Untitled - De Slegte

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375. OUTERBRIDGE, Paul: Paul Outerbridge. Santa Barbara, Arabesque, 1981. beige cloth with a center photograph mounted with a hinged mat on the front cover, with print pasted on the front, 238 pp. . Copy of the de luxe edition, limited to 1500 copies. Edited by Elaine Dines and Graham Howe. Introductory essay by Bernard Barryte. € 600 449. SCHUITEMA, Paul: C. Chevalier boek-, steen-, staal- en offsetdrukkerij Rotterdam. Rotterdam, Chevalier. Spiral bound. € 590 439. SANNES, Sanne & STEEVENSZ, Walter: Sex a gogo. For amusement only. Amsterdam, De Bezige Bij, 1969. Laminated pictorial boards. No dustjacket as issued. Published by Walter Steevens after Sanne Sannes death. € 750 486. TACONIS (A. O. ): Children’s World. Tokyo,Heibonsha, 1957. Hardcover in dustjacket. Photos by Taconis, Seymour, Rodger, Cartier-Bresson, arnold, Marath, Capa, Erwitt. € 400
261. KERTÉSZ, André: Distortions. New York, Alfred A. Knopf, 1976. Cloth in dustjacket, 182 pp. In 1932 (according to jacket copy, 1933 according to other sources) Kertész was asked by the publisher Querelle to contribute nude photographs to the men’s magazine Le Sourire (The Smile). Since the war he had been interested in the optical distortions created by water or the chromiumplate housings of auto lamps. For this project he used three mirrors and a camera designed to expose 9-by-12-centimeter negatives fitted with an early zoom lens. “Sometimes, just by a half-a-step left or right, all the shapes and forms have changed. I viewed the changes and stopped whenever I liked the combination of distorted body shapes, “ Kertész recalled. They created a sensation in Paris when they were first shown, influencing Man Ray, Brassai, and others. Four years later, they created a furor when they were shown at the Museum of Modern Art in New York. When this book was published, they had not been seen, complete, for over 40 years. In their subversion of the logical language of the image, they are exemplary works of Surrealism. The photographs in the book, reproduced in gravure, were reprinted from the original glass negatives that had been restored in the early 1970s. - € 250 262. KERTÉSZ, André: J’aime Paris, photographs since the twenties. New York: Grossman Publishers, 1974. Cloth in dustjacket, 224 pp. Photographs since the Twenties. Edited by Nicolas Ducrot. “I write with light and the light of Paris helped me express what I felt and what I feel: J’aime Paris. “ (André Kertész)- € 150 263. KERTÉSZ, André: Of New York . . . New York, Alfred A. Knopf, 1976. Cloth in dustjacket, 191 pp. Here he has captured his vision of New York in 184 photographs, most of them never published before. With a very small stamp on the first blank, Still Very Good. - € 225 264. KERTÉSZ, André & HINSON, Hal & HARDER, Susan: André Kertész, diary of light, 1912-1985. New York, Aperture, 1987. Cloth in dustjacket, 206 pp. Collects more than 175 photographs of subjects such as artists, soldiers, New York City, and Paris. - € 220 265. KESTEREN, G. van & HIRSH, M. : Why Mister Why ? / Nederlands Arabisch. Geert van Kesteren, Irak 2003-2004. Amsterdam, Artimo, 2004. Paperback. Dutch-Arabic edition. From the large volume of photographic work Geert van Kesteren produced in Iraq in 2003 and 2004, he compiled the, book Why Mister, Why?, it’s title expressing the Iraqis’ incomprehension of the fate that has befallen them. The publication won various prestigious awards. In their ‘Book of Books’, Parr and Badger write: Already, what is being regarded as the second Gulf War’s equivalent to Vietnam Inc. - € 110 266. KEUKEN, Joan van der & CARMIGGELT, Simon: Wij zijn 17. Bussum, C. A. J. van Dishoeck (1955), Illustrated stiff photo-pictorial wrappers (softcover). 64 pp. - € 125 267. KEUKEN, Johan van der & CAMPERT, Remco. Achter Glas. J. van der Keuken, foto’s. C. de Boer Jr. 1957. Cloth in dustjacket. The theme of Achter Glas, Van der Keuken’s foray into the new form of the ‘photonovel’. Two sisters, Georgette and Yvonne, do little more than sit by a window, day-dreaming. And it was this youthful lassitude, this apparent aimlessness, perfectly expressed by Van der Keuken, that caused a degree of controversy. But this view of teenage rebellion at the sulky rather than more active stage rings painfully true. - € 750 268. KEUKEN, Joan van der: Paris Mortel. Hilversum, C. J. de Boer, 1963. Cloth, in dustjacket. This is a first edition of a limited edition of 1000. Van der Keuken moved from Amsterdam to Paris in 1956 to study at the School of Film, the Institute des Hautes Etudes Cinématographiques (Idhec). He was confronted in Paris with life and man’s loneliness living in a metropolis. Van der Keuken took thousands of photographs, the city acting as a background to his feelings of desolation. In 1963 a selection of these registrations were published in the book “Paris Mortel” a title that reflects the gloomy undertone of the contents of the book. In this book, Van der Keuken attempted to reflect the complexity of the city. This is one of the greatest photography books of the 20th century. Johan van der Keuken, (1938-2001), was a Dutch documantary filmmaker, author, and photographer. In a career that spans 42 years, van der Keuken produced 55 documentary