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Download a PDF - Stage Directions Magazine

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Feature<br />

Grosh backdrop ES1313 at the Glasgow Summer Theater’s production of Children of Eden<br />

must measure the travel distance of each rigging lineset to<br />

be certain the bottom of the drops can be flown out entirely.<br />

You can determine this distance by loosely fastening the end<br />

of a flexible tape measure to the batten with spike tape and<br />

slowly flying it out to maximum height. Also consider diagonal<br />

sight lines from the first few rows to the bottom of the<br />

flown scenery. If a glimpse of the very bottom of your painted<br />

backdrop from the first few rows is unacceptable, you may<br />

need to add black masking downstage of the backdrop.<br />

Installation and Operation<br />

If your staff does not include an<br />

experienced rigging technician, you<br />

should first ensure your personnel are<br />

properly trained in the installation and<br />

operation of counterweight rigging<br />

equipment before flying any scenery.<br />

Pre-painted backdrops, like most<br />

conventional theatre curtains, usually<br />

include sturdy jute webbing across<br />

the top hem, with metal grommets<br />

and ties installed at 12-inch intervals.<br />

Installation simply consists of centering<br />

the backdrop on a pipe batten<br />

and fastening each tie to the pipe<br />

with shoelace-style knots. For the best visual effect, you<br />

may need to slide sections of threaded one-inch steel or<br />

aluminum pipe (called “bottom pipe”) into a pre-sewn<br />

tube at the bottom hem, thereby stretching the fabric<br />

slightly and minimizing wrinkles. This bottom pipe adds<br />

to the overall weight of the backdrop assembly and must<br />

be considered when flying the backdrop. If your theatre<br />

lacks working linesets, you may still use a painted backdrop,<br />

but you may need to tie ropes or “pick-up lines”

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