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WORSHIP / MUSIC<br />
How to get involved<br />
for reading, interceding and being involved in the offertory procession at the 9.30 Eucharist<br />
service please contact Denise Reynolds on 01275 543890<br />
for reading at Evensong please contact Marion Durbur on 0117 9422196.<br />
Denise Reynolds<br />
Music at SMR<br />
Here are some of the musical highlights from April 2014 to April <strong>2015</strong>:<br />
• Redcliffe Remembers – our new choir CD, recorded and released<br />
• Jonathan Bielby directing the choirs during my three month sabbatical<br />
• Performance of ‘Music of Sadness and Gladness’ in June<br />
• New Choral Scholarships and Deputies for choir back rows<br />
• Treefest with choir trees, launch event and musical contributions<br />
• Raising over £1000 for SSAFA and Royal British Legion at Carols at Lunchtime<br />
• A Christmas Carol Competition won by Dr Philip Moore<br />
• Weekend at Longleats Centerparcs with our Boys Choir in January <strong>2015</strong><br />
There are 16 boys, 24 girls and 18 men singing in our choirs, as well as 20 members of the Redcliffe<br />
Occasional Choir. I would like to take this opportunity to thank all the organists, conductors, singers and<br />
choir families – a huge network of over 100 people – for their support of the music at St Mary Redcliffe<br />
Church.<br />
One of our core values is to be an inclusive place of welcome for all who join our choirs, to provide<br />
opportunities to explore the christian faith – more ‘caught than taught’ in many cases. Through striving for<br />
and achieving high standards, we hope that the music making at the church will be a beacon of God’s<br />
kingdom in Bristol and beyond.<br />
Looking ahead to the future, we need to be imaginative and courageous in finding new ways to ensure our<br />
musical heritage continues to flourish in an age where church attendance is declining. In recent years, there<br />
has been a significant evolution of the musical tradition at the church – the starting of a girls choir, choral<br />
and instrumental scholarships, the organ restoration project, a wider repertoire of sacred music, vocal<br />
training and development to enable singers to use their skills beyond the church choir at school, university or<br />
elsewhere.<br />
A musical foundation such as ours needs to adapt to an everchanging society in order to maintain the best of<br />
both ancient and modern.<br />
Andrew Kirk<br />
Director of Music & Organist