of the people in India.<br />

We are explained the reasons that drove Dr. Aithal to develop those methods and we<br />

follow him in his daily duties of free healing to anyone who will ask. He tries to save snakes<br />

and create reconciliation between humans and snakes. He happily shares his knowledge<br />

with the camera as he believes that this knowledge does not belong to him, but to God.<br />

Running time: 82΄<br />

Year of production: 2012<br />

Production Contact Person:<br />

Antonis Vasileiadis<br />

58 Asklipiou Str.<br />

19005 N.Makri Athens Greece<br />

T.+30 6932 366 991<br />

ant.vasileiadis@yahoo.gr<br />

192<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


159<br />

GERMANY-USA<br />

H<br />

Environment & Wild life<br />

HEART OF SKY, HEART OF EARTH<br />

Eric Black, Frauke Sandig<br />

The great cycle of the ancient Mayan calendar will end on 21 December 2012. How does<br />

the story end Do the oceans collapse Does the sky fall as the last tree is cut The remote<br />

homelands of the present-day Maya in Mexico and Guatemala present a perfect microcosm<br />

that shows how unhindered globalization is already destroying the Earth and indigenous<br />

cultures are now under attack for their natural resources from all sides. Heart of<br />

Sky, Heart of Earth presents another worldview, following six young Maya into their daily<br />

and ceremonial life, revealing their determination to resist the destruction of their culture<br />

and environment. The intimate accounts and experiences of the protagonists interweave<br />

with images associated with the fragile beauty of nature and the sacred creation myth of<br />

Popol Vuh. The stories and the world vision of the Mayan protagonists are juxtaposed with<br />

our shortsighted exploitation of the Earth.<br />

Running time: 98’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Umbrella Films<br />

Frauke Sandig, Umbrella Films<br />

Pappelallee 22, 10437 Berlin, Germany<br />

T. + 49-30-44738624<br />

umbrellafilms@sandig.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 193


H<br />

493<br />

FRANCE<br />

Art, Music & Culture<br />

HEARTS & CRAFTS<br />

Frédéric Laffont, Isabelle Dupuy-Chavanat<br />

The film takes us to the heart of the Hermès workshops, where men and women work the<br />

finest raw materials with minute attention to detail, bringing their expertise, patience and<br />

passion to the creation of unique, timeless objects. Beautifully orchestrated, like a musical<br />

score, the play of gestures, words, close observation and silence highlights the sensory<br />

nature of the encounter between the artisan and his materials.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Hermes<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

194<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


281<br />

CYPRUS<br />

H<br />

Lifestyles<br />

HELEN AND HAOUM<br />

Evgenios Ioannou<br />

In Cyprus, many Vietnamese women work as housekeepers for elderly people. The film examines<br />

these newly-established relationships by following the daily life of two women<br />

living together: the elderly Helen from Cyprus and her housekeeper, Haoum from Vietnam.<br />

The monotony of their everyday life reveals their different life expectations and their<br />

common loneliness.<br />

Running time: 19’<br />

Year of production: 2011<br />

Production Contact Person:<br />

Evgenios Ioannou<br />

P.O. BOX 57205<br />

3313 Limassol Cyprus<br />

T. +48 692979104<br />

paliatsos@hotmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 195


H<br />

494<br />

ISRAEL<br />

History & Politics<br />

HERE I LEARNED TO LOVE<br />

Avi Angel<br />

Standing near the Western Wall in Jerusalem, Avner declares: “This is the moment when<br />

I defeated the Nazis.” Two brothers, three mothers and a saga that was not at all clear for<br />

nearly six decades. This is the unique story of a journey to trace the roots of a past that was<br />

not evident – even to those who took part in it. Avner and Itzik are two brothers living in<br />

Israel who as children were saved by their mother’s sister and a young stranger. Their lives<br />

were affected by three women – three women who were like mothers to these young boys.<br />

But their chronicle was kept secret from even those closest to them. At the age of 70, Avner<br />

decides to take a journey with his brother Itzik to search for his true identity and try and<br />

piece together the impossible story of their survival.<br />

Running time: 54΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Avi Angel<br />

Ruth Diskin films Ltd.<br />

Cara Saposnik<br />

P O Box 7153<br />

Jerusalem 91071, Israel<br />

T. +972 2 672 4256<br />

F. +972 2 672 4210<br />

cara@ruthfilms.com<br />

196<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


495<br />

MEXICO<br />

H<br />

Lifestyles<br />

HERE ON EARTH<br />

Mauricio Bidault<br />

For various reasons, a group of Nahua migrants from the Huasteca area of Hidalgo state go<br />

to the city of Guadalajara, where they now live. This has a great social, cultural and economic<br />

impact on Santa Cruz, their community of origin.<br />

Running time: 110΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Arcanofilm & Fondo para la Producción<br />

Cinematográfica de Calidad (Foprocine)<br />

Mexican Film Institute<br />

Pablo Briseño<br />

Insurgentes sur 674, 2nd floor, Del Valle<br />

03100 Mexico City, Mexico<br />

T. + 52 55 5448 5339<br />

F. + 52 55 5448 5380<br />

difuinte@imcine.gob.mx<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 197


H<br />

661<br />

POLAND<br />

Lifestyles<br />

HERMITS<br />

Kacper Czubak<br />

One day, Marian abandons his family and decides to live in a hermitage on the outskirts<br />

of a forest. Years later, when Grzegorz is expelled from the monastery,<br />

he finds Marian and builds his hermitage next to his. Marian doesn’t want to come to terms<br />

with that. Grzegorz thinks that it will be better for both of them to have a companion. The<br />

discord continues up to this day…<br />

Running time: 26’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Religia TV<br />

Maria Kastyak<br />

Krakow Film Foundation<br />

Katarzyna Wilk<br />

Bsztowa 15/8a,<br />

Krakow 31-143, Poland<br />

T. +48 122 946 945<br />

katarzyna@kff.com.pl<br />

198<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


311<br />

GREECE<br />

H<br />

Art, Music & Culture<br />

HEROES OF THE FLICKS<br />

Panayotis Kountouras<br />

To the monotonous purring of the projector, between four walls, a single move of his hand<br />

gives life to heroes, lovers, enemies, countries, situations, words, feelings of a world so close<br />

and yet invisible to us unless he wills it. Actors, directors, film editors, light technicians and<br />

sound engineers depend on his hands, on his readiness and alacrity, once he allows us to<br />

enter the make-believe universe of cinema. This loner, this hermit in his kingdom will now<br />

reveal himself. The projectionist, that unsung hero, revealing what we don’t know about<br />

him – and perhaps what he doesn’t know about himself.<br />

Running time: 70’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Fig Leaf Media Production<br />

Dionysia Arvanitou<br />

47 Stelliou Kazantzidi Str.<br />

55535 Thessaloniki Greece<br />

T. +30 6971680108<br />

F. +30 2310 471788<br />

sia.arvanitou@yahoo.gr<br />

Fig Leaf Media Production<br />

Vassilis Kiltidis<br />

kiltidis@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 199


H<br />

283<br />

GREECE<br />

Art, Music & Culture<br />

HIDDEN BODIES<br />

Dimitris Trikas<br />

Hidden Bodies features a performance/happening created by renowned Greek visual<br />

artist Dimitris Alithinos in three parts of the center of Athens during the MIR Festival. In<br />

his latest work, HAPPENINGS 2010, Alithinos holds up a mirror to the city’s cruelty and its<br />

inhabitants through a metaphor, a “clin d’oeil” to an earlier work, A HAPPENING (1973)<br />

which had a great impact in contemporary Greek art.<br />

Alithinos used tons of soil and “hid” three bodies in them thus letting the unsuspecting bystanders<br />

comment and react. Indeed, the comments and reactions were many, varied and<br />

interesting mainly being surprise, discomfort and reaction towards the Greek economic crisis.<br />

Running time: 16΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Dimitris Trikas<br />

8 Nireos St.<br />

Paleo Faliro, Greece<br />

T. + 30 6979 981 293<br />

dimtrikas@gmail.com<br />

200<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


496<br />

CANADA<br />

H<br />

Current Affairs<br />

THE HILLTOPS<br />

Igal Hecht<br />

On Blessing Mountain, overlooking the city of Nablus, sixty-six-year-old Settler Daniella<br />

Wise looks at an advancing force of Israeli soldiers coming to destroy her illegal outpost.<br />

Rallying her little army of followers, a violent battle begins. This is daily reality on the hilltops<br />

of the West Bank. This is an insider’s exploration into the lives of three prominent settler<br />

leaders and their battles to hold on to what they perceive as their biblical heartland.<br />

The reality of the Israeli-Palestinian conflict will unravel in front of the lens in a rare, noholds-barred<br />

look into the lives of the West Bank settlements.<br />

Running time: 45΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Chutzpa Productions<br />

Ruth Diskin films Ltd.<br />

Cara Saposnik<br />

PO Box 7153<br />

Jerusalem 91071, Israel<br />

T. +972 2 672 4256<br />

F. +972 2 672 4210<br />

cara@ruthfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 201


H<br />

497<br />

BELGIUM<br />

Lifestyles<br />

HIMSELF HE COOKS<br />

Valérie Berteau, Philippe Witjes<br />

In the Golden Temple in Amritsar, hundreds of volunteers prepare 100,000 free meals every<br />

day. The spontaneous choreography of many philanthropists’ hands reveals the essence and<br />

atmosphere of this fascinating place.<br />

Running time: 65΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

Polymorfilms<br />

Valérie Berteau<br />

rue Théodore Verhaegen 18<br />

Brussels 1060, Belgium<br />

T. +32 495 436 865<br />

contact@polymorfilms.be<br />

202<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


184<br />

ITALY<br />

H<br />

Lifestyles<br />

HIT THE ROAD, GRANNY<br />

Duccio Chiarini<br />

Delia is eighty-eight years old, she has a husband twenty years her junior and, ever since<br />

she emigrated from Italy to France when she was only six months old, she has spent her<br />

life traveling around the world. In the sixties, having come back to Italy for love, she started<br />

working in the textile industry. Soon her products started filling the shelves of European<br />

department stores, earning her a huge fortune and making her one of the first female entrepreneurs<br />

of the prêt-à-porter world. But Delia wants more and throws herself into high<br />

fashion, without understanding that perhaps the time has come even for her to stop.<br />

Running time: 64’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Mood Film Srl<br />

Tommaso Arrighi<br />

Mood Film<br />

Via P. Borsieri 25, 00195 Roma, Italy<br />

www.moodfilm.com<br />

T. +39 0 6 241 9073<br />

F. +39 0 6 4544 4824<br />

info@moodfilm.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 203


H<br />

498<br />

SWEDEN<br />

History & Politics<br />

ΤΗΕ HITLER STONES<br />

Kjell Andersson<br />

There is a strange and not widely known story to be told. The story of the so-called Hitler<br />

stones, set in the coastal regions of Sweden. Nazi Germany placed large orders for Swedish<br />

granite before and during World War II. It was to be used in the building of “Germania,” the<br />

new World Capital. Substantial deliveries were made but discontinued after 1943 because<br />

of how the war was developing. However, the Germans still wanted their stone, only to<br />

be delivered later, after the final victory. Swedish quarries continued to cut building stone<br />

until the very end of the war. The stones were put into storage along the Swedish coast and<br />

Germany duly paid for them. After the war, which had not gone the way the Nazis had<br />

hoped, the “Hitler Stones” were left in Sweden. So who owned all this granite Where did<br />

it go Where is it now How did the socialist stonecutters feel about cutting stone for Hitler<br />

How about the double moral standards of the industrialists and others involved in the business<br />

These are some of the questions the documentary seeks to answer.<br />

Running time: 58΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

KMAFilmproduktion<br />

Kjell Andersson<br />

Styrfarten 15<br />

S-417 65 Göteborg, Sweden<br />

T. +46 705 976 370<br />

kjell@kmafilm.se<br />

204<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


170<br />

ISRAEL-GERMANY<br />

H<br />

History & Politics<br />

HITLER’S CHILDREN<br />

Chanoch Ze’evi<br />

Their family names alone evoke horror: Himmler, Goering, Höss. Hitler’s Children is a film<br />

about the descendants of the most powerful figures in the Nazi regime: men and women<br />

who were left a legacy that permanently associates them with one of the greatest crimes<br />

in history. What is it like for them to have grown up with a name that immediately conjures<br />

images of murder and genocide How do they cope with the fact that they are Hitler’s<br />

children<br />

Running time: 58’ & 80’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Maya Productions<br />

Chanoch Ze’evi<br />

Cinephil<br />

Ori Bader<br />

18 Levontin Street, Tel Aviv, 65112, Israel<br />

T. +97235664129<br />

F. +97235601436<br />

info@cinephil.co.il<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 205


H<br />

299<br />

GREECE<br />

History & Politics<br />

THE HOLY GRAIL<br />

Yannis Bakalis<br />

The film is about the Knights of Saint John and of Nazi initiation as Hitler was looking for<br />

the Holy Grail. The documentary tells the story of the Masonic Lodge in Greece and it was<br />

shot in the old town of the island of Rhodes.<br />

Running time: 60΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Yannis Bakalis<br />

17 Vithynias St.<br />

Kato Toumba<br />

Thessaloniki, Greece<br />

T. +30 2310 930 119<br />

ioannisbakalis@gmail.com<br />

206<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


499<br />

ISRAEL<br />

H<br />

Current Affairs<br />

HOMECOMING<br />

Orna Ben Dor, Noa Maiman<br />

As the State of Israel is about to deport foreign workers and their children, this film is a<br />

timely exploration of a complex political and personal situation. Where does identity<br />

come from And what makes you connected to your homeland Homecoming takes us on<br />

a moving journey with three teenagers who were born in Israel to foreign workers who<br />

came to Israel in search of a better life. These kids are not Jewish, but are deeply Israeli –<br />

and their individual journeys take on cultural and emotional dimensions. We travel with<br />

them to the Congo, to Peru and to the Philippines as they examine their roots and contemplate<br />

their future.<br />

Running time: 60΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Added Value Creation House<br />

Ruth Diskin films Ltd.<br />

Cara Saposnik<br />

PO Box 7153<br />

Jerusalem 91071, Israel<br />

T. +972 2 672 4256<br />

F. +972 2 672 4210<br />

cara@ruthfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 207


H<br />

109<br />

FRANCE<br />

Current Affairs<br />

HONK!<br />

Arnaud Gaillard & Florent Vassault<br />

At nightfall, on the outskirts of Salt Lake City, surrounded by her family, a grandmother will<br />

attend the execution of her husband’s murderer. In Oklahoma, a former death row inmate,<br />

exonerated after 22 years in prison, tells his amazing story. In Texas, a woman struggles<br />

against the criminal justice system for her son to survive, while he has been awaiting execution<br />

for 14 years. In Huntsville, a small provincial town in eastern Texas, the Department<br />

of Corrections performs executions by lethal injection almost as a weekly ritual. Based on<br />

the numerous absurdities of the death penalty, the film shows, through these three characters,<br />

how the death sentence generates pain, injustice, violence and inefficiency in the<br />

heart of American society.<br />

Running time: 62’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Andolfi Productions<br />

Arnaud Dommerc<br />

Wide House<br />

Anaïs Clanet<br />

40, rue Sainte Anne<br />

75002 Paris<br />

T. +33 1 53 95 24 44<br />

F. +33 1 53 95 04 65<br />

ac@widemanagement.com<br />

208<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


500<br />

FRANCE<br />

H<br />

Science & Technology<br />

HONORE FRAGONARD,<br />

REVOLUTIONARY ANATOMY<br />

Jacques Donjean, Philippe Raxhon, Olivier Horn<br />

He was one of the most fascinating characters of the Age of Enlightenment: French<br />

anatomist Honoré Fragonard (1732-1799), cousin of his namesake, the famous 18th<br />

century painter. In a day and age where anatomical science was still in its infancy, surgical<br />

genius Fragonard invented his own technique to preserve corpses. He worked on<br />

anatomical preparations – animal and human – called écorchés. These were then staged<br />

and exhibited with a genuine artistic intent. In a time where popular wisdom in the face<br />

of death saw the soul free of the body, Fragonard’s work was setting the body free of the<br />

soul. His work raises questions: Where does science end Where does art begin Whether<br />

one admires or rejects Fragonard’s approach, he provokes a lasting fascination.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Point du Jour, Tarentula<br />

Point du Jour International<br />

Doris Weitzel<br />

23 Rue de Cronsadt<br />

F-75015 Paris, France<br />

T. +33 1 7544 8088<br />

F. +33 1 4531 1305<br />

d.weitezl@pointdujour.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 209


H<br />

501<br />

AUSTRIA<br />

Art, Music & Culture<br />

HOT SPOT<br />

Sabine Derflinger<br />

The job market is only for those who fit the system, so what about the misfits in our society<br />

Michl’s Restaurant hires exactly these misfits and helps them to build confidence, job experience<br />

and so much more. We follow waiters, kitchen helps, cooks and other employees<br />

in their daily struggle to learn, both inside and outside the job.<br />

A touching and tough doc, for everyone who works, or wants to work.<br />

Running time: 80΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Navigator Film Produktion & Co. KG<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17,<br />

Vienna 1040, Austria<br />

T. +43 720 34 6934<br />

welcome@autlookfilms.com<br />

210<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


502<br />

UK-SPAIN<br />

H<br />

Lifestyles<br />

HOW MUCH DOES YOUR BUILDING<br />

WEIGH, MR. FOSTER<br />

Norberto Lopez Amado, Carlos Carcas<br />

How Much Does Your Building Weigh, Mr. Foster is the first feature film focused on the architect<br />

Norman Foster and it will be the beginning of a series of productions on the key<br />

figures of the art and culture of the XXI century. The film shows Norman Foster’s journey<br />

from Manchester to a global practice. It talks about architecture, and why it matters, and<br />

how difficult it is to do it well. Norman Foster has rewritten the rules of architecture. His<br />

vision and unswerving passion for excellence have created some of the most exceptional<br />

structures of our times. Architecture comes alive.<br />

Running time: 78΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Art Commissioners<br />

Elena Ochoa<br />

Dogwoof<br />

Ana Vicente<br />

Unit 211 Hatton Square Business Centre<br />

16-16a Baldwins Gardens<br />

London EC1N 7RJ, UK<br />

T. +44 207 831 7252<br />

global@dogwoof.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 211


H<br />

655<br />

ISRAEL<br />

Current Affairs<br />

HULA AND NATAN<br />

Robby Elmaliah<br />

A donkey, some cats and dogs, a heap of junk, a trailer piled high with unnameable clutter.<br />

Amidst the bric-a-brac, Hula and Natan muddle through their lives. The two brothers<br />

own a dilapidated garage, on the brink of closing, in Sderot, a town in the south of Israel,<br />

not far from the Gaza Strip. Acclaimed around the world, most notably at Visions du Réel,<br />

this dissertation documentary by Israeli Robby Elmaliah mingles tragedy and comedy with<br />

astonishing delicacy, juxtaposing the disheveled lives of the two brothers with the drama<br />

of conflict intensifying around them. As much a funny and moving family story as a devastating<br />

commentary on the absurdity of war.<br />

Running time: 54΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Alma Films, The Sapir College<br />

Robby Elmaliah<br />

JMT Films Distribution<br />

Michael Treves<br />

20 Bialik st<br />

Tel Aviv 63324, Israel<br />

T. +972 5 2363 3398<br />

michael@JMTFilms.com<br />

212<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


126<br />

THE NETHERLANDS<br />

I<br />

Current Affairs<br />

I AM A WOMAN NOW<br />

Michiel van Erp<br />

I Αm a Woman Now portrays five elderly transsexual women who were all treated by the<br />

same “miracle doctor,” Georges Burou. As long as these patients paid, there were no preconditions,<br />

no questions asked at his clinic in Casablanca. Do these pioneers feel like 100%<br />

women and did their surgery give them the fulfillment in life they expected I Αm a Woman<br />

Now is a film about the pursuit of an almost unattainable dream, about the gap between<br />

its realization and the hard reality that sometimes follows.<br />

Running time: 86’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

De familie<br />

Monique Busman<br />

CAT&<strong>Doc</strong>s<br />

Catherine Le Clef<br />

T. +33 1 44 59 63 53<br />

cat@catndocs.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 213


I<br />

353<br />

GREECE<br />

Current Affairs<br />

I AM AN OTHER, FROM TREATMENT<br />

(18 ANO) TO SOCIAL INTEGRATION<br />

Yorgos Chr. Zervas<br />

We often wonder what becomes of people who finish rehab and try to integrate back into<br />

society. Do they succeed In this film, we meet several such cases – people who completed<br />

the 18 ANO drug rehabilitation program and have been drug free for a number of years.<br />

We observe them in their daily lives and listen to them talk about their efforts to find a job,<br />

to become creative, to go through with something they had left undone, to face the problems<br />

bequeathed to them by their drug use, to build new relationships with their parents<br />

and children, to make new friends and fall in love.<br />

Running time: 68’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Yorgos Zervas Film Productions<br />

Yorgos Chr. Zervas<br />

Greek Film Centre<br />

7 Dionysiou Areopagitou Str.<br />

11742 Athens Greece<br />

Τ. +30 210 3678 500, F. +30 210 3648 245<br />

info@gfc.gr<br />

www.gfc.gr<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11, F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

214<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


185<br />

CANADA<br />

I<br />

Art, Music & Culture<br />

I AM NOT A ROCK STAR<br />

Bobbi Jo Hart<br />

I Am Not a Rock Star follows the coming-of-age story of 20-year-old Marika Bournaki, a girl<br />

next door who embarks on a single-minded journey to become a world-class concert pianist,<br />

a dream she has had ever since her father first encouraged her to start playing the piano<br />

at the age of five. Shot in cinéma vérité style over eight years, I Am Not a Rock Star begins<br />

when Marika is 12 years old and commuting every Saturday from Montreal to attend<br />

Juilliard’s prestigious Pre-College Program in New York. She moves on her own to New York<br />

City at age 14, and starts auditions and performances around the world. The effects of this<br />

lifelong sacrifice of her parents to turn Marika into a star begin to reveal themselves, while<br />

within the walls of Juilliard she finds a kindred soul and her first love. I Am Not a Rock Star<br />

ultimately reveals the gritty realities of making it in the cutthroat classical music world, but<br />

also how Marika matures to eventually question her path, appropriating her musical passion<br />

to make it her own.<br />

Running time: 85‘ & 52’<br />

Year of production: 2012<br />

Production Company:<br />

Sales Contact Person:<br />

Adobe Productions International<br />

Robbie Hart<br />

T. +1 514 272 3113<br />

F. +1 514 272 3301<br />

courrier@adobeproductions.com<br />

www.adobeproductions.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 215


I<br />

504<br />

SLOVAK REPUBLIC<br />

Current Affairs<br />

I WANTED TO BE A MOTHER<br />

Marek Šulík<br />

The film I Wanted To Be a Mother from the documentary series Unwanted Children Twelve<br />

Years Later (Nechcené deti po 12 rokoch) tells the story of a woman who adopted two brothers<br />

sixteen years ago. (original title Chcela som byť matka)<br />

Running time: 26΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

OZ Návrat<br />

Marek Roháček<br />

Šancová 42<br />

Bratislava SK-811 05, Slovak Republic<br />

T. +421 2 5249 9276<br />

F. +421 2 5244 4361<br />

navrat@navrat.sk<br />

216<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


302<br />

GREECE<br />

I<br />

Art, Music & Culture<br />

IMAGE THIEF<br />

Panos A. Thomaidis<br />

Spyros Staveris makes a living by stealing the image of the “other.” It is an act which is justified<br />

in his conscience, since he shares it generously with us without circumlocutions, alterations<br />

or make-up. Spyros Staveris acts as a mirror, reflecting the image of Greek postjunta<br />

society.<br />

Running time: 27’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

PATH Ltd<br />

Thomais I. Thomaidis<br />

57,Paritsi Str<br />

154 51 Neo Psychiko Athens Greece<br />

T. +30 2106743373<br />

F. +30210 6743379<br />

info@path.com.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 217


I<br />

505<br />

NORWAY<br />

Current Affairs<br />

IMAGINING EMANUEL<br />

Thomas A. Østbye<br />

Who are you without ID Emanuel came to Norway in 2003 and claims to be from Liberia.<br />

Norwegian authorities believe he is from Ghana. Twice he was sent “back,” only to be rejected<br />

by the Ghanaian authorities and returned to Norway. Without permission to stay and<br />

no legal possibility to leave, Emanuel’s life is put on hold. Will he be able to prove who he<br />

really is<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Medieoperatørene TV AS<br />

Kristine Ann Skaret<br />

Deckert Distribution<br />

Heino Deckert<br />

Marienplatz 1<br />

04103 Leipzig, Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

218<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


131<br />

IRAQ-UK-THE NETHERLANDS-UAE<br />

I<br />

IN MY MOTHER’S ARMS<br />

Atia Jabarah Al-Daradji, Mohamed Jabarah Al-Daradji<br />

Husham works tirelessly for the hopes, dreams and prospects of the 32 damaged children<br />

of war under his care at a small orphanage in Baghdad’s most dangerous district. Against<br />

this threatening backdrop, Husham begs for money to support the children, whilst the bittersweet<br />

dramas of their childhood play out: 7-year-old Saif can only remember his dead<br />

mother’s name, ‘Majuda,’ as he faces the taunts of other kids in constant playground battles;<br />

teenager Mohammed struggles to balance school life with his search for self-identity;<br />

whilst Salah, just 10 years old and too traumatised to speak, fears he may never be<br />

able to go to school. When the landlord gives Husham and the boys just two weeks to vacate,<br />

a desperate search ensues.<br />

Running time: 86‘<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Human Film, UK<br />

Wide House<br />

Anais Clanet<br />

Τ. +33 1 53 95 04 64<br />

F. +33 1 53 95 04 65<br />

ac@widemanagement.com<br />

www.widemanagement.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 219


I<br />

182<br />

SWEDEN<br />

Lifestyles<br />

INBETWEENER<br />

Erik Bafving<br />

Α film about a teenage boy, his father’s suicide and the emotional vacuum that occurred<br />

afterwards. Through forgotten drawings and photographs, we follow a young boy’s attempt<br />

to escape a painful memory and handle things on his own just like his dad used to do. After<br />

years of increasing isolation, it is love that leads to an inevitable dilemma: to continue<br />

to follow in his dad’s footsteps, or to start anew.<br />

Running time: 14’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

ebfilm<br />

Erik Bäfving<br />

ebfilm, Norra Skolgatan 8a, 21152 Malmö<br />

T. +46702585846<br />

info@ebfilm.com<br />

220<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


113<br />

FRANCE<br />

I<br />

Current Affairs<br />

INDIGNADOS<br />

Tony Gatlif<br />

Indignados is a fictional account in real time of what’s happening today, plunging us into<br />

the dense, palpable reality of Europe in revolt. Stéphane Hessel’s book Time for Outrage!<br />

sparked a transgenerational awakening that is gaining ground across Europe as the continent<br />

teeters on social implosion. At the heart of current events, at the center of the Occupy<br />

movement, we discover, through the eyes and experience of Betty, a young illegal immigrant<br />

from Africa, men and women standing up to the system.<br />

Running time: 88’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Princes Production<br />

Delphine Mantoulet<br />

Les Films du Losange<br />

Agathe Valentin<br />

22, avenue Pierre 1er de Serbie<br />

75116 Paris<br />

France<br />

T. +33144438724<br />

F. +33149520640<br />

t.petit@filmsdulosange.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 221


I<br />

675<br />

ISRAEL<br />

Current Affairs<br />

INFILTRADOS<br />

Juan Rendon<br />

Infiltrados (the infiltrated) goes undercover to provide an in-depth look at the Colombian<br />

national police and the involvement of its intelligence division DIPOL (Dirección de Inteligencia<br />

de la Policía Nacional) in the infiltration of the world’s oldest terrorist group, FARC.<br />

Extensive interviews with those who risked everything to infiltrate one of the deadliest terror<br />

groups in the world provide a thrilling real life glimpse into what could be the most dangerous<br />

missions ever tackled. With never before seen “on the ground” footage and animation<br />

providing a back drop to their horrific ordeals, we are for the first time given a sense<br />

of what it takes to win the trust of a guerrilla group, face the terrors of being uncovered as<br />

well as the trials of being attacked by your own forces in the pursuit of intelligence that<br />

could bring about the downfall of FARC.<br />

Running time: 68΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Univision<br />

Eric Douat<br />

Sideways Film<br />

Kazz Basma<br />

19 Windus Road,<br />

London N16 6UT, UK<br />

T. +44 788 147 3603<br />

kazz@sidewaysfilm.com<br />

222<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


122<br />

CHINA-UK<br />

I<br />

Current Affairs<br />

INTERVIEWS BEFORE EXECUTION:<br />

A CHINESE TALK SHOW<br />

Robin Newell<br />

With unique and unprecedented access, A Chinese Talk Show takes viewers into the nightmare<br />

worlds of violent criminals sentenced to death – and of the TV journalist who is their<br />

last connection to this world. A Chinese Talk Show is not for the faint hearted. The issues<br />

explored are both intriguing and complex. At their heart is attractive, young TV journalist<br />

Ding Yu, who interviews criminals sentenced to death – often shortly before their executions.<br />

The death penalty evokes strong responses around the world. Yet in China it is the<br />

stuff of highly rated prime time television. In Ding Yu’s weekly series, Interviews Before Execution,<br />

not only is justice seen to be done, but the audience is left in no doubt as to what<br />

will happen to them should they break the law.<br />

Running time: 59’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

LIC China<br />

PBS International<br />

Charles Schuerhoff<br />

10 Guest Street, Boston, MA 02135, USA<br />

T. +1 617 208 0743<br />

F. +1 617 208 0783<br />

chschuerhoff@pbs.org<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 223


I<br />

141<br />

USA-GERMANY-UK<br />

History & Politics<br />

INTO THE ABYSS<br />

Werner Herzog<br />

The film Into the Abyss is a documentary about two death row inmates in the USA. As<br />

teenagers, Michael Perry and Jason Burkett murdered three people just to take a joyride<br />

in an expensive car. While Perry was executed a few days after filming, his accomplice, who<br />

was found guilty of the same three capital murders in a separate trial, was sentenced only<br />

to life in prison. The film is a gaze into the abyss of the human soul. Wherever you look,<br />

another abyss opens up. Death is not the only aspect of the film: there is the urgency of<br />

life as a parallel storyline. How should we live our lives according to the men waiting for<br />

execution The film shows the prisoners as human beings, but it never glorifies them or<br />

their crimes.<br />

Running time: 104’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Creative Differences / Skellig Rock<br />

Lucki Stipetic<br />

ZDF Enterprises<br />

Dr. Kristina Hollstein<br />

Erich-Dombrowski-Str. 1, 55127 Mainz, Germany<br />

T. +49 6131 991 0<br />

F. +49 6131 991 1552<br />

Kristina.Hollstein@zdf-enterprises.de<br />

224<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


507<br />

FRANCE<br />

I<br />

Current Affairs<br />

IRAN: THE BOMB AT ANY PRICE<br />

Gilles Cayate<br />

Halting Iran’s nuclear programme is one of the West’s main defence objectives and the<br />

number one priority of Israel. But we weren’t always so scared of the idea of an Iranian nuclear<br />

program. In fact, both the United States and Europe played a key role in setting it up.<br />

We look back at Iran’s nuclear program over the past 50 years. What began with the blessing<br />

of the Americans under the “Atoms for Peace” program in the 1960s has turned into a<br />

deadly cat-and-mouse game with the IAEA. With the help of technology from China and<br />

Russia and centrifuges from Pakistan, Iran is now well on the way to developing nuclear<br />

weapons. What would be the consequences of a nuclear-armed Iran How would Israel<br />

react and can anything now be done to stop the nuclear program<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Allegria<br />

Java Films<br />

Kathryn Bonnici<br />

4 - 6 Villa Thoreton,<br />

F-75015 Paris, France<br />

T. +33 1 4060 2624<br />

F. +33 1 4060 2649<br />

kathryn@javafilms.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 225


I<br />

508<br />

ISRAEL<br />

Art, Music & Culture<br />

IRAQN’ROLL<br />

Gili Gaon<br />

In an attempt to bridge time, space and culture, Israeli rock musician Dudu Tassa takes on<br />

the original music of his grandfather who was one of the leading musicians in the early<br />

20th century in Iraq. Salah and Daud Al-kweiti were Jewish musicians, living in Iraq in the<br />

1930s. They are considered to be the creators of modern Iraqi music, and two of the greatest<br />

Arab musicians in history. In the 1950s, they immigrated to Israel – where no one took<br />

their music seriously. Dudu’s grandfather and uncle were not accepted as legitimate musicians<br />

by the young Israeli establishment and as a result they forbade their family to engage<br />

in music. A grandson and the weight of history – a story about the power of music<br />

and its ability to heal a family’s pain.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Station Films Ltd.<br />

Ruth Diskin films Ltd.<br />

Cara Saposnik<br />

PO Box 7153<br />

Jerusalem 91071, Israel<br />

T. +972 2 672 4256<br />

F. +972 2 672 4210<br />

cara@ruthfilms.com<br />

226<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


509<br />

ITALY<br />

I<br />

Current Affairs<br />

IS MY LAST BREATH YOURS<br />

Claudio Serughetti<br />

Is My Last Breath Yours is a documentary and cross-platform project that will travel the<br />

world to search for an answer to this question. Encountering the public, activists, leading<br />

figures of the abolitionist movement as well as those who support capital punishment,<br />

judges and lawyers who apply and fight the death penalty, families of victims who have<br />

chosen a side on the issue and trying to find out if any death can really atone another one.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Valextra, Movie Magic International<br />

Insomnia World Sales<br />

Luc Ntonga/Anja Strelec<br />

21 Rue Saint Guilhem<br />

Montpellier 34000, France<br />

T. +33 4 9961 0835<br />

F. +33 4 6759 9497<br />

communication@insomnia-sales.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 227


I<br />

510<br />

MOZAMBIQUE<br />

Adventure & Travel<br />

THE ISLAND OF THE SPIRITS<br />

Licinio Azevedo<br />

A small island, a great history. Long before giving its name to the country, the island of<br />

Mozambique had a fundamental role in the Indian Ocean over many centuries. An anchor<br />

point for caravels, meeting point for pirates, it is a melting pot of races. It raises its walls<br />

in the middle of the sea. Its winding streets full of life reveal small palaces, churches and<br />

white houses. Its inhabitants are eccentric characters, proud of the island’s past history. As<br />

we wander through the streets, we meet an historian, a maritime archaeologist, a fisherman,<br />

the “doorman” of the island, a dancer, many spirits...<br />

Running time: 63΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Ebano Multimédia<br />

Pedro Pimenta<br />

Marfilmes<br />

Renée Gagnon<br />

63 Av. Duque de Loulé, 79 r/c Dto. A<br />

Lisbon 1050-088, Portugal<br />

T. +35 121 314 0339<br />

F. +35 121 353 3075<br />

marfilmes@netcabo.pt<br />

228<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


155<br />

USA<br />

I<br />

Current Affairs<br />

THE ISLAND PRESIDENT<br />

Jon Shenk<br />

The Island President tells the story of President Mohamed Nasheed of the Maldives, a man confronting<br />

a problem greater than any other world leader has ever faced: the literal survival of his<br />

country and everyone in it. After bringing democracy to the Maldives after thirty years of<br />

despotic rule, Nasheed is now faced with an even greater challenge: as one of the most low-lying<br />

countries in the world, a rise of three feet in sea level would submerge the 1200 islands of<br />

the Maldives enough to make them uninhabitable. The Island President captures Nasheed’s first<br />

year of office, culminating in his trip to the Copenhagen Climate Summit in 2009. Nasheed is unusually<br />

candid about revealing his strategies – leveraging the Maldives’ underdog position as a<br />

tiny country, harnessing the power of media, and overcoming deadlocks through an appeal to<br />

unity with other developing nations. When hope fades for a written accord to be signed,<br />

Nasheed makes a stirring speech which salvages an agreement. Despite the modest size of his<br />

country, Mohamed Nasheed has become one of the leading international voices for urgent action<br />

on climate change.<br />

Running time: 83’ & 101’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Actual Films / San Francisco Film Centre<br />

Richard Berge<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

H3L 1A8, Montreal / Quebec, Canada<br />

T. + 1 514 844 3358<br />

F. + 1 514 844 7298<br />

johnnadai@fimstransit.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 229


I<br />

511<br />

TURKEY<br />

Lifestyles<br />

ISLOMANIA<br />

Sibel Tekin<br />

A film about Tenedos and the passion for islands.<br />

“Somewhere among the notebooks of Gideon, I once found a list of diseases as yet unclassified<br />

by medical science, and among these there occurred the word islomania, which<br />

was described as a rare but by no means unknown affliction of spirit. These are people,<br />

Gideon used to say, by way of explanation, who find islands somehow irresistible. We islomanes,<br />

says Gideon, are the direct descendants of the Atlanteans, and it is toward the<br />

lost Atlantis that our subconscious is drawn. This means that we find islands irresistible.”<br />

Lawrence Durrell Reflections on a Marine Venus<br />

Islomania was identified by Durrell as a craze for or a strong attraction to islands. And Tenedos<br />

is an island in the Aegean where most of islomanes prefer to live.<br />

Running time: 91’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Hacettepe University Faculty of Communication<br />

Sibel Tekin<br />

Beytepe Kampusu Rektorluk 11. Kat<br />

Ankara 06800, Turkey<br />

T. +90 312 297 6225<br />

F. +90 312 297 6226<br />

stekin@hacettepe.edu.tr<br />

230<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


154<br />

ITALY-GERMANY<br />

I<br />

Current Affairs<br />

ITALY: LOVE IT OR LEAVE IT<br />

Gustav Hofer, Luca Ragazzi<br />

Luca and Gustav have to decide: should they stay in Italy, or leave it, like so many of their<br />

friends have done already. Looking for reasons not to do the same, the two Italians jump<br />

into their old Fiat 500 and go on a emotional trip through their country to find out: Italy,<br />

love it, or leave it<br />

Running time: 75’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

HiQ productions<br />

Gustav Hofer<br />

via Macerata 56<br />

00176 Roma, Italy<br />

T. +39 3488800967<br />

gustavhofer@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 231


I<br />

512<br />

SOUTH KOREA-FRANCE<br />

Current Affairs<br />

ITINERARY OF A REBEL, TRACING A<br />

CITIZEN’S QUEST FOR DIGNITY<br />

Harkjoon Lee, Eunjung Lim<br />

In order to generate sufficient means for his wife left behind in North Korea to survive, Han<br />

accepts a job as a lumberjack in a camp situated in Siberia. The North Korean government<br />

in ruthless deals with Russian entrepreneurs offers willing citizens the opportunity for<br />

“work” in labor camps abroad. The wages are directly paid to the government who promises<br />

to pass the money on to the families left behind. When Han finds out that none of his<br />

wages have reached his wife, he escapes and, in an epic journey, crosses the whole of<br />

Siberia. He needs to reach Moscow where he plans to reach a Western embassy. He finally<br />

succeeds and is accepted as a refugee by the United States of America. In order to prove<br />

its existence, he accepts to return with us to the camp he escaped from. Now he is waiting<br />

for a way to get his wife out of the North, but he refuses to go and live in South Kores.<br />

Instead, he prepares for a new life in the US.<br />

Running time: 52΄<br />

Year of production: 2012<br />

Sales Company:<br />

Sales Contact Person:<br />

ICTV<br />

Michel Noll<br />

17 Rue du Colisee<br />

F-75008 Paris, France<br />

T. +33 1 4359 2679<br />

F. +33 1 6403 7101<br />

m.noll@ictv-solferino.com<br />

232<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


514<br />

ISRAEL<br />

J<br />

History & Politics<br />

JUST THE TWO OF US<br />

Tzipi Baider<br />

Just the Two of Us is the journey of 88-year-old Samuel Wilinberg and Kalman Taigman,<br />

two completely opposite personalities who happen to be the last two survivors of the Treblinka<br />

death camp.<br />

The film follows the two men as they walk back on the grounds from which the fled 68<br />

years ago. For the first time, they go back together, possibly for their last visit there. Together<br />

they re-live, reminisce, laugh, cry, and even sing the Treblinka anthem. Kalman lost his<br />

mother in Treblinka, Samuel lost his two sisters. “God wasn’t present in Treblinka,” they both<br />

agree while they are there.<br />

Running time: 42΄<br />

Year of production: 2011<br />

Production Company: Mor Tregger Delarya & Channel 10<br />

Production Contact Person: Mor Tregger Delarya<br />

Sales Company:<br />

Go2Films Distribution & <strong>Market</strong>ing<br />

Sales Contact Person: Hedva Goldschmidt<br />

37/8 Issar Natanzon St.<br />

Jerusalem 97787, Israel<br />

T. +972 2 583 1371<br />

F. +972 2 583 5450<br />

hedva@go2films.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 233


J<br />

515<br />

THE NETHERLANDS<br />

Current Affairs<br />

JUSTICE FOR SALE<br />

Femke & Ilse van Velzent<br />

Claudine, a young and courageous human rights lawyer in Congo struggles against injustice<br />

and widespread impunity as she investigates the case of a soldier who was convicted of<br />

rape and discovers that his trial was unfair and corrupted. He was convicted without any<br />

concrete evidence. In her journey to obtain justice, she uncovers a system where the basic<br />

principles of law are virtually ignored.<br />

Running time: 53΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

IF Productions<br />

Femke & Ilse van Velzen<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

Montreal / Quebec. H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

johnnadai@filmstransit.com<br />

234<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


516<br />

ISRAEL-GERMANY<br />

K<br />

Art, Music & Culture<br />

KAFKA’S LAST STORY<br />

Sagi Bornstein<br />

While the world may be eternally grateful to Max Brod for preserving some of the greatest<br />

works of 20th century literature and transforming Franz Kafka into a cultural icon, Kafka<br />

himself may be turning in his grave. Kafka’s final wish, that “all that is left in my estate must<br />

be burned completely, without reading,” was famously disregarded by his closest friend.<br />

