Untitled - De Slegte

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that exhibition. Like the exhibition, the book is divided into three sections: World War II, Hitachi, and Minamata. Since the photos are captioned (in Japanese and English), they are easy to understand and quite educational. They offer a trip back in time when life in Japan was full of sad conflicts. Many of the photos tell a sad story. Quality English translations are provided with the Japanese text which includes reminiscing essays by a few people including his wife Aileen. - € 200 462. SOBOL, Jacob Aue: Sabine. Copenhagen, (self-published), 2004. Hardcover in halfcloth, 120 pp. 55 black&white photos. Jacob Aue Sobol’s series Sabine (1999–2002) chronicles three years the artist spent in the settlement of Tiniteqilaaq in Greenland, his life as a fisherman and hunter, and his intimate relationship with Sabine and her family. The series of black-and-white photographs is a visual diary of a love story and daily survival, capturing private moments with Sabine contrasted with the harsh arctic environment of the east Greenlandic coast. Signed on the title-page. - € 395 463. SOTH, Alec & HAMPL, Patricia & TUCKER, Anne: Sleeping by the Mississippi. Steidl / Edition7L, 2004. <strong>De</strong>corative cloth boards. No jacket as issued, 120 pp. Text by Anne Wilkes Tucker and Patricia Hampl. “In the book’s 46 ruthlessly edited pictures, “ writes Anne Wilkes Tucker, “Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex. “--Parr and Badger, The Photobook: A History, vol. II. Signed edition. - € 850 464. SOUPAULT, Philippe: Photo 1931. Etat de la photographie. Paris, Arts et Metiers Graphiques, 1931. In white card covers. 154 pp. With photos by Cecil Beaton, Andre Kertesz, , Man Ray, Marey, Lee Miller, Lazslo Moholy-Nagy, Paul Outerbridge, Edward Steichen. Philippe Soupault was an important writer of the Surrealist and Dada movement. - € 350 465. STEINER, Ralph: Ralph Steiner - a point of view. Connecticut, Wesleyan University Press, 1978. Cloth, in dustjacket, 144 pp. Copy with a librarystamp on the titlepage. - € 175 466. STEINERT, Otto: Subjektive Fotographie, ein Bildband moderner europäischer Fotografie. München, Brüder Auer Verlag, 1952. Cloth in dustjacket. Subjektive Fotografie emphasized personal vision and experimental photography over documentary realism, and the first exhibition included a section on the work of Laszlo Moholy-Nagy, Herbert Bayer and Man Ray. Three exhibitions with the title Subjektive Fotografie were held (1951, 1954, 1958). These gave Steinert and the other members of Fotoform the opportunity to systematize developments in creative photography while acknowledging the legacy of Neue Sachlichkeit, the Bauhaus and Surrealism. Steinert believed Subjektive Fotografie to form the basis of an international pictorial language. He published two books to explain the philosophy behind the exhibitions, Subjektive Fotografie and Subjektive Fotografie II. - € 300 467. STEINERT, Otto: Subjektive Fotographie, ein Bildband moderner europäischer Fotografie. Germany, München, Brüder Auer Verlag, 1952. Cloth in dustjacket, 112 pp. - € 300 468. STERNFELD, Joel : Walking the High Line. Steidl/ Pace/MacGill Gallery, 2001. Cloth in dustjacket, 72 pp. In March 2000 Joel Sternfeld began photographing the High Line, an abandoned elevated railway which runs down the West Side of Manhattan. Sometimes a river of grass, sometimes. - € 125 469. STERNFELD, Joel & Brougher, Kerry & Grundberg, Andy: American Prospects. New York, D. A. P. 2003. Cloth in pictorial dustjacket, 136 pp. This is the definitive edition of Joel Sternfeld’s seminal American Prospects, developed in close association with Sternfeld and featuring new photographs, and a revised format. - € 175 470. STIEGLITZ, Alfred & GREENOUGH, Sarah & HAMILTON: Alfred Stieglitz, photographs & writings. National Gallery of Art, 1983. Cloth in dustjacket, 246 pp. Alfred Stieglitz was an American photographer and modern art promoter who was instrumental over his fifty-year career in making photography an accepted art form. In addition to his photography, Stieglitz is known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European