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Before Taliban

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Introduction / 13<br />

the political controversies that seethed below the surface in Kabul, much less<br />

the maelstrom toward which Afghanistan was headed. Nor had I read<br />

Thomas’s account of his trip to Afghanistan, and so I couldn’t have recognized<br />

the possibility that the scene in Naim and Jabar completed an arc<br />

begun in Kabul fifty-some years earlier—from a king remaking his summer<br />

palace in the image of a Hollywood film to a poor boy pocketing his<br />

turban in order to fit into his own humble version of the modern imaginary.<br />

For Amir Amanullah, clothing was a symbolic manifestation of a nation’s<br />

progress. For the young boy in Naim and Jabar, it would seem to have the<br />

related significance of “fitting in” and “looking the part” for which he too<br />

was auditioning. Looking back, I imagine that the Afghan students who sat<br />

in my classroom in their second-hand Western clothes must have felt a similar<br />

concern, but at the time I didn’t make the connection between the boys<br />

in the film and the students I encountered every day at the school.<br />

Only much later, when I rented the film to show a classroom of American<br />

college students what Afghanistan was like before the revolution, did I focus<br />

on the scene with the turban and come to reflect on the fact that many of<br />

those Afghan students I taught a long time ago must have experienced<br />

moments like the one in the film when they too had to make a decision<br />

between one world and another. Nor did I fully grasp until seeing the film a<br />

decade later that it was boys like Naim and Jabar, as well as my own Englishlanguage<br />

students, who provided the bulk of the membership of both the<br />

Marxist and radical Islamic parties that plunged Afghanistan into its quarter<br />

century of crisis. During my first stay in Afghanistan, in the 1970s, there<br />

were political rumblings to be sure, but I and most of the Westerners of my<br />

acquaintance were blissfully unaware of how deep the discontent was.<br />

Everywhere one went in Kabul in the mid-seventies, one saw photographs<br />

of the bald and seemingly benign countenance of the Afghan ruler,<br />

President Muhammad Daud, who appeared very much in charge. Few of the<br />

people I spoke with doubted the country’s basic stability, and only much<br />

later did we discover that beneath the apparent calm, leftist and Islamic<br />

political parties were both feverishly making plans to overthrow the government.<br />

As a newcomer to Afghanistan, I had no way to know the extent<br />

of the discord in the country, although two events might have provided<br />

clues if only I had been able to see them clearly. The first occurred shortly<br />

after my arrival in Kabul; Islamic militants belonging to the Muslim Youth<br />

Organization (Sazman-i Jawanan-i Musulman) staged armed uprisings in a<br />

number of provinces. The government had little trouble suppressing these<br />

attacks, and press reports indicated only that there had been local disturbances.<br />

They did not advertise the organized and political nature of these

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