Today, the fate of his invaluable manuscripts is at the heart of a heated debate involving<br />

millions of dollars and political wrangling between Israel and Germany. The film follows<br />

the manuscripts from their journey in Brod’s suitcase from Nazi occupied Europe to Israel,<br />

to their current location, gathering dust in a run-down Tel Aviv apartment, closely guarded<br />

by an unstable, eccentric woman and dozens of cats. The result is a twisted, bizarre detective<br />

story, whose irony and absurdity would not have been lost on the great man himself.<br />

Running time: 55΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Sagi Bornstein<br />

Ruth Diskin films Ltd.<br />

Cara Saposnik<br />

P O Box 7153<br />

Jerusalem 91071, Israel<br />

T. +972 2 672 4256<br />

F. +972 2 672 4210<br />

cara@ruthfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 235


K<br />

680<br />

PHILIPPINES<br />

Lifestyles<br />

KANO: AN AMERICAN AND HIS HAREM<br />

Monster Jiminez<br />

In 1969, an American Vietnam war hero relocates to a remote village in the Philippines and<br />

invites hundreds of women to live with him in his compound. Through money and violence,<br />

he was able to rule as a king. “It was like having a vacation everyday,” he recalls<br />

proudly.<br />

In 2002 he was charged with over 80 counts of rape.<br />

Victor Pearson is now in jail serving two life sentences, but many of the women remain<br />

by his side. Pearson and his harem form an extended family bound together with co-dependency<br />

and power issues. Although still behind bars, he has since married five of the<br />

women who testified against him in court keeping them in apartments in the neighborhood.<br />

Unrepentant, Victor Pearson is undoubtedly a charismatic character who lived his dream.<br />

When confronted with his abuse of girls as young as fourteen, he claims that the lifestyle<br />

and education he provided these women with, outweigh the charges leveled at him.<br />

Running time: 54΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Arkeo<br />

Monster Jiminez<br />

Sideways Film<br />

Kazz Basma<br />

19 Windus Road,<br />

London N16 6UT, UK<br />

T. +44 788 147 3603<br />

kazz@sidewaysfilm.com<br />

236<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


275<br />

GREECE<br />

K<br />

Lifestyles<br />

KATINOULA<br />

Myrna Tsapa<br />

Cairo 2010. Katinoula has grown old, but still actively serves a Greek-Egyptian lady the<br />

same age as she. Katinoula does the housework, haggles with the Egyptians in the marketplace<br />

and honors each day, even though all that’s left of her loved ones are just smiling<br />

faces in old photographs. Where did all these people go All these years Oh, let them<br />

go if they must... Let them fly away...<br />

Running time: 47’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Top Cut<br />

Amanda Livanou<br />

36, Amaroussiou Halandriou Str.<br />

15125 Athens Greece<br />

T. +30 6944757339<br />

F. +30 2106100 109<br />

amanda@topcut.tv<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 237


K<br />

517<br />

POLAND<br />

Lifestyles<br />

KIDS PLAY<br />

Maciej Adamek<br />

The film shows the world of adults reflected in a “distorting mirror” of demeanors, games<br />

and plays of pre-school age children. Girls play at being a family and complain that one<br />

of them has to be a man; others play hospital, dealing with the gravest of accidents; boys<br />

exchange comments on the nature of girls… With a specific way of intonation, gestures<br />

and mimicry, they exaggerate and put in focus the behavioral patterns that ordinarily escape<br />

our attention.<br />

unning time: 22΄<br />

Year of production: 2010<br />

Production Company: Koncept Media, TVP - Channel 2<br />

Production Contact Person: Aleksandra Biernacka<br />

Sales Company:<br />

TVP SA<br />

Sales Contact Person: Maria Nadolna<br />

17, J.P. Woronicza st<br />

Warsaw 00-999, Poland<br />

T. +48 22 547 8501<br />

F. +48 22 547 4248<br />

festivals@tvp.pl<br />

238<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


673<br />

GERMANY<br />

K<br />

Art, Music & Culture<br />

KING OF COMICS<br />

Rosa von Praunheim<br />

Ralf König, Germany’s most successful cartoonist, became famous with his comic book The<br />

Most Desired Man that was made into a film in 1994, starring Til Schweiger. Wittily playing<br />

with queer clichés, he also reaches a wide heterosexual audience. In King of Comics,<br />

Rosa von Praunheim portrays an unpretentious and modest man, whose brilliant observational<br />

skills have left their mark on generations.<br />

Running time: 80΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Rosa von Praunheim Filmproduktion<br />

Markus Thiarks<br />

m-appeal<br />

Anne Wiedlack<br />

Prinzessinnenstr 16<br />

Berlin 10969,Germany<br />

T. +49 306 150 7505<br />

F. +49 302 758 2872<br />

aw@m-appeal.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 239


K<br />

179<br />

CROATIA<br />

Sports<br />

THE KING<br />

Dejan Acimovic<br />

A documentary about one of the greatest sportsmen ever. Darko Kralj (the King) is the<br />

only sportsman in the history of sports who has beaten a world record in his category<br />

five times in a row at a single world championship. A Croatian paralympic in shot put,<br />

seriously wounded in 1991 during the war in Croatia, Darko Kralj almost died. <strong>Doc</strong>tors<br />

didn’t expect him to survive. Today, he lives with a wife and three sons, the eldest one<br />

being the one Darko is the most attached to. A similar destiny brought them together:<br />

the boy lost his biological father in the war. Tereza, his wife, has her own past. Towards<br />

the end of this unusual life story, we shall get a clearer understanding of where Darko’s<br />

strength and incredible love of life comes from...<br />

Running time: 75’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

DA film<br />

Dejan Acimovic<br />

Boskoviceva 16<br />

10 000 Zagreb, Croatia<br />

T. +38514816610<br />

F. +38514816610<br />

d.a.film@zg.t-com.hr<br />

240<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


264<br />

GREECE-USA<br />

K<br />

Current Affairs<br />

THE KING’S GARDEN<br />

Phoebe Fronista<br />

The King’s Garden is a documentary short that has one foot in the Bible and the other in<br />

the “volcanic core” of the Middle East conflict: the East Jerusalem neighborhood of Silwan.<br />

In Silwan, the apple of discord is the City of David, an archaeological site where the oldest<br />

finds in Jerusalem have been unearthed. Whoever controls the site controls the village;<br />

they also control its history. Through accounts of Silwan residents, archaeologists, and a<br />

child orphaned by the conflict, The King’s Garden chronicles the uneasy – and often<br />

bloody – relationship between archaeology, history and nationalism in present-day<br />

Jerusalem. The King’s Garden was produced with support from the Graduate School of Journalism<br />

at the University of California at Berkeley.<br />

Running time: 26’<br />

Year of production: 2011<br />

Production Contact Person:<br />

Phoebe Fronista<br />

7C Omirou Str.<br />

15236 Nea Penteli Athens Greece<br />

T. +30 2106132430<br />

phoebe.fronista@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 241


K<br />

253<br />

GREECE<br />

Current Affairs<br />

KRISIS<br />

Nikos Katsaounis, Nina Maria Paschalidou<br />

Krisis [an event that is, or expected to lead to, an unstable and dangerous situation affecting<br />

an individual, group, community or entire society], from the Greek word κρίνω, to judge.<br />

Krisis: a film about the Greek crisis. Part of the multimedia project The Prism GR2011, it is<br />

a collective documentation of Greece during 2010-11 using DSLR cameras. Krisis compiles<br />

different viewpoints, exploring the different dimensions of the afflicted nation. The characters<br />

are diverse and range from rebel leftist youth groups, to young Greek entrepreneurs,<br />

to a young couple abandoning city-life for something simpler on an island, to the troubled<br />

journey of immigrants as they attempt to reach Europe. Among the ruins, who are<br />

the heroes that emerge from the settling dust<br />

Running time: 62’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Forest Troop & N-CODED<br />

Nina Maria Paschalidou (Forest Troop)<br />

Nikos Katsaounis (N-CODED)<br />

nina@theprism.tv, nikos@theprism.tv<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

H3L 1A8 Montreal / Quebec Canada<br />

T. + 1 514 844 3358<br />

F. + 1 514 844 7298<br />

jan@filmstransit.com<br />

242<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


518<br />

ITALY<br />

L<br />

Lifestyles<br />

LAND BEFORE MY EYES<br />

Gaia Aducchio<br />

In October 2002, a terrible earthquake struck the small town of San Giuliano di Puglia in<br />

the South of Italy, killing 27 children and forcing the majority of the population to abandon<br />

the historic center of town and move to temporary accommodation a few hundred<br />

meters away. After years, the skeletons of buildings dismembered by the violence of the<br />

quake have been replaced by scaffolding and construction works, yet the grief following<br />

the loss of children is more alive now than ever.<br />

Running time: 60΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Fly Film Srl<br />

Gaia Adducchio<br />

Via L. Zambarelli 21<br />

Rome 00152, Italy<br />

T. +39 333 4051 439<br />

info@gaiaadducchio.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 243


L<br />

519<br />

AUSTRIA<br />

Current Affairs<br />

LANDSCAPES OF MEMORY –<br />

THE LIFE OF RUTH KLUGER<br />

Renata Schmidtkunz<br />

The first biography of international bestselling author Ruth Klüger.<br />

It is one thing to survive the Holocaust, but quite another to deal with the lasting impact<br />

of this experience.<br />

Ruth Klüger shares her thoughts on her childhood in anti-Jewish Vienna, her life in the<br />

States, her motherhood of two American sons and the culture of commemoration.<br />

Running time: 83΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Navigator Film Produktion & Co. KG<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 34 6934<br />

welcome@autlookfilms.com<br />

244<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


520<br />

ISRAEL<br />

L<br />

Environment & Wildlife<br />

THE LAST-MOMENT PEOPLE<br />

Ronen Zaretzky, Yael Kipper<br />

A human quest to rescue Israel’s remaining wildlife. An all-out battle – without too<br />

many victories – for the future of Israel’s unique natural environments and wild animals<br />

that fall – wounded, dead, run-over and poisoned. Is the disappearance of birds, gazelles<br />

and sea turtles a sign that Israel is changing from a land of nature to a land of real estate<br />

The uncompromising commitment of the film’s heroes inspires hope that the story isn’t over<br />

yet.<br />

Running time: 75΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Ronen Zaretzky, Yael Kipper<br />

Go2Films Distribution & <strong>Market</strong>ing<br />

Hedva Goldschmidt<br />

37/8 Issar Natanzon St.<br />

Jerusalem 97787, Israel<br />

T. +972 2 583 1371<br />

F. +972 2 583 5450<br />

hedva@go2films.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 245


L<br />

167<br />

ICELAND-GERMANY-UK-USA-THE NETHERLANDS<br />

Environment & Wild life<br />

LAST DAYS OF THE ARCTIC<br />

Magnus Vidar Sigurdsson<br />

Ragnar Axelsson, a.k.a. RAX, is among the most celebrated photographers in the world.<br />

His series “Faces of the North“ are a living document of the dying cultures of the far<br />

northern reaches of the planet, mainly Icelandic farmers, fishermen, and the great hunters<br />

of Greenland. His fascination with people who try to survive in extreme circumstances took<br />

him 25 years ago from Iceland to Greenland, where he “struck gold.” His photo essays of<br />

the hunters of Greenland are legendary. RAX could well have been a hunter himself – and<br />

we watch him as he stalks his images and strikes at the opportune moment. Fascinated<br />

by stories of half-forgotten people who have adapted to unspeakably harsh conditions, RAX<br />

is now documenting them as they cope with extreme changes to those conditions caused<br />

by climate change. Last Days of the Arctic is a celebration of the photographer and his subjects;<br />

an elegy for a disappearing landscape and the people who inhabit it.<br />

Running time: 90’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Sagafilm<br />

Margret Jonasdottir<br />

Mercury Media International Ltd<br />

Ben Wharton<br />

MercuryMedia International Ltd<br />

7 Baseline Business Studios<br />

Whitchurch Road, London W11 4AT<br />

T. +44 0 20 7221 7465<br />

F. +44 0 20 7221 7228<br />

ben@mercurymedia.org<br />

246<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


191<br />

USA<br />

L<br />

Art, Music & Culture<br />

LAST FAST RIDE: THE LIFE,<br />

LOVE AND DEATH OF A PUNK GODDESS<br />

Lilly Scourtis Ayers<br />

She was smart, beautiful and talented, and as lead singer of The Insaints, would-be rock<br />

star Marian Anderson reigns as one of the Bay Area’s most provocative and controversial<br />

lead singers of the 90s punk scene. The fetish model and dominatrix quickly became known<br />

for her wild and lewd live sex acts during performances, which often involved other<br />

women and bananas. Narrated by pop-culture icon Henry Rollins, Last Fast Ride – The Life,<br />

Love and Death of a Punk Goddess, is the cautionary tale of the youth, tormented adolescence<br />

and tragic, untimely demise of this legendary performer.<br />

Running time: 87’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Cinespire Entertainment/Desert Flower Productions<br />

Lilly Scourtis Ayers<br />

Mark Litwak and Associates<br />

Mark Litwak, Esq.<br />

433 N. Camden Drive, Suite 1010<br />

Beverly Hills, CA 90210<br />

T. 1 310 859-9595<br />

F. 1 310 859-0806<br />

Law3@marklitwak.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 247


L<br />

161<br />

USA<br />

Environment & Wild life<br />

THE LAST MOUNTAIN<br />

Bill Haney<br />

The fight for the last great mountain in America’s heartland pits a mining giant – that wants<br />

to explode it for its coal – against local families fighting to save their mountain, their heritage<br />

and their futures. The mining and burning of coal is at the epicenter of America’s struggle<br />

to balance its energy needs and environmental concerns, so the daring solution proposed<br />

by this small Appalachian community takes on national significance when Bobby<br />

Kennedy, Jr. joins the Appalachian families to fight the insidious power of Big Coal. A passionate<br />

and personal tale that highlights the extraordinary power of ordinary Americans<br />

when they fight for what they believe in, The Last Mountain showcases a battle for the future<br />

of energy that affects us all.<br />

Running time: 95’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Uncommon Productions<br />

Debra Longo<br />

ro*co films international<br />

Annie Roney<br />

80 Liberty Ship Way, Suite 5<br />

Sausalito, CA 94965<br />

T. +15-332-6471<br />

F. +415-332-6798<br />

annie@rocofilms.com<br />

248<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


521<br />

MEXICO<br />

L<br />

Lifestyles<br />

LESSONS FOR A WAR<br />

Juan Manuel Sepúlveda M.<br />

A film about survival, a celebration of the defense of life by a people preparing to resist a<br />

new war. A song of hope in the face of a war that is not exclusive to them, but is faced by<br />

many peoples throughout the world.<br />

Running time: 100΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

Mexican Film Institute<br />

Pablo Briseño<br />

Insurgentes sur 674, 2nd floor, Del Valle<br />

03100 Mexico City, Mexico<br />

T. +52 55 5448 5339<br />

F. +52 55 5448 5380<br />

difuinte@imcine.gob.mx<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 249


L<br />

522<br />

ITALY-SWEDEN<br />

Current Affairs<br />

LETTER FROM MY CHILD<br />

Tessa Boerman<br />

These six documentaries focus on families from six countries all over the world. Countries<br />

where families have to bear the consequences of armed conflict, violence or crime, natural<br />

and economic disaster, human rights violations and social exclusion. Letter from My Child<br />

tries to give a human face to front-page news. Personal stories translate major news events<br />

into human tragedies. Children are the future, although their opinion is hardly ever heard.<br />

This series gives these children a voice.<br />

Running time: 6 x 30΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Ikon Television<br />

Pauline Veltman<br />

NPO/RNW Sales<br />

Ellie Beijaard<br />

Sumatralaan 45<br />

1217 GP Hilversum, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

250<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


523<br />

PORTUGAL-ANGOLA<br />

L<br />

History & Politics<br />

LETTERS FROM ANGOLA<br />

Dulce Fernandes<br />

Letters from Angola is a voyage into a forgotten past where several stories intersect – that<br />

of Angolan-born filmmaker Dulce Fernandes and those of the Cubans who fought in the<br />

Angolan war. A journey through today’s Cuba, the film uncovers the lost connection to a<br />

land left behind and is a poetic reflection on the fragile place of the individual in the midst<br />

of the tectonic movements of history.<br />

Running time: 55΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Real Ficção & Dread Locks<br />

Rui Simões<br />

Marfilmes<br />

Renée Gagnon<br />

63 Av. Duque de Loulé, 79 r/c Dto. A<br />

Lisboa 1050-088, Portugal<br />

T. +35 121 314 0339<br />

F. +35 121 353 3075<br />

marfilmes@netcabo.pt<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 251


L<br />

174<br />

FRANCE<br />

Current Affairs<br />

LETTERS FROM IRAN<br />

Manon Loizeau<br />

While winds of freedom blow through the Arab world, the Iranian youth waits. They were<br />

the first to rise up against their leaders in 2009. The first to use Twitter, Facebook and<br />

YouTube, filming the fall-out of their failed revolution on cameraphones. Now, Iran has<br />

closed itself off to the Western media, making it difficult to get an inside story from the outside.<br />

For the past two years, the director has been following survivors of the repression.<br />

Piecing together interviews, footage from hidden cameras and more, she paints a fascinating<br />

portrait of the aftermath of the Green Revolution.<br />

Running time: 52’ & 78’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Magneto Presse<br />

Java Films<br />

Kathryn Bonnici<br />

4 - 6 Villa Thoreton, 75015 Paris, France<br />

T. +33 140 60 26 24<br />

F. +33 140 60 26 49<br />

kathryn@javafilms.fr<br />

252<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


524<br />

ISRAEL<br />

L<br />

Art, Music & Culture<br />

LIFE IN STILLS<br />

Tamar Tal<br />

At the age of 96, Miriam Weissenstein is facing a new chapter in her life, when “The Photo<br />

House” – her late husband Rudi’s life’s work – is destined for demolition. Under the cloud<br />

of a family tragedy, a special relationship is forged between Miriam and her grandson, Ben,<br />

as they join forces to save the shop and its nearly one million negatives that document Israel’s<br />

defining moments. Despite the generation gap and many conflicts, Ben and Miriam<br />

embark on a heart-wrenching journey, comprising many humorous and touching moments<br />

– a journey that requires a lot of love, courage and compassion.<br />

Running time: 59΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Heymann Brothers Films<br />

Barak Heymann<br />

Rise and Shine World Sales<br />

Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 253


L<br />

525<br />

USA<br />

Current Affairs<br />

THE LIGHT IN HER EYES<br />

Julia Meltzer, Laura Nix<br />

Houda al-Habash, a conservative Muslim preacher, founded a Qur’an school for girls in<br />

Damascus, Syria when she was just 17 years old. Every summer, her female students immerse<br />

themselves in a rigorous study of Islam, in addition to their secular schooling. A surprising<br />

cultural shift is underway – women are claiming space within the mosque, a place<br />

historically dominated by men. Challenging tradition, Houda insists education for women<br />

is a form of worship. Using Qur’anic teachings, she encourages her students to pursue<br />

higher education, jobs, and public lives, while remaining committed to an interpretation<br />

of Islam prioritizing women’s role as wives and mothers.<br />

Running time: 87΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Clockshop<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17,<br />

Vienna 1040, Austria<br />

T. +43 720 34 6934<br />

welcome@autlookfilms.com<br />

254<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


666<br />

BRAZIL<br />

L<br />

Art, Music & Culture<br />

LIGHTS, CAMERA, PICHAÇÃO<br />

Gustavo Coelho, Marcelo Guerra, Bruno Caetano<br />

First of all, “pichaçao” is not graffiti. It is something distinct that only happens in Brazil. What<br />

a subversion it is to sign the whole city with your own made-up name, especially a city<br />

that seems not to be projected for you This film is a chance to find in this aesthetic production,<br />

susceptible to be named as “crime”, fonts to think with audacity, the fragmentations<br />

and indifferences that constitute a huge part of the contemporary challenges for our<br />

society.<br />

Why are all large cities – and even the not so large – tagged by names made up by a youth<br />

that is anonymous to the majority How important for a broader understanding of our society<br />

can it be to break such barriers and listen to them, talk to them After all, aren’t we<br />

all practioners and authors of the same city Lights, Camera, Pichaçao is a film to do this<br />

reflection more of the social contact than of a prompt denial.<br />

Running time: 102΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Hand<br />

Gustavo Coelho<br />

Rua Almirante Tamandaré, 66,<br />

cob 4. Largo do Machado<br />

Rio de Janeiro / RJ – Brasil<br />

CEP: 22210-060<br />

T. +55 21 8843 0757<br />

producao@luzcamerapichacao.com.br<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 255


L<br />

147<br />

ITALY-SPAIN<br />

Lifestyles<br />

LION SOULS<br />

Manu Gerosa, Salva Muñoz<br />

Evoking the soul of a country through a story of adversity, courage and hope, Lion Souls<br />

is a journey in Zimbabwe following the lives of two men, brought together not by fate, but<br />

by faith in a brighter future. Carlo Spagnolli is an Italian surgeon who has devoted his life<br />

to helping others in Africa. Thomas is one of his patients, a 25-year-old man confined to<br />

a wheelchair after a ruthless beating by soldiers that severely damaged his spine. With<br />

Carlo’s help, Thomas will face the biggest challenge of his life: standing up and walking<br />

again. The two men meet as doctor and patient, but their story is much deeper than that<br />

of a Good Samaritan and a helpless victim. It’s a story about the power of ideals; about<br />

keeping the faith; about fighting the good fight in the face of adversity. It’s a parable of healing,<br />

and not just of one man...<br />

Running time: 75’<br />

Year of production: 2012<br />

Production Company:<br />

Sales Contact Person:<br />

Oneworld <strong>Doc</strong>uMakers<br />

Manu Gerosa/Salva Muñoz<br />

via Monte Cauriol, 7/B<br />

Rovereto (Trento), 38068, Italy<br />

T. +39 3480347460<br />

info@manugerosa.com<br />

256<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


526<br />

BELGIUM<br />

L<br />

Current Affairs<br />

LITTLE HEAVEN<br />

Lieven Corthouts<br />

The children living in the Ethiopian orphanage “Little Heaven” are told that they have HIV<br />

on the day of their 13th birthday. For the main character Lydia, this is without a doubt one<br />

of the most emotional events in her life, and with difficulty she can now understand why<br />

she is an orphan, and why she is so often ill and in hospital. In spite of this sad news, Lydia<br />

has no intention of sitting at home being depressed. She wants to live, and to dream.<br />

This is why as soon as she arrives into the room of the new orphanage, she hangs her motto<br />

above her bed: “I want to be happy every day”. The other children in the new orphanage<br />

do all they can to support her. Lydia’s illness also prevents her from doing what she absolutely<br />

adores the most but no longer has the strength for, which is dancing. The children<br />

in the orphanage receive news that the students with the best results can go to a better<br />

school in the coming year. This news encourages Lydia to persevere with her illness, and<br />

towards her dream to become a teacher later on in life, and she is now more determined<br />

than ever before to make this dream come true.<br />

Running time: 70΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Off World<br />

Frederik Nicolai<br />

Taskovski Films<br />

Manuela Buono<br />

7 Granard Business Centre, Bunns Lane<br />

London NW7 2DQ, UK<br />

T. +39 34 7627 3790<br />

sales@taskovskifilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 257


L<br />

527<br />

IRELAND-UK<br />

Art, Music & Culture<br />

LITTLE MATADOR<br />

Sandra Jordan<br />

Set in the astonishing world of child matadors, this documentary follows three children<br />

who fight in the bullrings of Mexico. Little Matador describes the intense rite of passage<br />

these children make – an emotional and yet unnatural test of children’s courage. Filmed<br />

over an eighteen-month period.<br />

Running time: 90΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Element Pictures<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17,<br />

Vienna 1040, Austria<br />

T. +43 720 34 6934<br />

welcome@autlookfilms.com<br />

258<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


528<br />

USA<br />

L<br />

Art, Music & Culture<br />

LOST BOHEMIA<br />

Josef Birdman Astor<br />

For over a century, New York’s Carnegie Hall rented work-live studio spaces atop the famous<br />

music hall to artistic tenants such as Marlon Brando, Paddy Chayefsky and Isadora Duncan.<br />

“As a tenant with unlimited access into this little known world, I began to videotape<br />

my neighbors whose lives intersected with decades of artistic history. But the project took<br />

an abrupt turn when The Carnegie Hall Corporation terminated all our leases, and instigated<br />

a plan to eliminate the 115 year old artists’ colony put in place by Andrew Carnegie.” Lost<br />

Bohemia follows the protracted battle by the tenants to preserve their community and the<br />

rich heritage of the studios.<br />

Running time: 78΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Jody Shields<br />

Cinephil<br />

Ori Bader<br />

18 Levontin Street,<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 259


L<br />

130<br />

DENMARK<br />

Lifestyles<br />

LOVE ADDICT<br />

Pernille Rose Grønkjær<br />

Stories of dreams, obsession and longing. How does it feel to be addicted to love To rush<br />

from zero to Velcro at first sight Through seven personal stories comes a tale of the longing<br />

for life’s ultimate aphrodisiac: Love. Addicts trapped in a fantasy, riding high on the<br />

white horse of eternal, passionate love. A film about the all-consuming obsession to obtain<br />

and arrest the love of others. The give and take between trust and neglect, dreams and<br />

delusions, pleasure and pain, sanity and insanity and the inescapable fact that in the end<br />

we all just want to love and be loved in return.<br />

Running time: 82’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Nimbus Rights II ApS<br />

Sigrid Dyekjær<br />

DR International Sales<br />

DR Byen<br />

Emil Holms Kanal 20<br />

0999 København C<br />

www.drsales.dk<br />

drsales@dr.dk<br />

260<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


176<br />

SWEDEN<br />

L<br />

Art, Music & Culture<br />

LOVE ALWAYS, CAROLYN – A FILM<br />

ABOUT KEROUAC, CASSADY AND ME<br />

Maria Ramström, Malin Korkeasalo<br />

They say behind every great man is a great woman. Carolyn Cassady was behind two. Wife<br />

of beatnik icon Neal Cassady and lover-muse of Jack Kerouac, Carolyn saw her life story and<br />

the memory of the men she loved hijacked by mythmakers. Love Always, Carolyn is the intimate,<br />

graceful portrait of a patient matriarch who could never escape the constant wake<br />

of her husband’s epic misadventures.<br />

Running time: 70’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

WG Films<br />

Emma Svensson<br />

CAT&<strong>Doc</strong>s<br />

Catherine Le Clef<br />

T. +33 1 44 59 63 53<br />

cat@catndocs.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 261


L<br />

671<br />

UK<br />

Science & Technology<br />

LOVE HATE AND EVERYTHING<br />

IN BETWEEN (A FILM ON EMPATHY)<br />

Alex Gabbay<br />

(Please note, this is a rough cut version of the film).<br />

Man’s ability to show extreme kindness and solidarity is foreshadowed only by his ability<br />

to be as cruel and destructive. Revolutions and natural disasters unite us; conflict, genocide,<br />

and apartheid divide us. Can empathy resolve issues of aggression and human<br />

rights, where wars, politics and economic sanctions have failed<br />

Love Hate and Everything in Between immerses us into the world of neuroscience, developmental<br />

psychology and technology, as the world’s leading scientists and social thinkers<br />

investigate the future of empathy.<br />

Running time: 52΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Monkey & Me Films<br />

Alex Gabbay<br />

JMT Films Distribution<br />

Michael Treves<br />

20 Bialik st<br />

Tel Aviv 63324, Israel<br />

T. +972 5 23633 398<br />

michael@JMTFilms.com<br />

262<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


173<br />

USA<br />

L<br />

History & Politics<br />

THE LOVING STORY<br />

Nancy Buirski<br />

Under Stalin, hundreds of thousands of children were born into or sent to the Gulags. Children<br />

as young as 3 years old could be considered dangerous counter-revolutionaries and<br />

taken to the wilds of Siberia. Condemned for “coming from the worst stock,” these children<br />

were separated from their families, abused, neglected and starved. Over time, more and<br />

more babies were born into the hell of the work camps. They grew up never knowing their<br />

families or homeland, believing that every child in the world lived the same way. Of the<br />

generations that grew up in the Gulags, only a few remain. In this moving documentary,<br />

they tell their stories.<br />

Running time: 77’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Augusta Films LLC<br />

Nancy Buirski<br />

Louise Rosen LTD<br />

Louise Rosen<br />

16 High Street, Brunswick, ME 04011, USA<br />

T. +1 207 725 8215<br />

lrosenltd@aol.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 263


L<br />

529<br />

MEXICO<br />

Lifestyles<br />

LUPE EL DE LA VACA<br />

Blanca Aguerre<br />

This is the name of a peculiar character whom we never get to see, though he provides the<br />

title for this documentary and serves as a playful excuse to get close to the inhabitants of<br />

a rural community in Sierra del Tigre, Jalisco, to talk about livelihoods in the Mexican countryside.<br />

A simple homage full of “good mil” to these farmers who love their work.<br />

Running time: 80΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Filmoteca de la UNAM, Centro de<br />

apacitación Cinematográfica (CCC)<br />

Mexican Film Institute<br />

Pablo Briseño<br />

Insurgentes sur 674, 2nd floor, Del Valle<br />

03100 Mexico City, Mexico<br />

T. + 52 55 5448 5339<br />

F. + 52 55 5448 5380<br />

difuinte@imcine.gob.mx<br />

264<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


530<br />

ISRAEL<br />

L<br />

History & Politics<br />

LUXURIES<br />

David Ofek<br />

Edna Kowarsky and Elinor Kowarsky’s (Eden Productions) Luxuries reveals the consequences<br />

of a political policy that limits the flow of goods into Gaza. The film exposes the<br />

arbitrary line Israel draws between bare necessities and luxuries.<br />

Running time: 54΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Eden Productions<br />

Edna Kowarsky<br />

Cinephil<br />

Ori Bader<br />

18 Levontin Street,<br />

Tel Aviv 65112, Israel<br />

T. +97 23 566 4129<br />

F. +97 23 560 1436<br />

info@cinephil.co.il<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 265


310<br />

GREECE<br />

M<br />

Current Affairs<br />

MADAGASCAR: STARING AT THE HOPE<br />

Dimitris Vrakas<br />

Bishop Igantius is a monk from Holy Mount Athos. His missionary work began in India,<br />

where he remained for 14 years, while the last 8 years he offers important spiritual and<br />

social work in Madagascar. The documentary Madagascar: Staring at the Hope shows moments<br />

of the everyday life there and the efforts of the Orthodox Missionary.<br />

Running time: 43΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Orthodox Missionary Fraternity (Thessaloniki)<br />

Notis Psarras<br />

1 Amfilohias Str.<br />

54633, Thessaloniki, Greece<br />

T. + 30 6957 629450<br />

sou192@yahoo.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 267


M<br />

531<br />

AUSTRIA<br />

History & Politics<br />

MAMA ILLEGAL<br />

Ed Moschitz<br />

They gave the smugglers all their money and risked their life on the journey across the borders:<br />

three women from a small town in Moldavia, living now in Austria as cleaning<br />

women. On top of their hard job they live a life in illegality without documents, far away<br />

from their children and family for years. A film about the price of the dream of a better life.<br />

Running time: 102΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Golden Girls<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

268<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


532<br />

PORTUGAL<br />

M<br />

Art, Music & Culture<br />

THE MAN BEHIND AMALIA<br />

Nicholas Oulman<br />

Alain Oulman was born in Lisbon in 1928 to a conservative family. He was passionate about<br />

books, music and Amalia, with whom he worked very closely. Persecuted by Salazar’s<br />

regime and later exiled to France, Oulman seems to have lived several existences – all of<br />

them brilliant – which this film gives us the opportunity to finally get to know.<br />

Running time: 108’<br />

Year of production: 2010<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Glimpse & Dragocom<br />

Paulo de Sousa<br />

Marfilmes<br />

Renée Gagnon<br />

63 Av. Duque de Loulé, 79 r/c Dto. A<br />

Lisboa 1050-088, Portugal<br />

T. +35 121 314 0339<br />

F. +35 121 353 3075<br />

marfilmes@netcabo.pt<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 269


M<br />

533<br />

MEXICO<br />

Lifestyles<br />

ΤΗΕ MAN WHO LIVED IN A SHOE<br />

Gabriella Gomez-Mont<br />

This is a story of a man, José Luis “El Güero” Robles Gil, a story of reality versus fantasy, love<br />

and madness, in the blink of an eye. A life poised almost at the border of fiction. It is the<br />

story of a man who lived inside a shoe, and the woman who accompanied him.<br />

Running time: 90΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Tóxico Cultura & Fondo para la<br />

Producción Cinematográfica de Calidad (Foprocine)<br />

Mexican Film Institute<br />

Pablo Briseño<br />

Insurgentes sur 674, 2nd floor, Del Valle<br />

03100 Mexico City, Mexico<br />

T. +52 55 5448 5339<br />

F. +52 55 5448 5380<br />

difuinte@imcine.gob.mx<br />

270<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


534<br />

GERMANY<br />

M<br />

Art, Music & Culture<br />

MARK LOMBARDI - DEATH DEFYING<br />

ACTS OF ART AND CONSPIRACY<br />

Mareike Wegener<br />

A few weeks after 9/11, an FBI agent called the Whitney Museum of American Art and<br />

asked to see a drawing on exhibit there. The piece was by Mark Lombardi. Just months earlier,<br />

the artist was found dead in his studio. Although the official cause of death was documented<br />

as a suicide, there were many doubts. Using just a pencil and a huge sheet of paper,<br />

Lombardi had created an intricate pattern of curves and arcs to illustrate the links<br />

between global finance and international terrorism. This documentary is a dense portrait<br />

of Lombardi’s life and work that examines how art can express universal truths that are reflected<br />

in our present.<br />

Running time: 54΄ & 82΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Unafilm<br />

Titus Kreyenberg<br />

Rise and Shine World Sales<br />

Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 271


M<br />

535<br />

IRAN<br />

Art, Music & Culture<br />

MAYBE TOMORROW<br />

Ramtin Lavafi<br />

Damoon and Salah are two young musicians who decide to hold a concert. After months<br />

of trying, they get a permit from the Iranian Ministry of Culture, but just a few days before<br />

their concert the permit is canceled due to the presidential election. Damoon, who’s<br />

frustrated by music, quits playing the guitar and teaching music and English, that he’d studied<br />

academically, and goes to work at a print-house. Salah also starts to teach his major,<br />

philosophy. After a while, they make an unusual choice: playing music in the streets. Musicians<br />

have encountered many problems in post-revolutionary era and Western music is<br />

mostly taboo in public. What could happen to those who perform such music in the streets<br />

How will ordinary people and the police react<br />

Running time: 63΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Ramtin Lavafi<br />

Iranian Independents<br />

Mohammad Atebbai<br />

PO Box 15875-4769<br />

Tehran, Iran<br />

T. +98 912 319 8693<br />

info@iranianindependents.com<br />

272<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


536<br />

GERMANY-SOUTH AFRICA<br />

M<br />

Lifestyles<br />

MEANWHILE IN MAMELODI<br />

Benjamin Kahlmeyer<br />

Recorded for all eternity: the ecstasy in Steven’s face when South Africa scores the first goal<br />

of the 2010 World Cup. In Extension 11, one of the countless districts of the township of<br />

Mamelodi, Pretoria, all hell breaks loose. For a brief moment, Steven forgets what he calls<br />

the most important thing in his life and, at some other point in the film: “doing business”.<br />

A big term for the little kiosk that feeds his family. Set against the World Cup, Meanwhile<br />

in Mamelodi shows the lives of ordinary people who must hustle to get by. Moskito for example,<br />

Steven’s gawky 17-year-old daughter, who confidently describes herself as a child<br />

of the post-Apartheid generation and is looking for a way out of poverty. Steven’s wife is<br />

suffering from a mysterious mental disease that is kept at bay only by massive doses of<br />

medication. Another burden. No, life isn’t easy. But Steven steadfastly pursues his plan. In<br />

one of the most beautiful scenes of this very intimate portrait of a family, Steven sings the<br />

song about the boss while he serves his customers. Anything is better than working for<br />

the man. An insight that is true whatever the colour of your skin is.<br />

Matthias Heeder (Dok Leipzig 2011)<br />

Running time: 74΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Filmakademie Baden-Württemberg<br />

Sigrid Gairing<br />

Akademiehof 10<br />

Ludwigsburg 71638 ,Germany<br />

T. +49 7141 969 193<br />

F. +49 7141 969 55 193<br />

sigrid.gairing@filmakademie.de<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 273


M<br />

296<br />

GREECE<br />

Art, Music & Culture<br />

MEDITERRANEA – CRETE<br />

Panos Karkanevatos<br />

A musical journey in the Mediterranean, hosted by Kostis Maraveyas, where he meets folklore<br />

and modern musicians from all over the Mediterranean. He gets to know them, exchanges<br />

ideas, listens to their music, becomes part of their company and plays along with<br />

them. Through the common language of Music, he gives us the opportunity to live the experience<br />

as well as passing on to us valuable knowledge. We can share with them their<br />

everyday moments, their cheerful moments, the time they spent enjoying themselves and<br />

we celebrate with them. We travel to Crete, one of the biggest Mediterranean islands and<br />

with the company of Psarantonis and his children, George, Lampis and Niki, all of them<br />

great musicians, and his brother too, the lute player and as teacher, Gianni Xylouri, we enter<br />

deep into the Cretan music and the Cretan way of life, where music is considered to be<br />

a rite and a rejuvenation of the soul. After all, music is, our common country. It unites us,like<br />

the Mediterranean. The Journey goes on…<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Vergi Film Productions<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Panos Karkanevatos<br />

panos2k@otenet.gr<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11, F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

274<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


298<br />

GREECE<br />

M<br />

Art, Music & Culture<br />

MEDITERRANEA – CYPRUS<br />

Panos Karkanevatos<br />

A musical journey in the Mediterranean, hosted by Kostis Maraveyas, where he meets folklore<br />

and modern musicians from all over the Mediterranean. The journey continues in<br />

Cyprus. The island where (the feeling of) division, military possession and presence is everywhere.<br />

We meet with Alkinoo Ioannidi, the famous composer and songwriter who comes<br />

from there. Music is blended with thoughts and memories. We get together with very significant<br />

representatives of tradition and musicians of the contemporary Cyprian music era.<br />

Many young people who have left abroad return to Cyprus, whereas more and more young<br />

ones stay at the island and create a new “music stage”. Nowadays,Cyprus cannot be easily<br />

recognised. There is always something missing. The Green Line is not only a border line.<br />

It is everywhere in everyday peoples’ lives. You may surpass it or even ignore it for a while<br />

but you can never forget it, therefore it is of crucial importance the participation in the documentary<br />

of Turkish Cypriots. After all, music is, our common country. It unites us, like the<br />

Mediterranean. After all, music is, our common country. It unites us,like the Mediterranean.<br />

The Journey goes on…<br />

Running time: 50΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Vergi Film Productions<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Panos Karkanevatos<br />

panos2k@otenet.gr<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave., 15342 Athens Greece<br />

T. +30 210 607 57 11, F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 275


M<br />

297<br />

GREECE<br />

Art, Music & Culture<br />

MEDITERRANEA – LISBON<br />

Panos Karkanevatos<br />

A musical journey in the Mediterranean, hosted by Kostis Maraveyas, where he meets folklore<br />

and modern musicians from all over the Mediterranean. The journey continues at the<br />

most western point of the Mediterranean, Lisbon, where the fado was born, which is the<br />

most remarkable, extraordinary and fascinating kind of music ever born in Portugal.<br />