films. He also wrote nine books on photography and films, his field of interest. He received seven awards for his life work, and one other for photograph. Van der Keuken was an extremely industrious man. Even before he graduated from the IDHEC film school in Paris (1956-1958), he had already published two books on photography, and had already started working on his first documentary film. In 1960 he joined “Haagse Post”, a Dutch newspaper, as a film critic, but left in 1961. He was very active in both film and photography until his death. Keuken’s work is regarded, by many, as exceptional. Top of the spine of the dustjacket very slightly damaged, still NF. - € 1.650 269. KEYZER, Carl de & ANTHIERENS, Johan: Oogspanning, fotografie Carl De Keyzer, 1981-1984. Carl de Keyzer, (self published), 1984. The photographers first book. One of a total edition of 400, one of the 100 copies in grey cloth, in dustjacket. - € 950 270. KEYZER, Carl de: U. S. S. R-1989-C. C. C. P. Amsterdam, Focus/ SDU, 1989. Cloth in dustjacket in a matching slipcase. 75 pp. In 1988 and 1989 Belgian photographer Carl De Keyzer made numerous visits to the Soviet Union, photographing throughout the country. this is the result. De Keyzer’s subjects include urban sunbathers milking Moscow’s weak summer sun for all its worth, old men intent on oceanside chess games, uniformed school children on group outings, and vacationing Russian families. Copy of the luxe edition, signed and numbered, together with a photograph, signed and numbered 4/ 100 - € 700 271. KEYZER, Carl de: God Inc. Amsterdam, Focus Publishing, 1992. Cloth, in dustjacket, 124 pp. In the summer of 1990, Carl de Keyser buys a camping-car which will be his home for a year. He has only one subject : religious groups. Religion is an essential part of the American way of life. It appears that God as product is the gap in the American market of the 90s; hence, God Incorporated. Carl de Keyzer’s photographs capture religious life on society margins. These prints both dramatize one sort of information and withhold another sort. De Keyzer suggests that spiritual uplift is not much more exciting than other parts of life that are tedious and repetitious. More important, he suggests that such uplift may be factitious or genuinely felt, and that an observer simply cannot tell the difference. In the summer of 1990, Carl de Keyser buys a camping-car which will be his home for a year. He has only one subject : religious groups. Religion is an essential part of the American way of life. It appears that God as product is the gap in the American market of the 90s; hence, God Incorporated. Carl de Keyzer’s photographs capture religious life on society margins. These prints both dramatize one sort of information and withhold another sort. De Keyzer suggests that spiritual uplift is not much more exciting than other parts of life that are tedious and repetitious. More important, he suggests that such uplift may be factitious or genuinely felt, and that an observer simply cannot tell the difference. - € 225 272. KIKUJI, Kawada: The Globe theatre. Tokyo, Kawada Kikuji (self-published), 1998. In jacket and publisher’s translucent plastic slipcase. First edition, first and only printing. Limited edition of 550 numbered copies. Photographs by Kikuji Kawada. Includes a list of plates and a list of Kawada’s bodies of work (in Japanese and English). Designed by Mitsuo Katsui. 200 pp., with 146 four-color and black and white plates and additional illustrations, exquisitely printed in Japan by Toppan Printing Co., Ltd. - € 750 273. KILLIP, Christopher: In Flagrante. London, Martin Secker and Warburg, 1988. Paperback, 96 pp. The images show the social effects of declining industry in late 1980s Britain. With an essay by John Berger and Sylvia Grant. Martin Parr, The Photobook vol 2, page 299. - € 250 274. KIMURA, Ihē: Paris, 1954, 1955, 1960. Tokyo, Nora-sha, 1974. Cloth, in a pictorial slipcase. Texts by Sasaki, Koji Taki, and Shinji Obkuda. Though it was published in 1974, the year Kimura died, the photos in this stunning book date from before 1960. “Paris is notable for two things, “ write Parr and Badger. “Firstly, it as a distinctive colour palette, composed of cool blues, greys, browns, and purples.
Page 3 and 4: 1. Arts et Métiers Graphiques Pari
Page 5 and 6: 28. AVEDON, Richard: Avedon--photog
Page 7 and 8: 62. BISCHOF, Werner & GASSER, Manue
Page 9 and 10: 88. BURROWS, Larry: Larry Burrows,
Page 11 and 12: 116. CLERGUE, Lucien: Née de la Va
Page 13 and 14: 140. DOISNEAU, Robert &TRIOLET, Els
Page 15 and 16: 172. FREEDMAN, Jill: Street cops. N
Page 17 and 18: and Diebenkorn in an effortless, un
Page 19 and 20: the telegraph poles, the straggling
Page 21 and 22: 5. ABBOTT, Berenice: Changing New Y
Page 23: 267. KEUKEN, Johan van der & CAMPER
Page 27 and 28: 291. KOUDELKA, Josef: Periplanissis
Page 29 and 30: 322. MÄNNIKKÖ, Esko: Naarashauki.
Page 31 and 32: 352. MOI VER [Moshe Raviv-Worobeich
Page 33 and 34: 385. PERESS, Gilles: Telex Persan.
Page 35 and 36: Ronis visited the working class nei
Page 37 and 38: 449. SCHUITEMA, Paul: C. Chevalier
Page 39 and 40: strikes the same chords of beauty a
Page 41 and 42: 503. WATAY, Osamu: Hirugao (Photogr

Untitled - De Slegte

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