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<strong>PRESS</strong> <strong>RELEASE</strong><br />

Haarlem, January 2013<br />

<strong>Frans</strong> <strong>Hals</strong> – Lute Player, c. 1625 Jacob Jordaens – Bagpipe Player, Dirck van Baburen – Lute Player, 1622,<br />

Musée du Louvre, Paris 1640/45, The <strong>Rubens</strong> House, Antwerp Centraalmuseum, Utrecht<br />

<strong>Frans</strong> <strong>Hals</strong><br />

<strong>Eye</strong> <strong>to</strong> <strong>Eye</strong> <strong>with</strong> <strong>Rembrandt</strong>, <strong>Rubens</strong> and Titian<br />

23 March <strong>to</strong> 28 July 2013<br />

In <strong>Frans</strong> <strong>Hals</strong> Year 2013, key works by the artist will be shown amidst paintings by such<br />

famous predecessors as Titian, <strong>Rembrandt</strong>, <strong>Rubens</strong>, Van Dyck and Jordaens in <strong>Frans</strong> <strong>Hals</strong>:<br />

<strong>Eye</strong> <strong>to</strong> <strong>Eye</strong> <strong>with</strong> <strong>Rembrandt</strong>, <strong>Rubens</strong> and Titian. This extraordinary confrontation of old<br />

masters is essential <strong>to</strong> the understanding of seventeenth-century art. Famous painters often<br />

produced their works in response <strong>to</strong> one another, seeking <strong>to</strong> outdo the other artist and create<br />

something exceptional. The best way <strong>to</strong> assess the results of their efforts is <strong>to</strong> look at<br />

comparable works side by side. Visi<strong>to</strong>rs can see for themselves the artistic challenges <strong>Hals</strong><br />

must have faced and what makes him unique. The paintings come from some of the world’s<br />

greatest museums, among them the National Gallery in London, the Prado in Madrid and the<br />

Louvre in Paris, and from various private collections.<br />

A New View of <strong>Frans</strong> <strong>Hals</strong><br />

This first major <strong>Frans</strong> <strong>Hals</strong> exhibition in almost twenty-five years will shed new light on the artist. It was long<br />

thought that <strong>Frans</strong> <strong>Hals</strong>’s name was almost unknown outside Haarlem in the seventeenth century and that<br />

he did not achieve fame until the nineteenth, when the French art critic Théophile Thoré-Bürger<br />

rediscovered him, and artists like Vincent van Gogh and Edouard Manet expressed their admiration for him.<br />

New research has revealed, however, that he was highly regarded by some of the most eminent painters and<br />

art lovers in Europe in the seventeenth century.<br />

Confrontations<br />

Visi<strong>to</strong>rs will be able <strong>to</strong> see the choice that the sixteenth-century art theoretician Karel van Mander,<br />

<strong>Hals</strong>’s teacher, presented <strong>to</strong> painters at that time—whether <strong>to</strong> paint in a ‘neat’ manner (like<br />

Brueghel) or <strong>with</strong> ‘rough’ brushstrokes (like Titian and Tin<strong>to</strong>ret<strong>to</strong>). It will also be possible <strong>to</strong>


compare swift oil sketches by <strong>Rubens</strong>, Van Dyck and Jordaens <strong>with</strong> work by <strong>Hals</strong> and <strong>Rembrandt</strong><br />

and see how closely <strong>Hals</strong> and his colleagues in Antwerp approached one another in formal<br />

portraiture. A vibrant selection of genre paintings will set <strong>Hals</strong>’s masterly brushwork and the<br />

expressions of his laughing figures side by side <strong>with</strong> comparable works by Van Baburen, Jordaens<br />

and Van Dyck. <strong>Hals</strong>’s great group portraits also engage in a dialogue <strong>with</strong> contemporaries. The<br />

most spectacular is perhaps the confrontation between <strong>Hals</strong>’s last group portraits and the late<br />

portraits by <strong>Rembrandt</strong>, the only other seventeenth-century master who dared <strong>to</strong> paint <strong>with</strong> such<br />

bravura at that moment.<br />

Catalogue<br />

A full-colour catalogue edited by Anna Tummers (cura<strong>to</strong>r of Old Masters at the <strong>Frans</strong> <strong>Hals</strong> Museum, who put<br />

the exhibition <strong>to</strong>gether) is being published <strong>to</strong> coincide <strong>with</strong> the exhibition. International specialists will<br />

provide insights in<strong>to</strong> <strong>Frans</strong> <strong>Hals</strong>’s virtuosity, his directness, his artistic relationships <strong>with</strong> fellow artists from<br />

Antwerp and Amsterdam and his importance in his own time. (160 pages, full colour, Dutch and English<br />

editions, nai010 publishers, price € 25).<br />

Audio Tour and Events<br />

There will be an audio <strong>to</strong>ur (Dutch, English and French) providing more in-depth information<br />

about works in the exhibition. A wide range of activities and events are also being organized around<br />

the exhibition. See www.franshalsmuseum.nl. There will be a short introduc<strong>to</strong>ry film on the<br />

website and at the exhibition.<br />

Sponsorship<br />

The exhibition has been made possible by the financial support of the Dr Marijnus Johannes van<br />

Toorn & Louise Scholten Stichting, Stichting Zabawas, J.C. Ruigrok Stichting, Aon, the SNS<br />

REAAL Fonds, the Prins Bernhard Cultuurfonds and Haarlem City Council. The museum is<br />

supported by the BankGiro Loterij.<br />

Title<br />

FRANS HALS<br />

<strong>Eye</strong> <strong>to</strong> <strong>Eye</strong> <strong>with</strong> <strong>Rembrandt</strong>, <strong>Rubens</strong> and Titian<br />

Period 23 March <strong>to</strong> 28 July 2013<br />

Location<br />

<strong>Frans</strong> <strong>Hals</strong> Museum, Groot Heiligland 62, Haarlem<br />

Telephone +31(0)23 511 57 75<br />

Opening times<br />

Tuesday – Saturday 10.00 a.m. – 5.00 p.m.<br />

Sundays and public holidays 11.00 a.m. – 6.00 p.m.<br />

For press information, image material and package deals please contact Monique van Royen,<br />

m.vanroyen@franshalsmuseum.nl, T +31(0)23 511 57 83<br />

See also www.franshalsmuseum.nl

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