In the old neighbourhoods of Lisbon,we come across the modern star of fado, an international<br />

scale singer and particularly cherished, popular with the greek audience, Mariza. Teresa<br />

Salgueiro, equally admired, is the special voice of Madredeus, adding a lyrical dimension to<br />

the songs. We meet as well the singer Celeste Rodriguez, the sister of the great Amalia Rodriguez,who<br />

helped fado meet poetry. Representatives of the new “fadistas” generation like<br />

Christina Branco, Cuca Roseta and Duarte sing and talk about the great music legacy they<br />

inherited. A different approach to the contemporary music of Lisbon is offered by the Deolinda,a<br />

band that combines fado with modern music trends. Finally,Milton Gulli of the<br />

Cacique ’97 guides as through the slums of Lisbon full of intense African spirit. After all, music<br />

is, our common country. It unites us,like the Mediterranean. The Journey goes on…<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Vergi Film Productions<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Panos Karkanevatos<br />

panos2k@otenet.gr<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave., 15342 Athens Greece<br />

T. +30 210 607 57 11, F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

276<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


537<br />

THE NETHERLANDS<br />

M<br />

Art, Music & Culture<br />

MEET THE FOKKENS<br />

Gabrielle Provaas, Rob Schroder<br />

Louise and Martine Fokkens are identical twins. For over 40 years they worked as prostitutes.<br />

They freed themselves from the control of their pimps, ran their own brothel, and set<br />

up the first informal trade union for prostitutes. Now they bid their farewells. A portrait of<br />

these remarkable women, as well as a history of the Red Light District in Amsterdam over<br />

the past fifty years<br />

Running time: 70΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Submarine<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17,<br />

Vienna 1040, Austria<br />

T. +43 720 34 6934<br />

welcome@autlookfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 277


M<br />

336<br />

GREECE<br />

Art, Music & Culture<br />

MEETING WITH REMARKABLE MEN<br />

– CINEASTES<br />

Menelaos Karamaghiolis<br />

Who is Pierre Rissient Clint Eastwood, Bertrand Tavernier, Quentin Tarantino and Abas<br />

Kiarostami describe how Rissient became a driving force for film makers in international<br />

independent cinema, and how film directors can transcend borders and redefine the values<br />

of their art. Along with the producer Mari-Pierre Macia and the director of Arte,<br />

Michel Reilhac, they give survival lessons to a young Greek director and guide him though<br />

the international prospects of modern cinema with examples that encourage him to keep<br />

on expanding the creative potential of Greece.<br />

Running time: 61’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Blonde SA, ERT S.A Hellenic Broadcasting Corp.<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

Blonde SA<br />

Fenia Cossovitsa<br />

T. +30 210 6080 650<br />

fenia@blonde.gr<br />

278<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


294<br />

GREECE<br />

M<br />

History & Politics<br />

MEETINGS WITH REMARKABLE MEN<br />

– DEAR ANCESTOR…<br />

Menelaos Karamaghiolis<br />

Αll the way from Astoria NY, Theodoros Kolokotronis, a second-generation Greek-American,<br />

returns to Greece, seeking the historical traces of his namesake, the glorious general<br />

of the Greek War of Independence from the Ottoman Empire (1821). This search becomes<br />

a concise guide to the multi-faceted identity of the Greeks: ancient symbols that have survived<br />

or are being revived, proud descendants of the heroes of the War of Independence,<br />

student parades and pageants, all paint a vivid picture of the contradictions of Modern<br />

Greece, a country that is trying to cope with a serious crisis, armed only with its memories.<br />

Running time: 59’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Blonde SA, ERT S.A Hellenic Broadcasting Corp.<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

Blonde SA<br />

Fenia Cossovitsa<br />

T. +30 210 6080 650<br />

fenia@blonde.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 279


M<br />

335<br />

GREECE<br />

Science & Tecnology<br />

MEETING WITH REMARKABLE MEN<br />

– THE SIZE OF THE ISLET<br />

Menelaos Karamaghiolis<br />

Teenage students Nicholas, who has already been accepted at Stanford University; George,<br />

a world champion in Maths Olympiads; sightless Argyris and juvenile prison inmate, A.K.,<br />

all of them highly distinguished for their performance in Mathematics, seek the advice and<br />

guidance of Christos. Ch. Papadimitriou and Constantinos Daskalakis, theorists of Computer<br />

Science at UC Berkley and MIT respectively, while they participate in math contests and<br />

prove that everyone has a right to one’s dreams. Their stories are the answer to those who<br />

worry about the future of Greece.<br />

Running time: 49’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Blonde SA, ERT S.A Hellenic Broadcasting Corp.<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

Blonde SA<br />

Fenia Cossovitsa<br />

T. +30 210 6080 650<br />

fenia@blonde.gr<br />

280<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


538<br />

ISRAEL-USA-JAPAN<br />

M<br />

Lifestyles<br />

MELISSA MOM AND ME<br />

Limor Pinhasov<br />

Yael and Melissa, an Israeli and an American, met while working as strippers in Japan. Tottering<br />

on high heels and sporting bunny ears, Yael filmed their coke-fuelled backstage antics.<br />

Then one day, during the filming, Melissa revealed the story of her abusive father, the<br />

story of her 3 abandoned kids, and mostly, her feelings of being lost in the world… Once<br />

Yael returned to Israel, she married, and became a respected photographer. Melissa disappeared.<br />

Seven years later, Yael decides to travel to the USA and find the beautiful, enigmatic<br />

Melissa. The heart of this film is the powerful reunion of two courageous, sincere<br />

women, whose lives have taken dramatically divergent paths. Winner of the IAWRT (International<br />

Association of Women in Radio and Television) Award for Excellence for Television<br />

<strong>Doc</strong>umentary.<br />

Running time: 54΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Cicero Films<br />

Yaron Kaftori<br />

Dogwoof<br />

Ana Vicente<br />

Unit 211 Hatton Square Business Centre<br />

16-16a Baldwins Gardens<br />

London EC1N 7RJ, UK<br />

T. +44 207 831 7252<br />

global@dogwoof.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 281


M<br />

539<br />

FRANCE<br />

History & Politics<br />

MEMORYLAND<br />

Marie-Pierre Jaury, Grégoire Bénabent<br />

Memoryland or how Ground Zero is being turned into a place where the tragedy of September<br />

11 is endlessly “replayed,” or rather re-lived. As if it were not just a question of remembering<br />

the final moments of all those who died there, but proof that this is where<br />

America became the innocent and courageous victim of a dark page of history… Work<br />

on the construction of the “National 9/11 Museum” progresses in view of the opening in<br />

Sept. 2012. It will welcome millions of visitors from around the world. For now, everything<br />

here is a pretext for commemoration. The victory cries of “Obama got Osama” and demonstrations<br />

of patriotic fervor at the death of Bin Laden have shown that the wound is still<br />

raw.<br />

Running time: 50΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Point du Jour,<br />

Point du Jour International<br />

Doris Weitzel<br />

23 Rue de Cronsadt<br />

F-75015 Paris, France<br />

T. +33 1 7544 8088<br />

F. +33 1 4531 1305<br />

d.weitezl@pointdujour.fr<br />

282<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


540<br />

ISRAEL<br />

M<br />

Art, Music & Culture<br />

MENDELSOHN’S INCESSANT VISIONS<br />

Duki Dror<br />

This film is a cinematic meditation about the untold story of Erich Mendelsohn, whose life<br />

and career were as enigmatic and tragic as the course of the century. He drew sketches on<br />

tiny pieces of paper and sent them, from the trenches, to a young cellist, who was waiting<br />

for him in Berlin. She thought he was a genius and after WWI she helped him become<br />

the busiest architect in Germany. When she planned to leave him, for a communist poet,<br />

he built a perfect house for her, entirely planned by him, from the lake-view living room,<br />

to the silverware and her evening gowns. When the Nazis came to power, they escaped<br />

the house and Germany forever. Erich and Louise Mendelsohn have wandered between<br />

continents, between world wars, between success and failure. The buildings that Erich built<br />

around the world, scattered as a trail of their journey, have changed the history of architecture.<br />

Running time: 71΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Zygote Films LTD<br />

Duki Dror<br />

Go2Films Distribution & <strong>Market</strong>ing<br />

Hedva Goldschmidt<br />

37/8 Issar Natanzon St.<br />

Jerusalem 97787, Israel<br />

T. +972 2 583 1371<br />

F. +972 2 583 5450<br />

hedva@go2films.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 283


M<br />

541<br />

GERMANY<br />

Current Affairs<br />

MESSAGE FROM GREECE<br />

Ayhan Salar P, Vassili Vougiatzis<br />

Being young in Greece is not very promising these days. What options does a young Greek<br />

have in times of crisis Being unemployed or leaving for Australia Message from Greece<br />

is a documentary about the young generation stuck between not having a chance and emigration.<br />

The film shows the young generation’s struggle to survive under these difficult circumstances,<br />

with average wages of €600, often without health insurance, and with the<br />

burden on its shoulders of a crisis it did not cause. The young Greek generation is affected<br />

directly by the current situation. Many see themselves as being captured in the stranglehold<br />

of Europe. For them, the way the European Union dealt with the crisis is highly questionable.<br />

Their life is characterized by desperation and struggle, by feelings of powerlessness<br />

and betrayal, by the search for personal happiness and human solidarity.<br />

Running time: 45΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Contact Person:<br />

Salarfilm produktion<br />

Ayhan Salar<br />

Vassili Vougiatzis<br />

Rütgerweg 4<br />

Hamburg 22763, Germany<br />

T. +49 40 880 5540<br />

F. +49 40 880 5541<br />

mail@salarfilm.de<br />

284<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


286<br />

GREECE<br />

M<br />

Current Affairs<br />

METAXA, LISTENING TO TIME<br />

Stavros Psyllakis<br />

“Living with cancer is a journey to self-knowledge and a future that’s no longer entirely<br />

yours. Cancer is a unique place between life and death. With sharpened gaze and senses<br />

attuned, the cancer sufferer moves between inwardness, self-awareness, acute sensitivity<br />

and paranoia.”<br />

Ioanna Karystiani<br />

The documentary focuses on doctors and staff at the Metaxa Cancer Hospital who themselves<br />

have cancer. It observes this special group of patients as they continue to work at<br />

the hospital. It traces their journey from the shock of learning they have cancer to the experience<br />

of “learning to listen to time.” Along the way, their illness will change from a threat<br />

of death to a teacher of life, adding years to their lives but also adding Life to their years.<br />

Running time: 87’<br />

Year of production: 2012<br />

Production Contact Person:<br />

Stavros Psyllakis<br />

34-36 Paparigopoulou Str.<br />

11473 Athens Greece<br />

T. +30 210 6464797, + 30 697 4419160<br />

F. +30 2106100 109<br />

spsill@tee.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 285


M<br />

542<br />

SPAIN-MEXICO<br />

Art, Music & Culture<br />

THE MEXICAN SUITCASE<br />

Trish Ziff<br />

The Mexican Suitcase tells the incredible story of the recovery of 4,500 negatives taken by<br />

famed war photographers, Robert Capa, Gerda Taro and David Seymour during the Spanish<br />

Civil War, with an extraordinary score by composer Michael Nyman. Exiled from their<br />

respective countries, Germany, Poland and Hungary, the three friends traveled to Spain to<br />

fight fascism with their cameras thus inventing a new type of wartime photojournalism.<br />

Their vivid photography captured the brutal realities of the Spanish Civil War. Given up for<br />

lost during the war, the legendary negatives were found in Mexico City seventy years later<br />

and were revealed to the public in 2007. Ziff pads the story with the context of the Civil<br />

War and how Spain and the exiled Spanish in Mexico deal with their memories today. It’s<br />

a film about photography and memory; about exile, identity and integrity. The film shows<br />

over 300 images from the Mexican suitcase; interviews, survivors, the younger generations<br />

in Spain and Mexico, as well as photographers and curators.<br />

Running time: 58΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

212 Berlin & Mallerich Films<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17,<br />

Vienna 1040, Austria<br />

T. +43 720 34 6934<br />

welcome@autlookfilms.com<br />

286<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


279<br />

GREECE<br />

M<br />

Current Affairs<br />

MIKROPOLIS (SMALL TOWNS) –<br />

EKALI: THE WALL<br />

Yannis Gaitanidis<br />

Mikropolis (small towns) is a series of documentaries focusing on different areas of Attica,<br />

within or beyond the city limits of Athens. For each area one word – an architectural feature<br />

– has been chosen to characterize it, both visually and socially. This word guides our<br />

gaze, our choice of characters, and the elements that make up the portrait of each area.<br />

The word for the episode on Ekali is “the walls”. The external walls that surround the mansions<br />

of Ekali protect and at the same time isolate. The pet dog and the guard dog. The human<br />

guard. While inside the homes – the people, their loneliness, their fears.<br />

Running time: 27’<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 287


M<br />

278<br />

GREECE<br />

Current Affairs<br />

MIKROPOLIS (SMALL TOWNS) –<br />

OLYMPIC VILLAGE: THE FENCE<br />

Persefoni Miliou<br />

Mikropolis (small towns) is a series of documentaries focusing on different areas of Attica,<br />

within or beyond the city limits of Athens. For each area one word – an architectural feature<br />

– has been chosen to characterize it, both visually and socially. The word for the<br />

episode on the Olympic Village is “the fence.” Teenagers strutting along, break dancing,<br />

smashing street lights and cutting exhaust pipes. How can you fence in so much energy<br />

The teenage protagonists seem ill at ease in the pre-constructed environment they have<br />

been placed to live in. The fence as a limit. Wheelies and drag racing to the limit. Everyday<br />

fights to the limit. Living at the city limits, on the fringes of society.<br />

Running time: 29’<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

288<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


277<br />

GREECE<br />

M<br />

Current Affairs<br />

MIKROPOLIS (SMALL TOWNS) –<br />

PALEO FALIRO: THE WINDOW<br />

Thomas Kiaos<br />

Mikropolis (small towns) is a series of documentaries focusing on different areas of Attica,<br />

within or beyond the city limits of Athens. For each area one word – an architectural feature<br />

– has been chosen to characterize it, both visually and socially. The word for the<br />

episode on Paleo Faliro is “the window.” Words, actions, and stories from the people on the<br />

beach, focusing on how they themselves and the rest of Athens see the district of Paleo<br />

Faliro: as an open window to the sea and the horizon. A lady, a descendant of one of Faliro’s<br />

oldest families; an unemployed young man; winter swimmers; tourists; immigrants walking<br />

along the promenade; fishermen, chess and backgammon players; a group of musicians;<br />

some women from Turkey and the residents of Faliro all make up a mosaic of memories<br />

and feelings against the dominant backdrop of the sea.<br />

Running time: 28’<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 289


M<br />

543<br />

SLOVAK REPUBLIC<br />

Adventure & Travel<br />

MONGOLIA – IN THE SHADOW<br />

OF GENGHIS KHAN<br />

Pavol Barabáš<br />

A magic country, searching for its present and facing its heritage from the 13th century,<br />

once became the largest empire that the world has ever seen, known as Pax Mongolica.<br />

Feared, cursed and also admired, the same as its founder, the undefeated chieftain Genghis<br />

Khan. On our adventurous quest through inhospitable nature, away from the usual routes,<br />

we discovered the other, unknown and surprisingly open-minded side of the aggressive<br />

conqueror, whose innovative efforts left a much deeper footprint in the thinking and development<br />

of the whole of human society than we are willing to admit. The film contains<br />

scenes of animals being butchered. Title available in Europe, Asia, Latin America and Arabic<br />

speaking countries<br />

Running time: 54΄<br />

Year of production: 2010<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

K2 Studio s.r.o<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

F-75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

290<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


117<br />

RUSSIA<br />

M<br />

Lifestyles<br />

MOTHERLAND OR DEATH<br />

Vitaly Mansky<br />

An existential documentary that brings together histories and relationships from all walks of life in<br />

today’s Cuban society. Philosophical views on human nature from a housewife, a cobbler, revolutionaries,<br />

party officials, musicians... Cuban traditions are vividly depicted here. Exhumation of relatives’<br />

remains, or the famous Latin American rite of passage in which a family of modest means is<br />

ready to spend its entire year’s budget to celebrate their daughter’s fifteenth birthday. The moves of<br />

the Rueda Casino dance that keeps Europeans coming to the island; the musical group of the Izquerda<br />

brothers, who may play to entertain dancers today and tomorrow may use their rhythms to put a<br />

voodoo ritual audience into a trance. An unhurried philosophical narrative against background<br />

shots of Havana’s daily routines.<br />

Running time: 99’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

LTD Genfilm<br />

Maria Shevtsova<br />

Protochny pereulok, 14/1, bld.1, Moscow,<br />

121099, Russia<br />

T. +7 495 231 12 21<br />

pr@genfilm.ru<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 291


M<br />

645<br />

IRAN<br />

Lifestyles<br />

MOVING UP<br />

Loghman Khaledi<br />

Shahriyar, a garbage collector, has a passion for literature and poetry. He writes imaginative<br />

stories to escape from his dull, prosaic life in Kermanshah, a city in Iran’s Kurdistan region.<br />

But his wife, his family, his neighborhood and all the people around him constantly<br />

conspire to hold him back from “moving up.”<br />

Running time: 58΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

Sheherazad Media International<br />

Katayoon Shahabi<br />

1, 3rd Sarvestan, Pasdaran St, Shariati Ave<br />

Tehran 16619, Iran<br />

T. +98 21 2286 3260<br />

F. +98 21 2285 8962<br />

fest.smi@gmail.com<br />

292<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


544<br />

FRANCE-BELGIUM<br />

M<br />

Current Affairs<br />

MURDER IN KINSHASA, WHO KILLED<br />

LAURENT DESIRE KABILA<br />

Marlene Rabaud, Arnaud Zajtman<br />

In the late morning of January 16th 2001, Laurent Desire Kabila is murdered by a child soldier<br />

who had become his bodyguard. We are in Congo, the very country where four years<br />

earlier Kabila had seized power thanks to his army of child soldiers. A few minutes later,<br />

Kabila’s assassin is shot to death as he attempts to escape from the scene of his crime. Later,<br />

on his dead body a letter is found signed by the Military Attaché of the American Embassy:<br />

“Should there be a problem, contact me.” Many other trails will weave a thick curtain of<br />

mystery around this murder, which has not yet been solved. This film is an in-depth investigation,<br />

centred on key actors, including the current President of Congo, Joseph Kabila,<br />

son of the victim. As far as Congolese justice is concerned, it has condemned 135 innocent<br />

people. A hidden camera is passed to one of the convicts in the prison of Makala. Interviews,<br />

never before shown archival footage of the show trial and of the war in Congo,<br />

deliver an incisive insight into an African region that is at the heart of ruthless struggles<br />

for the control of huge natural resources.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ICTV<br />

Michel Noll<br />

17 Rue du Colisee<br />

F-75008 Paris, France<br />

T. +33 1 4359 2679<br />

F. +33 1 6403 7101<br />

m.noll@ictv-solferino.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 293


M<br />

545<br />

CHINA-FRANCE<br />

Current Affairs<br />

MURKY WATERS, TRIBULATION<br />

OF A FISH TYCOON IN CHINA<br />

Youming Fei, Shuo Liu<br />

On the coast of the Bohai Sea, in the Northeast of China, the activities of heavy industries<br />

and off-shore drilling during the last decades have turned this gulf into a very prosperous<br />

economic area, in part responsible for the country’s extraordinary boom. On the down side,<br />

the region has become an infamous for its pollution, significantly affecting, among others,<br />

the fishing sector. Yet, in response to an ever-increasing domestic demand for seafood,<br />

numerous new fish farms have settled along the shores. Lao Li is one of the leading figures<br />

of the fishing sector. With about thirty employees working on his farm, he concentrates<br />

on management issues and “delicate missions.” If the breeding of fish can be lucrative,<br />

it is also expensive and requires specific skills. It also demands a large quantity of small<br />

fish to feed the bigger ones. It is thus not easy to grow rich in such dirty waters… Natural<br />

resources are dangerously diminishing: the system is clearly heading towards disaster.<br />

Perhaps the plan to build a highway along the coast will put an end to this situation<br />

Running time: 52΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ICTV<br />

Michel Noll<br />

17 Rue du Colisee<br />

F-75008 Paris, France<br />

T. +33 1 4359 2679<br />

F. +33 1 6403 7101<br />

m.noll@ictv-solferino.com<br />

294<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


331<br />

GREECE<br />

M<br />

Art, Music & Culture<br />

MUSICAL DIARIES OF THRACE<br />

Stergios Mountsakis<br />

A musical journey through the diversity of Thracian music. Though it was once the most<br />

important musical instrument in Thrace, the gaida (bagpipes) was, for some time, in danger<br />

of becoming extinct. In recent years it has regained its position. Classical Ottoman music,<br />

seminars with the participation of young people highlight its own abundance. Minorities<br />

and their own special musical timbre, as well as young musicians seeking their<br />

position between tradition and modern forms of musical expression are presented in this<br />

documentary.<br />

Running time: 71΄<br />

Year of production: 2012<br />

Production Contact Person:<br />

Stergios Mountsakis<br />

10 M. Alexandrou St.<br />

694 00 Xilagani Rodopis, Greece<br />

T. +30 6979 289 316<br />

smountsakis@hotmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 295


M<br />

267<br />

GREECE-UK<br />

Art, Music & Culture<br />

MUSTAFA’S SWEET DREAMS<br />

Angelos Abazoglou<br />

The small Turkish town of Gaziantep. Sixteen-year-old Mustafa is one of many young boys<br />

who study the complex art of making baklava, the Turkish desert renowned across the<br />

world. Under the strict eye of the master baklava makers, Mustafa’s life is one of hard work<br />

and dedication to his chosen craft. But Mustafa dreams of a life beyond the confines of the<br />

workshop. He still wants to be a baklava master: he just wants to do it on his terms. Soon,<br />

against the advice of his friends and family, Mustafa makes a move towards the big city.<br />

Will his dreams be realized or will they crumble before him<br />

Running time: 79’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Cyclope Productions<br />

Olga Abazoglou<br />

Taskovski Films<br />

Manuela Buono<br />

7 Granard Business Centre<br />

Bunns Lane London UK NW7 2DQ<br />

T. + +39 3476273390<br />

sales@taskovskifilms.com<br />

296<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


546<br />

ITALY<br />

M<br />

History & Politics<br />

MY BELOVED POGOLOTTI<br />

Enrica Viola<br />

My Beloved Pogolotti tells the story of the fortunate migration by Dino Pogolotti, born in<br />

Giaveno, Italy, who left his country in the late 19th century to move to Cuba via New York.<br />

On the Caribbean island, Pogolotti will become a real estate entrepreneur, developing in<br />

1911 what is still known today as the “Barrio Pogolotti.” It is a working-class neighborhood,<br />

based on the European social housing model, and characterized by an autonomous Afro-<br />

Caribbean cultural identity. This family tale will continue on both sides of the Atlantic Ocean,<br />

with Marcelo, a talented avant-garde painter during the 30s, and the granddaughter<br />

Graciela, a pivotal intellectual of today’s Cuba. The domestic saga will intersect with the<br />

history of the city of Havana and the Barrio, depicted through its residents’ portraits.<br />

Running time: 57΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Una Film s.r.l<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

F-75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 297


M<br />

352<br />

GREECE<br />

Lifestyles<br />

MY NAME IS STELIOS<br />

Yannis Kaspiris<br />

“I’m delighted to have the opportunity, through this film, to talk about something I know<br />

all too well: disability. I can tell you what it is to be disabled. For the past 25 years, that is<br />

to say, from the day I was born, I have been living a life that I did not choose but that was<br />

simply my lot. My name is Stelios Kympouropoulos, otherwise known as ‘the flag-bearer<br />

from Koropi’ or ‘the kid on TV.’ I hear the two latter descriptions when I try to negotiate the<br />

inhospitable streets of Athens.” says quadriplegic Stelios. Over the course of a year, the filmmakers<br />

videotaped his daily life Stelios and his family’s struggle for him to live as an equal<br />

among us.<br />

Running time: 47’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Illusion<br />

Yannis Kaspiris<br />

6 Georg. Ventiri Str.<br />

15237 Filothei Athens Greece<br />

T. +30 6972816975<br />

ioanniskasp@yahoo.com<br />

298<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


547<br />

FRANCE<br />

M<br />

History & Politics<br />

THE MYSTERIES OF NEFERTITI<br />

Patrick Dedole<br />

With her almond-shaped eyes and striking cheekbones, Queen Nefertiti is regarded as a<br />

symbol of female beauty. Her bust is one of the most iconic images in the world — a<br />

crowd puller, attracting 500,000 visitors every year to the Altes Museum in Berlin. Next year,<br />

as the world celebrates the centenary of the bust’s discovery, even more visitors are expected.<br />

But have we all been misled Swiss historian, Henri Stierlin, has spent the past 25<br />

years researching Nefertiti. He believes that the famous bust, allegedly discovered by Ludwig<br />

Borchardt in 1912, is a fake. Stierlin claims that instead of being a 3,400 year old statue<br />

of an ancient Egyptian queen, the bust was commissioned by Borchardt himself and is<br />

modelled on his own wife. Is he right How can we explain the remarkable condition of<br />

the bust, especially when compared to other objects from the same era<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Tony Comiti Productions<br />

Java Films<br />

Kathryn Bonnici<br />

4 - 6 Villa Thoreton,<br />

F-75015 Paris, France<br />

T. +33 1 4060 2624<br />

F. +33 1 4060 2649<br />

kathryn@javafilms.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 299


548<br />

FRANCE<br />

N<br />

Science & Technology<br />

A NATURAL HISTORY OF LAUGHTER<br />

Jacques Mitsch<br />

For how long have we been laughing Are human beings the only ones to laugh We know<br />

that bonobos, chimpanzees and orangutans also enjoy having a good laugh, especially<br />

when tickled. There is even a “tickling machine” at the Institute of Neurology in London.<br />

What are the latest discoveries about the neuronal and ethnological origins of laughter<br />

This film is about why and how we laugh, a scientific and behavioral approach to laughter.<br />

It will surely make you laugh, though not only in the way you might expect.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Alto Media<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 301


N<br />

326<br />

GREECE<br />

Environment & Wildlife<br />

NATURE SPEAK!<br />

Stathis Plotas<br />

There is a relationship between a culture and its plant environment, within which the<br />

herbalist plays a pivotal role. Herbalism is more than knowledge about healing plants; it<br />

is the experience and wisdom that comes from the relationship between humanity and<br />

plants. The natural environment of Greece, famous worldwide for its beautiful islands, hides<br />

a real treasure: its huge wealth of plants. The group of ACHS College invited us to discover<br />

the tools of herbal medicine. The correct timing and the method of gathering the herbs,<br />

the use of the plants, distillation and essential oil production – this is all vital information<br />

to the herbalist.<br />

Running time: 52΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Arokaria<br />

Yannis Plotas<br />

Spetses, Greece<br />

T. +30 6946 917 212<br />

efplo@otenet.gr<br />

302<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


549<br />

FRANCE<br />

N<br />

History & Politics<br />

NEITHER ALLAH, NOR MASTER!<br />

Nadia El Fani<br />

August 2010: Tunisia is in the middle of Ramadan under Ben Ali’s régime. Despite the<br />

weight of censorship, Nadia El Fani films a country which seems open to the principle of<br />

freedom of conscience and liberal in its relationship to Islam. Three months later, the<br />

Tunisian Revolution breaks out. Nadia is out in the field. While the Arab World enters an<br />

era of radical change, Tunisia, which initiated the wind of revolt, is once again a “laboratory<br />

country” for its outlook on religion. And what if, for once, by the will of the people, a<br />

Muslim country opted for a secular constitution Then, Tunisians would have really brought<br />

about a revolution.<br />

Running time: 75΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

K’ien Productions<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 303


N<br />

646<br />

IRAN<br />

Lifestyles<br />

NESSA<br />

Loghman Khaledi<br />

Nessa is a young woman from Kermanshah (a Kurdish city in the west of Iran) who challenges<br />

the establishment by choosing an acting and artistic career. Nessa’s family prevents<br />

her from reaching her goal because of the conservative environment. The film in the cinema<br />

verite style follows Nessa in her battle with her brother, father and colleagues.<br />

Running time: 52΄<br />

Year of production: 2012<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Sheherazad Media International<br />

Sheherazad Media International<br />

Katayoon Shahabi<br />

1, 3rd Sarvestan, Pasdaran St, Shariati Ave<br />

Tehran 16619, Iran<br />

T. +98 21 22 86 32 60<br />

F. +98 21 22 85 89 62<br />

fest.smi@gmail.com<br />

304<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


550<br />

CHINA<br />

N<br />

Current Affairs<br />

THE NEXT LIFE<br />

Fan Jian<br />

In May 2010, Ye Hongmei, a native of Dujiangyan city in Sichuan province, started her<br />

odyssey to get pregnant again. Her eight-year-old daughter was killed in the devastating<br />

Wenchuan earthquake of 2008, a catastrophe that killed and maimed more than 6,000 children.<br />

Due to China’s one-child policy, most of the grieving families were left childless. Among<br />

them, about 5,000 couples are planning to have new babies. This surge in childbirth has almost<br />

become a ritual in a country where a new life is seen as the reincarnation of the lost<br />

one. Hongmei, our heroine, expressly wishes for a daughter. Refusing to come to terms with<br />

reality, she believes that another girl would mean the return of her lost daughter. The birth<br />

of a son, on the other hand, is unacceptable to her. However, at age 40, pregnancy becomes<br />

an ordeal for her. Oviduct inflammation makes her chance of conceiving slim. Since she is<br />

reluctant to adopt a child, in vitro fertilization becomes her only option. To this end she has<br />

to bear extraordinary pains: she travels 50 miles every day just to receive injections and blood<br />

tests. Back home, she has to go through acupuncture treatment. This arduous process<br />

takes a toll on her health and she is soon on the brink of a breakdown.<br />

Running time: 54΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Peak & Galaxy Communications<br />

Richard Liang<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

Montreal / Quebec. H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

johnnadai@filmstransit.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 305


N<br />

551<br />

FRANCE<br />

Adventure & Travel<br />

NEXT STOP (LONDON, BUENOS AIRES)<br />

Various<br />

Next Stop is a novel way of visiting the world’s great cities! Emmanuelle Gaume – visitor<br />

and ad hoc tour guide rolled into one – discovers a city and its inhabitants, wandering<br />

through its streets, squares, shops and hidden places during four (or five) days. Each day<br />

is organized around a specific theme and the combination of these days (26΄ episode/day)<br />

paints an unexpected and unusual picture of each metropolis. We started with Istanbul,<br />

at the crossroads of East and West, then moved on to London, Buenos Aires and Madrid<br />

in the 1st series. For the new series of 8 cities, the format changes to 5 days per city (5 x<br />

26΄). Our first stop in 2011 is Rio de Janeiro, followed by Rome, Los Angeles, Beijing, Montreal,<br />

Johannesburg, Beirut and Amsterdam.<br />

Running time: 56 x 26΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Point du Jour & Arte<br />

Point du Jour International<br />

Doris Weitzel<br />

23 Rue de Cronsadt<br />

F-75015 Paris, France<br />

T. +33 1 7544 8088<br />

F. +33 1 4531 1305<br />

d.weitezl@pointdujour.fr<br />

306<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


552<br />

SLOVAK REPUBLIC-CZECH REPUBLIC<br />

N<br />

History & Politics<br />

NICKY’S FAMILY<br />

Matej Mináč<br />

The film Nicky’s Family is a free sequel to the famous Emmy-winning documentary<br />

Nicholas Winton – The Power of Good (2002) about Nicholas Winton from the UK who, in<br />

1939, saved 669 mainly Jewish children from being sent on transports of death starting<br />

from Prague and found them new homes in England. His heroic deed has no equivalent<br />

in history. The new documentary captures the striking response to the actions of Sir Winton<br />

from all over the world and shows how students in different countries, who were inspired<br />

by him, have decided to do good.<br />

Running time: 96΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Trigon Production<br />

Patrik Pašš<br />

Insomnia World Sales<br />

Luc Ntonga/Anja Strelec<br />

21 Rue Saint Guilhem<br />

Montpellier 34000, France<br />

T. +33 4 9961 0835<br />

F. +33 4 6759 9497<br />

communication@insomnia-sales.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 307


N<br />

553<br />

FRANCE-USA-MEXICO<br />

History & Politics<br />

NIGHT WATCHMAN<br />

Natalia Almada<br />

From dusk to dawn, El Velador accompanies Martin, the guardian angel who, night after<br />

night, watches over the extravagant mausoleums of Mexico’s most notorious drug lords.<br />

In the labyrinth of the narco-cemetery, this film about violence without violence reminds<br />

us how, in the turmoil of Mexico’s bloodiest conflict since the Revolution, ordinary life persists<br />

and quietly defies the dead.<br />

Running time: 72΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Altamura Films<br />

Natalia Almada<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

308<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


121<br />

ICELAND<br />

N<br />

Art, Music & Culture<br />

NO BONE NO SKIN:<br />

A ROCK BAND AT SEA<br />

Ingvar A Thorisson<br />

On board a factory trawler from a small village in the north of Iceland, a group of fishermen<br />

have found an unusual way to deal with the rough life at sea. They put together<br />

a band – No Bone No Skin. The music of No Bone No Skin stays close to home and deals<br />

with the everyday life of the fishermen, their longings, hopes, fears and desires. In fact,<br />

these are their own work songs.<br />

Running time: 48’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Hugofilm<br />

Ingvar A Thorisson<br />

KMI Christof Wehmeier<br />

Christof Wehmeier<br />

Kmi Hverfisgata 54<br />

101 Reykjavik, Iceland<br />

T. +354 5623580<br />

F. +354 5627171<br />

christof@icelandicfilmcentre.is<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 309


N<br />

555<br />

ISRAEL-ARGENTINA<br />

History & Politics<br />

NO FULL STOP<br />

Shlomo Slutzky<br />

Israeli journalist Shlomo Slutzky returns home to Argentina to cover the trial of General<br />

Menéndez, charged with mass murders during the 1970s dictatorship. The professional reporting<br />

assignment for Israeli television soon leads Shlomo on a personal journey through<br />

Argentina, Spain and Israel, re-tracing the footsteps of his old friends from the Jewish<br />

movement. Friends who, in 1976, chose to join the guerrilla forces while Shlomo chose to<br />

immigrate to Israel. Many of these friends were imprisoned, tortured and killed; Shlomo<br />

survived. No Full Stop is the confrontation between friends who had accused each other<br />

of betraying the “cause,” and a new understanding which can only be reached with the perspective<br />

of 30 years.<br />

Running time: 60΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Yehuda Bitton Productions<br />

Ruth Diskin films Ltd.<br />

Cara Saposnik<br />

PO Box 7153<br />

Jerusalem, 91071 Israel<br />

T. +972 2 672 4256<br />

F. +972 2 672 4210<br />

cara@ruthfilms.com<br />

310<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


556<br />

FRANCE-JAPAN<br />

N<br />

History & Politics<br />

NO MAN’S ZONE<br />

Toshi Fujiwara<br />

Fujiwara Toshifumi, director of Cinema is About <strong>Doc</strong>umenting Lives: The Works and Times<br />

of Noriaki Tsuchimoto returns with a new documentary shot in Fukushima after the nuclear<br />

powerplant accident. Its present situation comes to light through scenes from what were<br />

once communities and are now ghost towns after the evacuation of residents, and interviews<br />

with people who continue to live nearby.<br />

Running time: 95΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Denis Friedman<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 311


N<br />

557<br />

ITALY<br />

History & Politics<br />

NO MORE MAJORETTES FOR VILLALBA<br />

Giuliano Ricci<br />

The little town of Villalba, Sicilian province, is an isolated and distant microcosm, a fragment<br />

of a mosaic which reflects much larger stories: it is where Calogero Vizzini, for a long<br />

time considered the head of the Mafia, comes from. The village is like a bunker in the open<br />

air: 2,200 inhabitants, mostly elderly and no young people – or “majorettes” – who can<br />

be asked about the future. Villalba is the scene chosen to tell the situation of Italy nowadays.<br />

Running time: 50΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Concetto Mangiafico<br />

Vitagraph<br />

Filippo D’Angelo<br />

Via Schiavonia, 1<br />

I-40121Bologna, Italy<br />

T. +39 051 267 150<br />

F. +39 051 267 150<br />

vitagraph@libero.it<br />

312<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


665<br />

ISRAEL<br />

N<br />

Lifestyles<br />

NOISE<br />

Dan & Noit Geva<br />

(Please note this is the work-in-progress version of the film). A bitter-sweet comedy that<br />

tells the story of a man who suffers from hyper-acoustic sensitivity, which makes his life<br />

in Tel Aviv, one of the noisiest urban locations on earth, a living hell. His quest to live in<br />

peace and quiet by politely asking neighbors for basic consideration, or by addressing the<br />

boisterous passers-by to reconsider the mere fact they are “not alone in the world,” or even<br />

by trying to plead with the authorities: the Police and the Municipality – or even worse:<br />

taking the law into his own hands. Whatever his course of action, it has proven nothing<br />

but his bitter impotency in the face of the irrepressible Israeli “noise-mania.”<br />

Running time: 59΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Habayit Hakatom Ltd.<br />

Dan Geva<br />

JMT Films Distribution<br />

Michael Treves<br />

20 Bialik st<br />

Tel Aviv 63324, Israel<br />

T. +972 5 2363 3398<br />

michael@JMTFilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 313


N<br />

177<br />

ROMANIA<br />

Lifestyles<br />

NOOSFERA<br />

Artchil Khetagouri, Ileana Stanculescu<br />

True love is possible. At least that’s what the Romanian sociology professor, Nicolae Dumitru,<br />

preaches to his students. But how can we attain it The professor has developed a<br />

theory based on scientific research and on his predictions for the future. However, in his<br />

private life things have often taken a different direction and his theory has not been of much<br />

use. Each failed marriage has also affected the size of his apartment, which has got<br />

smaller and smaller with each divorce. But when he meets his new love, his theory finally<br />

seems to be verified... until life takes its own course again.<br />

Running time: 55’ & 90’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Art-<strong>Doc</strong><br />

Ileana Stanculescu<br />

Macedonski Street 8, sector 1,<br />

Zip Code 010591 Bucharest, Romania<br />

T. +40724466065<br />

F. +40212115756<br />

ile_stancu@hotmail.com<br />

314<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


140<br />

FRANCE-GERMANY-CHILE-SPAIN<br />

N<br />

History & Politics<br />

NOSTALGIA FOR THE LIGHT<br />

Patricio Guzman<br />

In Chile, at an altitude of three thousand meters, astronomers from all over the world gather<br />

together in the Atacama desert to observe the stars. The desert sky is so translucent that<br />

it allows them to see right to the boundaries of the universe. It is also a place where the<br />

harsh heat of the sun keeps human remains intact: those of the mummies, explorers and<br />

miners. But also the remains of the dictatorship’s political prisoners. While the astronomers<br />

examine the most distant galaxies in search of probable extraterrestrial life, at the foot of<br />

the observatories, women are digging through the desert soil in search of their disappeared<br />

relatives...<br />

Running time: 90’<br />

Year of production: 2010<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Atacama Production<br />

Renate Sachse<br />

Pyramide International<br />

Paul Richer<br />

5, rue du Chevalier de Saint George<br />

75008 Paris, France<br />

T. +33.1.42.96.02.20<br />

F. ++33.40.20.05.51<br />

pricher@pyramidefilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 315


N<br />

361<br />

GREECE<br />

Lifestyles<br />

NOUR – YOU CAN FIND LIGHT<br />

EVERYWHERE<br />

Nikos Soulis<br />

The young boy is from Afghanistan. His name means light. He arrived in Greece as a refugee<br />

in 2009. He was only 8 years old. His mother had given him to be raised by his aunt. He<br />

crossed Iran and Turkey to get to Greece. He slept in boats, in town squares, in guest houses.<br />

When we first met him in Athens, he was collecting scrap iron from the garbage with his<br />

“adoptive” father. Our camera follows his life, how he is growing up, his dreams, his<br />

thoughts, what hurt him in the past, his future. Right now he is searching for his bicycle,<br />

which was stolen from him. At twelve years old today, he behaves and talks with confidence,<br />

as if he is ready for life. Shooting took place in Athens in 2011 and 2012.<br />

Running time: 75’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Mitos - Eleni Afentaki<br />

