The$Aesthe(cs$of$Exhibi(onism$ - Arcadia Missa

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Amalia&Ulman,&wire&sculpture& To explain this process better, Amalia doesn’t work with found images, her process includes researching and immersing herself within the aesthetics of the project, often but not exclusively through the internet – seeing this interaction as a way for her to build public online diaries of her process and practice. She then makes objects and installations, photographing them herself, and then editing these images, feeding them back into a website, or online artwork, and then redistributing this website by linking them across social media, often the same platforms as the original vessels for her diaristic updating of the process in the first place.
Moist&Forever&website,&Amalia&Ulman&
Page 1 and 2: The$Aesthe(cs$of$Exhibi(onism$
Page 3 and 4: When I asked myself this question,
Page 5 and 6: And artists are most definitely ask
Page 7 and 8: If our altered context means that t
Page 9 and 10: The selfie in particular, as one of
Page 11 and 12: selfie%photos%and%videos%have%becom
Page 13 and 14: So moving on, I want to look closer
Page 15 and 16: For Amalia, the idea of performing
Page 17: The$repaired$one$euro$shop$item,$ A
Page 21 and 22: So, if this altered context for ima
Page 23 and 24: Image&by&Holly&White&
Page 25 and 26: Even though Holly White too makes w
Page 27 and 28: What is interesting about Holly’s
Page 29: So what of the face? The image is o

The$Aesthe(cs$of$Exhibi(onism$ - Arcadia Missa

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