Untitled - De Slegte
Untitled - De Slegte
Untitled - De Slegte
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516. WICKI, Bernhard & DÜRRENMAT, Friedrich: Zwei Gramm Licht.<br />
Zürich, Interbooks, 1960. Cloth in dustjacket, 104 pp. Edited with an afterword by Georg<br />
Raseger. Foreword by Frederich Durrenmatt.<br />
“In his afterword to this book, Georg Ramseger asks what constitutes a photographic<br />
document. It is a good question, since Zwei Gramm Licht (Two Grams of Light) seems<br />
to have little to do with documentary. This is an expressive, personal meditation on life,<br />
and the pictures, by the Swiss film-maker Bernhard Wicki, are moody, dark and grainy. .<br />
. an urban mood piece that chronicles the photographer’s wanderings across the postwar<br />
European landscape. . . [the] mood is emphasized by the ravishingly dark gravure printing,<br />
craggy urban portraits, a wrecked car, grizzled tramps. . . Wicki allows us a glimmer of<br />
hope: the book ends, like Jean-Philippe Charbonnier’s Chemins de la vie, with two people<br />
walking down a country road--perhaps towards freedom”--Parr & Badger. Top of spine<br />
dustjacket very lightly rubbed. - € 450<br />
517. WINOGRAND, Garry & BISHOP, Helen Gary: Women are beautiful. A light<br />
Gallery book / Farrar Straus Giroux, 1975.<br />
Cloth, in dustjacket, 93 pp.<br />
Garry Winogrand photographed in crowds and on the street from his early days as a New<br />
York magazine freelancer in the 1950s to his last years in Los Angeles. When he sensed<br />
the composition of a picture falling into place, Winogrand would quickly raise his camera<br />
to his eye and take candid photos of anonymous people. He used a 35mm Leica camera<br />
that enabled him to photograph quickly and freely. Often he focused on women—in parks,<br />
getting into cars, at parties, exiting stores—creating photographs that highlighted the<br />
changing role of women and, at times, the uncertainty of their new place. - € 350<br />
518. WINOGRAND, Garry & STACK, Trudy Wilner: Winogrand.<br />
Santa Fe, Arena Editions, 2002. Cloth in dustjacket, 283 pp.<br />
Garry Winogrand (19281984) was a native New Yorker whose photography epitomizes<br />
the indigenous pulse and social complexity of the urban scene after World War II. This<br />
collection of 175 photographs shot by Winogrand in a single year records an America<br />
in transition. Each picture is a strange, unforgettable surprise, documenting the artists<br />
comedic, almost palpable empathy for his subjects, and crystallizing his influence as a<br />
photographic interpreter of the 1960s. Most of the images in this book are previously<br />
unpublished. - € 250<br />
519. WITKIN, Joel-Peter: Gods of earth and heaven.<br />
Altadena CA: Twelvetrees Press, 1991. Cloth, in dustjacket, 120 pp. 52 full-page illus. and<br />
short texts by John Yau and Gus Blaisdale. - € 125<br />
520. Wood, Tom & KISTERS, Jürgen: Tom Wood, People.<br />
Köln, Weinand. 1999. Cloth, with dustjacket, 101 pp.<br />
Thomas “Tom” Wood is a street photographer working in England, particularly Merseyside<br />
(1978–2001). He has had solo shows, and his work has been collected in five books.<br />
- € 125<br />
521. WOOD, Tom: All Zones Off Peak.<br />
<strong>De</strong>wi Lewis Publishing, 1998. Cloth in dustjacket, 96 pp.<br />
Starting from the premise that he would photograph Liverpool and the people of Merseyside<br />
from the top of a bus, Wood spent over 15 years developing and refining his theme.<br />
The photographs are both visually stunning and dramatically revealing in their content.<br />
It is already recognized as one of the most impressive achievements of recent British<br />
photography. - € 140<br />
522. YANAKA, Kimi: Photographs 2001-2004.<br />
Tokyo, Sokyu-Sha, 2005. Cloth in original slipcase.<br />
Signed copy. - € 125<br />
523. YATO, Tamotsu: Young Samurai. Body builders of Japan.<br />
New York Grove Press 1967 First US edition. Cloth in dustjacket. 75 pp. - € 120<br />
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