Eleni Afentaki, Vasso Patrouba<br />

27 Solomou Str.<br />

10682 Athens Greece<br />

T. +30 210 6753783<br />

F. +30 210 6753783<br />

mitos.com@gmail.com<br />

316<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


558<br />

USA<br />

N<br />

Current Affairs<br />

NUMB<br />

Phil Lawrence<br />

What happens when you stop taking antidepressants A successful suburban dad who is<br />

tired of feeling “numb” decides to quit taking antidepressants and documents the drastic<br />

effects on his physical and psychological well-being. His wife and kids wonder what happened<br />

to man they once knew. Numb also reveals startling new information the pharmaceutical<br />

industry doesn’t want you to know.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Little Dog Big Bite Films<br />

Phil Lawrence<br />

CAT&<strong>Doc</strong>s<br />

Catherine Le Clef<br />

18 Rue Quincampoix #133<br />

F-75004 Paris, France<br />

T. +33 1 4459 6353<br />

cat@catndocs.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 317


143<br />

SERBIA-BRASIL<br />

O<br />

Sports<br />

O GRINGO<br />

Darko Bajic<br />

Brazilian footballers usually become famous playing for big European clubs. This film is a<br />

story about a European player who became the greatest footballer in Brazil. Many experts<br />

consider Serbian-born Dejan Petkovic to be the greatest player of all time. His fascinating<br />

football career is currently at its peak in Brazil, the country of football. When he was 37,<br />

his team, Flamengo, won the championship title and he was voted the best footballer in<br />

Brazil. He left his footprints on the Maracana Walk of Fame next to football legends like Pele,<br />

Zico, Zagalo, Ronaldo, Ronaldinho, Kaka, and Adriano. O Gringo shows the passionate football<br />

fans that follow each game with equal love and respect. It is with their positive approach<br />

that they create ideal atmosphere and make the football the most important<br />

unimportant thing in the world.<br />

Running time: 90’<br />

Year of production: 2011<br />

Production Company: Magic Line, Urca Filmes; Petkovic 10<br />

Production Contact Person: Darja Bajic<br />

Sales Company:<br />

Wide House<br />

Sales Contact Person: Anais Clanet<br />

40 rue Sainte Anne, 75002 Paris, France<br />

T. + 33 1 53 95 04 64<br />

ac@widemanagement.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 319


0<br />

559<br />

GERMANY<br />

Art, Music & Culture<br />

OF SHARKS AND FISH<br />

Rolf S. Wolkenstein<br />

Every day, millions of poker players meet privately – in back rooms, on the Internet or at<br />

live tournaments. They are a part of the worldwide poker boom, and cards, chips, a good<br />

poker face and nerves of steel are their weapons. Different protagonists represent to us the<br />

whole gamut of characters in the poker world, from the ambitious recreational player to<br />

the professional gambler. We will experience thrilling highlights and painful defeats. We<br />

will come to understand how poker players think and act, how the game works, and what<br />

dimensions lurk within it. It’s all about devouring and being devoured. Who is the shark<br />

And who is the fish<br />

Running time: 55΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Kloos & Co. Medien GmbH<br />

Stefan Kloos<br />

Rise and Shine World Sales<br />

Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

320<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


560<br />

THE NETHERLANDS<br />

O<br />

Environment & Wildlife<br />

OFF THE GRID<br />

Alexander Oey<br />

While America is ravaged by a severe recession and the global economic system wavers,<br />

some Americans are taking command of the situation by creating an independent local<br />

economy. Off the Grid is a film about the creation of new local communities, which clearly<br />

differ from each other, but have in common that they have started from a local idea. One<br />

of them is searching for an answer to life after peak oil and is preparing for the coming climate<br />

change, another issued their own currency that supports the local economy and a<br />

third one is based strongly on the idea of individual freedom which minimizes the influence<br />

of the local government. This film challenges today’s economic system and pictures<br />

the alternatives<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Submarine<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17,<br />

Vienna 1040, Austria<br />

T. +43 720 34 6934<br />

welcome@autlookfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 321


0<br />

300<br />

GREECE<br />

Art, Music & Culture<br />

OFFSHOOTS OF MERONAS<br />

Vangelis Kalaitzis<br />

In the small village of Meronas, in the mountainous region of Rethymnon in Crete, there<br />

is a cultural association that revives a long forgotten tradition in an attempt to bring the<br />

new generation closer to the wisdom of its ancestors. The existence of over forty students<br />

of Cretan musical instruments in the village inspires the cultural association of Meronas to<br />

organize the first Musical Tutorial, in August 2011. Three remarkable musicians share<br />

their knowledge with the students. One of them is Dimitris Sgouros, who has an outstanding<br />

knowledge of Byzantine notation and has deciphered and revealed to the public<br />

the unique manuscripts of the father of Cretan folklore, Pavlos Vlastos. The documentary<br />

focuses on the values and virtues of authentic Cretan music as Pavlos Vlastos imagined<br />

them.<br />

Running time: 74΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Real Life <strong>Doc</strong>umentary<br />

Vangelis Kalaitzis<br />

7 Kryoneridos St.<br />

731 33 Chania<br />

Crete, Greece<br />

T. +30 6972 557 232<br />

nogoum@yahoo.gr<br />

322<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


561<br />

THE NETHERLANDS<br />

O<br />

Adventure & Travel<br />

O’HANLON’S HEROES:<br />

A SERIES OF DISCOVERIES THROUGH<br />

THE 19TH CENTURY<br />

Roel van Broekhoven, Maaik Krijgsman<br />

Bestseller author and born storyteller Redmond O’Hanlon travels along the same path as<br />

his heroes: the explorers of the 19th century. How little they did know about the world<br />

around them How many – still unknown – places arewaiting to be discovered<br />

Running time: 8 x 50΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

VPRO Television<br />

Swaze Hartog<br />

NPO/RNW Sales<br />

Ellie Beijaard<br />

Sumatralaan 45<br />

1217 GP Hilversum, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 323


0<br />

180<br />

FRANCE<br />

Current Affairs<br />

THE OLD GRIFTER<br />

Dephine Hallis<br />

People say that she is a criminal, that she is a unique grifter. Others say that despite her<br />

eighty years, she still rips people off. Most people believe that she lives in Nice, and that<br />

she is now very rich. People say a lot of things... Who she really is, no one will ever know,<br />

but she appears to be a great seductress, a woman so cunning that she seems unstoppable,<br />

even though she has been convicted many times during her long career. Now it seems that<br />

she’s disappeared without a trace. But not quite.<br />

Running time: 54’<br />

Year of production: 2011<br />

Production Company:<br />

Système D<br />

12 rue des Solitaires, 75019 Paris, France<br />

T. +33 6 35943965/+33 1 56241280<br />

dehallis@free.fr<br />

324<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


328<br />

GREECE<br />

O<br />

Current Affairs<br />

OLIGARCHY<br />

Stelios Kouloglou<br />

An undeclared war, which must remain secret, has broken out across the planet. It is conducted<br />

by a handful of bankers and politicians that rule the world in defiance of democracy.<br />

Over the past few years, the epicenter of this conflict has been transferred to Europe.<br />

And Greece has become its testing ground. In the European Union, a group of eight people<br />

– reminiscent of the despotic politburo of the Soviet Union – has the power to force<br />

elected prime ministers to step down in order to appoint new ones, of its own choice. The<br />

team is known as the “Frankfurt Group” because it was formed in the city’s Opera during<br />

an event held in honor of one of its members.<br />

Running time: 100’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Contact Person:<br />

1984 Productions<br />

Nikos Thomopoulos<br />

3 Dionisiou Areopagitou Str.<br />

11742 Athens Greece<br />

T. +30 2130056140<br />

nikthom80@yahoo.fr<br />

Stelios Kouloglou<br />

cool@otenet.g<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 325


0<br />

260<br />

GREECE<br />

Art, Music & Culture<br />

OPEN MICS<br />

Nikos Skarentzos<br />

In the midst of an enormous economic crisis, hip hop is the only thriving music genre in<br />

Greece. An increasingly large number of young and highly talented MCs are emerging and<br />

expressing contemporary political and social issues through powerful verses which criticize<br />

the societies and the world we all share. The influence of hip hop in Greek society can<br />

be seen in the attitude and views of many prominent artists, writers, musicians, academics<br />

and journalists, who analyze this social phenomenon. They comment on the wit, self-irony<br />

and talent of young rappers and examine hip hop’s popularity with the younger generation.<br />

Running time: 81’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Top Cut<br />

Konstadinos Karpathiou<br />

36, Amaroussiou Halandriou Str.<br />

15125 Athens Greece<br />

T. +30 210 6100100<br />

F. + 30 210 6100109<br />

openmics@topcut.tv<br />

326<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


123<br />

USA<br />

O<br />

Current Affairs<br />

OPEN SECRET<br />

Steve Lickteig<br />

Open Secret is a documentary that chronicles Steve Lickteig’s 20-year search for his real parents;<br />

why a whole town kept the truth from him; and how his family’s tumultuous history<br />

revolves around the hidden lives of two unconventional women. Steve grew up as the<br />

adoptee of Don and Mary Jane Lickteig, who ran a farm in Kansas and had eight other (natural)<br />

children. Steve always wondered who his real parents were and planned to search<br />

for them as an adult. When he was 18 years old, Steve received shocking news from his<br />

two best friends: he was not adopted from unknown parents but was actually the illegitimate<br />

son of his oldest sister, Joanie. Not only that, everyone in his life had always known<br />

the secret: his siblings, his schoolmates, townsfolk, even his girlfriends. Steve would discover<br />

that the secret to his story was back on that Kansas farm.<br />

Running time: 59’ & 70’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Small Good Thing Inc.<br />

Steve Lickteig<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East, H3L 1A8<br />

Montreal / Quebec, Canada<br />

T. + 1 514 844 3358<br />

F. + 1 514 844 7298<br />

jan@filmstransit.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 327


0<br />

562<br />

MEXICO<br />

Lifestyles<br />

THE OPEN SKY<br />

Everardo González<br />

The memories from Monsignor Óscar Arnulfo Romero, his letters, the Homilies transmitted<br />

through the YSAX radio station; viewed through the characters who suffered with him<br />

the fear of the outbreak of war in El Salvador.<br />

Running time: 100΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

Mexican Film Institute<br />

Pablo Briseño<br />

Insurgentes sur 674, 2nd floor, Del Valle<br />

03100 Mexico City, Mexico<br />

T. +52 55 5448 5339<br />

F. +52 55 5448 5380<br />

difuinte@imcine.gob.mx<br />

328<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


192<br />

CANADA<br />

O<br />

Art, Music & Culture<br />

ORA<br />

Philippe Baylaucq<br />

A cell divides itself. From this first mass of light, six luminous bodies soon emerge. They<br />

evolve in a world they are discovering – explorers lit by their internal light, leaving behind<br />

traces of the fire that animates them. ORA is a stunning meeting of the artistic<br />

worlds of choreographer José Navas and filmmaker Philippe Baylaucq, a dance allegory<br />

inspired by Darwin’s theory of evolution and the myths of Narcissus and Prometheus.<br />

It is the first film to use 3D thermal imaging, producing visuals unlike anything ever seen:<br />

the luminous variations of body heat seen on skin, bodies emitting a multitude of colors,<br />

a space filled with movement that transforms it. ORA is dance transformed by cinema<br />

– a completely unique film experience.<br />

Running time: 15’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

National Film Board Of Canada<br />

Elise Labbe / Producer: Rene Chenier<br />

National Film Board Of Canada<br />

Christina Rogers<br />

3155 Cote-de-Liesse Rd.<br />

Montreal, Quebec, Canada H4N 2N4”<br />

T. 514-496-4164 (DISTRIBUTION)<br />

distribution@nfb.ca<br />

festivals@nfb.ca<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 329


0<br />

309<br />

GREECE<br />

Lifestyles<br />

OTE KE BESAV (WHERE I LIVE) –<br />

THREE COMMUNITIES, ONE ORIGIN<br />

George Arpatzoglou<br />

Within the framework of the European Program “Transition Project”, ARSIS, an Association<br />

for the social support of youth, conducts a research for the housing issues of Roma<br />

communities in Thessaloniki. The residents and communities reached, reveal another reality.<br />

Roma people live under different conditions, in different houses, facing different<br />

problems but they still have the same needs and dreams. From the shacks in the garbage<br />

place of Peraia to the rich houses of Dendropotamos neighbourhood, Roma live and survive<br />

somewhere outside Thessaloniki, dispatched and marginalized. They talk about their<br />

problems, open their houses and their hearts.<br />

Running time: 25΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

George Arpatzoglou-Arsis<br />

George Arpatzoglou<br />

14th Gounari Str.<br />

54621 Thessaloniki Greece<br />

T. +30 6977 518 625<br />

g.arpatzoglou@gmail.com<br />

330<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


563<br />

MEXICO<br />

O<br />

Lifestyles<br />

THE OTHER CALIFORNIANS<br />

César Talamantes<br />

Isolated in the Mexican desert of Baja California South, the exciting and fragile life of the<br />

ranchers is shown through characters as interesting as they are unknown.<br />

Running time: 80΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

Mexican Film Institute<br />

Pablo Briseño<br />

Insurgentes sur 674, 2nd floor, Del Valle<br />

03100 Mexico City, Mexico<br />

T. +52 55 5448 5339<br />

F. +52 55 5448 5380<br />

difuinte@imcine.gob.mx<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 331


0<br />

564<br />

USA<br />

Art, Music & Culture<br />

THE OTHER F WORD<br />

Andrea Blaugrund Nevins<br />

What happens when a generation’s ultimate anti-authoritarians – punk rockers – become<br />

society’s ultimate authorities – dads With a large chorus of Punk Rock’s leading men –<br />

Blink-182’s Mark Hoppus, Red Hot Chili Peppers’ Flea, Rise Against’s Tim McIlrath – The<br />

Other F Word follows Jim Lindberg, 20-year veteran of skate punk band Pennywise, on his<br />

hysterical and moving journey from belting his band’s anthem, “Fuck Authority,” to embracing<br />

his ultimately pivotal authoritarian role in mid-life, fatherhood.<br />

Running time: 98΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Rare Bird Films & Warrior Poets<br />

Elephant Eye Films<br />

Demetri Makoulis<br />

89 5th Ave., Suite 306<br />

New York, NY 10003, USA<br />

T. +1 212 488 8877<br />

demetri@elephanteyefilms.com<br />

332<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


565<br />

FRANCE<br />

O<br />

History & Politics<br />

OUR COMRADE TITO<br />

Robin Hunzinger<br />

Sabina is a citizen of a country that no longer exists: Yugoslavia. Like her, several generations<br />

of Yugoslavs believed in the dream of a just society. Then this dream was blown apart,<br />

turning into an apocalypse. And yet they are all still branded with their memories of the<br />

Tito era. What are the reasons for this nostalgia Who was Tito, this Tito they now miss<br />

They had made him into more than a great president, more than a historical figure. They<br />

had made him into their way of thinking and even their way of being. So what is their relationship<br />

with him like today<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Real Productions<br />

Insomnia World Sales<br />

Luc Ntonga/Anja Strelec<br />

21 Rue Saint Guilhem<br />

Montpellier 34000, France<br />

T. +33 4 9961 0835<br />

F. +33 4 6759 9497<br />

communication@insomnia-sales.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 333


0<br />

566<br />

THE NETHERLANDS<br />

History & Politics<br />

OUR NEWSPAPER<br />

Eline Flipse<br />

It’s the region of Uljanovsk, birthplace of Lenin. Formerly a prosperous district, now a remote<br />

province. After losing his job at the official paper, The Leninist, journalist Andrey<br />

Schkolni decides to produce his own newspaper, though the villagers are not interested<br />

in politics at all. Because Moscow is very far from here, and the rest of the world even more<br />

so. Still, Andrey manages to attract his own public. But do the officials appreciate his initiative<br />

Running time: 58΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Elifli Film<br />

Eline Flipse<br />

Taskovski Films<br />

Manuela Buono<br />

7 Granard Business Centre, Bunns Lane<br />

London NW7 2DQ, UK<br />

T. +39 34 7627 3790<br />

sales@taskovskifilms.com<br />

334<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


567<br />

GERMANY<br />

O<br />

Lifestyles<br />

OUT OF THE DARKNESS<br />

Stefano Levi<br />

More than half of the world’s preventable blindness is caused by cataract disease, a clouding<br />

of the clear lens of the eye. In developing countries like Nepal, it is not only a personal<br />

tragedy, but can devastate the economy of entire communities. Fortunately, it is also easy<br />

to cure. Cataract surgery is one of the most effective medical interventions on earth, but<br />

until recently was considered too expensive to provide to the rural poor. Most of the<br />

world’s blind people live in remote, impoverished areas. The majority of doctors able to cure<br />

them work in cities. Dr. Sanduk Ruit from Nepal, and his American partner, Dr. Geoff Tabin,<br />

have made perfecting a portable, low-cost surgical procedure that restores sight their life’s<br />

work. They trek to Nepal’s remote Northeast, carrying an entire hospital on porters’ backs.<br />

Their mission is to bring the needlessly blind out of the darkness.<br />

Running time: 52’ & 72΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Kubny & Schnell & Stefano Levi<br />

Stefano Levi<br />

Rise and Shine World Sales<br />

Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 335


0<br />

334<br />

GREECE-GHANA<br />

Current Affairs<br />

THE OUTCASTS<br />

Yorgos Georgopoulos<br />

Can a dream condemn an innocent woman Can your destiny be determined by the way<br />

a chicken dies One thousand women in Ghana accused of witchcraft survive in exile<br />

camps. Abused and marginalized, they struggle to survive in extreme poverty. With them,<br />

hundreds of children live hounded by the same fate. What led them there and what keeps<br />

them prisoner<br />

Running time: 59’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

ActionAid<br />

Vicky Markolefa<br />

Multivision<br />

Kostas Georgopoulos<br />

8-10 Amasias Str.<br />

11634 Athens Greece<br />

T. +30 2107220028<br />

info@multivision.gr<br />

336<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


649<br />

FINLAND<br />

P<br />

Art, Music & Culture<br />

PAAVO - A LIFE IN FIVE COURSES<br />

Hanna Hemila<br />

Finnish farm boy Paavo Turtiainen is hired into the Parisian household of Swedish theater<br />

producer Lars Schmidt and his wife, actress Ingrid Bergman. The couple “adopts” and trains<br />

Paavo to navigate among the rich and famous. Encouraged by Schmidt, Paavo moves to<br />

New York and becomes an acclaimed chef and event planner for high society. In the film,<br />

Ingrid Bergman’s daughters Isabella Rossellini and Pia Lindström talk about their “brother.”<br />

Running time: 57΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Handle Productions Oy<br />

Hanna Hemila<br />

JMT Films Distribution<br />

Michael Treves<br />

20 Bialik st<br />

Tel Aviv 63324, Israel<br />

T. +972 5 2363 3398<br />

michael@JMTFilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 337


P<br />

568<br />

SPAIN<br />

Art, Music & Culture<br />

PACIOS. PHOTOS OF THE MEMORY<br />

Manuel Darriba<br />

Antonio López, photographer and owner of a pub, returns for some days to his home parish<br />

of Pacios, at the Galician countryside, in the Northwest of Spain. He wants to carry out a<br />

personal artistic project: to photograph the village’s last inhabitants with an old camera<br />

of plates. Antonio was born in Pacios. He left to study as a teenager and since then he only<br />

comes back to visit. Seven years ago, after his father died, his mother moved to the<br />

nearby town of Sarria and the family house remained closed. Several other families have<br />

also left the parish over the last decades. Nowadays, Pacios has about twenty inhabitants<br />

left. However, Antonio doesn’t intend to denounce the decline of the Galician countryside.<br />

His project is related to the recovering of his own memories, since these people made up<br />

the human landscape during his father’s life. Antonio settles in the family home, which will<br />

be open and with the fire lit for some days. These days are very intense for Antonio and<br />

his neighbors, who see their routines altered. When Antonio leaves, the family home remains<br />

closed again. However, everybody knows that this wasn’t just a visit.<br />

Running time: 66΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Tintiman Audiovisual SLL<br />

Comba Campoy<br />

Costa do Vedor, 10-12, baixo<br />

Santiago de Compostela B 15703, SPAIN<br />

T. +34 98 156 1869<br />

comba@tintiman.net<br />

338<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


569<br />

CHILE<br />

P<br />

Current Affairs<br />

PALESTINE IN THE SOUTH<br />

Ana María Hurtado<br />

After the fall of Saddam Hussein, thousands of Palestinian residents in Iraq became<br />

refugees in a no man’s land. The distant republic of Chile welcomed a group of them in La<br />

Calera, a small town where hundreds of Palestinians had already arrived a century ago,<br />

making this town their children’s home. So the journey repeats itself as Basem, a young<br />

Palestinian who has just arrived with his wife and young daughter, faces his new country<br />

full of enthusiasm, ingenuity and hope. He longs for a home in this seductive, unknown<br />

world, thousands of miles from home. In his new country, Basem finds his way as a baker<br />

and sets up his own business. He hopes that his efforts, together with the support of the<br />

large community of Palestinian descendants will lead him to fulfil his dream of bringing<br />

his elderly parents to live together again.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

Ruth Diskin films Ltd.<br />

Cara Saposnik<br />

PO Box 7153<br />

Jerusalem 91071, Israel<br />

T. +972 2 672 4256<br />

F. +972 2 672 4210<br />

cara@ruthfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 339


P<br />

657<br />

POLAND<br />

Lifestyles<br />

PAPARAZZI<br />

Piotr Bernas<br />

Paparazzi is a film about a world in which values are confused and rules are flexible – but<br />

it shows that there is always a second chance, where we can make our minds up about<br />

what kind of people we will be tomorrow.<br />

Running time: 33΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Wajda Studio<br />

Joanna Skalska<br />

Krakow Film Foundation<br />

Katarzyna Wilk<br />

Bsztowa 15/8a,<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

340<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


139<br />

ARGENTINA<br />

P<br />

History & Politics<br />

PAPIROSEN<br />

Gastón Solnicki<br />

Papirosen is an intimate portrait of the director’s family over the course of a decade, following<br />

four generations still troubled by a war that’s never spoken of. The film is a fascinating<br />

journey across time, cities, characters and international political events, focusing<br />

on a nouveau riche Argentine Jewish family. There are two points of view coexisting<br />

in the footage. That of Gastón, at three distinct moments during the 2000s: Mateo’s birth,<br />

a trip to Florida four years later, and the present. And then there’s the family archive, shot<br />

in a variety of domestic formats since the late 1950s by Janek, Gastón’s paternal grandfather,<br />

who committed suicide and to whom the film is dedicated. Despite the formal distance,<br />

there’s an uncanny aesthetic connection linking them. The family’s economic status<br />

changed abruptly, from broke postwar immigrants to extreme wealth.<br />

Running time: 74’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Filmy Wiktora<br />

Gastón Solnicki<br />

Ciudad de la Paz 561 2º 31<br />

Buenos Aires (1425), Argentina<br />

T. +1 5411 45533293<br />

eperroud@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 341


P<br />

133<br />

USA<br />

Current Affairs<br />

PARADISE LOST 3: PURGATORY<br />

Joe Berlinger, Bruce Sinofsky<br />

Paradise Lost 3: Purgatory, the new installment of Joe Berlinger and Bruce Sinofsky’s HBO<br />

documentary film series about the notorious 1993 “West Memphis Three” child murders,<br />

chronicles the 18-year fight to prove the innocence of Damien Echols, Jason Baldwin, and<br />

Jessie Misskelley, incarcerated for an alleged Satanic ritual killing the convicted men – and<br />

their supporters worldwide – maintain they did not commit. With Echols on death row<br />

and Baldwin and Misskelley serving life sentences, Paradise Lost 3 examines a horrifying<br />

crime with fresh insights that only the passage of time can provide. Facts are reexamined,<br />

new evidence is revealed, and new suspects are scrutinized. With an extraordinary perspective<br />

of three films spanning nearly two decades, Paradise Lost 3 is a provocative examination<br />

of American justice and a celebration of the power of cinema to affect social<br />

change.<br />

Running time: 122’<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Paolina Poe-Azcarraga<br />

@radical.media, HBO <strong>Doc</strong>umentary Films<br />

Justin Wilkes<br />

@radical.media<br />

435 Hudson St., 6th Floor<br />

New York, NY 10014, USA<br />

T. +12124621647<br />

F. +12124621600<br />

azcarraga@radicalmedia.com<br />

342<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


570<br />

THE NETHERLANDS<br />

P<br />

Art, Music & Culture<br />

PARADISO, AN AMSTERDAM<br />

STAGE AFFAIR<br />

Jeroen Berkvens<br />

In Paradiso, Jeroen Berkvens highlights, as in an exhilarating rollercoaster ride, all aspects<br />

of the Amsterdam pop temple. Still, the experience of the musicians is central, so that the<br />

film is also about what it’s like to perform in front of an audience. The staircase from dressing<br />

room to the Paradiso stage is not high, but with every step the emotions rise, balancing<br />

between fear and euphoria. Then the release follows: the concert. With Paul Weller,<br />

Henry Rollins, Jello Biafra, Johnny Rotten, Tom Barman, Martha Wainwright, Faithless,<br />

Patrick Watson, Daniel Johnston, Tim Knol, The Sonics, Public Enemy and many others.<br />

Running time: 90΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Zeppers Film & TV<br />

Frank van den Engel<br />

NPO/RNW Sales<br />

Ellie Beijaard<br />

Sumatralaan 45<br />

1217 GP Hilversum, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 343


P<br />

189<br />

USA<br />

Art, Music & Culture<br />

PAUL WILLIAMS STILL ALIVE<br />

Stephen Kessler<br />

He won Grammys and an Academy Award; wrote many #1 songs, from Barbra Streisand’s<br />

“Evergreen” to the Carpenters’ “We’ve Only Just Begun,” as well as Kermit the Frog’s biggest<br />

hit, “The Rainbow Connection.” He put out his own hit records and albums, and yet you<br />

might not have heard of him. In the 1970s, Paul Williams was the singer/actor/songwriter<br />

that emotional, alienated teenage boys all over the world wanted to be: a sex symbol before<br />

MTV, when sex symbols could be 5’2“ and sing songs about loneliness with the Muppets.<br />

One of those boys was Steve Kessler, a chubby kid from Queens, who discovered<br />

something amazing thirty years later: Paul Williams hadn’t died and no one had ever tried<br />

to make a documentary about him. Paul Williams: Still Alive is the charmingly self-narrated<br />

story of Kessler’s lifelong obsession with the former superstar – and what happens when<br />

the nostalgic filmmaker finally catches up with him.<br />

Running time: 84’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

3W Films<br />

Lesa Lakin<br />

ro*co films international<br />

Annie Roney<br />

80 Liberty Ship Way, Suite 5<br />

Sausalito, CA 94965, United States<br />

T. +415 3326471<br />

344<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


571<br />

JAPAN-USA-SOUTH KOREA<br />

P<br />

Lifestyles<br />

PEACE<br />

Kazuhiro Soda<br />

What is peace What is coexistence Ask the stray cats! Peace is a visual-essay-like observational<br />

documentary, which contemplates these questions by observing the daily lives<br />

of people and cats in Okayama city, Japan, where life and death, acceptance and rejection<br />

are intermingled. Three people and stray cats are the main characters. Toshio Kashiwagi runs<br />

an affordable taxi service for the disabled and the elderly, having retired as a principal at<br />

a special school. Meanwhile, he feeds a group of stray cats everyday. However, there is a<br />

growing tension in the cats’ peaceful community because a male “thief cat,” an outsider,<br />

is trying to invade it. Toshio’s wife, Hiroko Kashiwagi, runs a non-profit organization,<br />

which sends home helpers to houses of the elderly and the disabled. But, her organization<br />

is facing financial difficulties because of budget cuts from the government. At home,<br />

she has been grumbling about the way Toshio feeds his cats. As a professional caregiver<br />

herself, Hiroko regularly visits 91-year-old Shiro Hashimoto to help in his daily routines.<br />

Living in a small, mouse and tick infested apartment, Hashimoto is spending his final days<br />

thinking about his own death. His memories of being drafted into the army in WWII come<br />

back to him while dealing with Hiroko.<br />

Running time: 53΄<br />

Year of production: 2010<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Laboratory X<br />

Kiyoko Kashiwagi<br />

Taskovski Films<br />

Manuela Buono<br />

7 Granard Business Centre, Bunns Lane<br />

London NW7 2DQ, UK<br />

T. +39 34 7627 3790<br />

sales@taskovskifilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 345


P<br />

572<br />

GERMANY<br />

Environment & Wildlife<br />

PEAK<br />

Hannes Lang<br />

The Alps are an ancient region of natural beauty that is changing as a result of climate<br />

change. Snow is no longer guaranteed. Peak shows how the tourist industry is dealing with<br />

this problem. Millions are invested into massive technology to produce the perfect landscape<br />

independent from nature. High-altitude water reservoirs replace melting glaciers,<br />

excavators rip up the earth, a computer operated switch room lies deep in the mountain,<br />

pipes and cables are laid in the ground, snow machines continuously spray artificial snow<br />

onto slopes. A never-ending story taking place in the Alps, but with parallels worldwide.<br />

A theatrical masterpiece in Cinemascope.<br />

Running time: 52΄ & 90΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Unafilm<br />

Titus Kreyenberg<br />

Rise and Shine World Sales<br />

Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

346<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


573<br />

POLAND<br />

P<br />

Environment & Wildlife<br />

PEOPLE OF THE MARSHES<br />

Piotr Sadzinski<br />

The Biebrza Marshes stretch across the horizon. This is the largest protected area in Poland:<br />

over a hundred kilometres long and over twenty kilometres wide. Its view consists of thousands<br />

of birds, wetlands, and a wild, meandering river. Krzysiek, Gosia and Julka watch the<br />

displaying ruffs. These are unusual birds, and there are no two males with the same<br />

colour plumage in the world. Squeaking, croaking, twittering and bird songs are heard from<br />

all sides. Krzysiek is trying to bring this world closer to his daughter, Julka, aged 11, who<br />

lives with her mother in the city. Gosia, whom he married a year ago, is helping him. For<br />

Julka, an ordinary city-girl, the marshes look like a dreamland, full of mystery and magic.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company: <strong>Doc</strong>Film.pl, TVP - Channel 2<br />

Production Contact Person: Aleksandra Biernacka<br />

Sales Company:<br />

TVP SA<br />

Sales Contact Person: Maria Nadolna<br />

17, J.P. Woronicza st<br />

Warsaw 00-999, Poland`<br />

T. +48 22 547 8501<br />

F. +48 22 547 4248<br />

festivals@tvp.pl<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 347


P<br />

305<br />

GREECE<br />

Environment & Wildlife<br />

THE PEOPLE OF THE VOLCANO<br />

Dimitris Paizis<br />

“The people of the volcano” are the inhabitants of Nisyros, an island where the volcano<br />

dominates the landscape from its heights down to the sea, influencing the character of the<br />

local people. The main character of the documentary is a prominent volcanologist, George<br />

Vougioukalakis, who follows the trail of the lava flow not only as a scientist but also as a<br />

volcano enthusiast. On a secondary level, his wanderings across the island are coupled by<br />

discussions with its inhabitants who, through personal stories and beliefs, convey the energy<br />

and mystical aura of the volcano. A common theme running through people’s minds<br />

is whether the volcano will become active again.<br />

Running time: 18΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Dimitris Paizis<br />

26 Troias St.<br />

124 62 Haidari, Greece<br />

T. +30 6944 056 459<br />

dimitrispaizis@gmail.com<br />

348<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


290<br />

GREECE<br />

P<br />

Environment & Wild life<br />

PERAH ISTAR<br />

Elisavet Laloudaki, Massimo Pizzocaro<br />

Perah Istar is a documentary about the relationship between people and pigeons in a modern<br />

city. In ancient times, it was considered the bird of fertility and love (perah istar, the<br />

Semitic word for dove, means the bird of Aphrodite). The three main monotheistic religions<br />

– Judaism, Christianity and Islam – venerate it. In the Middle Ages, it became the symbol<br />

of peace. So how is it that nowadays it is considered a “rat with wings” or a city parasite<br />

What happened to this small domestic bird, highly esteemed for its virtues and long<br />

admired for its beauty Why do so many people hate pigeons or are terrified of them, while<br />

others love them and are even obsessed with them Urban residents are forced to co-exist<br />

with pigeons. Perah Istar chronicles this interesting cohabitation.<br />

Running time: 60’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

HappyAnt. TV<br />

Elissavet Laloudaki<br />

1 Tefthidos Str.<br />

17455 Athens Greece<br />

T. +30 2103412687<br />

F. +30 211800667<br />

eli@happyant.tv<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 349


P<br />

574<br />

ISRAEL<br />

History & Politics<br />

A PLACE OF HER OWN<br />

Sigal Emanuel<br />

Seventeen-year-old Reut winds up on the streets and gives birth to her first son who is<br />

taken away by the welfare authorities. As she fights the state to regain custody of her son,<br />

she meets a Palestinian man, marries him, moves to his village, and gives birth to two additional<br />

children while an impossible relationship develops between her and her first son’s<br />

religious foster family, who live in a settlement. Reut’s introverted character is revealed; all<br />

she really wants is a place she can call home, but her life is full of surprising turnabouts,<br />

right up to its tragic end.<br />

Running time: 68΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Dikla Barkai<br />

Go2Films Distribution & <strong>Market</strong>ing<br />

Hedva Goldschmidt<br />

37/8 Issar Natanzon St.<br />

Jerusalem 97787, Israel<br />

T. +972 2 583 1371<br />

F. +972 2 583 5450<br />

hedva@go2films.com<br />

350<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


124<br />

SOUTH KOREA-JAPAN-FINLAND<br />

P<br />

Current Affairs<br />

PLANET OF SNAIL<br />

Seung-Jun Yi<br />

Young-Chan comes from the planet of snail, where deaf and blind people live slow and<br />

quiet lives. When Young-Chan came to Earth, nobody understood his language and he was<br />

desperate. Then an angel walked into his life. Soon-Ho knows how it is to be lonely and<br />

soon becomes an inseparable part of his life. Young-Chan also discovers an amazing<br />

world under his fingers as he learns to read books in Braille. Hope begins to grow and<br />

he dreams of writing a book. However, Soon-Ho cannot always be there for him because<br />

of her own disability. The couple have to learn to survive apart. So, while Soon-Ho uneasily<br />

spends her first day alone waiting for his return, Young-Chan goes out for the biggest adventure<br />

of his life...<br />

Running time: 87’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

CreativEAST<br />

Min-chul Kim<br />

CAT&<strong>Doc</strong>s<br />

Catherine Le Clef<br />

T. +33 1 44 59 63 53<br />

cat@catndocs.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 351


P<br />

257<br />

GREECE<br />

Art, Music & Culture<br />

PLAY IT LIKE BECKETT<br />

Spyros Amiropoulos<br />

The process of learning a theatrical role through music, learning and rhythm. Samuel Beckett’s<br />

Rockaby as seen through the character of an actress who carries the role as a natural<br />

part of herself. A documentary study on rhythm in Beckett’s play.<br />

Running time: 15΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

One Touch<br />

Spyros Amiropoulos<br />

91 Vassilissis Olgas St.<br />

546 43 Thessaloniki, Greece<br />

T. +30 6936 809 371<br />

thouhast@gmail.com<br />

352<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


575<br />

FRANCE<br />

P<br />

Sports<br />

POLO IN INDIA, SPORT OF KINGS<br />

Olga Prud’homme-Farges<br />

Polo was born in India 150 years ago. This film takes us to Rajasthan, polo holy land, where<br />

it remained, for a long time, a Maharaja’s privilege. Guided by Lokendra Singh Rathore, polo<br />

champion and husband of the Princess of Udaipur, we will enter Rajput’s palaces where<br />

the tradition of polo is perpetuated, then follow him on the Jaipur polo ground, where he<br />

will set out to conquer the Simur Cup. Horse riders, breeder, trainers, referees, spectators<br />

and horse lovers will make us feel the glamour of polo to the pace of a wild gallop.<br />

Running time: 53΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Kolam Productions<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

F-75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 353


P<br />

345<br />

GREECE<br />

Art, Music & Culture<br />

POTTERY POETRY<br />

Dimitris Gouziotis<br />

Under the temple of Athena Aphaea in Aegina, the last remaining craftsmen in the village<br />

of Mesagros mould a language of clay; an ancient language.<br />

Without any support, they still fire hand-made pottery today, using olive leaves and<br />

wood.<br />

Running time: 46΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Dimitra Bessi - Film and Television Works<br />

Dimitris Gouziotis<br />

55 Ypsilantou St.<br />

188 63 Perama, Greece<br />

T. +30 6977 998 842<br />

F. +30 210 4412 226<br />

dgouziotis@gmail.com<br />

354<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


576<br />

FRANCE<br />

P<br />

Art, Music & Culture<br />

PRALINE, SURPRISING ENCOUNTERS<br />

WITH SOME OF FRENCH<br />

POET ARTHUR RIMBAUD’S FANS<br />

Jean-Hugues Berrou<br />

In Charleville-Mézières, a small town in the Northeast of France, visitors find Arthur Rimbaud’s<br />

grave, or rather his last home. Indeed, it has become a real living space. The fans<br />

of the famous French poet come from the four corners of the world to honor his memory,<br />

each in its own way. Unexpected situations, moving moments, unusual visitors… The director<br />

of the film suggests we meet some of these characters in this little municipality in<br />

the Ardennes. In doing so, he turns the small city from the place of birth of an illustrious<br />

contributor to French literature into a theater where everyone can imagine the set, as well<br />

as the role he or she wants to play. It’s another way of bringing poetry to life. As to the two<br />

guards of the cemetery, they are privileged witnesses to the thousands of tributes brought<br />

from across the world. So, with a poet’s grave as a starting point, the film offers us a reality<br />

full of strength and life, love and poetry, and thus restores the dignity, originality and<br />

beauty of a region otherwise struck by economic crisis and decline.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ICTV<br />

Michel Noll<br />

17 Rue du Colisee<br />

F-75008 Paris, France<br />

T. +33 1 4359 2679<br />

F. +33 1 6403 7101<br />

m.noll@ictv-solferino.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 355


P<br />

577<br />

FRANCE<br />

History & Politics<br />

PRESIDENT MITTERRAND:<br />

THE PRINCE AND HIS IMAGE<br />

Hugues Le Paige<br />

Hugues Le Paige was allowed to follow François Mitterrand’s public activities first-hand for<br />

many years. His harmonious relationship with the French president is broken during an<br />

awkward interview in which his political decline is already apparent. Years after Mitterrand’s<br />

death, the filmmaker would complete a sorrowful reflection on the ability to manipulate<br />

power and its inherent loneliness.<br />

Running time: 50΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Arturo Mio<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

F-75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

356<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


107<br />

USA<br />

P<br />

Current Affairs<br />

THE PRICE OF SEX<br />

Mimi Chakarova<br />

The Price of Sex is a feature-length documentary about young Eastern European women<br />

who’ve been drawn into a netherworld of sex trafficking and abuse. Intimate, harrowing<br />

and revealing, it is a story told by the young women who were supposed to be silenced<br />

by shame, fear and violence. Photojournalist Mimi Chakarova, who grew up in Bulgaria,<br />

takes us on a personal investigative journey, exposing the shadowy world of sex trafficking<br />

from Eastern Europe to the Middle East and Western Europe. Filming undercover and<br />

gaining extraordinary access, Chakarova illuminates how, even though some women escape<br />

to tell their stories, sex trafficking continues to thrive.<br />

Running time: 73’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Violeu Production<br />

Mimi Chakarova<br />

CAT&<strong>Doc</strong>s<br />

Catherine Le Clef<br />

18 Rue Quincampoix<br />

75004 PARIS<br />

France<br />

T. +33 1 44 59 63 53<br />

cat@catndocs.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 357


P<br />

256<br />

GREECE<br />

Lifestyles<br />

PRINTED TIME<br />

Dimitris Yannikopoulos<br />

The film is a 96-minute social documentary with some elements of fiction, enriched with<br />

folklore and historical subjects. “It presents a chronicle/recording of a time period, of traditions<br />

and of a way of life [of customs]”... It refers to Valtesiniko, Gortynia in general and<br />

Arcadia, through the newspaper stories from the Voice of Gortynia between 1933-1983,<br />

as well as to current events.<br />

“Well, here it is, Valtesiniko, the center of the world! The navel of the earth! It could be any<br />

village in Greece or even in the entire world.”<br />

Running time: 96΄<br />

Year of production: 2011<br />

World Sales contact Person:<br />

Kostis Yannikopoulos<br />

2 Protomagias St.<br />

190 04 Spata, Greece<br />

T. +30 22040 85545, +30 6977 292 519<br />

F. +30 22040 85545<br />

dgiannikopoulos@gmail.com<br />

358<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


578<br />

SOUTH AFRICA<br />

P<br />

Art, Music & Culture<br />

PUNK IN AFRICA<br />

Keith Jones, Deon Maas<br />

Three chords, three countries, one revolution… Punk in Africa traces this until-now untold<br />

story from its roots in the underground rock music of early 1970s Johannesburg, the<br />

first multi-racial punk bands formed in the wake of the Soweto Uprising and the militant<br />

anti-apartheid hardcore and post-punk bands of the 1980s to the rise of celebratory<br />

