Kelley Knickerbocker - Society of American Mosaic Artists
Kelley Knickerbocker - Society of American Mosaic Artists
Kelley Knickerbocker - Society of American Mosaic Artists
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SAMA Member’s <strong>Mosaic</strong> in Guggenheim by Shug Jones<br />
Photo courtesy <strong>of</strong> Orsoni<br />
Antonella Gallenda, SAMA member and maestra di mosaico at the Angelo Orsoni<br />
mosaic atelier in Venice, has created a portrait <strong>of</strong> the late art lover and collector,<br />
Peggy Guggenheim. The portrait, created in the glass enamels and 24k gold tesserae<br />
hand-crafted at the 19th century Venetian furnace <strong>of</strong> the Orsoni foundry, was presented<br />
to the museum that bears her name on August 26 at a jazz concert performed in<br />
celebration <strong>of</strong> her birthday, part <strong>of</strong> a series <strong>of</strong> events commemorating the 60th anniversary<br />
<strong>of</strong> the Peggy Guggenheim Collection. The collection, which is housed at Ms. Guggenheim’s<br />
Venice palazzo along the Grand Canal, contains works by some <strong>of</strong> the most prominent<br />
modern artists <strong>of</strong> the 20th century.<br />
“When we entered the Guggenheim, the portrait was on an easel near the main entrance,<br />
so that everyone could see it,” says Antonella. “Before the beginning <strong>of</strong> the concert the<br />
director <strong>of</strong> the museum, Mr. Rylands, introduced the evening’s program and talked about<br />
the Peggy Guggenheim mosaic. And it felt like she was there, enjoying the music and that<br />
special evening. How you can imagine I was really moved and excited. It’s a great honor<br />
to have my work at the Guggenheim, so great that maybe I’m not completely aware yet <strong>of</strong><br />
the magnitude.”<br />
Inspired by a photograph <strong>of</strong> Guggenheim wearing her signature Surrealist sunglasses<br />
made for her by Edward Melcarth, Antonella worked in the genre <strong>of</strong> “Modernism” using<br />
a technique originated by maestro Lucio Orsoni for interpreting mid-century monochrome<br />
photography into mosaic portraiture. She intensified the essential flatness and limited<br />
color palette <strong>of</strong> the image by placing the tesserae vertically.<br />
Register<br />
for the 8th Annual SAMA Conference<br />
San Diego, CA • March 25-28, 2009<br />
P.O. Box 624<br />
Ligonier, PA 15658-0624<br />
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or call Brian Felix 951-204-7887.