Online Brochure - Singapore Art Museum
Online Brochure - Singapore Art Museum
Online Brochure - Singapore Art Museum
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Building the National Contemporary<br />
<strong>Art</strong> Collection<br />
Since its inception in 1996, SAM has sought to collect and present art from <strong>Singapore</strong> as well as<br />
Southeast Asia. In 2009, SAM shifted the focus of its activities towards contemporary art, as the<br />
upcoming The National <strong>Art</strong> Gallery, <strong>Singapore</strong>, will be responsible for showing modern and<br />
historical art.<br />
Like the region itself, the contemporary art of Southeast Asia is diverse, dynamic and<br />
multifaceted. Moreover, contemporary Southeast Asian art possesses its own distinctive<br />
aesthetics and artistic traditions, as well as unique approaches to art-making and art practices.<br />
With this in mind, SAM has embarked on an initiative to build a stellar collection of contemporary<br />
Southeast Asian art. Consequently, 80% of SAM’s new acquisitions will be devoted towards<br />
Southeast Asian art, and the remaining 20% will be geared towards the wider Asian region, like<br />
China, India, Korea and Japan, to provide a broader cultural context for the core collection.<br />
SAM is guided by a number of broad acquisitions philosophies and strategies.<br />
The museum concentrates on collecting iconic works of art – works that represent a defining<br />
moment in the artist’s practice, and/or the culmination of a major phase or period of artistic<br />
experimentation. In addition, some of the museum’s acquisitions are done through artist<br />
commissions, in order to spur artists to create major pieces of artwork.<br />
Besides this, SAM adopts a ‘country representation’ approach for the Southeast Asian countries.<br />
In this regard, artworks are assessed and chosen against the broader context of the respective<br />
country’s artistic development, concerns and trends.<br />
An artwork is thus acquired for its artistic merits and innovation, as well as what it may reveal or<br />
reflect about wider developments in art and society. The artists represented in the SAM collection<br />
fall into three broad groups: the ‘pioneering’ contemporary artists or ones associated with<br />
avant-garde practices, mid-career artists, and emerging practitioners. The works by the latter<br />
group are usually experimental and may draw on new media and technologies.<br />
Through its acquisition policy and continued funding support from the government, individuals<br />
and corporate donors, SAM hopes to showcase the best in contemporary art from the region, as<br />
well as encourage artists to create important new pieces of artwork.<br />
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