African-inspired ska bands which sprang up from Cape Town to Maputo in the democratic<br />

era of the 1990s. Today, an emerging generation of bands continue to draw on this legacy<br />

to confront the political challenges of contemporary Zimbabwe and the uncertain identity<br />

issues of the Afrikaans minority in South Africa.<br />

Running time: 52΄& 81΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Meerkat Media<br />

Jefe Brown<br />

Rise and Shine World Sales<br />

Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 359


P<br />

129<br />

DENMARK<br />

History & Politics<br />

PUTIN’S KISS<br />

Lise Birk Pedersen<br />

Putin’s Kiss is a rare insight into the core of Russian democracy “Putin-style”. We meet Masha,<br />

19, who has become a spokesperson for Nashi, a political youth organization working to<br />

support the current political system. Their agenda, however, is also to keep the political opposition<br />

from spreading their views among the Russians. When Masha is up for election,<br />

she starts questioning her role in the Nashi movement for the first time.<br />

Running time: 84’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Bastard Film og TV ApS<br />

Helle Faber<br />

DR International Sales<br />

DR Byen<br />

Emil Holms Kanal 20<br />

0999 København C<br />

drsales@dr.dk<br />

360<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


579<br />

SLOVAK REPUBLIC<br />

P<br />

Adventure & Travel<br />

PYGMIES – THE CHILDREN<br />

F THE JUNGLE<br />

Pavol Barabáš<br />

Ivan Bulik, adventurer, traveled throughout of Africa. However, one of his dreams stayed<br />

unrealized for a long time. He wished to capture the life and customs of the smallest people<br />

on Earth, untouched by modern day civilization: the Pygmies. His search begins in the<br />

Central African Republic, where the local natives take him illegally across the border of wartorn<br />

Congo. During his adventurous trip, he comes face to face with Mountain Gorillas and<br />

is threatened by Jungle Elephants. Finally, deep in the jungle, he comes across the people<br />

who for millennia have sustained themselves by traditional hunting and gathering and<br />

whose joy of life, dance and music seems to be endless. They may be the last real “children”<br />

of the jungle, who are not only endangered by our civilization, but also by one of the largest<br />

war conflicts since the end of WWII. [Title available in Europe, Asia, Latin America and Arabic<br />

speaking countries.]<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

K2 Studio s.r.o.<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

F-75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 361


580<br />

USA<br />

R<br />

Sports<br />

RACING HEARTS<br />

Christoph Baaden<br />

Heartfelt, funny and inspiring, the documentary Hood to Coast follows four very different<br />

teams on an epic journey to conquer the world’s largest relay race. A 67 year old heart attach<br />

survivor returns to conquer the race that nearly killed her, a family in mourning runs<br />

to honor the memory of their beloved, a group of film animators test the limits of their athleticism<br />

(or lack thereof), and a group of aging jocks show they still know how to have a<br />

good time. A celebration of personal determination and the power of family and friends,<br />

Hood to Coast proves that you’re never too old or too young to attempt the extraordinary.<br />

Running time: 90’<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Christoph Baaden<br />

Cinephil<br />

Ori Bader<br />

18 Levontin Street,<br />

Tel Aviv, 65112, Israel<br />

T. + 97 23 566 4129<br />

F. + 97 23 560 1436<br />

info@cinephil.co.il<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 363


R<br />

581<br />

LATVIA-GEORGIA<br />

Lifestyles<br />

RAMIN<br />

Audrius Stonys<br />

Ramin, an ex-wrestler who once won seven matches in 55 seconds, lives alone in the east<br />

Georgian town of Kvareli. Long time ago he fell in love with a girl whom he lost soon after<br />

he met her. Now, at 75, still unmarried but full of life, he travels to a remote Georgina<br />

village to seek her out. This film presents Ramir’s journey through the Georgian landscape<br />

and through the memories of this man with a old aged body and an unbeatable heart.<br />

Running time: 58’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

VIDES FILMU STUDIA<br />

Uldis Cekulis<br />

Taskovski Films<br />

Manuela Buono<br />

7 Granard Business Centre,<br />

Bunns Lane, NW7 2DQ, London UK<br />

T. + 39 34 7627 3790<br />

sales@taskovskifilms.com<br />

364<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


106<br />

INDIA<br />

R<br />

Current Affairs<br />

RED FAIRY N THE HOLY GHOST<br />

Balaka Ghosh<br />

A story of oppression and violation of human rights as seen through the lives of women<br />

who have faced unimaginable brutality and humiliation in life, yet emerge as winners.<br />

Lower caste and tribal women in India, whose individuality and exercising of rights causes<br />

them to be branded as “witches,” suffer the horrible ignominy of being paraded naked,<br />

thrashed, forced to drink urine and eat human excreta. Braving the social stigma, one<br />

woman, Chhutni Mahtain – who was the first to go public about her humiliation and<br />

shame – publicly fights against this discrimination, waging her own battle and a war for<br />

others like her. An exceptional story of brutality and human triumph.<br />

Running time: 52’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Next Story<br />

Kumud Ranjan<br />

P-55, CIT Road, Scheme VI M, Kolkata-700054, India<br />

T. +91 9830694751<br />

balakaghosh@yahoo.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 365


R<br />

582<br />

FINLAND<br />

Environment & Wildlife<br />

RED FOREST HOTEL<br />

Mika Koskinen<br />

Filmmaker travels to rural China to film a story about new green China’s massive tree planting<br />

campaigns. His plans to interview local farmers and their lawyer suddenly come to a<br />

halt when propaganda officials stop him. They boast about their tight relationship with a<br />

forestry corporation, that plans to build a paper mill in the area. In the meantime the police<br />

arrest the lawyer. The filmmaker is trapped and placed under surveillance in an absurd<br />

situation lasting for days. A year later he makes another attempt to find out what’s really<br />

going on in the province.<br />

Running time: 56’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Luxian productions Oy<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17,<br />

Vienna 1040, Austria<br />

T. + 43 720 34 6934<br />

welcome@autlookfilms.comt<br />

366<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


583<br />

PORTUGAL<br />

R<br />

History & Politics<br />

RED LINE<br />

José Filipe Costa<br />

In 1975, Thomas Harlan’s crew filmed Torre Bela’s homestead occupation, in the center of<br />

Portugal. Three decades later, RED LINE revisits this emblematic film of the Portuguese revolutionary<br />

period: in which way did Harlan interfered in the events that seems to naturally<br />

develop in front of the camera What was the impact of the film on the lives of the occupants<br />

and the memory of that period<br />

Running time: 80’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Terratreme Filmes<br />

Joana Gusmao<br />

Rua Dom Duarte, 3, 5ª Esquerdo<br />

Lisbon 1100-198, Portugal<br />

T. +351 91 862 4184<br />

joana.gusmao@terratreme.pt<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 367


R<br />

584<br />

FRANCE<br />

Lifestyles<br />

RELEASED, A LIFE TO BE REBUILT<br />

Quentin Briere Bordier<br />

Cyril, Francis and Franck have served their sentences. After years in prison, each of them<br />

has to rebuilt his life now. They have to compose with their past and to build a future for<br />

themselves, a new identity. Their obligations towards the judicial system are stringent, and<br />

the risk of seeing the reprieve, the probation or even the newly found freedom lost again<br />

with the slightest négligence weighs heavy on each of them. Their daily living conditions<br />

are far from being easy : Frank is obliged to live with his mother, Francis has to content himself<br />

with a tiny room in a run-down hôtel and Cyril has to deal with temporary accommodation.<br />

In brief, circumstances wich do not really change a lot from life in a Small cell.<br />

Finally, the « judgement » of neighbours and « friends » is also clearly not simple to deal<br />

with. We experience the difficulties of theses men finding a new place in a society that had<br />

previously excluded them. The director has followed our three protagonists during extensive<br />

periods in order to capture signifiant moments of the slow reconstruction process.<br />

Running time: 52’<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ICTV<br />

Michel Noll<br />

17 Rue du Colisee<br />

Paris 75008, France<br />

T. +33 1 4359 2679<br />

F. +33 1 6403 7101<br />

m.noll@ictv-solferino.com<br />

368<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


648<br />

IRAN<br />

R<br />

Lifestyles<br />

RELUCTANT BACHELOR<br />

Mehdi Bagheri<br />

It is my brother’s wedding and I have not attended his reception even though I am 30 years<br />

old and still living with my parents and am not on a speaking terms with my father. I have<br />

asked my friend, who is a filmmaker, to film the reception and especially my father. We did<br />

not have a bad life until my father went bankrupt and I blame him for our misfortune. This<br />

film it is an occasion for me to revise my attitude toward every member of my family by<br />

talking to them.<br />

Running time: 58’<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

Sheherazad Media International<br />

Katayoon Shahabi<br />

1, 3rd Sarvestan, Pasdaran St, Shariati Ave<br />

Tehran 16619 Iran<br />

T. +98 21 22 86 32 60<br />

F. +98 21 22 85 89 62<br />

fest.smi@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 369


R<br />

341<br />

GREECE<br />

Art, Music & Culture<br />

THE RETURN OF E.C. GONATAS<br />

Eva Stefani<br />

A portrait of E.C. Gonatas, a writer, poet and translator whose work has been neglected<br />

by the official Greek literary scene. The film follows him in his home, during three different<br />

periods of his life, in an attempt to convey his world of paradox, his love of nature, and<br />

his obsession with death.<br />

Running time: 39’<br />

Year of production: 2012<br />

Production Contact Person:<br />

Eva Stefani<br />

18 Panagi Benaki Str<br />

Athens 11471 Greece<br />

T. + 30 6936923527<br />

evastefani@gmail.com<br />

370<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


585<br />

UNMI KOSOVO-NORWAY<br />

R<br />

History & Politics<br />

REUNION – TEN YEARS<br />

AFTER THE WAR<br />

Jon Haukeland<br />

The film is an emotional search into the mechanism of oppression. Based upon a 1999 documentary<br />

film, Before the Bombs. In 1999, Serbian military forces and Albanian guerrillas<br />

were fighting in Kosovo. Serbs and Albanians lived separate lives. But when their country<br />

was on the brink of war, a group of students from Pristina decided to meet their<br />

opponents for the first time. Two weeks after the meeting, NATO bombed and they all lost<br />

track of each other. Ten years later, the participants meet again. The conflict between them<br />

is now even stronger. Both groups have different opinions on what actually happened.<br />

When they watch the film of their last meeting in 1999, they are confronted with their previous<br />

self, but it also becomes obvious that the conflict is still, in many ways, the same. Only<br />

now the tables have turned. Through a long night of talking, they come closer to each other<br />

when they decide to find a way out of the cycle of oppression.<br />

Running time: 58’ & 72΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Medieoperatørene<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 34 6934<br />

welcome@autlookfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 371


R<br />

586<br />

FRANCE<br />

Art, Music & Culture<br />

RKO, A STORY MADE IN HOLLYWOOD<br />

Philippe Saada<br />

The artistic and financial history of RKO – one of the “Big Five” studios of the Golden Age<br />

of Hollywood– from it s creation in 1928 (when the talking movies first appeared) to its<br />

demise in 1956 (largely due to the mismanagement by its last CEO, Howard Hughes). During<br />

this period, RKO produced some 550 films, including some of cinema’s great masterpieces<br />

(King Kong, Citizen Kane, the Fred Astaire and Ginger Rogers films, Bringing Up Baby,<br />

et al.) and launched the career of famous stars such as Katherine Hepburn and Robert<br />

Mitchum. (The Film contains a very wide range of extracts from RKO’s most famous<br />

movies).<br />

Running time: 2 x 52΄<br />

Year of production: 2010<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Point du Jour, Aries<br />

Point du Jour International<br />

Doris Weitzel<br />

23 Rue de Cronsadt<br />

F-75015 Paris, France<br />

T. +33 1 7544 8088<br />

F. +33 1 4531 1305<br />

d.weitezl@pointdujour.fr<br />

372<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


587<br />

FRANCE<br />

R<br />

History & Politics<br />

ROBERTO SAVIANO,<br />

IN THE SHADOW OF DEATH<br />

Elisa Mantin<br />

The year 2006 marked the publication of the first novel by Roberto Saviano, a young Italian<br />

journalist of 26, very much engaged in the war on the new Mafia, the Camorra. The<br />

book, Gomorra, quickly became a runaway bestseller in Italy and abroad. The film inspired<br />

by the book won the Grand Prix at Cannes 2008 and was nominated for the Oscars in 2009.<br />

Considered a hero, condemned to death by the Camorra, Saviano lives under police protection.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

ADR Productions<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 373


362<br />

GREECE<br />

S<br />

Art, Music & Culture<br />

SAKIS PAPADIMITRIOU –<br />

A LIFE IMPROVISED<br />

Spyros Tsiftsis<br />

The piano is... The piano is not... 1979. At the foot of the Acropolis, in the only jazz club in<br />

the country, the pianist Sakis Papadimitriou and the saxophonist Floros Floridis perform<br />

what is to mark the birth date of the contemporary Greek jazz scene. Improvising at<br />

Barako’s is the title of the recording. This film is the portrait of Sakis Papadimitriou, a writer<br />

and jazzman in different capacities – writer, co-organizer of festivals, radio producer with<br />

a 35-year career on Greek national radio – but, above all, an improviser.<br />

Running time: 50’<br />

Year of production: 2010<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

CINETIC, ERT S.A Hellenic Broadcasting Corp.<br />

Takis Hadjopoulos<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 375


S<br />

588<br />

FRANCE<br />

Adventure & Travel<br />

SALMAN RUSHDIE: IMAGINING INDIA<br />

Elisa Mantin<br />

On St Valentine’s Day, February 14th, 1989, the British writer Salman Rushdie was condemned<br />

to death by a fatwa issued in Iran by Ayatollah Khomeini for the publication of<br />

his fourth novel: Satanic Verses. Twenty years later, Salman Rushdie talks about India and<br />

Bombay, the land of his childhood, the source of his literary inspiration, the country that<br />

has nourished his imagination and his work. A country where he was forbidden to go because<br />

of the fatwa. He talks about his past ten years as a free man.<br />

Running time: 43΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

ADR Productions<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

376<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


589<br />

BRAZIL<br />

S<br />

Art, Music & Culture<br />

THE SAMBA WITHIN ME<br />

Georgia Guerra-Peixe<br />

Geórgia Guerra-Peixe takes us on a journey through her native Mangueira, a slum district<br />

in Rio de Janeiro hosting one of Brazil’s top samba schools. Among the characters we meet<br />

is Mestre, the leader of the school, whose imitation of a full samba band puts hip hop beatboxers<br />

to shame. There is also “Granny,” whose grandmother was a slave and who earned<br />

her nickname by having 168 great-grandchildren. At first, the stories seem mundane, but<br />

the relaxed highlights make them funny and touching and provide a glimpse into a Brazil<br />

beyond favela drug wars and carnivals.<br />

Running time: 52’ & 72΄<br />

Year of production: 2010<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Bossanova Films<br />

Paula Cosenza<br />

Rise and Shine World Sales<br />

Diana Karklin<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +49 30 4737 298 0<br />

F. +49 30 4737 298 20<br />

diana.karklin@riseandshine-berlin.de<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 377


S<br />

333<br />

GREECE<br />

History & Politics<br />

SAMOTHRACE: THE SILENT<br />

LANDSCAPE<br />

Flora Prisimintzi<br />

Samothrace, known in mythology as the island of Aeolus. The name probably comes from<br />

the Greek word Samos which means height thus Samothrace, probably meaning high<br />

Thrace. In Samothrace the Kaveiria mysteries were held, which are comparable to the<br />

Eleusinian mysteries. Samothrace is an ideal place for thrills, which has not revealed the<br />

shocking face of fictional source. The whole documentary has been created to match the<br />

7 days of creation. Men in the course of the search discover their spiritual self, which is<br />

none other than love and freedom.<br />

Running time: 58΄<br />

Year of production: 2012<br />

Sales Company:<br />

Sales Contact Person:<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

378<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


152<br />

DENMARK<br />

S<br />

Current Affairs<br />

THE SAMURAI CASE<br />

Eva Mulvad<br />

It is the first time in Danish history that the judicial system allows an entire case to be<br />

filmed. And it took years for permission to be granted. The Samurai Case is about a man<br />

who killed his best friend with a Samurai sword. Was it manslaughter or premeditated murder<br />

Apart from the defendant, we also meet the prosecutor and the counsel for the defense,<br />

who tell us about their work. We also get to see how the court works – How do people<br />

address each other How are witnesses and the defendant questioned And how does<br />

the judge react, when counsel for the defense and the prosecutor play psychological and<br />

tactical games with one another<br />

Running time: 58’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Monday Reporter ApS<br />

Helle Faber<br />

Vermundsgade 40 D, 2. DK 2100<br />

Copenhagen O. Denmark<br />

T. +45 39 166 000<br />

F. +45 39 166 060<br />

helle.faber@Monday.dk<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 379


S<br />

251<br />

GREECE<br />

Lifestyles<br />

SAYOME<br />

Nikos Dayandas<br />

Forcibly adopted by her grandfather at a very young age, Sayome grew up in a remote<br />

Japanese village, without knowing her mother. At 22, she left Japan, following a Greek<br />

sailor to the island of Crete. There, she replaced her homeland with a new culture, a new<br />

language and family. 35 years later, her mother’s death triggers her need to return home.<br />

We follow her journey from Crete to Japan, as she revisits the land of her childhood. A film<br />

about family and identity.<br />

Running time: 56’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Sales Company:<br />

Sales Contact Persons:<br />

Sales Company:<br />

Anemon Productions,<br />

ERT S.A Hellenic Broadcasting Corp.<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

Anemon Productions<br />

Rea Apostolides, Yuri Averof<br />

T. +30 210 7211 073<br />

info@anemon.gr<br />

Greek Film Centre<br />

T. +30 210 3687 500<br />

F. +30 210 3648 245<br />

info@gfc.gr<br />

380<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


287<br />

GREECE<br />

S<br />

Art, Music & Culture<br />

SCAFFOLDING<br />

Euripides Laskaridis<br />

The documentary short Scaffolding records the completion of Alexandros Vasmoulakis’ latest<br />

work of large-scale street art at Iroön Square in the Athenian district of Psyrri. It is a nonconventional<br />

observation of the artist at work, open to the gaze and judgment of passersby,<br />

director Euripides Laskaridis tries to capture Vasmoulakis’ apprehension about the<br />

removal of the scaffolding. This piece of construction equipment becomes an indispensable<br />

tool in the hands of the artist, but at the same time prevents him from overseeing the<br />

work as a whole. On the day the scaffolding comes down, the need for quick corrections<br />

tests the artist’s physical limits and creates a unique kind of suspense, such as the general<br />

public has never known until now.<br />

Running time: 6’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Apocalypsis<br />

Euripides Laskaridis<br />

26-28 Drakou Str<br />

11742 Koukaki Athens Greece<br />

T. +30 694 700 9329<br />

F. +30 210 681 0412<br />

euripidestheatre@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 381


S<br />

136<br />

AUSTRALIA<br />

Current Affairs<br />

SCARLET ROAD<br />

Catherine Scott<br />

Scarlet Road follows the extraordinary work of Australian sex worker, Rachel Wotton. Impassioned<br />

about freedom of sexual expression and the rights of sex workers, she specializes<br />

in a long-overlooked clientele: people with disabilities. She helped set up an advocacy<br />

group (“Touching Base”), runs workshops for carers and sex workers, and is studying<br />

for a masters degree in her spare time. Rachel’s philosophy, that human touch and sexual<br />

intimacy can be some of the most therapeutic aspects to our existence, is making a dramatic<br />

impact on the lives of her clients, Mark and John. While Rachel’s clients offer a<br />

glimpse into their sexual self-discovery, Scarlet Road follows Rachel as she strives to increase<br />

awareness and access to sexual expression for people with disability.<br />

Running time: 70’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Paradigm Pictures<br />

Pat Fisk<br />

CAT&<strong>Doc</strong>s<br />

Catherine Le Clef<br />

T. +33 1 44 59 63 53<br />

cat@catndocs.com<br />

382<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


590<br />

FRANCE<br />

S<br />

Art, Music & Culture<br />

SERIES ADDICTS<br />

Olivier Joyard<br />

It’s the sweetest addiction there is today. The most exciting of all. The addiction to television<br />

series. How do these labyrinths of fiction grow on us and give us pleasure What gaps<br />

are they filling in our lives and the culture This is what Series Addicts is all about. We are<br />

to explore this fresh and unconditional love by looking at both sides. We scrutinize the public’s<br />

behaviour, but we also understand how the addiction is carefully created – in Hollywood<br />

and elsewhere. We meet fascinating series buffs, ranging from unknown fans of all<br />

ages and countries to famous novelists like Bret Easton Ellis and intellectuals. Then, we talk<br />

to the ones who make it all happen, the writers, actors, studio heads, producers, and ask<br />

for their secret recipes… Reception and fabrication will communicate dynamically to establish<br />

the film in more than one field, from pop culture analysis to sociology, to pure observation.<br />

The result An emotional plunge into the irrational and yet somehow predictable<br />

love that we all share for these new “monsters of storytelling.” The last great picture show<br />

on earth…<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Agat Films & Cie<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 383


S<br />

591<br />

INDIA<br />

Art, Music & Culture<br />

SHAMANS OF THE HIMALAYAS<br />

Anu Malhotra<br />

An experiential exploration into the mysterious world of the Shamans, high up in the Himalayas,<br />

India. Himachali Shamans are chosen by a deity as his or her medium, allowing<br />

the spirit of the god to take over and speak through them in a divine possession trance. It<br />

is the filmmaker’s quest to lift the veil over these shadow worlds of magic and myth that<br />

co-exist with contemporary reality.<br />

Running time: 108΄<br />

Year of production: 2010<br />

Production Company:<br />

Sales Contact Person:<br />

AIM Television Pvt. Ltd<br />

Iqbal Malhotra<br />

Second Floor, Malhotra Building,<br />

F – 59, Connaught Place<br />

New Delhi – 110001, India<br />

T. +91 2331 0617<br />

F. +91 2334 2584<br />

iqbalmalhotra@aimtelevision.com<br />

384<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


261<br />

CYPRUS<br />

S<br />

History & Politics<br />

SHARING AN ISLAND<br />

Danae Stylianou<br />

Six young Cypriots who have never met each other before, three Greek Cypriots, who live<br />

south of the buffer zone in Cyprus and three Turkish Cypriots, who live north of it, are invited<br />

to share a house for five days. Together they travel across divided Cyprus. They argue<br />

from different perspectives of history, share stories of the past and together they envision<br />

the future.Will they succeed in breaking down prejudices and free themselves of the traumas<br />

of the past that have been passed on to them Will they discover truths they had never<br />

before encountered Is peace a long way ahead<br />

Running time: 100’<br />

Year of production: 2011<br />

Production Contact Person:<br />

Danae Stylianou<br />

P.O.Box 51961<br />

3509 Limassol Cyprus<br />

T. +35 799763384<br />

F. +35 725372936<br />

sharinganisland@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 385


S<br />

592<br />

FRANCE<br />

Environment & Wildlife<br />

SHARKS: THE REAL THREAT<br />

Jean-Manuel Prudhomme<br />

For nearly 40 years, Jean-Bernard Galvès dives with sharks in the islands of the southwest<br />

Indian Ocean. For a long time, he was a shark fisherman, but today he is worried about<br />

their future. In recent years, sailing aboard his boat, he is the helpless witness of the massacre<br />

against them to power the fin trade. After Juan de Nova, one of the Scattered Islands<br />

in the French archipelago in the middle of the Mozambique Channel, where sharks are protected,<br />

the film takes us to Reunion, South Africa, Seychelles and on the west coast of<br />

Madagascar where shark populations are decimated by an intensive local fishing.<br />

Running time: 53΄<br />

Year of production: 2010<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

France Mexique Cinéma<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

F-75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

386<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


193<br />

DENMARK<br />

S<br />

Lifestyles<br />

SIBLINGS FOR BETTER<br />

OR WORSE - JENNI’S BIG SISTER<br />

Max Kestner<br />

Nine-year-old Lulu and seven-year-old Jenni will soon have a little brother. They’re very<br />

exited, particularly Jenni, who will now also become an older sister – just like Lulu. Time<br />

passes slowly when you are waiting, and the two sisters spend their days preparing for their<br />

little brother’s arrival and talking about what it means to be a good big sister. Weeks go<br />

by while their parents pull Lulu and Jenni through their everyday routines. But finally the<br />

miracle happens. (The film is part of the documentary series Siblings - For Better or<br />

Worse.)<br />

Running time: 15’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Radiator Film<br />

Henrik Underbjerg<br />

Radiator Film ApS<br />

Filmbyen 23, 8000 Århus C, Denmark<br />

henrik@radiatorfilm.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 387


S<br />

194<br />

DENMARK<br />

Lifestyles<br />

SIBLINGS FOR BETTER<br />

OR WORSE - ME AND MY TWIN<br />

Mikala Krogh<br />

Cecilie and Katrine are identical twins. They are starting in a new school after the holidays, but<br />

in separate classes. That’s what they’ve decided, since they want to try to make new friends<br />

each one on her own. The twins used to resemble each other like two drops of water, but after<br />

Cecilie got cancer they do not look much alike anymore. Mainly because Cecilie has lost<br />

her hair from the medicine she has to take. Cecilie and Katrine are both nervous about how<br />

it’s going to go – and the first big questions are whether Katrine will wear a jumpsuit to school<br />

and if Cecilie should wear a wig or a cap. They are both excited when the first day of school<br />

day arrives. (The film is part of the documentary series Siblings - For Better or Worse.)<br />

Running time: 20’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Radiator Film<br />

Henrik Underbjerg<br />

Radiator Film ApS<br />

Filmbyen 23, 8000 Århus C, Denmark<br />

henrik@radiatorfilm.com<br />

388<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


195<br />

DENMARK<br />

S<br />

Lifestyles<br />

SIBLINGS FOR BETTER<br />

OR WORSE - ME WITHOUT YOU<br />

Aage Rais-Nordentoft<br />

Nine-year-old No has lived with his older sister, Metha, his entire life. Now Metha is going<br />

away to Japan for a year. It is going to be really empty and quiet at home. When Metha<br />

leaves for Japan, No is allowed to put his drum set in her room, and in many ways he will<br />

no longer be the annoying baby brother. But it will also be hard, because he’ll miss her and<br />

he might not be able to fill the emptiness she leaves in the house as well as in his heart.<br />

(The film is part of the documentary series Siblings - For Better or Worse.)<br />

Running time: 21’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Radiator Film<br />

Henrik Underbjerg<br />

Radiator Film ApS<br />

Filmbyen 23, 8000 Århus C, Denmark<br />

henrik@radiatorfilm.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 389


S<br />

196<br />

DENMARK<br />

Lifestyles<br />

SIBLINGS FOR BETTER<br />

OR WORSE - STUCK IN THE MIDDLE<br />

Laila Hodell<br />

Nikolaj’s older brother, Oliver, is 14 years old. He likes playing music and riding his skateboard.<br />

Oliver is allowed to do many things himself. Nikolaj also has a younger brother<br />

named Tobias. Tobias is 7 years old, he is sweet and he teases a lot and Nikolaj always has<br />

to keep an eye on him. Nikolaj himself is somewhere in between, and sometimes it<br />

seems that he is caught right in the middle. But maybe Nikolaj is just really lucky to be a<br />

big brother and a little brother at the same time. (The film is part of the documentary series<br />

Siblings - For Better or Worse.)<br />

Running time: 18’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Radiator Film<br />

Henrik Underbjerg<br />

Radiator Film ApS<br />

Filmbyen 23, 8000 Århus C, Denmark<br />

henrik@radiatorfilm.com<br />

390<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


593<br />

THE NETHERLANDS<br />

S<br />

Current Affairs<br />

SINNER’S DISEASE,<br />

SURVIVING HIV IN RUSSIA<br />

Jan Jaap Kuiper<br />

Sasha Volgina, a 31-year-old Russian, is HIV positive and pregnant. At the moment, Russia<br />

has the fastest growing AIDS-epidemic in the world. More than 1 million Russian people<br />

have HIV, most of them younger than 35. In the meantime, there are not enough medications<br />

available, the government does not invest in HIV prevention, and drug-users are<br />

being criminalized. Sasha leads a group of activists trying to do something about this situation.<br />

Filmmaker Jan Jaap Kuiper follows her in her daily struggle for survival.<br />

Running time: 56΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

ThankEve Productions<br />

Katja Sokolova<br />

NPO/RNW Sales<br />

Ellie Beijaard<br />

Sumatralaan 45<br />

1217 GP Hilversum, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 391


S<br />

594<br />

ARGENTINA<br />

Art, Music & Culture<br />

SIP’OHI – MANDURÉ PLACE<br />

Sebastián Lingiardi<br />

Gustavo Salvatierra, a researcher of the Wichí people and their culture, returns to his<br />

hometown, Sip’ohi, in the impenetrable forest of Chaqueño in northern Argentina. His aim<br />

is to listen to and gather stories of that ancient tradition, stories which have been transmitted<br />

orally from generation to generation. The only way this culture can survive is<br />

through its language. But as he tries to recount and depict this patrimony, he also has to<br />

come to terms with a certain form of resistance.<br />

Running time: 63΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

FUC & CIFMA<br />

María Paz Bustamante<br />

Oktubre45<br />

Juan Cruz<br />

Arenales 3291 4º 9<br />

Buenos Aires 1425, Argentina<br />

T. +54 011 4825 1816<br />

oktubre45@gmail.com<br />

392<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


595<br />

ISRAEL<br />

S<br />

Lifestyles<br />

SIX MILLION AND ONE<br />

David Fisher<br />

Following his father’s memoir, the filmmaker “drags” his siblings across Austria and the US<br />

in an attempt to unravel his life’s mystery. Funny and intimate, this isn’t a film about the<br />

holocaust.<br />

Running time: 93΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

ZDF/Arte<br />

David Fisher<br />

Cinephil<br />

Ori Bader<br />

18 Levontin Street,<br />

Tel Aviv, 65112 Israel<br />

T. + 972 3 566 4129<br />

F. + 972 3 560 1436<br />

info@cinephil.co.il<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 393


S<br />

596<br />

ISRAEL<br />

Current Affairs<br />

SLIGHTLY, SERIOUSLY,<br />

CRITICALLY INJURED<br />

Amir Bar Shalom, Avital Ben-Moshe<br />

A family’s life changed in a split second. On June 28 2007, an IDF elite commando unit set<br />

out on a routine mission. Point squad commander, Lieutenant Itay Erenlib, sent the bomb<br />

detection dog out to the alley. The dog returned without pointing out anything suspicious.<br />

Erenlib’s squad began to move towards the Kasbah. A minute later an earth-shattering<br />

noise rocked the alley.<br />

On the evacuation helicopter Itay was declared seriously injured, wounded in the abdomen<br />

as well as having lost a hand and two legs. In hospital his situation deteriorated and was<br />

declared “beyond critical.” With a rare intimacy, Slightly, Seriously, Critically Injured reveals<br />

the world of a critically injured, 22-year-old soldier at the most difficult moments, and his<br />

family’s moments of frustration and fear.<br />

Running time: 53΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

IBA - Israel Channel One<br />

Ruth Diskin films Ltd.<br />

Cara Saposnik<br />

PO Box 7153<br />

Jerusalem 91071, Israel<br />

T. + 972 2 672 4256<br />

F. + 972 2 672 4210<br />

cara@ruthfilms.com<br />

394<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


597<br />

USA<br />

S<br />

History & Politics<br />

SMOKIN’ FISH<br />

Luke Griswold-Tergis, Cory Mann<br />

Cory Mann is a quirky Tlingit businessman hustling to make a dollar in Juneau Alaska. He<br />

gets hungry for smoked salmon, nostalgic for his childhood, and decides to spend a<br />

summer smoking fish at his family’s traditional fish camp. The unusual story of his life and<br />

the untold history of his people interweave with the process of preparing traditional food<br />

as he struggles to pay his bills, keep the IRS off his back, and keep his business afloat. By<br />

turns tragic, bizarre, or just plain ridiculous, Smokin’ Fish, tells the story of one man’s attempts<br />

to navigate the messy zone of collision between the modern world and an ancient<br />

culture<br />

Running time: 80΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Kaudli Nutz productions<br />

Luke Griswold-Tergis<br />

70 Laidley St.<br />

San Francisco CΑ 94131, USA<br />

T. +1 707 489 8909<br />

smokingfishmovie@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 395


S<br />

320<br />

GREECE<br />

History & Politics<br />

SMOKING OLD CHIMNEYS<br />

Stefanos Kakavoulis<br />

The film is an inventory of all the old chimneys of the factories in the Attica basin from the<br />

time of the industrial revolution. It is also a study of the symbolic meaning of the chimney<br />

and the way it has been rendered through art.<br />

Running time: 73’<br />

Year of production: 2011<br />

Production Contact Person:<br />

Stephen Kakavoulis<br />

25 Ag. Anargiron Str.<br />

151 24 Marousi Athens Greece<br />

T. +30 6970098280<br />

stephpro@yahoo.gr<br />

396<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


598<br />

GHANA<br />

S<br />

Art, Music & Culture<br />

SO SAYS SHE<br />

Christina Thomopoulos, Maame-Yaa Aforo, Jessica Lynne<br />

So Says She is a story of Diaspora, an interrogation of what lies at the core of 5 young<br />

women experiencing 21st century Accra, Ghana, as they connect with their histories and<br />

each other. Appearance persuades that they share skin; but their unique stories soon question<br />

what commonality in color often assumes of unity, kin, ancestry and perspective. To<br />

quote Chimamanda Adichie “there is danger in a single story,” thus, So Says She challenges<br />

the notion of one Blackness, of one story, of one truth, questioning traditions of History by<br />

creating histories, many of which go untold, go unsaid.<br />

Running time: 25΄<br />

Year of production: 2010<br />

Production Company:<br />

Production Contact Person:<br />

Sales Contact Person:<br />

NYU – New York University in Ghana<br />

Akosua Anyidoho<br />

Christa Sanders<br />

Schlesische Str. 29/30<br />

Berlin 10997, Germany<br />

T. +233 302 761 528<br />

F. +233 786 819/20<br />

ces9@nyu.edu<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 397


S<br />

339<br />

GREECE<br />

Art, Music & Culture<br />

SOMETHING OUT OF YOUR HANDS<br />

Tilemachos Tsardakas<br />

The film documents a part of the poetic work of the Greek poet Dimitris Kavvouras. Time<br />

runs continuously and a girl is always absent. The season changes and the dream of love<br />

that draws close but remains unreachable. Time and absence, the two basic elements of<br />

Kavvouras’s poetry come to the foreground. The poems themselves set the questions and<br />

testify the answers on the background of urban and countryside sceneries of the neglected<br />

city of modern day Patras, where the poet lives and makes his daily promenades.<br />

Running time: 20΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Tilemachos Tsardakas – SayNoMore<br />

Tilemachos Tsardakas<br />

252A Panepistimiou Str.<br />

26443 Patra Greece<br />

T. + 30 6936122261<br />

t.tsardakas@gmail.com<br />

398<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


599<br />

USA<br />

S<br />

Art, Music & Culture<br />

SOMEWHERE BETWEEN<br />

Linda Goldstein Knowlton<br />

The product of China’s 1979 one-child policy, four remarkable Chinese American teenage<br />

girls, adopted from orphanages in the 1990s, share their stories – the unbearable clash of<br />

cultures, painful abandonment and the warmth and love of the new families.<br />

Running time: 60΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Linda Goldstein Knowlton<br />

Cinephil<br />

Ori Bader<br />

18 Levontin Street,<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 399


S<br />

600<br />

UK<br />

Art, Music & Culture<br />

SOUND IT OUT<br />

Jeanie Finlay<br />

Over the last five years, an independent record shop has closed in the UK every three days.<br />

Sound It Out is the very last surviving vinyl record shop in Northeast England. A cultural<br />

haven in one of the poorest areas in the UK, the film documents a place that is thriving<br />

against the odds and the local community that keeps it alive. Directed by Jeanie Finlay, who<br />

grew up in the neighbourhood, this is a distinctive, funny and intimate film about men,<br />

the North and the irreplaceable role music plays in our lives.<br />

Running time: 74΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Glimmer Films<br />

Jeanie Finlay<br />

Dogwoof<br />

Ana Vicente<br />

Unit 211 Hatton Square Business Centre<br />

16-16a Baldwins Gardens<br />

London EC1N 7RJ, UK<br />

T. +44 207 831 7252<br />

global@dogwoof.com<br />

400<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


146<br />

USA<br />

S<br />

Art, Music & Culture<br />

THE SPACE IN BACK OF YOU<br />

Richard Rutkowski<br />

The Space in Back of You covers a period of 20 years in the life and art of Suzushi Hanayagi,<br />

following her from Japan to New York and back to Japan again. A dynamic, innovative, and<br />

radical Japanese dancer and choreographer, she never ceased to experiment and to stretch the<br />

limits of the art of dance and herself as a dancer well into her 70s. From the discipline of traditional<br />

Japanese dance to her decades-long devotion to modern dance, this bold and indomitable<br />

woman uniquely bridged the East and West, choreographing works that expanded<br />

what classical or modern dance is or could be. Her life and influence is closely<br />

examined by the legendary theater impresario Robert Wilson, who collaborated with her for<br />

20 years and then found her in a retirement home, suffering from Alzheimer’s. Accompanied<br />

by a film crew, Wilson visits Ms. Hanayagi, while he and his dance troupe work on an homage<br />

to her that will premiere at New York’s Guggenheim Museum. The film is one last collaboration<br />

between a great teacher and her most famous student.<br />

Running time: 65’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Media Space, Inc. See -No-Eveil Filmworks,<br />

and Bryd Hoffman Watermill Foundation<br />

Hisami Kuroiwa<br />

Media Space, Inc.<br />

Hisami Kuroiwa<br />

718 broadway, 2b, New York, New York 10003<br />

T. +1 212 475 4488<br />

Hkuroiwa1900@gmail.com<br />

Hkuroiwa190@aol.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 401


S<br />

105<br />

SWITZERLAND<br />

Current Affairs<br />

SPECIAL FLIGHT<br />

Fernand Melgar<br />

Awaiting their deportation from Swiss territory, immigrants are jailed at the Frambois administrative<br />

detention centre. As their request for asylum has failed, they are ordered to<br />

leave, some of them after having spent several years in Switzerland, working, paying taxes,<br />

and starting a family. Although incarceration may be as long as 18 months, deportation<br />

is announced without warning and its implementation is immediate. Behind the closed<br />

prison doors, tension builds day by day. On one side there are guards with humanist values,<br />

on the other there are men at the end of their journey, defeated by fear and stress. Relations<br />

of friendship and hate, respect and repulsion are formed until the announcement<br />

of deportation, which cuts like a knife. This relationship ends mostly in distress and humiliation.<br />

Those who refuse to leave are handcuffed, tied up and forcibly put on a plane.<br />

In this extreme situation, despair has a name: special flight.<br />

Running time: 103’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Climage<br />

Elise Shubs<br />

CAT&<strong>Doc</strong>s<br />

Catherine Le Clef<br />

18 rue Quincampoix<br />

F-75004 Paris France<br />

T. +33 1 44 59 63 53<br />

cat@catndocs.com<br />

402<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


312<br />

GREECE<br />

S<br />

Lifestyles<br />

STAVROULA<br />

Ira Dika<br />

“Everything flows and nothing stays still... everything changes and nothing remains the<br />

same,” says the main character, having a much deeper understanding of these words at age<br />

86. The film is the distillation of one day in the life of an elderly woman and tries honestly<br />

and sensitively to underscore those moments that will provoke in the audience thoughts<br />

on aging, time and memory.<br />

Running time: 29’<br />

Year of production: 2012<br />

Production Contact Person:<br />

Ira Dika, Yorgos Savoglou<br />

6A Kileler Str.<br />

57019 Thessaloniki Greece<br />

T. +30 6975926872<br />

ira-cine@hotmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 403


S<br />

601<br />

USA<br />

Lifestyles<br />

STEVE JOBS: THE LOST INTERVIEW<br />

Robert Cringely, John Gau, Paul Sen<br />

In 1995, during the making of his TV series Triumph of the Nerds about the birth of the PC,<br />

Bob Cringely did a memorable hour-long interview with Steve Jobs. At the time of the interview<br />

he was running Next, the niche computer company he had founded after leaving<br />

