The wine delusion
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least consider it.’ Algorithms are beating intuition in chess, jeopardy and diagnosis these<br />
days (New, 2013). But the <strong>wine</strong> market continues to be sceptical toward such innovation,<br />
sticking to its flawed methodologies and conventional tasting techniques.<br />
Following the herd<br />
It is debatable whether <strong>wine</strong> critics or competitions are giving out scores and<br />
medals with the intention of helping people deal with uncertainty or of quality. <strong>The</strong> viticulture<br />
researcher Maynard Amerine spent decades understanding <strong>wine</strong> quality, growing<br />
conditions, <strong>wine</strong>making techniques, colouring, flavour, storage and so on. <strong>The</strong> State Fair<br />
rating system was designed on Amerine’s work (Berdik, 2012, p. 95). Amerine (cited in<br />
Berdik, 2012) believes that judges’ personal preferences do not come into play whilst<br />
judging, or are consciously ignored. He sees <strong>wine</strong> judging as a legitimate profession with<br />
fixed, common and consistent standards. Both Amerine and Pucilowski agree that experts<br />
and people don’t look for the same thing when they taste <strong>wine</strong>. But both have contradicting<br />
views on the real value they bring to people. Pucilowski feels that the reason why people<br />
might pay attention to <strong>wine</strong> critics or competitions is to see if they agree with the word of<br />
the expert. In other words, to check if preferences match. Amerine thinks otherwise. He<br />
feels that the reason why people might pay attention to <strong>wine</strong> critics or competitions is not to<br />
match preferences, but to pick quality (Berdik, 2012). But why should people expect their<br />
own preferences to match with the preferences of anyone else, or of experts? Especially<br />
when experts themselves, with all their fancy experience, can’t seem to evaluate <strong>wine</strong><br />
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