artists to the U. S. He was married to painter Georgia O’Keeffe. - € 110 471. STONE, Sasha: Femmes. Collection d’études photographiques du corps Humain no. 1. Paris, Arts et Métiers Graphiques, 1933. In half ivory cloth portfolio, loose as issued, folding flaps. Sasha Stone was a leader in the New Photography movement, which announced the birth of a new epoch with the Stuttgart Film und Foto (Fifo) exhibit of 1929: featuring works by Stone, Man Ray, Steichen, Moholy-Nagy, Renger-Patzsch, Abbott, Weston and many others who shared a “desire to use new creative tools to produce a different portrayal of a modern reality that was constantly changing” (Abrams, 74). Stone was killed by the Nazis in 1940. With photographic front board, 19 numbered photographic leaves and single text leaf. Plate one on the cover. Textleaf damaged. - € 850 472. STRAND, Paul & ROY, Claude: La France de profil. Lausanne, La Guilde du Livre, 1952. Stiff pictorial wrappers, 121 pp. Text in French. “Although Roy’s layout, sequencing, and inspired text for La France de Profil often seem to be at odds with Strand’s exactingly composed, meditative images, the combination couldn’t be more engaging. Roy’s texts, many of them handwritten, cavort around the photos, commenting, celebrating, spinning their own tales. The gravure reproduction in La France de Profil was overseen by Strand. The results are superb: crisp, radiantly dark, and with an unusual depth. “--Vince Aletti from The Book of 101 Books. - € 295 473. STRAND, Paul: Living Egypt. London: MacGibbon & Kee, , 1969. First Edition. Cloth with dustjacket, 156 pp. “Strand, with Aldridge’s help, has tried to extract the quintessence from Egypt. They both set out to make modern Egypt comprehensible. . . They are mainly concerned with the underlying evidence of what Egypt is, and what it is trying to become. “(-from the dust jacket. ) - € 150 474. STRÖMHOLM, Christer: Picture show no 1. Stockholm, ETC Production, 1986. Softcover. Text in Swedish and English by Timo Sundberg, Christer Strömholm, Hakan Elofsson, design by J. Ehrenberg. - € 195 475. STRÖMHOLM, Christer: Poste restante. Stockholm. Norstedt & Söhners., 1967. Cloth in dustjacket. 20 pp., plus 96 full-page black & white photographs. Originally published in 1967, Poste Restante has become one of the most collectible photography books from the mid-twentieth century, ranking alongside the better-known publications of Robert Frank and Ed van der Elsken. This photographic autobiography details Strömholm’s extensive travels across the globe in a book constructed as an Existentialist diary. Juxtaposing the urbane and the macabre, combining portraiture and street scenes with abstract photographic fragments, the book uses metaphor and visual pun in an unrelenting stream of consciousness. In its sequence and design, it is a book that prefigures much of contemporary photographic publishing and art practice. Dustjacket with some minor tears, dustjacket missing some chips of paper on the top and bottom of the spine. - € 1.000 476. STRÜWE, Carl: Formen des Mikrokosmos. München. Prestel. 1955. Cloth in dustjacket, 35 pp. Between 1926 and 1959 Strüwe was one of the furst to make Art photos by using microphotography. this work brings together 96 pictures of his life work. Signed by the artist in 1966. - € 295 477. STURGES, Jock: Jock Sturges, new York, 1996-2000. Scalo Verlag Ac. 2001. Cloth in dustjacket, 111 pp. Building on his first monograph, Jock Sturges presents us with a new body of work that
strikes the same chords of beauty and evolution that we find in his earlier images, but with a more intense dramatic and metaphoric intention. His new work often has an almost theatrical effect on the viewer -- seeming to emanate directly from the lives of the artist’s models. The settings, the subjects, the sumptuous lighting will all be familiar to longtime admirers of Sturges’ ongoing body of work. As his experience as a photographer has deepened and his relationships with his growing subjects spans decades of collaboration, both subjects and photographer have found more to say to each other. The new photographs include diptychs of clothed/nude models, pictures of true mutual trust, as well as