Apple. During the interview, Jobs was witty, outspoken and visionary – a pioneer at the<br />

peak of his powers, already anticipating the digital future that one day he would do so<br />

much to make possible. Only a part of the interview was used in the series and the rest<br />

was thought lost. But recently a copy was found in the director’s garage. There are surprisingly<br />

few filmed interviews with Steve Jobs, and even fewer good ones. So the producers<br />

decided to clean this one up to give today’s audiences a chance to see Jobs at his<br />

charismatic best, looking into the future then.<br />

Running time: 70΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

John Gau Productions<br />

John Gau<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

Montreal / Quebec. H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

johnnadai@filmstransit.com<br />

404<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


602<br />

BELGIUM<br />

S<br />

History & Politics<br />

STILL<br />

Nathalie Basteyns<br />

How do you live after suicide Through a series of poetic still lives, documentary filmmaker<br />

Nathalie Basteyns paints a moving portrait of families struggling with this question. One<br />

family lost a son, Freek, 10 years ago. Another a daughter, Eva, barely a year before filming.<br />

Stefaan, a former Olympic swimmer, who survived his attempt, completes the triptych.<br />

Life goes on for those left behind. And yet, in many respects, life has also stopped.<br />

A decade or merely a year later, time seems to have stood still. But as Stefaan looks towards<br />

the future, so do the families of Eva and Freek. And what started out as a film about loss<br />

and grief finally grows into a life-affirming story of courage and surviving.<br />

Running time: 50΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

VRT Television<br />

Hilde Debackere<br />

NPO/RNW Sales<br />

Ellie Beijaard<br />

Sumatralaan 45<br />

1217 GP Hilversum, The Netherlands<br />

T. +31 35 677 3561<br />

F. +31 35 677 5318<br />

ellie.beijaard@omroep.nl<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 405


S<br />

603<br />

FRANCE<br />

History & Politics<br />

Α STOLEN LIFE<br />

Laurence Jourdan<br />

Spain faces a scandal. In 40 years, 200 to 300,000 babies were stolen from their parents<br />

at birth at the clinic, to be sold to couples in search of children to adopt. These couples had<br />

to comply with the ultra-Catholic, conservative right-wing ideology. This traffic was conducted<br />

by doctors and nuns with the help of nurses, some lawyers and officials. The silence<br />

that covered the scandal broke, and tens of thousands of alleged victims are now seeking<br />

their birth mothers, their children or their brothers or sisters. Grouped in associations, they<br />

call for truth and justice. The story of the stolen children has its roots in the Franco regime<br />

in 1940 and continued for 20 years after the death of the dictator. It was not until 1987 that<br />

the Adoption Act which promoted this illicit business was changed... By exploring the nature,<br />

extent and consequences of this traffic, this documentary also seeks to shed light on<br />

the circumstances that made it possible.<br />

Running time: 52’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

AMIP<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

406<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


166<br />

NETHERLANDS<br />

S<br />

Lifestyles<br />

STORIES FROM LAKKA BEACH<br />

Daan Veldhuizen<br />

“Ten years after the devastation of the rebel war, Sierra Leoneans abroad are still afraid to<br />

return home to their families,” says Aminata from Lakka, Sierra Leone. In this picturesque<br />

beach village, a fisherman, a woodcarver, a restaurant owner, a local politician and an aspiring<br />

rapper live their lives in close proximity to each other. Their visions, however, are surprisingly<br />

different. Through stories, they share with us the deepest and most profound moments<br />

in their lives. Stories about the ocean and the land, about war, love, religion,<br />

tradition, and about foreigners – tourism on the heavenly beaches is nowhere near to how<br />

it was in the 80s. Visitors stay away because of stories about the war, stories that the inhabitants<br />

would rather forget, but the world does not.<br />

Running time: 76’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

ByDesign<br />

Daan Veldhuizen<br />

Illumina FIlms<br />

Robin Brinster<br />

Leidsestraat 106-IV, 1017PG<br />

Amsterdam, The Netherlands<br />

T. +31206248395<br />

F. +31203308155<br />

robin@illuminafilms.nl<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 407


S<br />

270<br />

GREECE<br />

History & Politics<br />

STORM<br />

Kostas Kolimenos<br />

Storm (2008-2011) is a documentary of the political and social decay that occurred in my<br />

country in the last three years. It starts from December '08 from the so called "Athens Revolution"<br />

up to the deaths of Marfin Bank, in the spring of '10 and the arrival of the IMF.<br />

Despite its poetic view it is a documentary running through the troubling last three years<br />

of Greece.<br />

Running time: 30΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Mediascope<br />

Kostas Kolimenos<br />

2-4 Asteriou Str.<br />

17573 Zografou Athens Greece<br />

T.+30 6937011983<br />

kolikostas@yahoo.gr<br />

408<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


181<br />

BELGIUM<br />

S<br />

Current Affairs<br />

IN A STRANGER’S SKIN<br />

Christophe Hermans<br />

Arnaud is a young man of twenty. Following the death of his mother three years ago, he<br />

has dropped out of university and taken refuge in food to fill the void. He now weighs 177<br />

kilos and lives with his father, with whom he quarrels constantly. Arnaud has reached the<br />

point where he has decided to undergo a stomach reduction operation...<br />

Running time: 52’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Frakas Productions<br />

CAT&<strong>Doc</strong>s<br />

Catherine Le Clef<br />

T. +33 1 44 59 63 53<br />

cat@catndocs.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 409


120<br />

CANADA-CUBA-ITALY<br />

S<br />

Lifestyles<br />

THE STRAWBERRY TREE<br />

Simone Rapisarda Casanova<br />

Filmed in the remote village of Juan Antonio, Cuba, only weeks before it was swept away<br />

by a hurricane, The Strawberry Tree is an unconventional film that renders with marked restraint<br />

the final sigh of one of Cuba’s last fishing villages. The villagers’ ingeniousness and<br />

resilience, as well as their playful and irreverent relationship with the filmmaker, help turn<br />

a sensitive portrait of a unique culture into a reflection on documentary filmmaking and<br />

on humanity on the edge of time.<br />

Running time: 71’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Ibidem Films<br />

Simone Rapisarda Casanova<br />

2-5328 de Mentana<br />

Montreal QC H2J 3C5, Canada<br />

T. +1 312 291 1763<br />

F. +1 360 368 8634<br />

simone@ibidemfilms.org<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 411


S<br />

142<br />

SWITZERLAND<br />

Science & Technology<br />

THE SUBSTANCE -<br />

ALBERT HOFMANN’S LSD<br />

Martin Witz<br />

By coincidence rather then by design, the Swiss chemist Albert Hofmann makes a sensational<br />

discovery in the spring of 1943. He realizes that he is dealing with a powerful<br />

molecule that will have an impact not only on the scientific world, but beyond. The Substance<br />

is an investigation into our troubled relation with LSD, told from its beginnings<br />

until today.<br />

Running time: 89’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Ventura Film<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17, 1040 Wien<br />

T. +43 720 34 69 34<br />

welcome@autlookfilms.com<br />

412<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


273<br />

GREECE-GERMANY<br />

S<br />

Art, Music & Culture<br />

SULTAN AHMED HAS AWOKEN<br />

Nicos Lygouris<br />

A unity of life and art lies at the center of the aspirations of Konstantinos Fisher, a Germanborn<br />

“social sculptor,” who has been living in Chania, Crete, for the past 19 years. When 43-<br />

year-old Constantinos is not in his studio working on his installations and photo series, he<br />

is usually busy with an non-profit organization that helps orphaned and HIV positive children<br />

in Africa and Greece, or giving free Greek language lessons to immigrants. At night,<br />

in an effort to cure himself of his melancholy, he writes letters to his inner child, to offer<br />

him the tenderness and love he did not receive in his formative years.<br />

Running time: 63’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Contact Person:<br />

Top Cut<br />

Amanda Livanou<br />

36, Amaroussiou Halandriou Str.<br />

15125 Athens Greece<br />

T. +30 6944757339<br />

F. +30 2106100 109<br />

amanda@topcut.tv<br />

Nicos Lygouris<br />

Wil.lig@gmx.de<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 413


S<br />

604<br />

ISRAEL<br />

Current Affairs<br />

SUMNA’S LETTER<br />

Hadar Kleinman-Zadock, Timna Goldstein-Hattab<br />

Hanna was adopted by an Israeli couple, in a time that was a dark age for Romania and<br />

many children were taken out of the country without any legal papers. She has been living<br />

for the past years in Israeli boarding schools. Now, nearing 18, after another fierce argument<br />

with her adoptive parents, she is determined to discover the truth about her real<br />

roots and is embarking on a significant journey to find her mother in Romania.<br />

This is a human drama about a lonely girl who longs for a hug from the woman who<br />

gave birth to her. Hanna’s story is the story of many girls and boys who were adopted<br />

from abroad, who cannot find peace and calm due to the uncertainty of their past and<br />

the concealment of documentation. The black hole in the souls of these children motivates<br />

our protagonist to embark on this intriguing journey, whose results will change<br />

the course of her life.<br />

Running time: 54΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

The House Behind the Sun Films<br />

Timna Goldstein<br />

Go2Films Distribution & <strong>Market</strong>ing<br />

Hedva Goldschmidt<br />

37/8 Issar Natanzon St.<br />

Jerusalem 97787 Israel<br />

T. +972 2 583 1371<br />

F. +972 2 583 5450<br />

hedva@go2films.com<br />

414<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


280<br />

GREECE<br />

S<br />

Lifestyles<br />

SURVIVORS<br />

Maria Giannouli<br />

Apostolos Mavrothalassitis is a four times Greek champion in paragliding. In January<br />

2009, he goes to Mexico for the World Championship. On the last day of the competition,<br />

while Apostolos is airborne, a fellow accidentally crashes into his parachute and tears it<br />

apart. Apostolos plummets from a height of 3,000 meters and survives against all odds.<br />

A touching, hope-filled story, that celebrates the power of the human spirit and the will<br />

to live.<br />

Running time: 33’<br />

Year of production: 2011<br />

Production Contact Person:<br />

Maria Giannouli<br />

13 Korai Str.<br />

166 74 Glyfada Athens Greece<br />

T. +30 6948073866<br />

magiannouli@yahoo.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 415


S<br />

605<br />

USA<br />

Art, Music & Culture<br />

ΤΗΕ SWELL SEASON<br />

Nick August-Perna, Chris Dapkins, Carlo Mirabella-Davis<br />

The Swell Season chronicles Glen Hansard and Markéta Irglová as their on screen romance<br />

that was portrayed in the Oscar-winning film Once blossoms into reality and threatens to<br />

fracture during their world tour.<br />

Running time: 91΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Elkcreek Cinema<br />

Elephant Eye Films<br />

Demetri Makoulis<br />

89 5th avenue Suite 306<br />

New York NY 10003, USA<br />

T. +1 212 488 8877<br />

demetri@elephanteyefilms.com<br />

416<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


316<br />

GREECE<br />

T<br />

Art, Music & Culture<br />

TA KOLITIRIA -<br />

PLAYING WITH SHADOWS<br />

Agnes Sklavos, Stelios Tatakis<br />

Is the Karaghiozi shadow theater a dying art No, according to the Athanasiou family.<br />

Costas, Yannis, Argyris and Eleni Athanasiou experienced the magic of the shadow theater<br />

at performances by Yorgos Haridimos one of Greece’s legendary shadow theater players.<br />

And they did not remain mere spectators. They gradually ventured behind the curtain, first<br />

as assistants, holding the figures of the Kollitiria (Karaghiozi’s collective name for his<br />

three children), until they were finally able to “embody” their childhood heroes. The<br />

shadow theater is not just a job for them; it’s a way of life. The passion and dedication of<br />

these people to their childhood love is keeping a Greek tradition alive.<br />

Running time: 52΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Tatakis AV Productions<br />

Stelios Tatakis<br />

22 Alexioupoleos 22 Str.<br />

16452 Argiroupoli Greece<br />

T. +30 6932 692313<br />

stelios@tst.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 417


T<br />

606<br />

FRANCE-ITALY<br />

History & Politics<br />

TAHRIR<br />

Stefano Savona<br />

From Facebook thumbs up to the battle of stones, a history of hope, fear, despair, anger,<br />

pride and elation, the film is the real-time chronicle of the two most exciting weeks in the<br />

history of modern Egypt as lived by their protagonists. Since the 25th of January, together<br />

with thousands of other Egyptian citizens, Noha, Ahmed and Elsayed have been involved<br />

in a massive movement of street protest for political freedom, that by the end of the first<br />

week of urban guerrilla and brutal state response, has become nothing less than a revolution<br />

to overcome Mubarak’s regime. Day after day, sleepless night after sleepless night,<br />

until the capitulation of the defeated pharaoh, the film follows these young and unexpected<br />

heroes along their shattering fight to conquer their freedom.<br />

Running time: 91΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Picofilms<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

418<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


607<br />

EGYPT<br />

T<br />

Current Affairs<br />

TAHRIR 2011: THE GOOD,<br />

THE BAD AND THE POLITICIAN<br />

Amr Salama, Tamer Ezzat, Ayten Amin<br />

When Egyptians woke up on January 25th, 2011, they never expected the demonstration<br />

planned for that public holiday to evolve into a full out revolution aimed at overthrowing<br />

the regime’s 30 year long grip on power. Three talented young directors decided to tell their<br />

story of the revolution from their unique cinematic point of view, choosing to focus not only<br />

on the politics, but also on a handful of individuals whose actions would determine their<br />

fate and forever change the future of their country.<br />

Running time: 90΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

Pacha Pictures<br />

Jessica Khoury<br />

34 Rue du Louvre<br />

F-75001 Paris, France<br />

T. +33 1 4236 8299<br />

jkhoury@pachapictures.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 419


T<br />

332<br />

GREECE<br />

Art, Music & Culture<br />

TAKE THE GIFTS<br />

Lefteris Xanthopoulos<br />

Double portrait of the two major contemporary Greek poets, Mrs Kiki Dimoula (aged 80)<br />

and Mr Titos Patrikios (aged 83). The meeting between the two poets in the garden of the<br />

Athens Music Hall on 6 June 2011, with Professor Nasos Vagenas moderating their discussion,<br />

evolved into a unique lesson of aesthetics and the ethics of the art of poetry. Poet<br />

and filmmaker Lefteris Xanthopoulos filmed this major cultural event and then spoke with<br />

each of the poets seperately, complementing, broadening, and perhaps doing away with<br />

the limits, the stereotypes and the prejudices one may have about poetry, poets and the<br />

function of poetic writing.<br />

Running time: 52’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Periplus, ERT S.A Hellenic Broadcasting Corp.<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

Periplus<br />

Thanos Lambropoulos<br />

T. +30 210 8670 478<br />

periplus@ath.forthnet.gr<br />

420<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


608<br />

USA<br />

T<br />

Art, Music & Culture<br />

TAKEN BY STORM<br />

Roddy Bogowa<br />

For over forty years, Storm Thorgerson, has been designing record covers, eschewing<br />

computer manipulation in favor of building massive sets and tableaus and “doing it for real,”<br />

and deliriously and relentlessly confounding expectations of the relationship between images<br />

and music. With intimate interviews and footage of Thorgerson reflecting on his inspiration<br />

and idiosyncratic creative process with musicians such as David Gilmour and Nick<br />

Mason of Pink Floyd, Robert Plant, Peter Gabriel, and more recent collaborations with Scottish<br />

group, Biffy Clyro, Steve Miller, and members of The Cranberries, Catherine Wheel, The<br />

Mars Volta and many others, Taken by Storm explores technology and culture, hyperrealism<br />

and the everyday, and the role of the record sleeve at the intersection of art and commerce.<br />

Running time: 110΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Piecemeal film<br />

Roddy Bogowa<br />

Media Space, Inc.<br />

Hisami Kuroiwa<br />

718 Broadway, 2b<br />

New York NY 10003, USA<br />

T. +1 212 475 4488<br />

Hkuroiwa1900@aol.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 421


T<br />

609<br />

AUSTRALIA<br />

Current Affairs<br />

THE TALL MAN<br />

Tony Krawitz<br />

This is the story of Palm Island, the tropical paradise where one morning Cameron<br />

Doomadgee swore at a policeman and forty-five minutes later lay dead in a watch-house<br />

cell. This is the story of that policeman, the tall, enigmatic Christopher Hurley, who chose<br />

to work in some of the toughest and wildest places in Australia, and of the struggle to bring<br />

him to trial. The Tall Man is a story in luminous detail of two worlds clashing – and a haunting<br />

moral puzzle that no viewer will forget.<br />

Running time: 80΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Blackfella Films<br />

Helen Lovelock<br />

SBS TV<br />

Carolyn Johnston<br />

14 Herbert Street<br />

Artamon, Australia<br />

T. +612 9 430 3975<br />

F. +612 9 430 3700<br />

contentsales@sbs.com.au<br />

422<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


610<br />

GREECE-ARGENTINA<br />

T<br />

Art, Music & Culture<br />

TANGO-HASAPIKO,<br />

DANCE OF THE PORTS<br />

Konstantina Bousboura, Julia M. Heimann<br />

Jorge Dermitzakis is the son of Greek immigrants in Argentina. After many years of teaching<br />

and performing Greek dances on stage, in 2010 he presented his emblematic work<br />

Tango-Hasapiko, Dance of the Ports at the Teatro del Globo in Buenos Aires. This performance<br />

uses dance to reflect the double identity of the Greek-Argentinean choreographer. The<br />

port, as a symbol of immigration and uprooting, also represents the crossroads of Argentinean<br />

tango and Greek hasapiko. The documentary tells the story and nostalgia of Greek<br />

immigrants in Buenos Aires, and shows the collective effort which made possible the creating<br />

and staging of Tango Hasapiko.<br />

Running time: 32΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Kinisi<br />

Konstantina Bousboura<br />

Cabrera 3951, p.13<br />

1186 Buenos Aires Argentina<br />

T. +54 911 57931321<br />

konstantinab@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 423


T<br />

611<br />

FRANCE<br />

Art, Music & Culture<br />

TATTOOS: THE WAY OF THE INK<br />

Pamela Valente, Pascal Bagot<br />

The Way of Ink can be interpreted on several levels. It’s a film about art that emphasizes<br />

the aesthetic of Irezumi designs. Japanese tattoo art inscribes true works of art on human<br />

skin. The film can also be interpreted as addressing one of the big questions in Japanese<br />

society today: the balance between tradition and modernity. Tattooed Japanese youth seem<br />

to be more interested in western style than in Pacific tribal designs. Each year, there are less<br />

and less individuals learning the art of Japanese tattoo. Will traditional Japanese tattoo art<br />

turn a page in its history<br />

Running time: 53’ & 70΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Lardux Films<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

F-75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

424<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


612<br />

BELGIUM<br />

T<br />

History & Politics<br />

THE TEARS OF THE WARLORD<br />

Pascale Bourgaux<br />

Afghanistan 2001: alongside General Massoud, Mamour Hasan stands up against the Talibans,<br />

supporting the occidental intervention and the new government. As a convinced<br />

democrat, he reintegrates “moderate and repentant” Talibans in his village. Ten years later,<br />

the lord of war pays the consequences of his generosity and commitment. Less powerful<br />

and almost without any money, he is now not only facing the threat of the Talibans, but<br />

also of his own family opposed to the presence of NATO and the US Army in their country.<br />

Pascale Bourgaux has followed Mamour Hasan over 10 years and shows us the concrete<br />

consequences of a so-called preventive war that broke out one day in Afghanistan.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

IOTA Production<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 425


T<br />

613<br />

FRANCE<br />

Art, Music & Culture<br />

TELEVISION AROUND THE WORLD,<br />

TV IN CUBA<br />

Various<br />

The documentary series with the emblematic remote control has arrived for its final series<br />

in Cuba. One click and we discover Cuban TV, relatively unknown and full of surprises.<br />

When in Havana, you’re bound to come across Chinese TV programmes: entertainment,<br />

culture, cooking… anything. Since the collapse of the USSR, China has become Cuba’s<br />

most important economic partner and supplies it with TV programmes. China even offered<br />

millions of TV sets to the Cuban viewer. Just as in 2007 when China offered rice cookers<br />

and Fidel Castro himself promoted them live on TV! A true gem among the offerings on<br />

Cuban TV. [After having visited over 150 countries, this final series will also go to Belarus,<br />

El Salvador, Siberia, Congo DR, Gabon and many others.]<br />

Running time: 109 x 26΄<br />

Year of production: 2010<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Point du Jour & Arte<br />

Doris Weitzel<br />

Point du Jour International<br />

Doris Weitzel<br />

23 Rue de Cronsadt<br />

F-75015 Paris, France<br />

T. +33 1 7544 8088<br />

F. +33 1 4531 1305<br />

d.weitezl@pointdujour.fr<br />

426<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


614<br />

SPAIN<br />

T<br />

Lifestyles<br />

TENDAI’S GANG<br />

José Ignacio de Juan<br />

Tendai is deaf, mute and blind. He lives in the St. Marcellin orphanage in Zimbabwe with<br />

his friends. The children have different diseases and their friends and mates are taking care<br />

of them. They wash them, feed them and play with them. What kind of responsibility are<br />

we ready to assume for this nine-year-old<br />

Running time: 25΄<br />

Year of production: 2011<br />

Sales Contact Person:<br />

José Ignacio de Juan<br />

Carretera Malilla 42-12<br />

Valencia 46026, Spain<br />

T. +34 655 120 835<br />

joseignacio.dejuan@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 427


T<br />

615<br />

MEXICO<br />

Lifestyles<br />

TEQUILA’S HISTORY AND CULTURE<br />

Federico Weingartshofer, Pascual Aldana<br />

A journey through the story, magnificent landscapes, the industry and, above all, the great<br />

cultural expressions around the most famous Mexican beverage: tequila.<br />

• The history of a great drink<br />

• The agave landscape<br />

• The men, names and tequila production<br />

• Tequila, its art and popular culture<br />

• Development of a great industry<br />

• The Tequila route<br />

Running time: 6 x 60΄<br />

Year of production: 2010<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

TV Unam<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

F-75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

428<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


616<br />

FRANCE<br />

T<br />

History & Politics<br />

TEUTONIC KNIGHTS<br />

Christophe Talczewski<br />

Considered by some as blood-thirsty, by others as a civilizing and beneficial force, the history<br />

of the Order has often served to re-write the complex history of Central Europe. In 19th<br />

century Germany, the Order of the Teutonic Knights had a romantic image and Prussia, their<br />

territory, had the allure of the land of heroes. So much so, that Hitler had been tempted<br />

to use their “image” as the symbol of national identity: their discipline and fighting spirit<br />

as the model for a conqueror’s mentality. But who really were the Teutonic Knights and<br />

what was their true role in history This docu-drama, filmed with considerable means,<br />

sheds a new light on the fate of the order in the 13th and 14th centuries, taking us from<br />

the Holy Land to the Baltic Sea, along the fortresses and palaces they built.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Point du Jour, Gastonik Film<br />

Doris Weitzel<br />

Point du Jour International<br />

Doris Weitzel<br />

23 Rue de Cronsadt<br />

F-75015 Paris, France<br />

T. +33 1 7544 8088<br />

F. +33 1 4531 1305<br />

d.weitezl@pointdujour.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 429


T<br />

307<br />

GREECE<br />

Environment & Wild life<br />

THESSALONIKI 4TH INTERNATIONAL<br />

NAKED CYCLING<br />

Yorgos Verdaris<br />

The international nude bicycle ride is an action and its aim is to present the bicycle as a<br />

means of transportation. It intends to put a stop to our dependence on oil and it supports<br />

the renewable energy sources.<br />

It also aims to free the naked body, from any guild. In Thessaloniki is organized by various<br />

groups.<br />

In 2011, involved more than 1300 cyclists. Theme of the event was against the use of nuclear<br />

energy.<br />

Running time: 20΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Filmmaker Production<br />

Yorgos Verdaris<br />

17 H. Papadima Str.<br />

54629 Thessaloniki Grecce<br />

T. + 332310551174, +30 6972927709<br />

geover1952@gmail.com<br />

430<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


617<br />

USA<br />

T<br />

History & Politics<br />

THEY CALL IT MYANMAR<br />

Robert H. Lieberman<br />

Shot clandestinely over a two-year period by bestseller author Robert H. Lieberman,<br />

They Call It Myanmar is an impressionistic journey across the most isolated country of the<br />

world, Burma. The film includes a rare and revealing narration by Nobel Peace Prize winner<br />

Aung San Suu Kyi, newly released after 15 years of house arrest. The result is an astonishing<br />

and evocative portrait of a place that is a mystery to much of the world.<br />

Running time: 58΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Ithaca Filmworks<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17<br />

Vienna 1040, Austria<br />

T. +43 720 34 6934<br />

welcome@autlookfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 431


T<br />

111<br />

IRAN<br />

Current Affairs<br />

THIS IS NOT A FILM<br />

Jafar Panahi, Mojtaba Mirtahmasb<br />

Directors’ statement: “Our problems are all our assets.” Understanding this promising paradox<br />

helped us not to lose hope, and to be able to go on, since we believe that wherever<br />

in the world we may live, we are going to face problems, big or small. But it is our<br />

duty not to be defeated and to think up solutions. The reality of being alive and the<br />

dream of keeping cinema alive motivated us to suffer the current limitations in Iranian<br />

cinema. The existing possibilities in cinema have convinced us that a filmmaker has only<br />

himself to blame if he is unable to make films. The unpleasant reality governing Iranian<br />

cinema and filmmakers today drove us to not overlook this – perhaps transient –<br />

reality and to depict parts of it that were reflected in us. [Jafar Panahi is sentenced by<br />

the Iranian government to a 20-year ban on making films, travelling abroad and speaking<br />

to the press.]<br />

Running time: 75’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Wide Management<br />

Loic Magneron<br />

Wide House<br />

Anais Clanet<br />

40, rue Sainte Anne<br />

75002 Paris France<br />

T. +33 1 53 95 24 44<br />

F. +33 1 53 95 04 65<br />

ac@widemanagement.com<br />

432<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


187<br />

THE NETHERLANDS<br />

T<br />

Art, Music & Culture<br />

TIMES LIKE DEESE<br />

Maarten Schmidt, Thomas Doebele<br />

A documentary about the Blues and the history of the USA. Maarten Schmidt and Thomas<br />

Doebele went in search of older generations of blues performers and their modern successors,<br />

rappers and hip-hoppers. They traveled to the Mississippi Delta, the cotton fields<br />

of the American South, the birthplace of the low blues. The blues performers talk and sing<br />

about the past, slavery, discrimination, God, the wars in Vietnam and Afghanistan, and love.<br />

They sing about the current economic crisis and their expectations of Barack Obama. Will<br />

the hope for a change they express be heard<br />

Running time: 86’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Stichting Zig/Zag<br />

Frank van Reemst<br />

Admiraal de Ruyterweg 102<br />

1056 GP Amsterdam, The Netherlands<br />

T. +31 20 6 49974450<br />

F. +31 20 6865687<br />

contact@timeslikedeese.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 433


T<br />

304<br />

GREECE-FRANCE<br />

Adventure & Travel<br />

TO BE OR NOT TO BE BAGYELI<br />

Nikos Thomopoulos<br />

To Βe or Not to Βe Bagyeli enters the reality of the Bagyeli, a Pygmy tribe living in the rainforest<br />

of Cameroon. The life of this community of hunters-gatherers is progressively altered<br />

by the arrival of modernity; adoption of agriculture, new sanitary stances, modern education,<br />

identity cards, external influences. Capturing the everyday activities of one Bagyeli<br />

family, the documentary combines a profound study on this society’s prospects with a poetic,<br />

impressionistic portrait of the soul of its people.<br />

Running time: 55’<br />

Year of production: 2010<br />

Production Contact Person:<br />

Nikos Thomopoulos<br />

20 Efesou Str.<br />

14341 Nea Filadelfia Greece<br />

T. + 30 6932558428<br />

nikthom80@yahoo.fr<br />

434<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


618<br />

FRANCE<br />

T<br />

Lifestyles<br />

TOKYO FREETERS<br />

Marc Petitjean<br />

In Japan, more than four million young people, many of whom hold diplomas, work in insecure<br />

positions and are victims of the economic situation and of new working conditions<br />

imposed by employers who have realized the benefits of using temporary employees.<br />

Some freeters, because they do not earn enough money to pay their rent, find themselves<br />

having to sleep in Internet cafés open 24/7. They have earned the name of “net refugees.”<br />

The film focuses on this new category of workers and those who refuse to accept the status<br />

quo of others.<br />

Running time: 48΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

TS Productions<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 435


T<br />

619<br />

GERMANY<br />

Sports<br />

TOM MEETS ZIZOU<br />

Aljoscha Pause<br />

The first documentary on a German football player for a period of 8 years. The Junior International<br />

Thomas Broich is a hope for the future between Schweinsteiger and Podolski<br />

in 2004. Broich loves life, literature, moral and ethical thoughts and soon is considered the<br />

different football player. He has difficulty with authoritarian coaches, to be different turns<br />

against him, his career starts to fail. He has symptoms of depression. In 2010 he escapes<br />

the big football to Australia, finds new hope and starts to celebrate football again. He wins<br />

the Championship and second place in the election of Australia’s Footballer for the year<br />

2011.<br />

Running time: 135΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Filmworks GmbH<br />

Aljoscha Pause<br />

mindjazz pictures<br />

Manuel Stremmel<br />

Geisselstr. 12<br />

Cologne 50823, Germany<br />

T. +49 221 301 4988<br />

F. +49 221 301 4989<br />

office@mindjazz-pictures.de<br />

436<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


265<br />

GREECE<br />

T<br />

History & Politics<br />

TOMORROW WOULD BE ANOTHER DAY<br />

Stefanos Mondelos<br />

The narratives of two immigrants, who are now residing in Greece and who have been labelled<br />

as “threats” by their respective homeland’s state authorities. The documentary “undermines”<br />

the legitimacy and the truthfulness of its narration, in order to fictionalize the<br />

immigrants’ character and thus render their story universal.<br />

Running time: 27’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Sales Company:<br />

SEE (Greek Directors Guild),<br />

ERT S.A Hellenic Broadcasting Corp.<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

Greek Directors Guild<br />

11 Tositsa Str.<br />

10683 Athens Greece<br />

T. +30 210 822 3205<br />

F. + 30 210 821 1390<br />

ees@ath.forthnet.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 437


T<br />

652<br />

POLAND<br />

History & Politics<br />

TONIA AND HER CHILDREN<br />

Marcel Lozinski<br />

Eleven-year-old Werka and her nine-year-old brother Marcel wind up at the front door of<br />

a children’s home in Wroclaw. Asked who they are, Werka replies, “We are children of communists.”<br />

In return the teacher yells, “Why do they only send us Judeo-communists!” It<br />

is 1949. Werka and Marcel’s mother, a pre-war communist, is arrested and charged with<br />

collaborating with US intelligence. She will do five and half years. Her children will spend<br />

these years in children’s homes. A film about a brother and a sister marked by the ideological<br />

choices of their parents.<br />

Running time: 57΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Kronika Film Studio<br />

Barbara Lawska<br />

Krakow Film Foundation<br />

Katarzyna Wilk<br />

Bsztowa 15/8a<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

438<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


620<br />

ISRAEL<br />

T<br />

History & Politics<br />

TORN<br />

Ronit Kertsner<br />

Can one be a Catholic priest and an Observant Jew at the same time Twelve years after<br />

he was ordained as a Polish Catholic priest, Romuald Waszkinel discovers that he was born<br />

to Jewish parents, and that his name was Jacob Weksler. The film follows his amazing journey:<br />

from conducting mass in a church in Poland to life as an observant Jew in a religious<br />

kibbutz in Israel. Romuald is torn between two identities, between being Romuald<br />

Waszkinel or Jacob Weksler. He is unable to renounce either, and therefore is rejected by<br />

both religions and the state of Israel. He is required to choose.<br />

Running time: 72΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Ronit Kertsner<br />

Go2Films Distribution & <strong>Market</strong>ing<br />

Hedva Goldschmidt<br />

37/8 Issar Natanzon St.<br />

Jerusalem 97787, Israel<br />

T. +972 2 583 1371<br />

F. +972 2 583 5450<br />

hedva@go2films.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 439


T<br />

621<br />

SPAIN<br />

Sports<br />

TORO AND TORERO<br />

Carles Porta<br />

Toro y Torero is the first 3D documentary about bullfighting. The documentary shows the<br />

last vital hours of the two main characters in one of the most interesting and controversial<br />

shows of the moment, a bullfight. We see the trajectory of the bull and the bullfighter,<br />

a fight between two forces, the animal and the human, who go face-to-face in the bullring.<br />

The documentary shows a bullfight as it actually is. Without taking sides, the documentary<br />

captures the situation from both sides: that of the bullfighter and that of the bull,<br />

so the spectator can decide which side he is on.<br />

Running time: 70΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Antartida Produccions,<br />

Insomnia World Sales<br />

Luc Ntonga/Anja Strelec<br />

21 Rue Saint Guilhem<br />

Montpellier 34000, France<br />

T. +33 4 9961 0835<br />

F. +33 4 6759 9497<br />

communication@insomnia-sales.com<br />

440<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


346<br />

GREECE<br />

T<br />

Art, Music & Culture<br />

TORONTO GREEKS -<br />

TASTE OF THE DANFORTH<br />

Vangelis Rigas<br />

Danfοrth avenue in the heart of Toronto (Canada) is drown in Greek colours : white and blue.<br />

The Greek language is heard everywhere in the street. In the café’s and restaurants customers<br />

have their “Frappe” ( a kind of cold instant coffee) with “bougatsa” (cream pie), “loukoumades”<br />

(fried doughnuts with honey on them), “chalva Farsalon” (a sticky kind of<br />

sweet with nuts).<br />

Every August a very important event takes place : “The taste of the Danforth” a festival of<br />

Greek tastes, attended by about two million visitors. With regards this festival, the life of<br />

the Greeks of the Greek Community in Toronto is recorded.<br />

Running time: 64΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Vidi Production<br />

Dimitris Klagos<br />

3-5 Irakliou Str.<br />

15232 Athens Greece<br />

T. +30 2108056073<br />

F. +302108056073<br />

info@vidi.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 441


T<br />

317<br />

GREECE<br />

Environment & Wild life<br />

TOXIC CRISIS<br />

Omiros Evangelinos<br />

While the Greek financial situation is indeed urgent and requires immediate action from<br />

all sides, environmental issues are often obscured by the over-exposure of Greece’s financial<br />

hardship; this allows the continuation of practices responsible for the current predicament,<br />

which is often extremely costly and needlessly hamper recovery efforts, sometimes<br />

re-emerging under the guise of “Green Growth.” Such phenomena are taking on worrying<br />

proportions, and the country runs the risk of suffering crushing setbacks in areas of fundamental<br />

public utilities, such as energy and waste disposal, which could lead to permanent<br />

endangerment of public health and environmental degradation.<br />

Running time: 54’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Andreas Athanassiou Ltd<br />

Andreas Athanassiou<br />

Ftelia 84600 Mykonos Greece<br />

T. + 30 6974120833<br />

F. +30 2289024767<br />

omirosastra@yahoo.com<br />

442<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


669<br />

PORTUGAL<br />

T<br />

Current Affairs<br />

TRAIN<br />

Isabel Dias Martins<br />

A train between Portugal and France: the famous old Sud-Express. This moving train becomes<br />

for a few hours an intimate microcosm. And an inner journey into the expectations,<br />

disappointments and dreams of a changing community.<br />

Running time: 45΄<br />

Year of production: 2010<br />

Production Company:<br />

Sales Contact Person:<br />

CRIM<br />

Susanne Malorny<br />

Av. Almirante Reis 194/ 3esq<br />

Lisbon 1000-055, Portugal<br />

T. +35 121 844 6102<br />

F. +35 121 846 3284<br />

crimfestivals@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 443


T<br />

144<br />

USA<br />

Lifestyles<br />

TRANS<br />

Chris Arnold<br />

TRANS is an extraordinary documentary feature about men and women, and all the variations<br />

in between. It is about the Transgender Community, perhaps the most misunderstood<br />

and mistreated minority in America and around the world. Inspired by the incredible<br />

story of Dr. Christine McGinn and her work as a transgender surgeon, TRANS provides<br />

an up-close and very personal vision into the lives, loves, and challenges of a remarkable<br />

cast of characters of all ages and from all walks of life. Stories of confusion and courage,<br />

excitement and emotion that have never been told, until now. To anyone who has ever<br />

looked in a mirror and wondered who they really are, TRANS asks another question: ”Αre<br />

you brave enough to find out”<br />

Running time: 93’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

SexSmartFilms<br />

The Film Collaborative<br />

Jeffrey Winter<br />

137 N. Larchmont Blvd., #606<br />

Los Angeles, CA 90004<br />

T. +1 818-679-8751<br />

F. +1 323-466-3536<br />

jeffrey@thefilmcollaborative.org<br />

444<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


623<br />

SLOVAK REPUBLIC<br />

T<br />

Adventure & Travel<br />

TROU DE FER<br />

Pavol Barabáš<br />

Only the best of the best are able to abseil into its depths: “Trou de Fer,” but even that doesn’t<br />

guarantee that they will ever manage to get back. That’s up to nature to decide. This is<br />

because it’s located in the world’s rainiest place, on Reunion Island, in the Indian Ocean.<br />

Yearly precipitation here reaches a record-breaking 10 meters. Once, after a huge eruption,<br />

the surface of the volcano Piton des Neiges collapsed and slumped one kilometer into its<br />

empty interior, leaving behind just vertical walls covered with the most vigorous vegetation<br />

one can imagine. The monumentality of the place is emphasized by five huge waterfalls<br />

which vanish somewhere deep in the cracks at the bottom of a gigantic drop. This<br />

unusual natural marvel can only be seen from a helicopter, provided that one is lucky and<br />

the tropical clouds clear away. But there’s also another option. One that is far more difficult.<br />

And that is why five friends have not been able to sleep properly for the last three years.<br />

[Title available in Europe, Asia, Latin America and Arabic speaking countries.]<br />

Running time: 54΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

K2 Studio s.r.o.<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

F-75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 445


T<br />

624<br />

CANADA<br />

Current Affairs<br />

THE TROUBLE WITH EXPERTS<br />

Josh Freed<br />

Experts – they’re everywhere. They tell us how to select our wines, invest our money or<br />

interpret world events, as well as how to eat right, exercise right and live forever. And we<br />

count on them because, well … they’re experts! So they know more than us, don’t they<br />

Or do they In the 2008 stock meltdown, we learned that our most important experts –<br />

our financial gurus – didn’t know anything at all. Does having expertise actually mean you<br />

make better decisions than regular people Or are they just part of a new cult – an evergrowing<br />

expert industry that’s become our new religion We meet the wine experts in<br />

France, the art experts in Britain and the financial experts in the US and we discover a<br />

“school” that trains TV experts! You’ll never trust an expert again.<br />

Running time: 52΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Josh Freed Productions Inc.<br />

Point du Jour International<br />

Doris Weitzel<br />

23 Rue de Cronsadt<br />

F-75015 Paris, France<br />

T. +33 1 7544 8088<br />

F. +33 1 4531 1305<br />

d.weitezl@pointdujour.fr<br />

446<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


149<br />

ROMANIA<br />

T<br />

History & Politics<br />

TWO OF US<br />

Claudiu Mitcu<br />

In 2001, eleven years after the Revolution, homosexuality was finally removed from the Romanian<br />

Criminal Code. During these twenty years of democracy, this subject was seldom<br />

touched upon by the media. Nowadays, the only time that the LGBT community “enjoys” the<br />

spotlight is during the annual gay parade. However, instead of drawing attention to the all too<br />

real problems that gay people are confronted with, the media portrays the event as a “freak<br />

show” organized by a community of perverts. Over 55% of Romania’s population thinks that<br />

sexual minorities should seek medical help for their “ailment,” while over 57% feels uncomfortable<br />

and tries to avoid being in the presence of a gay person... It’s no wonder, therefore, that<br />

the day-to-day life of a gay couple is an absolute mystery to the Romanian public. This documentary<br />

attempts to open a window, past prejudice and intolerance, into the lives of Cristi and<br />

George, two young men whose only “crime” is that they are deeply in love.<br />

Running time: 53’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

parada film<br />

Ioana Drăghici<br />

Coordonator Festivaluri<br />

T. +4 0721 216 128<br />

festival@paradafilm.ro<br />

parada film<br />

Ioana Drăghici<br />

Strada Traian nr. 179, 024043 Bucuresti, Romania<br />

T. +4 0721 216 128<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 447


327<br />

GREECE<br />

U<br />

Current Affairs<br />

UNDERCUT PRICES<br />

BECAUSE WE ARE CLOSING DOWN<br />

Michalis Agrafiotis<br />

The last week of a store which is closing down during the financial crisis in Greece. This is<br />

the portrait of the owner.<br />

Running time: 18΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Anemicinema<br />

