YSJ Anthology 2015

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A group of huddled people all dressed in black. Some crying and hugging. But the blonde haired girl is standing on her own. CUT - CAMERA FOLLOWS COFFIN AS IT IS LOWERED INTO THE GROUND. CUT TO CLOSE UP OF BLONDE HAIRED GIRL Her lip quivers and a tear runs down her cheek. ANNETTE (V.O) I was going to do it that day. I had already decided. She twitches her nose and when she breathes out a steam cloud covers her features. There is a sudden loud noise that sounds like a train. THE SHOT GOES IMMEDIATELY BLACK. 40
ON THE POINT OF LEAVING FOR PICKERING, SOMETIME IN 1941 Janet Dean Seeing me off at Doncaster, tears at the brim, not one dare drop on her Max Factored face. Wearing Oxford bags, coat collar up, belt buckle trailing, hands flitting from pocket to glove. Warm in the glow of anticipation, the steamy breath, the act of departing. I mouthed my goodbye, waving to her. She pushed her hand through wavy hair, not wanting to wave back. 41
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Page 15 and 16: THE PREACHER’S CAVE Helen Barclay
Page 17 and 18: their nests on the ground above the
Page 19 and 20: see outside that night was falling.
Page 21 and 22: dash to reach Bobby and catch him f
Page 23 and 24: telling tales of past doings, betra
Page 25 and 26: Not my body. I’m the sawn in half
Page 27 and 28: should have been. The heel of my sh
Page 29 and 30: HOME ONE Becca Beddow To lie back a
Page 31 and 32: REPEAT Claudia Calzini Chugging alo
Page 33 and 34: THE WOLF Claudia Calzini It’s mor
Page 35 and 36: MOON CHILD Nicola Chapman It all st
Page 37 and 38: attention. Beneath the sheen, it wa
Page 39 and 40: prepared myself to face her again.
Page 41 and 42: CO-EXIST Abby Cook A short spoken w
Page 43: Her hair is short and black. CUT -
Page 47 and 48: 21 DREAMS Millie Douce 21 - Everyon
Page 49 and 50: 2 - Grazed knees are all you get fr
Page 51 and 52: Open the lid. Emit. Laugh as he gas
Page 53 and 54: umblebee working at some clover blo
Page 55 and 56: A PARTY DRESS Emily Hannan The blac
Page 57 and 58: JANE EYRE Lynne Heritage Wednesday
Page 59 and 60: REUNION Lynne Heritage The train ro
Page 61 and 62: MRS BIGFOOT AND THE BEATLE Pamela H
Page 63 and 64: I’ve paid good money for them. An
Page 65 and 66: noise as possible but he was singin
Page 67 and 68: And you think you’re alright with
Page 69 and 70: LOST AT SEA Anna Jackman Like the o
Page 71 and 72: ‘Of course it’s deep enough. Ma
Page 73 and 74: ‘I told you the draught wasn’t
Page 75 and 76: were their favourite saying that ca
Page 77 and 78: MY SISTER’S WORMS Sam Johnson Coc
Page 79 and 80: Boris the dead worm meets with Libb
Page 81 and 82: THE PREDATOR Lilliane Konsmo A herb
Page 83 and 84: NUANCES Belinda Lindley When she ar
Page 85 and 86: those cobbles could tell of the own
Page 87 and 88: She was behind me, but not near eno
Page 89 and 90: METACARPUS Belinda Lindley The redn
Page 91 and 92: ‘I was wondering…’ he says, t
Page 93 and 94: ‘Well I’d better go.’ I said,
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man would ever leave their crime sc
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IRONY AND PITY Robin Mallender ‘C
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GARDENING Bethan Mosley A week afte
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IN THE HILLS Lauren Moss How strang
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‘How’s tricks, Phil?’ ‘Not
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15/07/14 Emma stops in the middle o
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Every bridge in York closes. All ni
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Blink James Nissler It was sunset w
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Paln threw up where he leant agains
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“See what you’ve done little me
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that was nothing compared to the mi
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ON BELIZE Charnell Peters Houses wa
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and I waited with them gladly separ
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fibre of the fabric that passed thr
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BLIND CORNER Rebecca Richardson It
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PIXELATED Shannon Roberts I am star
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onto the button too long. It was on
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PROGRESS Bethany Rutt Old Mac once
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STAY BLIND Ellen Ryan Tick, tick, k
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and wears black jeans, and a very c
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JULIA laughs, but only shrugs in re
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JULIA Oh…? JULIA tilts her head t
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his hands awkwardly. CHRISTINA grim
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CHRISTINA’S eyes widen and she gr
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AARON turns back to her in surprise
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The one that you love as you are, t
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FINGERS Lewis Tappenden His fingers
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UN SPACE Corrie Thompson Un space.
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How beautiful the Devil must be, an
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A few paces into the unknown and a
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piece of black fabric which someone
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YSJ Anthology 2015

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