[melin & Ã¶sterlin] melbi, johan (red.): John Melin ... - Antikvariat Morris

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[melin & österlin] Tourist Festival Restaurang Bill & Bull, Stockholm, utan år (c. 1971– 72). Screentryck på kraftig glanskartong, delvis tryck med guld och silver. Bladmått h x b: 68,5 x 78,5 cm. Nedre högra hörn med veck och med mindre marginalbristning. Nedre vänstra hörn med svag antydan till veck. Övre marginalreva (c. 15 mm). Produktion: Arbmans, Malmö. Idé, bild och typografi av Melin & Österlin. SEK600 / €71 [joh. enschedé en zonen] Proef van nederduitsche letters en Gothische initialen uit de XVde eeuw / Spécimen de caracteres Flamands et d´initiales Gothiques du XVme siècle / Probe niederdeutscher Schriften und gothischer Initialen aus dem XVten Jahrhundert / Specimen of Dutch Black-Letters and Gothic Initials of the XVth Century Joh. Enschedé en Zonen, Collection Typographique, Haarlem, 1925. 51, (3) pages + a corrigenda slip tipped-in at the rear. 4to (28 x 20 cm). Bound in patterned marbled paper over boards, end-leaves lightly browned. No spine or cover title. Corners bumped and head & foot of spine scuffed. Edges untrimmed. Printed in red & black. Initials drawn by Jan van Krimpen and printed in red. Text in English, Dutch, German and French. (Lane & Lommen 95). SEK450 / €53 eksell, olle: Design = Ekonomi Bonniers, Stockholm 1964. 184 s. 4:o. Svart guldförgyllt klotband med marginalnött skyddsomslag. Illustrerad med författarens egna teckningar och fotografier av Stig T. Karlsson, Malcolm Smith, Stenbergs, Erich Hartmann och Lester Beall. Tryckt hos Björkmans Eftr. Typografi, band, omslag och teckningar av författaren. Originalutgåvan. Bandet bland 25 utvalda förlagsband 1964. Design=Ekonomi intog hedersplatsen på bokmässan i Frankfurt 1965. “Under årens lopp har många frågat efter den (Design=Ekonomi) men den har varit svår att hitta. Ett fåtal har lyckats på antikvariat. När den gavs ut betraktade jag den som en form av manifest med de överdrifter som alltid är nödvändiga för att väcka hösäckar.” Olle Eksell i Platina nr 6, 1996. SEK450 / €53
schmid, helmut: Calendar 1980 Helmut Schmid, [Osaka (?)], 1980. Front cover followed by six leafs with two months and an illustration on each page, hold together by a grey metal rail at top. (37,4 x 36,4 cm). Weak tendency of a dog ear at lower right corner. The illustrations, or rather pictures, are bus-, train- and subway tickets, from Paris, Colombo, New York, Osaka, London, Warsaw. helmut schmid – born 1942 in Austria as a German citizen. Studies in Switzerland at the Basel School of Design under Emil Ruder, Kurt Hauert and Robert Buchler. Works in West Berlin and Stockholm (covers for Grafisk Revy). After Montreal (Ernst Roch Design) and Vancouver he works in Osaka for nia (for Taiho Pharmaceutical and Sanyo). 1973–76 at are in Dusseldorf he designs publicity material for the German government and the chancellors Willy Brandt and Helmut Schmidt. 1976 election campaign symbol for the spd. 1978 exhibition of his politypographien at the Print Gallery in Amsterdam. Independent designer in Osaka since 1981. Member of agi (Alliance Graphique Internationale) since 1988. SEK500 / €59 [gill, eric] MacCarthy, Fiona: Eric Gill SEK200 / €24 Faber and Faber, London, 1990. xiv, 338 pages. + 129 photos on 64 pages of plates. Tall 8vo. 58 text-illustrations + plates. First paperback-edition. Former owner’s signature on first end paper. Nice and unopened copy. The biography of one of the 1900s most interesting and ingenious artists. The book caused a stir when it came out because Fiona MacCarthy not refrained for less known or recognized sides of Eric Gill, but necessary to get an overall picture of this complexed man, or as Eric Gill said in one of his many proverbs; “It all goes together”. (Gill, Corey & Mackenzie 636.135). [melbert b. cary, jr. graphic arts collection] A Specimen Portfolio of Wood Type in the Cary Collection rit Cary Graphic Arts Press, 2010. xx, 305 pages. 4to (28 x 22 cm). Spiral bound. Includes an introduction and classification system used by permission of David P. Wall. Foreword by R. Roger Remington. New copy. Wood type in myriad designs—from stark condensed sans serifs to bizarre ornamental scripts—created variety in commercial advertising more than 180 years ago, and continues today to influence modern signs, posters, and billboards. The Melbert B. Cary, Jr. Graphic Arts Collection at rit maintains an impressive collection of wood type, numbering over 300 fonts. This book showcases over 250 of our best wood type specimens, including many complete fonts and samples from unusual designs. All specimen reproductions were painstakingly printed from the original wood type blocks, some distressed with 100 years of use and abuse. The resulting compendium is a rich typographic resource sure to delight any designer, scholar, collector and student of graphic arts history. SEK225 / €27
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[melin & Ã¶sterlin] melbi, johan (red.): John Melin ... - Antikvariat Morris

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