Tenaga Dalam - Pukulan Cimande Pusaka

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Reflections on The Fighting Philosophies in Pukulan Cimande Pusaka (energy) can be placed or “frozen” in any part of your body as needed and act as a weapon or shield against a blow. by Pendekar William Sanders Over the years certain truths have emerged as the framework of our conscious philosophy. All of these must be reflected on when you are not practicing. Practice situations and real situations must be left to the subconscious mind. The subconscious is what you are in effect programming during your reflections. The following axioms are not listed in any order of importance. In various circumstances various ones become prominent. • Perfect your desired movement by first observing others who move better than you do and/or at least move in the manner you wish to emulate. Next observe yourself and then perfect your movement through the feeling in your body. This is fueled by intent. At this stage allow conscious thought in a slow deliberate manner of “moving meditation”. • Strive to develop a flowing artistic beauty movement whose deadliness sneaks out. • Constantly alter all aspects of your appearance of speed, height and tempo. • Stay relaxed at all times and become as supple as a whip. Constantly draw energy through each limb so that tenaga dalam • Constantly integrate the external aspects of the art with the internal aspects. The better you physically develop the more influence you will place on the internal. • The further you extend your blows out to the edge of your physical space whether for offense or defense the more vulnerable and slower you become. • Never stop or freeze your movement whether in practice or combat after you make a direct hit. If possible blows should ricochet from every strike into another blow or covering pattern. • Integrate the movement of the art into all phases of your life, i.e. pickup a pen or sitting in a chair. You must become the art. • Don’t weaken or pirate other techniques from diametrically opposed styles, which don’t use the same alphabet of movement. Practice harder on your own art. • If you get hit, your opponent’s blows should land on parts of your body that are harder and more durable than the part of their body that you are being struck with. • If you get hit in a vulnerable part of your body you must collapse inward and spin like 18
a cat rendering the blow less effective and at the same time increasing your flow back against them. move is an attempt to grab the attacking arm or a hand especially if you could have struck the arm or hand instead. • Any state of mind discussed about in relation to the combat state is a condition you should be aware of up to and just prior to the engagement. At the precise instant that you say your personal mantra you are under the rule of your higher self which will then duplicate your training with the animal mannerisms that you have previously invoked. Your conscious mind will become an observer. • Would it be more frightening to fight a grimacing, gesturing, muscular man coming towards you or an advancing black swirling cloud out of which at totally unpredictable intervals lightning bolts flew out of at various angles? You must become the black swirling cloud. • As you deepen your internal training you will find that you need less and less of your external training. • All fights can be won without throwing a physical blow. • Teachers who are afraid to teach the internal aspects of the art for fear of losing students and hence more interested making money are no better than bad prostitutes. • It is a blunder in a knife attack if your first • Locks and holds lock you up as well as the opponent. People who fight this way have no conception of fighting multiple opponents. The truth of the matter is that in their style of fighting it would be suicide. • The Indonesian music of the art carries the spirit of the internal to your soul. • The weapons of the art, specifically the keris will tremendously increase the internal development of the student. • Constantly manipulate the opponent’s awareness away from your actual targets. • In using animal possession during fighting you should strive to have 51% you and 49% the animal. • At the point of impact each limb directs its core of energy totally at the striking surface. However all of your limbs must work independently of each other. • In a real fight there are only two thoughts – Destroy or Get Out. • Naga possession is like being a tree in the wind. All of the branches and the leaves are moving differently – up and down, swaying 19
Page 1 and 2: Tenaga Dalam Volume 2 - August 1999
Page 3 and 4: DJAKARTA EX ‘PEARL OF THE EAST’
Page 5 and 6: The words of these love ditties are
Page 7 and 8: Photo 133 Photo 134 Photo 135 Photo
Page 9 and 10: Photo 138A Photo 138B Photo 138C Ph
Page 11 and 12: What is Dapur? Dapur is an Indonesi
Page 14 and 15: Indonesian Language and Culture The
Page 16 and 17: Kamu and engkau are pronouns that b
Page 20 and 21: and bending yet ever connected to t
Page 22 and 23: Tenaga Dalam Volume 3 - December 19
Page 24 and 25: forsaken their true spiritual essen
Page 26 and 27: witchcraft, devil-worship, or any o
Page 28 and 29: martial artists in Germany 50 years
Page 30 and 31: spent long periods of time isolated
Page 32 and 33: that under normal conditions would
Page 34 and 35: ecause you cannot perceive them wit
Page 36 and 37: Hantu Pusaka - always follow their
Page 38 and 39: hidden there? The sounds, or energy
Page 40 and 41: path is just that - easy. The other
Page 42 and 43: Eelderwolde, 1994. NLG145. Tammens,
Page 44 and 45: The Secret of the Eight Gates of Po
Page 46 and 47: have their own characteristics to a
Page 48: pamor, which in fact they don’t.
Page 51 and 52: The Matter of Energy By John Perkin
Page 53 and 54: I recalled how that passage in The
Page 55 and 56: He gently moved one hand back and f
Page 57 and 58: What Is Trance? By Kay Hoffman The
Page 59 and 60: ituals and ceremonies can produce.
Page 61 and 62: questionable light. Finally, I woul
Page 63 and 64: Tenaga Dalam Volume 4 - May 2000 Th
Page 65 and 66: with the production of the so calle
Page 67 and 68: This fourth book gives a totally di
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Story 1 The Keris Pusaka Uncle Fran
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told him how he went downhill due t
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Within a week the cock was the terr
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elephant is often clear to see. Bot
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I believe all of these thoughts are
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The Magickal Use For using a kris i
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expensive rencong. He is pleased th
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already known during the first Isla
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external form is deemed very import
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Tenaga Dalam Volume 7 - May 2001 Th
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Keris and Cosmos The Blade By Hilga
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us, then it is very unlikely that t
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explains the spreading of the keris
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above proves their relation and the
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ganja. As with most things keris ho
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“textbooks.” He uses this knowl
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The Grip From two organic materials
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The way in which Hindu/Buddhist cul
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helped to shed very much light on t
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descended a gentle breeze caused he
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nerves of the central nervous syste
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Ngeruh In this fast one may only co
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submerging into the water the follo
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The Arafah-day Fast To those who ar
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Then continue with the following af
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The Legend of the Dewadaru Tree fro
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this day these sounds still occur w
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it is rare that anyone is given the
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cosmic laws and intelligences are a
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My conclusion is in two parts. Firs
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Tenaga Dalam Volume 1 - May 1999 Th
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you don’t have enough endurance o
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In Silat mystical philosophy, elect
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Djut Bang Solimon. Please note Oei
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leave, but his Pencak Silat abiliti
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how I fought and how I handled weap
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fauna, and cultures whose backgroun
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Indonesian Weapons and Artifacts Pe
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Tenaga Dalam Volume 5 - October 200
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Pendekar Sanders. Pendekar Sanders
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Mr. Giesen largely credits Pendekar
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was also interested in him had conf
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some years we moved to the Netherla
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very special keris, really a top ke
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One key difference between novice a
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Kejawen, a Javanese Traditional Spi
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of Suro, the Javanese New Year. It
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ird, a human-being, has to pass two
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Tenaga Dalam Volume 8 - October 200
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something that is so valuable in on
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Everything in the material world is
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The deviation as used in Indonesia
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Javanese to structuralize and organ
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the most important cultural element
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of life in hostile postures opposit
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Just like the elephant they live in
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say a word. After they arrived home
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prove Kahir’s his skills, the may
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This style is stressing on the flex
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Tenaga Dalam - Pukulan Cimande Pusaka

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