Sonata Practice Haydn Symphony No. 104 in D-Major, first ...
Sonata Practice Haydn Symphony No. 104 in D-Major, first ...
Sonata Practice Haydn Symphony No. 104 in D-Major, first ...
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Theory III, Br<strong>in</strong>kman<br />
<strong>Sonata</strong> <strong>Practice</strong><br />
<strong>Sonata</strong> <strong>Practice</strong><br />
<strong>Haydn</strong> <strong>Symphony</strong> <strong>No</strong>. <strong>104</strong> <strong>in</strong> D-<strong>Major</strong>, <strong>first</strong> movement<br />
The movement will be played and numbers called out. Answer the questions at each number. There<br />
is a slow <strong>in</strong>troduction and the exposition is repeated .<br />
General Questions<br />
a. What chromatic technique characterizes much of the <strong>in</strong>troduction? ______________________<br />
What are the primary key areas <strong>in</strong> the <strong>in</strong>troduction? ______________ and ___________<br />
b. What harmony is found at the end of the <strong>in</strong>troduction? _________________________<br />
c. The <strong>first</strong> theme <strong>in</strong> the <strong>first</strong> tonal area consists of a period. What k<strong>in</strong>d is it? (be as specific as you<br />
can) ______________________________. What type of sequence is used at the end of the <strong>first</strong><br />
phrase? ________________________. At the end of the 2nd phrase? ____________________<br />
Specific Questions (numbered):<br />
1. What chromatic chord is used here? _________________________________<br />
2, Where are we <strong>in</strong> the form? _____________________________. Key ______<br />
3. Where are we <strong>in</strong> the form? _____________________________. Key _______<br />
4. Where are we <strong>in</strong> the form? ____________________________________<br />
5. Where are we <strong>in</strong> the form? __________________________________<br />
6. Where are we <strong>in</strong> the form? ___________________________<br />
7. Where are we <strong>in</strong> the form? ____________________________<br />
8. Where are we <strong>in</strong> the form? _________________________<br />
What is the derivation of material? __________________________<br />
9. What type of sequence is used here? __________________________<br />
10. Where are we <strong>in</strong> the form? __________________________<br />
11. Where are we <strong>in</strong> the form? ____________________________<br />
12. What type of sequence is used here? _________________________<br />
13. Where are we <strong>in</strong> the form? ____________________. Key: ______<br />
What contrapuntal techneque is used here? _________________________<br />
14. Where are we <strong>in</strong> the form? ______________________________
Theory III, Br<strong>in</strong>kman<br />
<strong>Sonata</strong> <strong>Practice</strong><br />
<strong>Sonata</strong> <strong>Practice</strong><br />
<strong>Haydn</strong> <strong>Symphony</strong> <strong>No</strong>. <strong>104</strong> <strong>in</strong> D-<strong>Major</strong>, <strong>first</strong> movement<br />
The movement will be played and numbers called out. Answer the questions at each number. There<br />
is a slow <strong>in</strong>troduction and the exposition is repeated .<br />
General Questions<br />
a. What chromatic technique characterizes much of the <strong>in</strong>troduction? ______________________<br />
Mixture<br />
What are the primary keys <strong>in</strong> the <strong>in</strong>troduction: _______________<br />
Dm!(i) FM!(bIII)<br />
& _______________<br />
b. What harmony is found at the end of the <strong>in</strong>troduction? _________________________<br />
V!(6/4-5/3)<br />
c. The <strong>first</strong> theme <strong>in</strong> the <strong>first</strong> tonal area consists of a period. What k<strong>in</strong>d is it? (be as specific as you<br />
can) ______________________________. parallel!period;!<strong>in</strong>terrupted!HM What type of sequence is used at the end of the <strong>first</strong><br />
phrase? ________________________. descend<strong>in</strong>g!7-6!(diatonic) At the end of the 2nd phrase? ____________________<br />
ascend<strong>in</strong>g!5-6<br />
Specific Questions (numbered:<br />
1. What chromatic chord is used here? _________________________________<br />
Neapolitan!(bII6)<br />
2, Where are we <strong>in</strong> the form? _____________________________.<br />
1A!(beg<strong>in</strong>n<strong>in</strong>g!of!exposition<br />
Key ______ DM<br />
3. Where are we <strong>in</strong> the form? _____________________________. 2A<br />
Key _______<br />
A!(V)<br />
4. Where are we <strong>in</strong> the form? ____________________ Clos<strong>in</strong>g<br />
V<br />
Key: _______________<br />
5. Where are we <strong>in</strong> the form? __________________________________<br />
Codetta<br />
6. Where are we <strong>in</strong> the form? ___________________________<br />
1A!(on!repeat)<br />
7. Where are we <strong>in</strong> the form? ____________________________<br />
transition<br />
8. Where are we <strong>in</strong> the form? _________________________<br />
Development<br />
1A!(or!2A)<br />
What is the derivation of material? __________________________<br />
9. What type of sequence is used here? __________________________<br />
Descend<strong>in</strong>g!6/3!chords<br />
10. Where are we <strong>in</strong> the form? __________________________<br />
retransition<br />
11. Where are we <strong>in</strong> the form? _____________________________?<br />
1B!<strong>in</strong>!recap<br />
desc.!5;!alternat<strong>in</strong>g!7ths!(10-7!pattern)<br />
12. What type of sequence is used here? _________________________<br />
13. Where are we <strong>in</strong> the form? ________________ 2A<br />
Key: _________ D!(I)<br />
What contrapuntal techneque is used here? _________________________<br />
Imitation<br />
14. Where are we <strong>in</strong> the form? ______________________________<br />
CODA
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