YSJ Anthology 2015

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I’ll be sure to tell your superior that you also failed to do a proper search when you took my sister into custody. (to JULIA) We’re leaving. Now. AARON (shouting) Shut up! All turn to look at AARON in surprise. AARON looks at them, embarrassed. JULIA What? AARON No! I… I wasn’t… talking to… Never mind. Sorry. He turns his head away from the others, shoulders hunched and hands balled into fists on his knees. JULIA watches him for a moment longer, and then leans to the side to look past him to the DONKEY that still sits there. She laughs and looks back at AARON. JULIA Ah, don’t worry. I know psychotic, murdering donkeys can be bitches sometimes. 138
AARON turns back to her in surprise. JULIA winks, and is then ushered out of the room by CHRISTINA and the POLICEMAN. The POLICEWOMAN shoots AARON one last look before returning to her desk. AARON stares at the door for a moment and then taps his head against the wall. He flicks the DONKEY again. AARON Thanks for that, Lucy. 139
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THE PREACHER’S CAVE Helen Barclay
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their nests on the ground above the
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see outside that night was falling.
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dash to reach Bobby and catch him f
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telling tales of past doings, betra
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Not my body. I’m the sawn in half
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should have been. The heel of my sh
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HOME ONE Becca Beddow To lie back a
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REPEAT Claudia Calzini Chugging alo
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THE WOLF Claudia Calzini It’s mor
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MOON CHILD Nicola Chapman It all st
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attention. Beneath the sheen, it wa
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prepared myself to face her again.
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CO-EXIST Abby Cook A short spoken w
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Her hair is short and black. CUT -
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ON THE POINT OF LEAVING FOR PICKERI
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21 DREAMS Millie Douce 21 - Everyon
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2 - Grazed knees are all you get fr
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Open the lid. Emit. Laugh as he gas
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umblebee working at some clover blo
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A PARTY DRESS Emily Hannan The blac
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JANE EYRE Lynne Heritage Wednesday
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REUNION Lynne Heritage The train ro
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MRS BIGFOOT AND THE BEATLE Pamela H
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I’ve paid good money for them. An
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noise as possible but he was singin
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And you think you’re alright with
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LOST AT SEA Anna Jackman Like the o
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‘Of course it’s deep enough. Ma
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‘I told you the draught wasn’t
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were their favourite saying that ca
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MY SISTER’S WORMS Sam Johnson Coc
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Boris the dead worm meets with Libb
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THE PREDATOR Lilliane Konsmo A herb
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NUANCES Belinda Lindley When she ar
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those cobbles could tell of the own
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She was behind me, but not near eno
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METACARPUS Belinda Lindley The redn
Page 91 and 92: ‘I was wondering…’ he says, t
Page 93 and 94: ‘Well I’d better go.’ I said,
Page 95 and 96: man would ever leave their crime sc
Page 97 and 98: IRONY AND PITY Robin Mallender ‘C
Page 99 and 100: GARDENING Bethan Mosley A week afte
Page 101 and 102: IN THE HILLS Lauren Moss How strang
Page 103 and 104: ‘How’s tricks, Phil?’ ‘Not
Page 105 and 106: 15/07/14 Emma stops in the middle o
Page 107 and 108: Every bridge in York closes. All ni
Page 109 and 110: Blink James Nissler It was sunset w
Page 111 and 112: Paln threw up where he leant agains
Page 113 and 114: “See what you’ve done little me
Page 115 and 116: that was nothing compared to the mi
Page 117 and 118: ON BELIZE Charnell Peters Houses wa
Page 119 and 120: and I waited with them gladly separ
Page 121 and 122: fibre of the fabric that passed thr
Page 123 and 124: BLIND CORNER Rebecca Richardson It
Page 125 and 126: PIXELATED Shannon Roberts I am star
Page 127 and 128: onto the button too long. It was on
Page 129 and 130: PROGRESS Bethany Rutt Old Mac once
Page 131 and 132: STAY BLIND Ellen Ryan Tick, tick, k
Page 133 and 134: and wears black jeans, and a very c
Page 135 and 136: JULIA laughs, but only shrugs in re
Page 137 and 138: JULIA Oh…? JULIA tilts her head t
Page 139 and 140: his hands awkwardly. CHRISTINA grim
Page 141: CHRISTINA’S eyes widen and she gr
Page 145 and 146: The one that you love as you are, t
Page 147 and 148: FINGERS Lewis Tappenden His fingers
Page 149 and 150: UN SPACE Corrie Thompson Un space.
Page 151 and 152: How beautiful the Devil must be, an
Page 153 and 154: A few paces into the unknown and a
Page 155 and 156: piece of black fabric which someone
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YSJ Anthology 2015

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