Akis Kersanidis<br />

7 Skra St.<br />

546 22 Thessaloniki, Greece<br />

T. +30 2310 266 702<br />

strangescreen@yahoo.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 449


U<br />

662<br />

USA<br />

Art, Music & Culture<br />

UNFINISHED SPACES<br />

Alysa Nahmias, Benjamin Murray<br />

Cuba’s ambitious National Art Schools project, designed by three young artists in the wake<br />

of Castro’s Revolution, is neglected, nearly forgotten, then ultimately rediscovered as a visionary<br />

architectural masterpiece.<br />

Running time: 86΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Ajna Films<br />

Alysa Nahmias<br />

31 Powers Street, Suite 1<br />

Brooklyn ΝΥ 11211, USA<br />

T. +1 347 693 3564<br />

alysa@ajnafilms.com<br />

450<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


197<br />

IRAN<br />

U<br />

Lifestyles<br />

UNWELCOME IN TEHRAN<br />

Mina Keshavarz<br />

Mina, the director, is a girl from Shiraz who gets married in order to move to Tehran. Influenced<br />

by her own life, she decides to make a documentary about the girls nationwide<br />

who, like Azar, move to Tehran, the capital, to start an independent life away from their families’<br />

watchful eyes and restrictions. The film is about Mina and Azar’s constant struggle to<br />

understand why Iranian families and Iranian society have such difficulty in accepting an<br />

independent life for a single woman.<br />

Running time: 52’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Sheherazad Media International<br />

Sheherazad Media International<br />

Katayoon Shahabi<br />

1, 3rd Sarvestan, Pasdaran St, Shariati Ave,.<br />

Tehran 16619, Iran<br />

T. +98 21 2286 3260<br />

F. +98 21 2285 8962<br />

Fest.smi@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 451


U<br />

625<br />

USA<br />

Current Affairs<br />

URBANIZED<br />

Gary Hustwit<br />

Who is allowed to shape our cities, and how do they do it And how does the design of<br />

our cities affect our lives By exploring a diverse range of urban design projects in dozens<br />

of cities around the world, from massive infrastructure initiatives to temporary interventions,<br />

Urbanized frames a global discussion on the future of cities.<br />

Running time: 85΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Film First Comp.<br />

Jessica Edwards<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

Montreal / Quebec. H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

johnnadai@filmstransit.com<br />

452<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


626<br />

ITALY-FRANCE-GERMANY<br />

V<br />

Art, Music & Culture<br />

VINYLMANIA – WHEN LIFE RUNS<br />

AT 33 REVOLUTIONS PER MINUTE<br />

Paolo Campana<br />

“My mother used to wake me up with a vinyl record. It’s the first thing I remember about<br />

life. Many years have passed but vinyl records have never abandoned me. And you Have<br />

you ever listened to a vinyl record With its unique sound and crackling that gives you butterflies.<br />

Have you ever plunged into the colors of the sleeve’s artwork Have you smelled<br />

it Music captures a unique taste, seductive.” In Vinylmania, director Paolo Campana<br />

guides us through the grooves of an object that has never lost its soul. He investigates what<br />

makes it so legendary in a world dominated by liquid music: Simple nostalgia Possession<br />

The search for identity A cry against “fast food” music The digital river that has no<br />

heart or soul, just ones and zeros... From Tokyo to New York, London, Paris and Prague we<br />

meet a tribe of collectors, DJs, musicians and artists. We explore the stores where passion<br />

is transformed into fever and the factories that have resumed stamping millions of copies.<br />

Vinyl records are back!<br />

Running time: 54΄ & 76΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Stefilm & ZDF/ARTE & YLE<br />

Elena Filippini<br />

Deckert Distribution<br />

Heino Deckert<br />

Marienplatz 1<br />

04103 Leipzig, Germany<br />

T. +49 341 215 6638<br />

F. +49 341 215 6639<br />

info@deckert-distribution.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 453


V<br />

627<br />

ISRAEL<br />

Art, Music & Culture<br />

VIOLINISTS<br />

Alex Gentelev<br />

A small story of a small place, where people hide amidst the crowd, their names unfamiliar<br />

to the press, a present reality derived from the past. Yet deep inside, it is a big story which<br />

rises from social distress. This is a Sisyphean, uncompromising journey of 10-year-old children<br />

from Tiberias who are remarkable at playing the violin. The creators of the film were<br />

allowed a rare chance to probe with the camera into the greatest question a documentary<br />

filmmaker can ask himself while portraying a true-life situation: Can this reality be<br />

changed And if so, how<br />

Running time: 72΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Nurit Kedar<br />

Go2Films Distribution & <strong>Market</strong>ing<br />

Hedva Goldschmidt<br />

37/8 Issar Natanzon St.<br />

Jerusalem 97787, Israel<br />

T. +972 2 583 1371<br />

F. +972 2 583 5450<br />

hedva@go2films.com<br />

454<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


628<br />

SWITZERLAND-USA<br />

V<br />

Lifestyles<br />

VIRGIN TALES<br />

Mirjam von Arx<br />

The Evangelical Christians are the fastest growing movement within the Christian faith.<br />

Their followers are responsible for a fundamental shift in how many people think about<br />

sex today. Filmmaker Mirjam von Arx followed the nine members of an American Evangelical<br />

family over two years, only to discover a booming second sexual revolution:<br />

Chastity as a countermovement to the attitudes of the 60s.<br />

[Short version available]<br />

Running time: 57΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Ican Films gmbh<br />

Mirjam von Arx<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

Montreal / Quebec. H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

johnnadai@filmstransit.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 455


V<br />

314<br />

GREECE<br />

Lifestyles<br />

THE VISIT<br />

Stella Alisanoglou<br />

A musician, Vangelis Papageorgiou, visits his grandmother along with a friend. The old<br />

woman has been painting leaves in a specific way all of her life. During the visit, she tells<br />

stories of the past while painting. She is 98 years old and her memories unfold interesting<br />

stories about life in Greece before and after World War II.<br />

Running time: 24΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Ready2Shoot.net<br />

Stella Alisanoglou<br />

15 Veikou St.<br />

117 42 Athens, Greece<br />

T. +30 6977 224 342<br />

F. +30 210 6129 487<br />

stella.alisanoglou@gmail.com<br />

456<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


151<br />

ROMANIA<br />

V<br />

Lifestyles<br />

VISITING ROOM<br />

Radu Muntean, Alexandru Baciu<br />

The Romanian penitentiary system allows, from 2006, the marriage of people sentenced<br />

to serve time in prison. Most of the inmates cultivate pre-existing relationships with their<br />

partners who live outside the prison walls. However, there is a special category of people,<br />

who find a life partner during their time in prison. Visiting Room follows the stories of prisoners<br />

from different penitentiaries across the country who have found their life partner<br />

while incarcerated. These partners may be a person from the outside or a person who is<br />

also serving time in prison. For people who are not free, love becomes a substitute for freedom<br />

and represents their only hope for a better future.<br />

Running time: 62’<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

HBO Central Europe Original Programming<br />

Aurelian Nica<br />

Buzesti, 62-64, fl. 3, 001017, district 1,<br />

Bucharest, Romania<br />

T. (+4021) 3077777<br />

F. +40 213077788<br />

aurelian.nica@hbo.ro<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 457


V<br />

156<br />

GERMANY-THE NETHERLANDS-ARGENTINA-CHILE<br />

Current Affairs<br />

¡VIVAN LAS ANTIPODAS!<br />

Victor Kossakovsky<br />

What would be the shortest route between Entre Ríos in Argentina and the Chinese metropolis<br />

Shanghai Simply a straight line through the center of the earth, since the two places<br />

are antipodes: they are located diametrically opposite to each other on the earth’s surface.<br />

During his visits to four such antipodal pairs, the award-winning documentary filmmaker<br />

Victor Kossakovsky captured images that turn our view of the world upside down. A beautiful,<br />

peaceful sunset in Entre Ríos is contrasted with the bustling streets in rainy Shanghai.<br />

People who live in a wasteland are connected to people dwelling next to a volcano. Landscapes<br />

whose splendor touches the soul are juxtaposed with the clamor of a vast city. These<br />

antipodes seem mythically connected, somehow united by their oppositeness. Kossakovsky’s<br />

movie is a feast for the senses, a fascinating kaleidoscope of our planet.<br />

Running time: 104’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

ma.ja.de. filmproduktion<br />

(in co-production with Lemming Film, Gema Films /<br />

Producciones Aplaplac, NHK, ZDF/ARTE, WDR, VPRO,<br />

in association with CTC Network, YLE TV2<br />

and Film House Germany )<br />

Heino Deckert<br />

Deckert Distribution<br />

Heino Deckert<br />

Marienplatz 1<br />

04103 Leipzig, Germany<br />

T. +49 341 2156638<br />

F. +49 341 2156639<br />

info@deckert-distribution.com<br />

458<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


254<br />

GREECE<br />

V<br />

Current Affairs<br />

VOICELESS<br />

Antonis Tolakis<br />

Arian is a thirty-year-old Iranian immigrant, residing for the past two years in Athens,<br />

Greece. He is neither an economic migrant nor a refugee. He’s left his country with practically<br />

nothing, just a visa and a dream: to study theater and become an actor. But how can<br />

anyone make his dream come true, living in a foreign land<br />

Running time: 42΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Antonis Tolakis<br />

21 Psaron St.<br />

153 43 Agia Paraskevi, Greece<br />

T. +30 6944 740 935<br />

antonis.tolakis@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 459


355<br />

GREECE<br />

W<br />

History & Politics<br />

WAITING FOR ROSA<br />

Nikos Theodossiou<br />

Every day, Thomas would go to the train station of the village of Ivancsa, desperately waiting<br />

for Rosa to arrive. And so the days, months, and years went by. Meanwhile, the rest of<br />

the village were eagerly awaiting the day when a train would take them back to their<br />

homeland. Through these contradictory paths, the odyssey of the political refugees living<br />

in the Hungarian village of Belogiannis unfolds. From the end of the civil war in Greece in<br />

1949 to the the Hungarian uprising of 1956, from the dictatorship of 1967 in Greece to the<br />

amnesty of 1981, from the political change in Hungary in 1989 to the desecration of the<br />

graves with the red star...<br />

Running time: 55’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Youth Plan<br />

Dimitris Spyrou<br />

Youth Plan<br />

Mady Argyropoulou<br />

18 Roos Str.<br />

11252 Athens Greece<br />

T. + 30 2108664470<br />

F. + 30 210 8663344<br />

neanikoplano@gmail.com<br />

youthplan@olympiafestival.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 461


W<br />

340<br />

GREECE<br />

History & Politics<br />

WAITING FOR THE BARBARIANS<br />

Costas Stamatopoulos<br />

The documentary deals with contemporary immigration through a journey in workplaces<br />

employing foreign workers, often under adverse conditions. The immigrant in this documentary<br />

is not only seen as the “product” that meets a need, but primarily as the “object”<br />

of the cruel exploitation of his or her labor power. Immigrants are used as expendable in<br />

order to maximize profit without being granted even basic labor and human rights. Indeed,<br />

they are treated as virtually “invisible” around us. On the other hand, these very conditions<br />

give birth to the solidarity, anger and fighting spirit necessary to defend their rights.<br />

Running time: 25’<br />

Year of production: 2010<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Sales Company:<br />

SEE (Greek Directors Guild)<br />

ERT S.A Hellenic Broadcasting Corp.<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11<br />

F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

Greek Directors Guild<br />

11 Tositsa Str.<br />

10683 Athens Greece<br />

T. +30 210 822 3205<br />

F. + 30 210 821 1390<br />

ees@ath.forthnet.gr<br />

462<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


667<br />

PORTUGAL<br />

W<br />

Art, Music & Culture<br />

WAKASA<br />

Jose Fernandes<br />

The first love story between an occidental and a Japanese has its origins in the introduction<br />

of firearms in Japan by the Portuguese in the XVI century. A yearly festival in Tanegashima<br />

recreates the historical facts and the legend of a missing princess, giving a new<br />

life to the emotions of ancestral heroes.<br />

Running time: 51’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

CRIM<br />

Susanne Malorny<br />

Av. Almirante Reis 194/ 3esq<br />

Lisbon 1000-055, Portugal<br />

T. +35 121 844 6102<br />

F. +35 121 846 3284<br />

crimfestivals@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 463


W<br />

629<br />

CANADA<br />

Current Affairs<br />

WAKING THE GREEN TIGER<br />

Gary Marcuse<br />

By declaring that nature must be conquered in the name of progress, Chairman Mao ushered<br />

in an era of environmental degradation for China. As glimpsed in archival footage<br />

(some of it seen outside China for the first time), citizens were mobilized to raze forests and<br />

slaughter animals. These rash actions laid waste to ecosystems and triggered a famine that<br />

killed tens of millions. Now, a new generation of environmentalists composed of activists,<br />

journalists, filmmakers and former politicians strives to preserve China’s natural wonders,<br />

educate their compatriots and encourage public debate. While never once diminishing the<br />

threats posed by massive hydro-electrical dams, the film focuses on the sense of purpose<br />

and deep-seated passion such contentious undertakings instil in their opponents. As one<br />

rural villager proclaims, “When our homes are about to be destroyed, we have nothing to<br />

fear.” Newly emboldened, these once-marginalized citizens become part of a “green hurricane”<br />

that’s sweeping through China.<br />

Running time: 78΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Face to Face Media<br />

Betsy Carson<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

Montreal / Quebec. H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

johnnadai@filmstransit.com<br />

464<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


630<br />

FRANCE<br />

W<br />

Environment & Wildlife<br />

WAR AGAINST SAND<br />

Pierre Meynadier<br />

Niger is crossed from east to west by the river of the same name, which until now has ensured<br />

relative prosperity to its population. The Sahara desert, pushed by winds from the<br />

north, is advancing relentlessly. The sands have been carried as far as the banks of the river,<br />

that they are gradually stifling. In just a few decades, the average depth has decreased by<br />

half and sometimes, during periods of drought, the river stops flowing altogether. The other<br />

consequence is just as worrying: heavy rains cause faster, more widespread flooding than<br />

before. For the people who populate its shores, the life-giving river has become an enemy<br />

that invades the fields and drowns the crops. To save the river will take a merciless battle<br />

against the sand that is suffocating it, but you can’t win a battle without weapons.<br />

Running time: 58΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Image Images Production<br />

10 Francs<br />

Guy Knafo<br />

28, rue de l’Equerre<br />

F-75019 Paris, France<br />

T. +33 1 4874 4377<br />

F. +33 1 4874 8265<br />

10francs@10francs.fr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 465


W<br />

663<br />

ISRAEL<br />

Current Affairs<br />

WAR MATADOR<br />

Avner Faingulernt, Macabit Abramson<br />

In January 2009, during the war in Gaza, two courageous Israeli directors grabbed their<br />

cameras to shoot material along the common border. The bombs are filmed from a distance,<br />

out of focus and at extreme focal length – the tourists’ point of view. The impact of<br />

the bombs in the distance is muffled, which is why the visual opposition between close<br />

up/long shot draws the attention to the spoken words, which are blunt, without compassion.<br />

The result of their journey is a disturbing essay about war and tourism, an absurd,<br />

surreal journey.<br />

Running time: 60΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Avner Faingulernt<br />

JMT Films Distribution<br />

Michael Treves<br />

20 Bialik st<br />

Tel Aviv 63324, Israel<br />

T. +972 5 2363 3398<br />

michael@JMTFilms.com<br />

466<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


289<br />

GREECE<br />

W<br />

Art, Music & Culture<br />

WARBLE THE BAGPIPES…<br />

Dimitris Kitsikoudis<br />

The gaida bagpipe warbled in the fields and the village squares of Evros up until the late<br />

sixties. Its sound captured the dances, songs, actions and stories of the people. But times<br />

changed. The Civil War, immigration and the symbolic disdain of the Old World in the spirit<br />

of the “modern times” tore apart the “living environment” of the instrument. In that way,<br />

the gaida was pushed aside as part of a world from which most wanted to escape...<br />

In this documentary, two old timers unfold their stories from the time they learned to play<br />

the gaida and speak of the years of the instrument’s “deafening silence” as they express their<br />

concern for its future. Meanwhile, a group of younger musicians decides to follow their lead<br />

after two generations of silence. They discover the bagpipe on their own terms and reach<br />

ecstasy from its intoxicating sound. So, will the bagpipes continue to warble<br />

Running time: 28΄<br />

Year of production: 2012<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Alexandros Lambridis<br />

The Post Office<br />

Yannis Koutsomitis<br />

52 Pirou St.<br />

162 32 Athens, Greece<br />

T. +30 6972 293 171<br />

yannikouts@yahoo.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 467


W<br />

631<br />

THE NETHERLANDS<br />

Lifestyles<br />

WATER CHILDREN<br />

Aliona van der Horst<br />

Filmmaker Aliona van der Horst follows the trail of the unconventional Dutch-Japanese pianist<br />

and artist Tomoko Mukaiyama who made a huge work of art on the theme of womanhood<br />

and fertility. She created a cathedral-like space out of twelve thousand white silk<br />

dresses in which visitors, as in a ritual, roamed around and fell silent. And where people<br />

confessed intimate details about children who were or were not born, about sexuality and<br />

life-choices. In a visual and poetic way, the film penetrates into what is probably still one<br />

of the greatest taboos – menstruation – and, as a consequence, touches upon universal<br />

themes around life and death.<br />

Running time: 75΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Zeppers Film & TV BV<br />

<strong>Doc</strong> & Film International<br />

Hwa-Seon Choi<br />

13 rue Portefoin<br />

F-75003 Paris, France<br />

T. +33 1 4277 5687<br />

hs.choi@docandfilm.com<br />

468<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


632<br />

UK<br />

W<br />

Art, Music & Culture<br />

WE ARE POETS<br />

Alex Ramseyer-Bache, Daniel Lucchesi<br />

We Are Poets intimately follows six young poets over the course of one very special year,<br />

as they are chosen to represent the UK at Brave New Voices, the most prestigious poetry<br />

slam competition in the USA. From their inner city lives to a stage in front of the White<br />

House in Washington DC, the poets must prepare for a transformational journey of a lifetime.<br />

Cinematic, honest and deeply personal, We Are Poets is a testament to the power of creativity,<br />

community and the dynamism of young people. Anyone tempted to dismiss today’s<br />

youth as politically apathetic better pay heed: here is electrifying evidence to the<br />

contrary.<br />

Running time: 82΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Alex Ramseyer-Bache<br />

Dogwoof<br />

Ana Vicente<br />

Unit 211 Hatton Square Business Centre<br />

16-16a Baldwins Gardens<br />

London EC1N 7RJ, UK<br />

T. +44 207 831 7252<br />

global@dogwoof.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 469


W<br />

633<br />

SLOVAK REPUBLIC<br />

Current Affairs<br />

WE’LL TALK ABOUT IT IN HEAVEN<br />

Jaroslav Vojtek<br />

We’ll Talk about It in Heaven is a part of the documentary series Unwanted Children Twelve<br />

Years Later (Nechcené deti po 12 rokoch). It talks about a family that adopted Nikolka, a little<br />

autistic girl who was also visually impaired and mentally and physically handicapped.<br />

The film is made by one of the most established documentary filmmakers Jaroslav Vojtek<br />

(The Border [2009], Here We Are [2005]).<br />

Running time: 26΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

OZ Návrat<br />

Saa Marek Roháček<br />

Šancová 42<br />

Bratislava SK-811 05, Slovak Republic<br />

T. +421 2 5249 9276<br />

F. +421 2 5244 4361<br />

navrat@navrat.sk<br />

470<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


654<br />

POLAND<br />

W<br />

Current Affairs<br />

WE WILL BE HAPPY ONE DAY<br />

Pawel Wysoczanski<br />

We Will Be Happy One Day is a documentary film about Daniel, a young man from Lipiny<br />

– the poorest town in southern Poland who wants to escape the omnipresent misery. With<br />

a mobile phone camera in his hand, he wanders around his neighborhood asking kids some<br />

grownups questions about their dreams. Are those going to come true, at least, for some<br />

of them Yet, in the process of filming, Daniel uncovers another layer: the love between him<br />

and his charismatic grandmother. Will he ever manage to complete his film<br />

Running time: 40΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

BMC Films<br />

Krzysztof Stasiak<br />

Krakow Film Foundation<br />

Katarzyna Wilk<br />

Bsztowa 15/8a,<br />

Krakow 31-143, Poland<br />

T. +48 12 294 6945<br />

katarzyna@kff.com.pl<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 471


W<br />

347<br />

GREECE<br />

Current Affairs<br />

WEST DREAM<br />

Morteza Jafari<br />

A family from Iran – father, mother and two daughters – leaves its homeland in search<br />

of a better life in Europe. As they try to sneak across the border between Turkey and Greece,<br />

their inflatable boat sinks in the middle of the river Evros. The two daughters are lost. A<br />

month later, the body of the younger daughter is found in the river. After her funeral, Hussein,<br />

the father, talks about their tragic journey to Greece, how the traffickers deceived and<br />

betrayed them, and how the local police ignored their desperate cry for help.<br />

Running time: 15’<br />

Year of production: 2012<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Persons:<br />

Yannis Grigoropoulos<br />

85 Agiou Dimitriou Str<br />

Thessaloniki Greece<br />

T. + 30 6971547622<br />

j.quickbird@gmail.com<br />

Seven Coal Productions<br />

Ioannis Grigoropoulos, Mihalis Aristidou<br />

j.quickbird@gmail.com<br />

aristidoumich@gmail.com<br />

472<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


160<br />

POLAND<br />

W<br />

Adventure & Travel<br />

WHAT HAPPENED ON PAM ISLAND<br />

Eliza Kubarska<br />

An extraordinary romance where Polish alpinists Eliza Kubarska and David Kaszlikowski<br />

take a journey inside the fjords of southern Greenland to climb the world’s highest sea<br />

cliff. The huge granite wall is accessible only by kayak across an eerie, storm-ridden sea.<br />

The water is freezing and capsizing here means hypothermia and death within minutes.<br />

Τhen Eliza and David are alone on 1,600 meters of cliff-face – and all this for a kiss. Trust<br />

and passion against a backdrop of the most beautiful landscapes you have ever seen.<br />

Running time: 63’<br />

Year of production: 2010<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Vertical Vision Film Studio, TVP SA<br />

Eliza Kubarska<br />

Krakow Film Foundation<br />

Katarzyna Wilk<br />

ul. Basztowa 15.8a<br />

31-143 Krakow, Poland<br />

T. +48 122 946 945<br />

F. +48 122 946 945<br />

katarzyna@kff.com.pl<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 473


W<br />

272<br />

GREECE<br />

Art, Music & Culture<br />

WHAT IS POETRY, MR. EMBIRIKOS<br />

Nikos Alevras<br />

Kazantzakis, a famous Greek writer, used to say: “Nowadays, in these critical times we<br />

live in, if you aren’t able to protect your home, your garden, your body, and your soul,<br />

you have already lost both your personal truth and freedom.” I suddenly realized that<br />

I am speaking a language which has existed for over three thousand years; and that<br />

every word I say it is a word that Homer used to say and every other philosopher of that<br />

time. I feel such a sense of harmony; a feeling looking exactly like love... Chaos...Gaia...<br />

Eros...Logos... Thalatta... Helios... my Dionysus... my Pan... my Aphrodite ... how joyful<br />

I am... And this is the movie.<br />

Running time: 26΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Lallouda Productions<br />

Nikos Alevras<br />

Tsimboura St.<br />

190 02 Peania, Greece<br />

T. +30 210 6545 749<br />

nikosalevras@yahoo.gr<br />

474<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


128<br />

THE NETHERLANDS<br />

W<br />

Current Affairs<br />

WHAT THE CAT SEES<br />

Kim Brand<br />

Nine lives through the eyes of a cat. A large tabby cat sits perkily in front of the hospital.<br />

An old woman comes up to him and strokes him. A tall man calls out for him. A little girl<br />

lures him with a treat. The cat is present every day, quietly looking around. It’s hard to imagine<br />

the hospital without him. He is a subject of conversation, makes people smile and offers<br />

consolation. “He’s a bit of a mascot for me,” says one woman as she lights her cigarette.<br />

“If he is there, I’m fine.” What the Cat Sees is a portrait of the patients of the hospital, who<br />

pass by this special cat every day.<br />

Running time: 18’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Contact Person:<br />

Key<strong>Doc</strong>s<br />

Coen Soepboer<br />

Janneke Doolaard<br />

Van Diemenstraat 332<br />

1013 CR Amsterdam<br />

T. +31 0 20 422 2607<br />

F. +31 0 20 422 7387<br />

info@keydocs.nl<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 475


W<br />

634<br />

FRANCE<br />

History & Politics<br />

WHEN EUROPE SPOKE FRENCH<br />

Olivier Horn<br />

By the 18th century, the French language had become the language of diplomacy in Europe<br />

and it was also the language embraced by Europe’s Royal Courts (Russia, England, Germany,<br />

and Austria). This film retraces the cultural hegemony of the French language<br />

throughout the 18th century, from Louis XIV to the outbreak of the French Revolution with<br />

the help of two main characters: Voltaire, who embodied his century and its values better<br />

than anyone else, and Marc Fumaroli, historian, writer and member of the Académie<br />

Française who is an expert on the subject. The story progresses through Voltaire – a very<br />

complex character – who had entertained a lively correspondence across Europe. He is our<br />

invisible traveler, taking us to meet rulers, princes, scholars, writers and revolutionaries. All<br />

of them read, spoke and wrote in French and thus strengthened its influence...<br />

Running time: 52΄<br />

Year of production: 2010<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Point du Jour & Arte<br />

Point du Jour International<br />

Doris Weitzel<br />

23 Rue de Cronsadt<br />

F-75015 Paris, France<br />

T. +33 1 7544 8088<br />

F. +33 1 4531 1305<br />

d.weitezl@pointdujour.fr<br />

476<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


188<br />

USA<br />

W<br />

Art, Music & Culture<br />

WHEN THE DRUM IS BEATING<br />

Whitney Dow<br />

A journey through Haiti’s tortured history with the music and memories of the members<br />

of Septentrional, the country’s oldest and most celebrated big band.<br />

Running time: 56’ & 88’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

ITVS, NBPC, Sundance Institute<br />

Whitney Dow<br />

Cinephil<br />

Ori Bader<br />

18 Levontin Street<br />

Tel Aviv 65112, Israel<br />

T. +972 3 566 4129<br />

F. +972 3 560 1436<br />

info@cinephil.co.il<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 477


W<br />

635<br />

USA<br />

History & Politics<br />

WHERE SOLDIERS COME FROM<br />

Heather Courtney<br />

From a snowy small town in Northern Michigan to the mountains of Afghanistan and back,<br />

Where Soldiers Come From follows the four-year journey of childhood friends, forever<br />

changed by a faraway war.<br />

Running time: 90΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Quincy Hill Films & ITVS<br />

Heather Courtney<br />

Cinephil<br />

Ori Bader<br />

18 Levontin Street,<br />

Tel Aviv 65112, Israel<br />

T. + 972 3 566 4129<br />

F. + 972 3 560 1436<br />

info@cinephil.co.il<br />

478<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


150<br />

UK-BELGIUM<br />

W<br />

History & Politics<br />

WHITE ELEPHANT<br />

Kristof Bilsen<br />

“Somebody passed by one day: ‘Mama, does the Post really work If I leave this letter with<br />

you, will it ever arrive’ I told him: ‘Of course it will.’ He started laughing. ‘I know for sure it<br />

will never reach its destination.’ ” White Elephant is a documentary about the Central Post<br />

Office and its employees in Kinshasa, Democratic Republic of the Congo. This grandiose relic<br />

of the colonial past has trapped its employees in a frozen timewarp from which they are<br />

planning their escape. From past to present, through the cracks in the walls, and leaks in<br />

the ceilings, we glimpse present-day Congo.<br />

Running time: 34’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

National Film & Television School (UK)<br />

Hemant Sharda<br />

Beaconsfield Studios<br />

Station Road, Beaconsfield<br />

Buckinghamshire, HP9 1LG, UK<br />

T. +44.1494.731452<br />

F. +44.1494.678583<br />

festivals@nfts.co.uk<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 479


W<br />

636<br />

USA<br />

Current Affairs<br />

WHO KILLED CHEA VICHEA<br />

Bradley Cox<br />

One sunny morning in 2004, a motorcycle pulled up to a corner newsstand in Phnom Penh.<br />

Chea Vichea, the president of Cambodia’s garment workers union, looked up from his paper<br />

– and was executed on the spot. Under pressure from human rights groups and foreign<br />

aid donors, the police quickly arrested two local men. They were sentenced to twenty<br />

years in prison. Were they guilty, or was their conviction part of a larger plan Filmed as<br />

these events unfolded, and now banned in Cambodia, Who Killed Chea Vichea reaches far<br />

beyond the police station and the courtroom, to the top of the ruling party. It’s a front-row<br />

seat to a world of corruption, calculation, and courage.<br />

Running time: 57΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Loud Mouth Films<br />

Rich Garella<br />

Mercury Media International Ltd<br />

Helena Martinez<br />

7 Baseline Studios, Whitchurch Road<br />

London W11 4AT, UK<br />

T. +44 207 221 7221<br />

F. +44 207 221 7228<br />

helena@mercurymedia.org<br />

480<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


637<br />

ISRAEL<br />

W<br />

History & Politics<br />

WHO SHOT MY FATHER<br />

Liora Amir Barmatz<br />

Three daughters, one big secret and many unsolved issues. This film follows the courageous<br />

attempts of his daughters to uncover the dark secret behind the murder of their father, Israeli<br />

Air Force Attaché Colonel Joe Alon. An investigative report that has personal and national<br />

dimensions, Who Shot My Father applies a story that occurred in 1973 to a contemporary<br />

reality that continues to be problematic. The film documents the riveting life<br />

of Colonel Alon, and includes interviews with FBI agents, Mossad chiefs, a former American<br />

Air Force Chief Commander and other key personnel. A story of intrigue and personal<br />

anguish.<br />

Running time: 71΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

IBA – Israel Channel One<br />

Ruth Diskin films Ltd.<br />

Cara Saposnik<br />

P O Box 7153<br />

Jerusalem 91071, Israel<br />

T. +972 2 672 4256<br />

F. +972 2 672 4210<br />

cara@ruthfilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 481


W<br />

116<br />

AUSTRIA-GERMANY<br />

Current Affairs<br />

WHORES’ GLORY<br />

Michael Glawogger<br />

The third and final part of Michael Glawogger’s trilogy on working environments and conditions<br />

in the developing world after Megacities, which was screened at the 1st Thessaloniki<br />

<strong>Doc</strong>umentary Festival and Workingman’s Death (8th TDF), Whores’ Glory is a cinematic<br />

triptych on prostitution: three countries, three languages, three religions. In Thailand,<br />

women wait for clients behind glass panes, staring at reflections of themselves. In<br />

Bangladesh, men go to a ghetto of love to satisfy their unfulfilled desires on indentured<br />

girls. And in Mexico, women pray to a female death, Santa Muerte, to avoid facing their<br />

own reality. In worlds where the most intimate act has become a commodity, these<br />

women have physically and emotionally experienced everything that can happen between<br />

a man and a woman. For this they have always received money, but it has not made their<br />

lives rich in anything but stories.<br />

Running time: 119’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Lotus-Film GmbH, Quintefilm<br />

Thomas Pridnig<br />

The Match Factory GmbH<br />

Michael Weber<br />

Balthasarstrasse 79-81<br />

50670 Cologne<br />

Germany<br />

T. +49 221 539 709 0<br />

F. +49 221 539 709 10<br />

info@matchfactory.de<br />

482<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


638<br />

BRAZIL<br />

W<br />

Art, Music & Culture<br />

WIDE SARGASSO SEA<br />

Letícia Simões<br />

Wide Sargasso Sea is an attempt to catch, even in the air, the poet Ana Cristina Cesar, who<br />

killed herself at the age of 31, in 1983. Discovered by Heloisa Buarque and icon of the marginal<br />

literature generation of Rio de Janeiro in the 1970s, Ana leaves footprints wherever<br />

she goes, leaving her feminine and oblique perspective for generations of yesterday and<br />

today. What is so fascinating in her poetry that attracts actors, playwrights, dancers,<br />

artists, and photographers Through their eyes, the film seeks to delve into what is already<br />

known about her writing, but also to introduce new thoughts and views. A poetry that is<br />

now recognized and regarded as fundamental in the observation of daily life and intimacy.<br />

The documentary brings Ana Cristina to the screen for the first time, by showing historical<br />

images of her never seen before while it builds a visual narrative from her poems. Starting<br />

from the appropriation of her literature by other artists, Wide Sargasso Sea seeks to capture<br />

the beauty and originality of her writing, whether through a drama play, a ballet dance<br />

or through the poetry of young writers.<br />

Running time: 74΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Matizar<br />

Letícia Simões<br />

João de Barros, 148 301<br />

Leblon Rio de Janeiro, Brazil<br />

T. +55 21 2274 3412<br />

leticia.simoes@matizar.com.br<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 483


W<br />

162<br />

NORWAY<br />

Environment & Wild life<br />

WINTER LIGHT<br />

Skule Eriksen<br />

Winter Light is a film about the islands of Lofoten in winter. Lofoten is an archipelago north<br />

of the Arctic Circle in Norway. After weeks of low autumn light, the sun sinks below the<br />

horizon and stays there during the depths of winter. But the scarce light has its subtle<br />

beauty, as it falls on people’s everyday life and the unique Arctic landscape. The film is poetic,<br />

with very little dialogue and its own, mesmerizing rhythm.<br />

Running time: 25’<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

Ibis Film As<br />

Lisbeth Dreyer<br />

Nedre Nattland 15, 5099 Bergen, Norway<br />

T. +47 48048333<br />

lisbeth.dreyer@gmail.com<br />

484<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


190<br />

USA<br />

W<br />

Art, Music & Culture<br />

WISH ME AWAY<br />

Bobbie Birleffi, Beverly Kopf<br />

Country singer Chely Wright knew she was a lesbian at a young age, but she instinctively<br />

knew that her orientation was in direct conflict with her aspirations to one day<br />

perform at the Grand Ole Opry. She prayed for help from God, stayed in the closet, and<br />

went on to sell more than 1,000,000 albums. Wish Me Away chronicles the days leading<br />

up to Wright’s coming out announcement on national television in 2010, and it provides<br />

both an intimate look at the fear and torment behind her high-risk decision and<br />

a revealing glimpse into the multi-media P.R. campaign that attended her brave act of<br />

self-exposure.<br />

Running time: 96’ & 120’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

TV Gals<br />

Bobbie Birleffi<br />

The Film Sales Company<br />

Herwitz Andrew<br />

165 Madison Avenue, Suite 601<br />

New York, NY 10016, USA<br />

T. +1 212 481 5020<br />

F. +1 212 481 5021<br />

andrew.herwitz@filmsalescorp.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 485


W<br />

639<br />

SWITZERLAND<br />

Current Affairs<br />

WITNESS C, HOW GENEVA BECAME<br />

THE PLATFORM OF THE IRANIAN<br />

MULLAHS’ TERRORISM<br />

Franck Garbely<br />

The regime of the Iranian Mullahs organized bombings costing the lives of several hundreds<br />

of people in the 80s. An Iranian agent – Witness C – reveals how Geneva became<br />

the operational base of Iranian terrorism in Europe. Abolghasem Mesbahi, number three<br />

of the VEHAK, coordinated terrorist action from Geneva in the 1980s. He knew the commando<br />

squads of killers and was able to access a bank account in Geneva with more than<br />

200 million dollars. Witness C tells us how exactly Geneva became a center of espionage<br />

and Iranian terrorism in Europe. The Iranian Intelligence Service and the Geneva Police had<br />

concluded a secret agreement: the latter would not intervene against the Iranian commando<br />

squads and, in return, VEHAK promised not to commit atrocities in Geneva. According<br />

to Witness C, even the prosecution of the Confederacy was fully informed about<br />

the activities of the Iranians, but did not dare to intervene for fear of damaging economic<br />

relations. The result of a long-term investigation, where every piece of information was<br />

scrupulously verified and double-checked by the director, this disturbing documentary reveals<br />

incredible facts from behind the scenes of a very dark and violent world.<br />

Running time: 63΄ & 52΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ICTV<br />

Michel Noll<br />

17 Rue du Colisee<br />

F-75008 Paris, France<br />

T. +33 1 4359 2679<br />

F. +33 1 6403 7101<br />

m.noll@ictv-solferino.com<br />

486<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


127<br />

SWEDEN<br />

W<br />

Environment & Wild life<br />

WOMEN WITH COWS<br />

Peter Gerdehag<br />

A documentary about two sisters with diametrically opposed views on the usefulness of<br />

cows. Seventy-nine-year-old Britt Georgsson has devoted her entire life to cows. She’s been<br />

tending them since the age of four and, despite her health problems, she has no intention<br />

of abandoning her strenuous work caring for her twelve pets on the rundown family farm.<br />

Her sister Ingrid, one year her junior, lives in a nearby village; she can’t stand the cows but,<br />

even so, she generally helps her sister to look after the bovine family inheritance. When<br />

the authorities threaten their farm, the story takes an unexpected turn. Respected Swedish<br />

photographer and documentarist Peter Gerdehag observes both sisters, not only during<br />

their frequent spats, but also in moments of mutual accord, when the strength of sisterly<br />

bonds triumphs over minor squabbles.<br />

Running time: 58’ & 93’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Deep Sea Productions<br />

Lasse Rengfelt<br />

SVT Sales<br />

SE-10510 Stockholm, Sweden<br />

T. +4687840000<br />

malin.gullbrand@svt.se<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 487


W<br />

640<br />

AUSTRIA<br />

Lifestyles<br />

WOMEN’S LUST<br />

Gabi Schweiger<br />

Women’s Lust is about the sexual desires of women of a certain age and their daily struggle<br />

to preserve these new-won freedoms. The protagonists are five women from various<br />

walks of life who have a variety of needs.<br />

Running time: 61΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Company:<br />

Sales Contact Person:<br />

Nikolaus Geyrhalter Filmproduktion<br />

Autlook Filmsales<br />

Stephanie Holzhuber<br />

Trappelgasse 4/17,<br />

Vienna 1040, Austria<br />

T. +43 720 34 6934<br />

welcome@autlookfilms.com<br />

488<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


276<br />

GREECE<br />

W<br />

Lifestyles<br />

THE WORDS OF THE EXCLUDED<br />

Yorgos Keramidiotis<br />

Kostas Bairaktaris, Assistant Professor of Psychology at Thessaloniki’s Aristotle University,<br />

gave over the teaching of his course to “excluded” groups, i.e., people who have been treated<br />

at psychiatric hospitals, inmates from the Diavata Prison (both male and female), the disabled,<br />

the unemployed, former drug addicts, and immigrants. In this way, the excluded<br />

relate their experiences and their thoughts to the students. The aim of this lesson is to open<br />

the university to society. A further action involves creating solidarity groups among the students<br />

in support of the groups of excluded. This type of college course is a worldwide first<br />

for Aristotle University. The documentary follows these two actions.<br />

Running time: 100’<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Yorgos Keramidiotis<br />

5 Stefanou Tatti Str.<br />

54622 Thessaloniki Greece<br />

T. +30 6946 908 876<br />

F. +30 2310 278 710<br />

georgekeramidiotis@yahoo.gr<br />

ET3<br />

Maria Sioti<br />

T. +30 2310 299 507<br />

epikoinonia@ert3.gr<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 489


W<br />

641<br />

USA-EGYPT<br />

Current Affairs<br />

WORDS OF WITNESS<br />

Mai Iskander<br />

Every time 22-year-old Heba Afify heads out to cover the historical events shaping her<br />

country’s future, her mother is compelled to remind her, “I know you are a journalist, but<br />

you’re still a girl!” Defying cultural norms and family expectations, Heba takes to the<br />

streets to report on an Egypt in turmoil, using tweets, texts and Facebook posts. Her coming<br />

of age, political awakening and the disillusionment that follows, mirrors that of a nation<br />

seeking the freedom to shape its own destiny, dignity and democracy.<br />

Running time: 68΄<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Iskander Films<br />

Mai Iskander<br />

Films Transit International Inc.<br />

Jan Rofekamp<br />

252 Gouin Boulevard East<br />

Montreal / Quebec. H3L 1A8, Canada<br />

T. +1 514 844 3358<br />

F. +1 514 844 7298<br />

johnnadai@filmstransit.com<br />

490<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


642<br />

GERMANY<br />

W<br />

Science & Technology<br />

WORK HARD, PLAY HARD<br />

Carmen Losmann<br />

A documentary about the removal of boundaries in the workplace. Man, as the most important<br />

motor of growth in our highly skilled Western service society, has become the focus<br />

of modern management practices. By following these different procedures, the film explores<br />

companies’ efforts to motivate their employees so that they give their maximum<br />

performance. From innovative office architecture that is supposed to create a whole world<br />

of emotions for employees, to the complete digital registration of employees’ personality<br />

traits, the workingman has now entered the matrix of a total working world.<br />

