Alumni Profiles - Ecole Bilingue de Berkeley
Alumni Profiles - Ecole Bilingue de Berkeley
Alumni Profiles - Ecole Bilingue de Berkeley
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ECOLE BILINGUE DE BERKELEY<br />
ALUMNI PROFILE: JON SILK, CLASS OF 1992<br />
When I was at EB, I was more interested in drawing comic books in class than in learning French, which did not en<strong>de</strong>ar me to<br />
my teachers, who generally viewed me as a trouble-maker and a clown. Nonetheless, I came out of EB speaking some French, and<br />
surprisingly, both the comics and the French have intersected in unexpected ways since I left EB.<br />
After I graduated from UC Santa Cruz, I worked as a comic book editor for a year. I then worked at a talent agency, assisting an<br />
agent for a year. Then I lan<strong>de</strong>d a job assisting the movie producer Scott Rudin. During this time, my knowledge of French kept<br />
me gainfully employed. Rudin has six full-time assistants, and the average turnover is less than four weeks—it’s quite a <strong>de</strong>manding<br />
environment, and my prospects (or those of anyone else) were not great.<br />
My first week, I was assigned the task of drafting a list of all of Rudin’s favorite Parisian antique stores, including their cross streets<br />
and hours of operation, spelling it all perfectly (one error could have gotten me fired—it sounds exaggerated, but it’s not). Most of<br />
these boutiques were not listed on the internet, so I had to call the storekeepers, many of whom didn’t speak English, and scrupulously<br />
copy down all the pertinent info. Upon getting Scott his list, he told me I did a “great job,” words exceedingly rare coming<br />
from his mouth.<br />
Getting on Rudin’s good si<strong>de</strong> opened numerous doors for me—I was hired at Universal Pictures, which would have been almost<br />
impossible, coming from New York, without his endorsement.<br />
Now I’ve graduated from assistant at Universal to creative executive at Gold Circle Films, the company that ma<strong>de</strong> My Big Fat<br />
Greek Wedding. Currently, my full-time job is helping produce movies, finding good scripts, emerging writers, directors, and actors,<br />
and helping put it all together into successful films. It’s a job I feel lucky to have, and one that I enjoy. It was not easy to climb<br />
my way through all those jobs; I was hazed, and this is a highly competitive industry, so I had to jump through many hoops.<br />
France is the Mecca of the comic book world, so now that I’m beginning to travel, searching for i<strong>de</strong>as for films, I’m reading more<br />
French comics, and I might attend Angoulême—the largest comic book festival/convention in the world, which is in France. There<br />
are French film festivals, French production companies that <strong>de</strong>velop interesting and unique projects, and French filmmakers that<br />
we work with. My limited knowledge of French is helpful in my work, allowing me to network with talented artists and storytellers<br />
who otherwise might go undiscovered in the U.S.<br />
The French I learned at EB has been useful in my career. Now that I’m searching for French comics to turn into movies, maybe all<br />
those comics I was drawing while in school weren’t a waste of time either.<br />
WN11–17 NOV 2005<br />
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