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Visual Language Magazine Vol 4 No 4

Visual Language Magazine Vol 4 No 4 April 2015 FEATURING PLEIN AIR, FLOWERS, WHIMSICAL AND ARTIST PROFILES OF 36 INTERNATIONAL ARTISTS This Issue features stories on Plein Air Painter Kathleen Dunphy, Floral Painter Nancy Medina and Whimsical Painter Jasmine Becket-Griffith. Cover Artist is Annie O'Brien Gonzales. This edition profiles 36 International Artists from 8 different countries. Plein Air Paintings, Florals,, and Whimsical Art are all featured in this issue. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

Visual Language Magazine Vol 4 No 4 April 2015

FEATURING PLEIN AIR, FLOWERS, WHIMSICAL AND ARTIST PROFILES OF 36 INTERNATIONAL ARTISTS

This Issue features stories on Plein Air Painter Kathleen Dunphy, Floral Painter Nancy Medina and Whimsical Painter Jasmine Becket-Griffith. Cover Artist is Annie O'Brien Gonzales. This edition profiles 36 International Artists from 8 different countries. Plein Air Paintings, Florals,, and Whimsical Art are all featured in this issue. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.

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Barry W. Scharf<br />

All in Vain<br />

Albeit there is a catch… “The bait is taken”,<br />

you are on the hook and being reeled<br />

in. At this point it is revealed that there<br />

is price for this representation which includes<br />

an up front payment in the thousands<br />

of dollars for curatorial representation.<br />

In addition you will be responsible for<br />

all cost of crating, insuring and shipping<br />

your work to and from the gallery. <strong>No</strong>w if<br />

you live far away (but of course you do<br />

that’s why you were selected) this can be<br />

a considerable cost and an investment of<br />

this magnitude could break most artists<br />

struggling to get by.<br />

Is it a scam? Yes and no. There is a remote<br />

chance that they could sell something; in<br />

addition you can add a prestigious show<br />

name in New York to your resume, and<br />

you can say you belong to a real gallery.<br />

However, it is more likely and doubtful<br />

that you will see any return on your investment<br />

beyond vanity kudos. The let<br />

down after all the expense, effort and<br />

wasted energy, can be overwhelming.<br />

<strong>No</strong>w not all galleries or competitions fall<br />

into the category of predator. There are<br />

many that are good and mean well. I felt a<br />

need to write this article because artists<br />

need to be on the lookout not so trusting<br />

of every promise. We need to ask questions<br />

about intentions; we need to evaluate<br />

cost verses outcome. If we do we<br />

can avoid the web that draws on ego and<br />

vanity. Just be careful out there.<br />

Receiving<br />

http://barrywscharf.squarespace.com/<br />

18 | VL <strong>Magazine</strong> - <strong>Visual</strong><strong>Language</strong><strong>Magazine</strong>.com

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