neverbefore seen color photographs! This large format book takes direct aim at Jock Sturges’ long-standing vision as his large format, 8x10 view-camera always demanded the large exhibition prints that were to follow. Thanks to the brilliant combination of computerdriven advances in modern printing techniques and the old-world attention to detail and craftsmanship, this book sets a new standard for the reproduction of artworks. - € 125 478. SUDEK, Josef & LINHART, Lubomir: Fotografie. Prague: Statni Nakladatelstvi Krasne Literatury, Hudby a Umeni, 1956. Cloth in a dustjacket, 232 pp. This is Sudek’s landmark collection; extremely scarce in its dust jacket! “In its classic, clean design (by Frantisek Tichy), exquisite photogravure printing, and attention to detail (down to a white silk ribbon as bookmark!), it is the perfect vehicle for the full range of Sudek’s romantic, atmospheric work. “ David Levi-Strauss, from Roth, et. al., The Book of 101 Books. Dustjaket damaged, mainly at the spine, missing a small chip of paper. - € 500 479. SUDEK, Josef: Praha Panoramatická. Praha, Statni Nakladatelstvi, 1959. Clothbound in photo-illustrated dustjacket. Preliminaries + poem by Jaroslav Seifert + 284 plates. This magnificent book alone would have secured a place for Sudek as a master among twentieth century photographers. Photographing this book, Sudek used a modified 1899 panoramic camera that took individual sheets of film. Josef Sudek’s “Praha Panoramaticka” was selected as one of the greatest photography books in “The Photobook”. “Josef Sudek Fotografie” was selected as one of the “Seminal Photography Books of the 20th Century” in “The Book of 101 Books”. Dustjacked damaged at the ends of the spine, missing some chips of paper. A bit weak in the hinges, as often. Still a very good copy. - € 900 480. SUDEK, Josef & FÁROVÁ, Anna: Josef Sudek. Gina Kehayoff Verlag, 1999. Hardcover with dustjacket, 405 pp. Josef Sudek is counted among the greatest personalities in photography this century. He was born in 1896 in Bohemia, and was severely wounded in the First World War, losing his right arm. In the early Twenties he founded, together with other photographers, the Czech Photographic Society. He made a name for himself with photographs of the reconstruction of Prague Cathedral as the official photographer of the City of Prague. He is known today for his mastery of still life and nature photographs. His lyrical, realistic photographs, often with a background of filtered daylight, direct sunlight or grey skies, are melancholy, elegiac and sad. His poetic vision takes the viewer into the world of Franz Kafka and Jaroslav Seifert. - € 175 481. SULTAN, Larry: Pictures from home. New York, Harry N Abrams Inc. 1992. Clothbound in pictorial dustjacket, 127 pp. “Pictures from Home was a decade-long project Larry Sultan initiated when his father, Irving, was forced into early retirement from his career as vice president of the Schick Safety Razor Company. As initially conceived, the project was to be about “what happens when – as I interpreted my father’s fate – corporations discard their no-longer-young employees, and how the resulting frustrations and feelings of powerlessness find their way into family relations, “ explains Sultan. While Irving continued to be Sultan’s favored subject, the project evolved to include video stills from his family’s home movies and the on-going commentary on Sultan’s project by both of his parents. Interestingly, working in the San Fernando Valley suburbia where he grew up led Sultan to his next project, The Valley, an investigation of suburban houses used as pornographic film sets. (Kendra Greene, Museum of Contemporary Photography, Chicago.) - € 250 482. Sultan, Larry: The Valley. Zürich. Scalo. 