Running time: 90΄<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Hupe Film<br />

Erik Winker<br />

Taskovski Films<br />

Manuela Buono<br />

7 Granard Business Centre, Bunns Lane<br />

London NW7 2DQ, UK<br />

T. +39 34 7627 3790<br />

sales@taskovskifilms.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 491


W<br />

274<br />

UK-GREECE<br />

Science & Technology<br />

THE WORLD’S FIRST COMPUTER<br />

Mike Beckham<br />

A historical and scientific investigation telling the extraordinary story of how the ancient<br />

Greeks built a computer 2,000 years ago. Set against the glorious backdrop of Classical<br />

Greece, the film explains how the ancients had the knowledge and creativity to put together<br />

such a machine. But who was the genius inventor behind it And what was it really for<br />

By focusing on the work of another rival scientist, the story follows an international research<br />

team, who finally solved the puzzle of the Antikythera Mechanism. Scientific breakthroughs<br />

illustrated with the latest scientific data and stunning graphics reveal a trail of<br />

mysterious numbers that solved the conundrum of the gears – a real life Da Vinci Code set<br />

in Ancient Greece.<br />

Running time: 75’ & 53’<br />

Year of production: 2012<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Images First Ltd<br />

Tony Freeth<br />

tony@images-first.com<br />

Electric Sky<br />

Stella Briley<br />

1 Clifton Mews Clifton Hill<br />

Brighton BN1 3HR United Kingdom<br />

T. + 44 1273 22 42 40, F. + 44 1273 22 42 50<br />

info@electricsky.com<br />

ERT S.A Hellenic Broadcasting Corp.<br />

Fotini Yannoulatou<br />

432, Messoghion Ave.<br />

15342 Athens Greece<br />

T. +30 210 607 57 11, F. +30 210 6075 714<br />

salesdpt@ert.gr<br />

492<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


643<br />

CHINA-FRANCE<br />

Y<br />

Current Affairs<br />

THE YANGTZE RIVER’S GREEN SAILORS:<br />

CHALLENGES, STRUGGLES AND DAILY<br />

LIVES OF THE RIVER’S GARBAGE MEN<br />

Fu Chen, Shiping Sheng<br />

Descending from a long line of fishermen on the river Yangtze, Liu Gujun, as thousands<br />

of other farmers and fishermen of the region, had to redefine his professional activity<br />

when the construction of the famous Three Gorges Dam began. His father even had to<br />

stop fishing because of the growing river pollution and asked his son to start cleaning<br />

the river. Liu Gujun took the last wishes of his father very seriously. He puts all his energy<br />

into this mission and invests every penny of his personal money into the ambitious<br />

venture. He even contracts heavy loans to build up a small flotilla of cleaning boats and<br />

employs people to collect the tons of garbage accumulating on the surface of the river.<br />

By observing these “green sailors” on their small vessels, we shall be privileged to witness<br />

their unsafe struggle. Besides the increasing difficulty of their task, we’ll stay with<br />

them as they perform their daily rituals of eating and sleeping on the very vessel on<br />

which they collect the waste during the day. If, before the construction of the dam, nobody<br />

had anticipated this floating waste problem, today, nobody can continue to ignore<br />

the evidence of the ecological disaster...<br />

Running time: 52΄<br />

Year of production: 2011<br />

Sales Company:<br />

Sales Contact Person:<br />

ICTV<br />

Michel Noll<br />

17 Rue du Colisee<br />

F-75008 Paris, France<br />

T. +33 1 4359 2679<br />

F. +33 1 6403 7101<br />

m.noll@ictv-solferino.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 493


Y<br />

175<br />

CHILE<br />

History & Politics<br />

THE YOUNG BUTLER<br />

Marcela Said, Jean de Certeau<br />

Jorgelino is a farm worker in the south of Chile. For many years he worked as an agent of<br />

the repressive machinery of Pinochet’s regime. Jorgelino was “el Mocito” (the young butler)<br />

who brought the cups of coffee in the middle of torture sessions, the one who fed the<br />

prisoners and disposed of their bodies. Twenty years later he is being taken to court and<br />

forced to remember. El Mocito is a psychological portrait of a human being destroyed by<br />

his past. A man who participated in the horrors and crimes of the Pinochet dictatorship,<br />

but who today faces his conscience and looks for redemption.<br />

Running time: 70’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

icalmafilms<br />

Marcela Said<br />

Mogadorfilm<br />

Christoph Thoke<br />

Schweizer Platz 56 - D 60594 Frankfurt am Main<br />

T. + 49 69 962 388 94<br />

christoph@mogadorfilm.de<br />

494<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


168<br />

UNITED KINGDOM<br />

Y<br />

Environment & Wild life<br />

YOU’VE BEEN TRUMPED<br />

Anthony Baxter<br />

In this David and Goliath tale, a group of proud Scottish homeowners take on Donald<br />

Trump, as he gets set to destroy the crown jewels of Scotland’s natural heritage in order<br />

to build a luxury golf resort. We follow the local residents as they make their last<br />

stand in the face of security harassment, constant legal threats and the cutting off of their<br />

water and electricity supplies. Director Anthony Baxter himself becomes international<br />

news after being thrown in jail following an interview with Trump’s green keeper. Told<br />

entirely without narration, You’ve Been Trumped captures the cultural chasm between<br />

the glamorous, jet-setting and media savvy Donald Trump and a deeply rooted Scottish<br />

community. For the tycoon, the golf course is just another deal, with a possible billion-dollar<br />

payoff. For the residents, it represents the destruction of a globally unique<br />

landscape that has been the backdrop for their lives.<br />

Running time: 95’<br />

Year of production: 2011<br />

Production Company:<br />

Production Contact Person:<br />

Sales Contact Person:<br />

Montrose Pictures<br />

Anthony Baxter<br />

Richard Phinney<br />

T. +1 613 985 8649<br />

jrichardphinney@gmail.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 495


Y<br />

644<br />

INDIA<br />

Lifestyles<br />

ΤΗΕ YUVRAJ OF JODHPUR –<br />

THE LEGACY ENDURES<br />

Iqbal Malhotra<br />

The Yuvraj of Jodhpur – The Legacy Endures is a compelling story of a consummate Prince<br />

who effortlessly carried many family and clan expectations and aspirations as he traveled<br />

through life. A consummate Prince who was charming, erudite, flamboyant, generous and<br />

an amazing sportsman. The future looked glorious. The clan legacy seemed secure in his<br />

hands.<br />

Running time: 47΄<br />

Year of production: 2011<br />

Production Company:<br />

Sales Contact Person:<br />

AIM Television Pvt. Ltd<br />

Iqbal Malhotra<br />

Second Floor, Malhotra Building,<br />

F-59, Connaught Place<br />

New Delhi 110001, India<br />

T. +91 2331 0617<br />

F. +91 2334 2584<br />

iqbalmalhotra@aimtelevision.com<br />

496<br />

1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


678<br />

USA<br />

Z<br />

Current Affairs<br />

ZEITGEIST: MOVING FORWARD<br />

Peter Joseph<br />

Zeitgeist: Moving Forward focuses on the very fabric of the social order: Monetary-<strong>Market</strong><br />

Economics.<br />

The majority of the world today has come to see basic flaws in the economic system we<br />

share. Large scale debt defaults, inflation, industrial pollution, resource depletion, rising<br />

cancer rates and other signposts have emerged to bring the concern into the realm of “public<br />

health.”<br />

The tendency is to demand reform in one area or another, avoiding the possibility that perhaps<br />

the entire system is intrinsically flawed at the foundational level.<br />

Part One (eight in the series) presents a treatment on “Human Nature”, with the argument<br />

that society is out of line with what Science has taught us about positive human development,<br />

enabling distortions of health and behavior that could be thwarted if the social<br />

system was changed.<br />

Part Two (nine in the series) details the central, inherent flaws of the Monetary-<strong>Market</strong> System<br />

of economic conduct and how this system is destroying ourselves and the planet.<br />

Running time: 161΄<br />

Year of production: 2011<br />

Production Contact Person:<br />

Sales Company:<br />

Sales Contact Person:<br />

Peter Joseph<br />

Sideways Film<br />

Kazz Basma<br />

19 Windus Road,<br />

London N16 6UT, UK<br />

T. +44 788 147 3603<br />

kazz@sidewaysfilm.com<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 497


Index of Directors<br />

Abazoglou, Angelos 296<br />

Abramson, Macabit 466<br />

Acimovic, Dejan 240<br />

Adamek, Maciej 238<br />

Aducchio, Gaia 243<br />

Aforo, Maame-Yaa 397<br />

Agrafiotis, Michalis 449<br />

Aguerre, Blanca 264<br />

Ahuanojinou Zannou, Santiago 130<br />

Al-Daradji, Atia Jabarah 219<br />

Al-Daradji, Mohamed Jabarah 219<br />

Aldana, Pascual 428<br />

Alevras, Nikos 35, 474<br />

Alisanoglou, Stella 456<br />

Allan, Dominic 84<br />

Almada, Natalia 308<br />

Álvarez, José 85<br />

Amado, Norberto Lopez 211<br />

Amin, Ayten 419<br />

Amiropoulos, Spyros 352<br />

Andersen, Heidi Kim 47<br />

Andersson, Kjell 204<br />

Angel, Avi 196<br />

Arnold, Chris 444<br />

Arpatzoglou, George 330<br />

Arranega, Ivan 65<br />

Arx, Mirjam von 455<br />

Ashcroft, Ross 163<br />

Asimakopoulos, Tony 162<br />

Astor, Josef Birdman 259<br />

August-Perna, Nick 416<br />

Azevedo, Licinio 228<br />

Baaden, Christoph 363<br />

Baciu, Alexandru 457<br />

Bafving, Erik 220<br />

Bagheri, Mehdi 369<br />

Bagot, Pascal 424<br />

Baider, Tzipi 233<br />

Bajic, Darko 319<br />

Bakalis, Yannis 206<br />

Bakker, Sabine Lubbe 50<br />

Barabáš, Pavol 290, 361, 445<br />

Barash, Adi 102<br />

Barghnavard, Shirin 19<br />

Barmatz, Liora Amir 481<br />

Basteyns, Nathalie 405<br />

Bataille, Thomas 115<br />

Bateson, Nora 142<br />

Baxter, Anthony 495<br />

Baylaucq, Philippe 329<br />

Beckham, Mike 492<br />

Bellos, Stavroula 97<br />

Ben Dor, Orna 207<br />

Ben-Moshe, Avital 394<br />

Bénabent, Grégoire 282<br />

Berkvens, Jeroen 343<br />

Berlinger, Joe 342<br />

Bernas, Piotr 340<br />

Berrou, Jean-Hugues 355<br />

Berteau, Valérie 202<br />

Bertini, Milchele Malgarini 55<br />

Bidault, Mauricio 197<br />

Bilsen, Kristof 479<br />

Birleffi, Bobbie 485<br />

Biswas, Nilosree 79<br />

Black, Eric 193<br />

Blaugrund Nevins, Andrea 332<br />

Bluemel, James 23<br />

Boerman, Tessa 250<br />

Bogowa, Roddy 421<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e<br />

499


Bolzinger, Romain 41<br />

Bonke, Christian 56<br />

Bordier, Quentin Briere 368<br />

Bornstein, Sagi 235<br />

Borowski, Lukasz 21<br />

Bourgaux, Pascale 425<br />

Bousboura, Konstantina 423<br />

Brach, Eric 187<br />

Brand, Kim 475<br />

Breure, Jan-Willem 39<br />

Brown, Lydia Benitez 111<br />

Brügger, Mads 32<br />

Buirski, Nancy 263<br />

Bukin, Marcelo 132<br />

Burmat, Emat 22<br />

Busnel, François-Xavier 38<br />

Byck, Peter 87<br />

Caetano, Bruno 255<br />

Campana, Paolo 453<br />

Cano, Alicia 63<br />

Carcas, Carlos 211<br />

Carras, Lydia 134<br />

Carter, Bryan 135<br />

Cayate, Gilles 225<br />

Chakarova, Mimi 357<br />

Chang, Yung 95<br />

Chen, Fu 493<br />

Chiarini, Duccio 203<br />

Christen, Lara 166<br />

Coelho, Gustavo 255<br />

Cohn, Jason 139<br />

Collado, Nocem 89<br />

Collins, Michael 175<br />

Correa, Jacaranda 121<br />

Corthouts, Lieven 257<br />

Costa, José Filipe 367<br />

Courtney, Heather 478<br />

Cox, Bradley 480<br />

Cox, Phil 64<br />

Cringely, Robert 404<br />

Cuske, Maciej 156<br />

Cuzuioc, Pavel 122<br />

Czubak, Kacper 198<br />

D’Eon, Geoff 154<br />

Dandinakis, Costas 105<br />

Danon, Efrat Shalom 131<br />

Daoundaki, Anthi 171<br />

Dapkins, Chris 416<br />

Darriba, Manuel 338<br />

Davidi, Guy 22<br />

Dayandas, Nikos 380<br />

De Certeau, Jean 494<br />

De Juan, José Ignacio 427<br />

De Riedmatten, Emmanuelle 88<br />

Dedole, Patrick 299<br />

Dereims, Alexandre 37<br />

Derflinger, Sabine 210<br />

Díaz Aguirre, Sebastián 77<br />

Dika, Ira 403<br />

Dimitriou, Alida 174<br />

<strong>Doc</strong>umentary Team Of Municipality<br />

Of Athens 2011, 33<br />

Doebele, Thomas 433<br />

Donjean, Jacques 209<br />

Dow, Whitney 477<br />

Dringenberg, Katja 44<br />

Dror, Duki 283<br />

Drucker, Scott 68<br />

Dupuy-Chavanat, Isabelle 194<br />

Duque Dizon, Jeanie 117<br />

El Fani, Nadia 303<br />

El Hakim, Karim 15<br />

Elmaliah, Robby 212<br />

Emanuel, Sigal 350<br />

Eriksen, Skule 484<br />

Evangelinos, Omiros 442<br />

Evripidou, Stefanos 70<br />

Ezzat, Tamer 419<br />

Faingulernt, Avner 466<br />

Fei, Youming 294<br />

Felix, Marcelo 143<br />

Fernandes, Dulce 251<br />

Fernandes, Jose 463<br />

Fernández, A. 48<br />

Figueroa Lewis, José Luis 77<br />

Finlay, Jeanie 400<br />

Fisher, David 393<br />

Flipse, Eline 334<br />

Freed, Josh 446<br />

Fronista, Phoebe 241<br />

Fujiwara, Toshi 311<br />

Gabbay, Alex 262<br />

Gaillard, Arnaud 208<br />

Gaitanidis, Yannis 287<br />

500 1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Gaon, Gili 226<br />

Garbely, Franck 486<br />

Gatlif, Tony 221<br />

Gau, John 404<br />

Gauriloff, Katja 86<br />

Gelman, Zafrir 107<br />

Gentelev, Alex 454<br />

George, Sylvain 164<br />

Georgiou, Christos 94<br />

Georgopoulos, Yorgos 336<br />

Gerdehag, Peter 487<br />

Gerosa, Manu 256<br />

Gertten, Magnus 189<br />

Geva, Dan & Noit 313<br />

Ghadiri, Sedi 83<br />

Ghosh, Balaka 365<br />

Giannouli, Maria 415<br />

Gibbings, Sara 90<br />

Gieling, Ramon 25<br />

Giommi, Giovanni 54<br />

Glawogger, Michael 482<br />

Goldstein Knowlton, Linda 399<br />

Goldstein-Hattab, Timna 414<br />

Gomez-Mont, Gabriella 270<br />

González, Everardo 133, 328<br />

González, María Paz 112<br />

Gouziotis, Dimitris 354<br />

Graglia, Giulia 30<br />

Greenfield-Sanders, Timothy 26<br />

Griswold-Tergis, Luke 395<br />

Grønkjær, Pernille Rose 260<br />

Grunenwald, Ryley 114<br />

Guerra-Peixe, Georgia 377<br />

Guerra, Marcelo 255<br />

Guzman, Patricio 315<br />

Haddad, Abeer Zeibak 136<br />

Hagerman, Lorenzo 14<br />

Haines, Robert 43<br />

Hakak, Dr. Yohai 172<br />

Halla, Natalie Johanna 169<br />

Hallis, Dephine 324<br />

Hamzehian, Anush 170<br />

Haney, Bill 248<br />

Hart, Bobbi Jo 215<br />

Hatzigeorgiou, Tania 20<br />

Haukeland, Jon 371<br />

Hecht, Igal 201<br />

Hees, Luciana 73<br />

Heimann, Julia M. 423<br />

Hemila, Hanna 337<br />

Hermans, Christophe 409<br />

Herzog, Werner 224<br />

Heshmat Manesh, Sharog 113<br />

Ho, Thuy-Tien 81, 104<br />

Hodell, Laila 390<br />

Hofer, Gustav 231<br />

Homoet, Jet 113<br />

Horanyi, Nicole N. 47<br />

Horn, Olivier 209, 476<br />

Houliaras, Christos 123<br />

Hunzinger, Robin 333<br />

Hurtado, Ana María 339<br />

Hustwit, Gary 452<br />

Icard, Romain 93<br />

Inov, Ofer 161<br />

Ioannou, Evgenios 195<br />

Iosifidis, Elias 167, 182<br />

Iskander, Mai 490<br />

Ivanova, Julia 155<br />

Jafari, Morteza 472<br />

James, Steve 31<br />

Jaury, Marie-Pierre 282<br />

Jersey, Bill 139<br />

Jian, Fan 305<br />

Jiminez, Monster 236<br />

Jin, Huaqing 137<br />

Jones, Keith 359<br />

Jordan, Sandra 258<br />

Joseph, Peter 497<br />

Jourdan, Laurence 406<br />

Joyard, Olivier 383<br />

Kaabour, Mahmoud 180<br />

Kahlmeyer, Benjamin 273<br />

Kakavoulis, Stefanos 396<br />

Kalaitzis, Vangelis 322<br />

Kalina, Jon 100<br />

Kallitsis, Christos 151<br />

Karakasis, Christos N. 69<br />

Karamaghiolis, Menelaos 278, 279, 280<br />

Karimi, Keywan 78<br />

Karkanevatos, Panos 274, 275, 276<br />

Kaspiris, Yannis 298<br />

Katsaounis, Nikos 242<br />

Katz, Ramy A. 165<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 501


Kedar, Nurit 103<br />

Kent, Jon 146<br />

Keramidiotis, Yorgos 489<br />

Kertsner, Ronit 439<br />

Keshavarz, Mina 451<br />

Kessler, Stephen 344<br />

Kestner, Max 387<br />

Khaledi, Loghman 292, 304<br />

Khardalian, Suzanne 181<br />

Khetagouri, Artchil 314<br />

Kiaos, Thomas 289<br />

Kılıç, Bahar 176<br />

Kipper, Yael 245<br />

Kitsikoudis, Dimitris 467<br />

Kleinman-Zadock, Hadar 414<br />

Ko, Dongkyun 27<br />

Koefoed, Andreas 56<br />

Köksal, Rüya Arzu 158<br />

Kolimenos, Kostas 408<br />

Kopf, Beverly 485<br />

Korkeasalo, Malin 261<br />

Koskinen, Mika 366<br />

Kossakovsky, Victor 458<br />

Kouloglou, Stelios 325<br />

Kountouras, Panayotis 199<br />

Kovalčíková-Bučka, Jana 98<br />

Kovotsos, Angelos 129, 148<br />

Krawitz, Tony 422<br />

Kreso, Sergej 101<br />

Krijgsman, Maaik 323<br />

Krogh, Mikala 388<br />

Kubarska, Eliza 473<br />

Kuiper, Jan Jaap 391<br />

Kvedaravicius, Mantas 58<br />

Laffont, Frédéric 194<br />

Laloudaki, Elisavet 349<br />

Landauer, Helga 159<br />

Lang, Hannes 346<br />

Lanssens, Manno 149<br />

Lasfar, Nordin 52<br />

Laskaridis, Euripides 381<br />

Latallo, Marcin 60<br />

Laumeister, Shannah 66<br />

Lavafi, Ramtin 272<br />

Lavigne, Isabelle 46<br />

Lawrence, Phil 317<br />

Le Paige, Hugues 356<br />

Lee, Harkjoon 27, 232<br />

Lee, Iara 106<br />

Legaki, Kalliopi 125<br />

Leon, Jean-Luc 177<br />

Levari, Naomi 34<br />

Leventoglu, Omer 92<br />

Levi, Stefano 335<br />

Lickteig, Steve 327<br />

Lieberman, Robert H. 431<br />

Liiv, Urmas E. 184<br />

Lim, Eunjung 232<br />

Lingiardi, Sebastián 392<br />

Liu, Shuo 294<br />

Loizeau, Manon 252<br />

Losmann, Carmen 491<br />

Lozinski, Marcel 438<br />

Lucchesi, Daniel 469<br />

Lygouris, Nicos 413<br />

Lynne, Jessica 397<br />

Maas, Deon 359<br />

Maiman, Noa 207<br />

Malamou, Thekla 72<br />

Malhotra, Anu 384<br />

Malhotra, Iqbal 496<br />

Mann, Cory 395<br />

Mansky, Vitaly 291<br />

Mantin, Elisa 373, 376<br />

Marcuse, Gary 464<br />

Markoš, Goran 108<br />

Martinez, Fernando 157<br />

Martins, Isabel Dias 443<br />

Meerman, Marije 51<br />

Melgar, Fernand 402<br />

Meltzer, Julia 254<br />

Meynadier, Pierre 76, 465<br />

Mikelli, Danae 49<br />

Miliou, Persefoni 288<br />

Mináč, Matej 307<br />

Minorowicz, Marta 119<br />

Mirabedini, Mazdak 74<br />

Mirabella-Davis, Carlo 416<br />

Mirtahmasb, Mojtaba 432<br />

Misch, Georg 29<br />

Missouridis, Yannis 127, 140<br />

Mitcu, Claudiu 447<br />

Mitsch, Jacques 301<br />

Mondelos, Stefanos 437<br />

502 1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Moschitz, Ed 268<br />

Mountsakis, Stergios 295<br />

Mulvad, Eva 379<br />

Muñoz, Salva 256<br />

Muntean, Radu 457<br />

Murray, Benjamin 450<br />

Nahmias, Alysa 450<br />

Newell, Robin 223<br />

Nir, Yonatan 107<br />

Nix, Laura 254<br />

Nugent, Stephen 70<br />

Oey, Alexander 321<br />

Ofek, David 265<br />

Ofer, Ron 172<br />

Okpako, Branwen 144<br />

Olshan, Ruth 61<br />

Østbye, Thomas A. 218<br />

Oulman, Nicholas 269<br />

Pacek, Grzegorz 110<br />

Paizis, Dimitris 348<br />

Panahi, Jafar 432<br />

Panoutsopoulos, Nikos 183<br />

Panteleakis, Yorgos 18<br />

Paounov, Andrey 75<br />

Papadakis, Manos 152<br />

Paschalidou, Nina Maria 242<br />

Patricio, Serna Salazar 17<br />

Patroni, Katerina 128<br />

Pause, Aljoscha 436<br />

Pedersen, Lise Birk 360<br />

Pehlivanidis, Chronis 150<br />

Peled, Micha X. 71<br />

Petitjean, Marc 435<br />

Pinhasov, Limor 281<br />

Pittaki, Angeliki 42<br />

Pizzocaro, Massimo 349<br />

Plotas, Stathis 302<br />

Poet, Paul 147<br />

Porta, Carles 440<br />

Prisimintzi, Flora 378<br />

Provaas, Gabrielle 277<br />

Prud’homme-Farges, Olga 353<br />

Prudhomme, Jean-Manuel 386<br />

Psarrou, Nelly 178<br />

Psyllakis, Stavros 285<br />

Rabaud, Marlene 293<br />

Raftoyannis, Haris 141<br />

Ragazzi, Luca 231<br />

Rais-Nordentoft, Aage 389<br />

Ramseyer-Bache, Alex 469<br />

Ramström, Maria 261<br />

Rapaport, Michael 59<br />

Rapisarda Casanova, Simone 411<br />

Raxhon, Philippe 209<br />

Redmon, David 173<br />

Rendon, Juan 222<br />

Ricci, Giuliano 312<br />

Rigas, Gerasimos 16<br />

Rigas, Vangelis 441<br />

Rincón, Luis 57<br />

Romano, Gabriella 62<br />

Rossmann, Richard 116<br />

Rutkowski, Richard 401<br />

Saada, Philippe 372<br />

Sabin, Ashley 173<br />

Sadzinski, Piotr 347<br />

Said, Marcela 494<br />

Salama, Amr 419<br />

Salar P, Ayhan 284<br />

Salambassi, Georgia 67<br />

Sandig, Frauke 193<br />

Sarin, Vic 120<br />

Sauter, Marcin 188<br />

Savona, Stefano 418<br />

Schmidt, Maarten 433<br />

Schmidtkunz, Renata 244<br />

Schroder, Rob 277<br />

Schweiger, Gabi 488<br />

Scott, Catherine 382<br />

Scourtis Ayers, Lilly 247<br />

Sen, Paul 404<br />

Seok, Hein S. 27<br />

Sepúlveda, Juan Manuel M. 249<br />

Serughetti, Claudio 227<br />

Shalom, Amir Bar 394<br />

Shan, Zuolong 190<br />

Shargawi, Omar 15<br />

Shatz, Ruthie 102<br />

Sheng, Shiping 493<br />

Shenk, Jon 229<br />

Sigurdsson, Magnus Vidar 246<br />

Simões, Letícia 483<br />

Sinofsky, Bruce 342<br />

Skarentzos, Nikos 326<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 503


Skevas, Yorgos 53<br />

Sklavos, Agnes 417<br />

Slutzky, Shlomo 310<br />

Soda, Kazuhiro 345<br />

Solnicki, Gastón 341<br />

Sosinski, Jan 191<br />

Soulis, Nikos 316<br />

Spiro, Anaïs 138<br />

Spiro, Olivier 138<br />

Stamatopoulos, Costas 462<br />

Stanculescu, Ileana 314<br />

Staron, Wojciech 40<br />

Stathogiannopoulos, Nikos 28<br />

Stefani, Eva 126, 370<br />

Stern, Klaus 36<br />

Stonys, Audrius 364<br />

Stylianou, Danae 385<br />

Šulík, Marek 98, 216<br />

Szalsza, Piotr 80<br />

Szołajski, Konrad 179<br />

Tal, Tamar 253<br />

Talamantes, César 331<br />

Talczewski, Christophe 429<br />

Tatakis, Stelios 417<br />

Teboul, Ilan 145<br />

Tekin, Sibel 230<br />

Terzidou, Fofo 82<br />

Theodossiou, Nikos 461<br />

Thibault, Stephane 46<br />

Thomaidis, Panos A. 217<br />

Thomopoulos, Christina 397<br />

Thomopoulos, Nikos 434<br />

Thorisson, Ingvar A 309<br />

Todorov, Jordan 109<br />

Tolakis, Antonis 459<br />

Trikas, Dimitris 200<br />

Tsapa, Myrna 237<br />

Tsardakas, Tilemachos 398<br />

Tsiftsis, Spyros 375<br />

Tzelepi, Chryssa 20<br />

Valente, Pamela 424<br />

Vallejo, Juan 91<br />

Van Broekhoven, Roel 323<br />

Van der Horst, Aliona 468<br />

Van Erp, Michiel 213<br />

Van Glabeke, Marie 145<br />

Van Velzent, Femke & Ilse 234<br />

Various 118<br />

Vasileiadis, Antonis 192<br />

Vassault, Florent 208<br />

Veldhuizen, Daan 407<br />

Verdaris, Yorgos 430<br />

Vetter, Marcus 99<br />

Viola, Enrica 297<br />

Vojtek, Jaroslav 470<br />

Von Praunheim, Rosa 239<br />

Voss, Christiane 44<br />

Vougiatzis, Vassili 284<br />

Voyatzis, Stratis 72<br />

Vrakas, Dimitris 267<br />

Wallner, Thomas Selim 185<br />

Wegener, Mareike 271<br />

Weinert, Stefan 153<br />

Weingartshofer, Federico 428<br />

Wenzer, Michel 45<br />

Witjes, Philippe 202<br />

Witz, Martin 412<br />

Wolkenstein, Rolf S. 320<br />

Wolski, Tomasz 124<br />

Wysoczanski, Pawel 471<br />

Xanthopoulos, Lefteris 420<br />

Xydi, Natassa 129<br />

Xydias, Haris 96<br />

Yannikopoulos, Dimitris 358<br />

Yi, Seung-Jun 351<br />

Zajtman, Arnaud 293<br />

Zaretzky, Ronen 245<br />

Ze’evi, Chanoch 205<br />

Zepou, Amalia 134<br />

Zervas, Yorgos Chr. 214<br />

Zervopoulou, Elena 160<br />

Ziff, Trish 286<br />

504 1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Index of sales Companies<br />

@radical.media 342<br />

10 Francs 31, 38, 61, 76, 115, 179, 184, 290, 297, 353, 356, 361,<br />

386, 424, 428, 445, 465<br />

1984 Productions 325<br />

Adobe Productions International 215<br />

AIM Television Pvt. Ltd 384, 496<br />

Ajna Films 450<br />

Al Jazeera 94<br />

Alacrán con alas 85<br />

Alegria Productions 22<br />

Andreas Athanassiou Ltd 442<br />

Anemicinema 20, 449<br />

Anemon Productions 380<br />

Apocalypsis 381<br />

Arokaria 302<br />

Art-<strong>Doc</strong> 314<br />

Association des Journalistes Professionnels de Belgique 135<br />

Autlook Filmsales 46, 59, 75, 109, 189, 210, 244, 254, 258, 277,<br />

286, 321, 366, 371, 412, 431, 488<br />

Aylon Productions 28<br />

Beaconsfield Studios 479<br />

Blonde SA 278, 279, 280<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 505


C.R.I.M 143<br />

CAT&<strong>Doc</strong>s 84, 95, 162, 213, 261, 317, 351, 357, 382, 402, 409<br />

Centre Arts Visuels 105<br />

Cinephil 99, 149, 205, 259, 265, 363, 393, 399, 477, 478<br />

Creative Movies SL 169<br />

CRIM 443, 463<br />

DA film 240<br />

Dartmouth Films 23<br />

Deckert Distribution 54, 86, 102, 133, 181, 218, 453, 458<br />

Dimitra Bessi - Film and Television Works 354<br />

<strong>Doc</strong> & Film International 44, 144, 194, 268, 301, 303, 308,<br />

311, 373, 376, 383, 406, 418, 425, 435, 468<br />

<strong>Doc</strong>umenta Films 151<br />

Dogwoof 173, 211, 281, 400, 469<br />

DR International Sales 47, 56, 260, 360<br />

ebfilm 220<br />

Electric Sky 492<br />

Elephant Eye Films 332, 416<br />

eOne Films International 64<br />

ERT S.A Hellenic Broadcasting Corp. 16, 53, 125, 126, 127, 128, 129,<br />

140, 141, 150, 183, 214, 274, 275, 276, 278, 279, 280, 287, 288,<br />

289, 375, 378, 380, 420, 437, 462, 492<br />

ET3 489<br />

Fabretto Children’s Foundation 132<br />

Fer Film Productions 92<br />

Fig Leaf Media Production 199<br />

Filmakademie Baden-Württemberg 273<br />

Filmmaker Production 430<br />

Films Transit International Inc. 26, 66, 71, 139, 147, 154, 163, 229,<br />

234, 242, 305, 327, 404, 452, 455, 464, 490<br />

506 1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Filmy Wiktora 341<br />

First Hand Films 185<br />

Fly Film Srl 243<br />

Gabari Productions 96<br />

George Arpatzoglou-Arsis 330<br />

Go2Films Distribution & <strong>Market</strong>ing 107, 131, 136, 161, 172, 233, 245,<br />

283, 350, 414, 439, 454<br />

Greek Directors Guild 437, 462<br />

Greek Film Centre 214, 380<br />

Greeny 178<br />

Hacettepe University Faculty of Communication 230<br />

Hand 255<br />

HappyAnt. TV 349<br />

HBO Central Europe Original Programming 122, 457<br />

HBO <strong>Doc</strong>umentary Films 342<br />

HiQ productions 231<br />

Homevideos 165<br />

Ibidem Films 411<br />

Ibis Film As 484<br />

ICTV 27, 81, 104, 137, 190, 232, 293, 294, 355, 368, 486, 493<br />

Illumina FIlms 407<br />

Illusion 298<br />

Independent filmmaker 108<br />

Insomnia World Sales 145, 153, 227, 307, 333, 440<br />

Iranian Independents 74, 272<br />

Java Films 37, 41, 90, 93, 120, 177, 225, 252, 299<br />

JMT Films Distribution 157, 159, 212, 262, 313, 337, 466<br />

Journeyman Pictures 114<br />

Kaudli Nutz productions 395<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 507


Key<strong>Doc</strong>s 475<br />

Kinisi 423<br />

KMAFilmproduktion 204<br />

KMI Christof Wehmeier 309<br />

KOYINTA Production 69<br />

Krakow Film Foundation 21, 40, 119, 124, 156, 188, 198,<br />

340, 438, 471, 473<br />

Lallouda 35<br />

Lallouda Productions 474<br />

LC Productions 134<br />

Le CinéAtelier Ltd. 88<br />

Les Films du Losange 221<br />

LevelK 15<br />

Louise Rosen LTD 263<br />

LTD Genfilm 291<br />

m-appeal 239<br />

Marfilmes 73, 228, 251, 269<br />

Mark Litwak and Associates 247<br />

Marni Films 123<br />

Matizar 483<br />

Media Space, Inc. 401, 421<br />

Mediascope 408<br />

Mercury Media International Ltd 246, 480<br />

Mexican Film Institute 14, 17, 48, 57, 77, 197, 249, 264, 270, 328, 331<br />

mindjazz pictures 142, 436<br />

Minimal Films 16<br />

Mitos - Eleni Afentaki 316<br />

Mogadorfilm 494<br />

Monday Reporter ApS 379<br />

508 1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


Montrose Pictures 495<br />

Mood Film Srl 203<br />

Multivision 336<br />

National Film Board Of Canada 329<br />

Next Story 365<br />

Noir Production 164<br />

NPO/RNW Sales 25, 50, 51, 52, 101, 250, 323, 343, 391, 405<br />

NYU – New York University in Ghana 397<br />

O.P.A.N.D.A. - Poulidis Productions 33<br />

Oktubre45 392<br />

One Touch 352<br />

One Vibe Films 160<br />

Oneworld <strong>Doc</strong>uMakers 256<br />

OZ Návrat 216, 470<br />

Pacha Pictures 419<br />

parada film 447<br />

PATH Ltd 217<br />

PBS International 223<br />

Periplus 420<br />

Pisco Films 91<br />

Plein La Tête 97<br />

Point du Jour International 100, 118, 138, 170, 209, 282, 306, 372,<br />

426, 429, 446, 476<br />

Polymorfilms 202<br />

Poulidis Productions 148<br />

Problemkind Productions 83<br />

Pyramide International 315<br />

Queen Bessie, LLC 111<br />

Radiator Film 387, 388, 389, 390<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 509


Ready2Shoot.net 456<br />

Real Life <strong>Doc</strong>umentary 322<br />

Richard Rossmann Filmproduktion 116<br />

Rise and Shine World Sales 29, 34, 36, 65, 121, 253, 271,<br />

320, 335, 346, 359, 377<br />

ro*co films international 175, 248, 344<br />

Rossellini film e tv 55<br />

Ruth Diskin films Ltd 103, 196, 201, 207, 226, 235, 310, 339, 394, 481<br />

Salarfilm produktion 284<br />

Sata Prod.co. 176<br />

Satak Film 78<br />

SayNoMore 398<br />

SBS TV 422<br />

Seven Coal Productions 472<br />

Sheherazad Media International 19, 292, 304, 369, 451<br />

Sideways Film 39, 87, 117, 222, 236, 497<br />

SPiRTO Productions 152<br />

Stefanos Evripidou and Stephen Nugent Production 70<br />

Stichting Zig/Zag 433<br />

SVT Sales 487<br />

Système D 324<br />

Taskovski Films 43, 63, 106, 112, 113, 130, 146, 180, 257,<br />

296, 334, 345, 364, 491<br />

Tatakis AV Productions 417<br />

Telefilm-Nikos Kavoukidis & CO 171<br />

Terratreme Filmes 367<br />

The Film Collaborative 444<br />

The Film Sales Company 155, 485<br />

The Match Factory GmbH 58, 482<br />

510 1 4 t h T h e s s a l o n i k i D o c u m e n t a r y F e s t i v a l


The Post Office 467<br />

The Yellow Affair 45<br />

Thetis Company 72<br />

Tintiman Audiovisual SLL 338<br />

Top Cut 237, 326, 413<br />

Trust Film Sales ApS 32<br />

Turkishmoon Films 158<br />

TVP SA 60, 80, 110, 191, 238, 347<br />

Umbrella Films 193<br />

University of Bristol 49<br />

University of Southern California 68<br />

Vidi Production 441<br />

Vitagraph 30, 62, 312<br />

Wide House 187, 208, 219, 319, 432<br />

Youth Plan 461<br />

ZDF Enterprises 224<br />

Zopiros 167, 182<br />

Žudro 98<br />

2 0 1 2 T h e s s a l o n i k i D o c M a r k e t G u i d e 511


ΦΕΣΤΙΒΑΛ ΝΤΟΚΙΜΑΝΤΕΡ ΘΕΣΣΑΛΟΝΙΚΗΣ<br />

Thessaloniki <strong>Doc</strong>umenTary FesTival<br />

10, Aristotelous Sq., 54623 Thessaloniki<br />

T. +30 2310 378400 F. +30 2310 285759<br />

9 Alexandras Ave., 11473 Athens<br />

Τ. +30 210 8706000 F. +30 210 6448163<br />

info@filmfestival.gr www.filmfestival.gr


Europe loves European Festivals<br />

A privileged place for meetings, exchanges and discovery, festivals provide a vibrant and accessible<br />

environment for the widest variety of talent, stories and emotions that constitute<br />

Europe’s cinematography.<br />

The MEDIA Programme of the European Union aims to promote European audiovisual heritage, to encourage<br />

the transnational circulation of films and to foster audiovisual industry competitiveness. The ME-<br />

DIA Programme acknowledges the cultural, educational, social and economic role of festivals by co-financing<br />

every year almost 100 of them across Europe. These festivals stand out with their rich and diverse<br />

European programming, networking and meeting opportunities for professionals and the public alike,<br />

their activities in support of young professionals, their educational initiatives and the importance they<br />

give to strengthening inter-cultural dialogue. In 2011, the festivals supported by the MEDIA Programme<br />

have programmed more than 40.000 screenings of European works to nearly 3 million cinema-lovers.<br />

MEDIA is pleased to support the 14th edition of the Thessaloniki <strong>Doc</strong>umentary Festival and we<br />

extend our best wishes to all of the festival goers for an enjoyable and stimulating event.<br />

European Union – MEDIA PROGRAMME<br />

http://www.ec.europa.eu/information_society/media/index_en.htm<br />

L’Europe aime les festivals européens<br />

Lieux privilégiés de rencontres, d’échanges et de découverte, les festivals rendent vivante et<br />

accessible au plus grand nombre la formidable diversité de talents, d’histoires et d’émotion<br />

que constituent les cinématographies européennes.<br />

Le programme MEDIA de l’Union européenne vise à promouvoir le patrimoine cinématographique européen,<br />

à encourager les films à traverser les frontières et à renforcer la compétitivité du secteur audiovisuel.<br />

Le programme MEDIA reconnait l’importance culturelle, éducative, sociale et économique des festivals<br />

en co-finançant chaque année près d’une centaine d’entre eux dans toute l’Europe.Ces<br />

manifestations se démarquent par une programmation européenne riche et diverse, par les opportunités<br />

de rencontres qu’elles offrent au public et aux cinéastes, par leurs actions de soutien aux jeunes auteurs,<br />

par leurs initiatives pédagogiques ou encore par l’importance donnée au dialogue inter-culturel.<br />

En 2011, l’ensemble de ces festivals soutenus par le programme MEDIA a programmé plus de 40.000 projections<br />

d’œuvres européennes pour le grand plaisir de près de 3 millions de cinéphiles.<br />

MEDIA a le plaisir de soutenir la 14ème édition du Festival International du Film de Thessaloniki<br />

et souhaite aux festivaliers de grands moments de plaisir.<br />

Union Européenne – PROGRAMME MEDIA<br />

http://www.ec.europa.eu/information_society/media/index_fr.htm

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!