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The wine delusion

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least consider it.’ Algorithms are beating intuition in chess, jeopardy and diagnosis these<br />

days (New, 2013). But the <strong>wine</strong> market continues to be sceptical toward such innovation,<br />

sticking to its flawed methodologies and conventional tasting techniques.<br />

Following the herd<br />

It is debatable whether <strong>wine</strong> critics or competitions are giving out scores and<br />

medals with the intention of helping people deal with uncertainty or of quality. <strong>The</strong> viticulture<br />

researcher Maynard Amerine spent decades understanding <strong>wine</strong> quality, growing<br />

conditions, <strong>wine</strong>making techniques, colouring, flavour, storage and so on. <strong>The</strong> State Fair<br />

rating system was designed on Amerine’s work (Berdik, 2012, p. 95). Amerine (cited in<br />

Berdik, 2012) believes that judges’ personal preferences do not come into play whilst<br />

judging, or are consciously ignored. He sees <strong>wine</strong> judging as a legitimate profession with<br />

fixed, common and consistent standards. Both Amerine and Pucilowski agree that experts<br />

and people don’t look for the same thing when they taste <strong>wine</strong>. But both have contradicting<br />

views on the real value they bring to people. Pucilowski feels that the reason why people<br />

might pay attention to <strong>wine</strong> critics or competitions is to see if they agree with the word of<br />

the expert. In other words, to check if preferences match. Amerine thinks otherwise. He<br />

feels that the reason why people might pay attention to <strong>wine</strong> critics or competitions is not to<br />

match preferences, but to pick quality (Berdik, 2012). But why should people expect their<br />

own preferences to match with the preferences of anyone else, or of experts? Especially<br />

when experts themselves, with all their fancy experience, can’t seem to evaluate <strong>wine</strong><br />

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