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Photos Courtesy of Utah Shakespearean Festival<br />

Hands-on workshops are important components for teachers who become members of UCATT.<br />

According to Peter Avery, director of theatre for the<br />

NYC Department of Education’s Office of Arts and Special<br />

Projects, 18 schools participated in the Broadway Junior<br />

program last year, with three or four joining the fold each<br />

year since its inception. For the first year that schools<br />

are accepted into the program, they typically mount a<br />

Broadway Junior version of Once on This Island or Annie.<br />

“Great stories and very doable shows,” says Avery.<br />

“The Shubert-MTI-DOE program means a great deal to<br />

us, particularly in terms of its long-term sustainability,”<br />

says Cohen. “We donate the materials to the participating<br />

schools in order to lower any hurdles they face in putting on<br />

a show. We learned that there are often unforeseen logistical<br />

hurdles—including keeping the school open later, requiring<br />

building staff stay overtime to clean up after rehearsals and<br />

performances, and transportation costs—and there are<br />

financial hurdles. Where we can help is providing the show<br />

itself and eliminating some of the production cost. By doing<br />

that, hopefully we’re developing future customers and<br />

doing some good for these school communities as well.”<br />

With this program, students learn theatrical skills while<br />

building an ensemble culminating in a performance as their<br />

schools lay the foundation for a theatre education program.<br />

“This is one of those nice triangulations where the school,<br />

the NYC Department of Education and the cultural community<br />

partner to recognize the importance of theatre education<br />

for these kids,” explains Avery. “The teachers really<br />

become committed. There’s a visceral relationship that<br />

develops between the teachers and students; each see each<br />

other in a different light, which is quite powerful.”<br />

Utah Advisory Council for Theatre Teachers<br />

As difficult as it is to create self-sustaining theatre programs<br />

in the urban classroom, it’s even more challenging<br />

when they’re in rural, isolated areas. With this in mind,<br />

Phaidra Atkinson, a drama teacher based in Salt Lake<br />

City, Utah, formed the Utah Advisory Council for Theatre<br />

Teachers (UACTT), a member organization designed to<br />

create a support system and provide mentoring for drama<br />

educators in the state.<br />

Because of its history of offering strong educational outreach,<br />

which includes an annual high school Shakespeare<br />

competition, the Utah Shakespearean Festival was asked<br />

by UACTT to be on its board. As a result of its involvement<br />

with UACTT, Utah Shakespearean Festival has been very<br />

active in developing and overseeing training programs that<br />

www.stage-directions.com •October 2010 33

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