2004. Cloth, in dustjacket, 127 pp. Since 1988, Larry Sultan has returned time and again to photograph on porn sets in Los Angeles’s San Fernando Valley--the Silicon(e) Valley of the porn industry. But The Valley is by no means a documentary on porn filmmaking. Rather, it is a dense series of pictures of middle-class homes invaded by the porn industry. Sultan’s lens focuses on pedestrian details--a piece of half-eaten pie, dirty linens in a heap, “actors” taking a break- -that offer clues to a bizarre other-world. The lush and intricate images adroitly play with artifice and reality, adding up to rich, elliptical narratives that circle around the concepts of “home” and “desire. “ These images of homes and gardens, porn actors and film crews, studio and location shootings are an ambiguous meditation on suburbia and its trappings, family and transgression, the utopias and dystopias of middle-class lifestyle. The Valley and its many-layered photographs outline the complexity of domestic life at the beginning of the 21st century, opening up new perspectives for photography through its innovative combination of staged and documentary photographs. - € 295 483. SUZUKI, Kiyoshi: Soul and soul. Self Publication, 1972. Cloth in dustjacket, 81 pp. In 1972 Kiyoshi Suzuki self-published his first photobook, Nagare no uta, which is known by the English translation Soul and Soul. Suzuki passed away in 2000 after self-publishing eight photobooks between 1972 and 1998. Signed edition. - € 650 484. SZABO, Joseph & ZIEGLER, Alan: Almost Grown. New York, Harmony books, 1978. Paperback, 125 pp. Photographs and poems combine to capture the emotions, aspirations, experiences, and activities of the teenage years. - € 150 485. SZABO, Joseph: Teenage. Los Angeles, Greybull Press., 2003. Hardbound with photo-illustrated boards. No jacket as issued, 168 pp. Essay by Cameron Crowe. Szabo has been photographing his teen-age students for the past twenty-five years, and has perfectly captured the ambivalence of that time of life. As a high school teacher of photography, he takes seriously their pretentions, passions, and confusions, and he knows intimately how students put on, act up, behave, and misbehave. As Cornell Capa says in his foreward, “Szabo’s camera is sharp, incisive, and young, matching his subjects. One can use many adjectives: revealing, tender, raucous, sexy, showy. . . in Szabo’s hands, the camera is magically there, the light is always available, the moment is perceived, seen, and caught. “ - € 225 486. TACONIS (A. O. ): Children’s World. Tokyo,Heibonsha, 1957. Hardcover in dustjacket. Photos by Taconis, Seymour, Rodger, Cartier-Bresson, arnold, Marath, Capa, Erwitt. - € 400 487. TARAMELLI, Ennery: Mario Giacomelli. Paris, Contrejour, 1992. Cloth, in dustjacket, 167 pp. Mario Giacomelli (1925–2000) was an Italian photographer born on 1 August 1925 in Senigallia, Italy. He died on 25 November 2000 in the town of his birth. Known for: Photographs of Italian seminaries and a poetic transcription of everyday life in Southern Italy. Bold, stylized compositions with stark contrast. - € 350 488. TEMPLETON, Ed: Ed Templeton. Rome, Drago, 2002. Templeton’s photography depicts the nitty gritty of life in an urban landscape. - € 175 489. THORBECKE, Ellen & THORBECKE, Willem Johan Rudolf: People in China. 32 photographic studies from life. London, Bombay, Sydney, 1935. Cloth in dustjacket, 141 pp. His collaborator, Ellen Thorbecke, was a distinguished German photojournalist whose maiden name was Ellen Catleen. She was one of the two most outstanding European women photographers working in China in the 1930s. Her work seems to have irritated the sort of art critics that like to put creative people into neat little boxes. After she married the Netherlands Minister in China, she dropped her maiden name and used Thorbecke instead. This may be why bewildered critics have classified her as an “amateur Dutch photographer” although of course there is nothing remotely unprofessional about her work, which is brilliant, but madly unconventional. The photographs were taken with a Rolleiflex camera, by Ellen Thorbecke, the noted German photojournalist. Divided into the following sections :Introduction The industrialist The pedlar The pupil of the sing-song house The Manchu Duke The student The countrywoman The eunuch The thirteen-yearold husband The happy couple The fortune-teller The mother-in-law The daughter-in-law The cabbage-vendor The little girl The camel-driver The concubine The farmer’s son The
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Untitled - De Slegte

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