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Kelley Knickerbocker - Society of American Mosaic Artists

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SAMA Member’s <strong>Mosaic</strong> in Guggenheim by Shug Jones<br />

Photo courtesy <strong>of</strong> Orsoni<br />

Antonella Gallenda, SAMA member and maestra di mosaico at the Angelo Orsoni<br />

mosaic atelier in Venice, has created a portrait <strong>of</strong> the late art lover and collector,<br />

Peggy Guggenheim. The portrait, created in the glass enamels and 24k gold tesserae<br />

hand-crafted at the 19th century Venetian furnace <strong>of</strong> the Orsoni foundry, was presented<br />

to the museum that bears her name on August 26 at a jazz concert performed in<br />

celebration <strong>of</strong> her birthday, part <strong>of</strong> a series <strong>of</strong> events commemorating the 60th anniversary<br />

<strong>of</strong> the Peggy Guggenheim Collection. The collection, which is housed at Ms. Guggenheim’s<br />

Venice palazzo along the Grand Canal, contains works by some <strong>of</strong> the most prominent<br />

modern artists <strong>of</strong> the 20th century.<br />

“When we entered the Guggenheim, the portrait was on an easel near the main entrance,<br />

so that everyone could see it,” says Antonella. “Before the beginning <strong>of</strong> the concert the<br />

director <strong>of</strong> the museum, Mr. Rylands, introduced the evening’s program and talked about<br />

the Peggy Guggenheim mosaic. And it felt like she was there, enjoying the music and that<br />

special evening. How you can imagine I was really moved and excited. It’s a great honor<br />

to have my work at the Guggenheim, so great that maybe I’m not completely aware yet <strong>of</strong><br />

the magnitude.”<br />

Inspired by a photograph <strong>of</strong> Guggenheim wearing her signature Surrealist sunglasses<br />

made for her by Edward Melcarth, Antonella worked in the genre <strong>of</strong> “Modernism” using<br />

a technique originated by maestro Lucio Orsoni for interpreting mid-century monochrome<br />

photography into mosaic portraiture. She intensified the essential flatness and limited<br />

color palette <strong>of</strong> the image by placing the tesserae vertically.<br />

Register<br />

for the 8th Annual SAMA Conference<br />

San Diego, CA • March 25-28, 2009<br />

P.O. Box 624<br />

Ligonier, PA 15658-0624<br />

Non–pr<strong>of</strong>it Org.<br />

US Postage Paid<br />

Permit 6803<br />

Dallas, TX<br />

Advertise your products or services<br />

in Groutline beginning with the<br />

2009 Winter issue.<br />

For rates and information, email<br />

advertising@americanmosaics.org<br />

or call Brian Felix 951-204-7887.

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