The$Aesthe(cs$of$Exhibi(onism$ - Arcadia Missa
The$Aesthe(cs$of$Exhibi(onism$ - Arcadia Missa
The$Aesthe(cs$of$Exhibi(onism$ - Arcadia Missa
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If our altered context means that there are many faces to which we are jailed to,<br />
then there's also more and more attempts at highlighting and even escaping this<br />
cell.<br />
Below is a selfie that Maja Malou Lyse made for <strong>Arcadia</strong> <strong>Missa</strong>’s last journal, and<br />
which she too also uploaded to her tumblr. The images by both Maja and Jesse are<br />
in keeping with the aesthetics of their means of distribution.<br />
With Jesse, just the font and format provided by her twitter, screenshotted, creates<br />
a meaningful image.<br />
And with Maja, a longer process has occurred:<br />
She created a photoshoot, and the image she chose from this, she then<br />
photoshopped, specifically adding into the photo, an image of the facebooking<br />
tagging feature – face recognition for images, which states ‘type any name here’, in<br />
order to help the user to find their friend and then tag them into an image.<br />
Her photoshopping becomes the method for subverting the image of the female<br />
body, and inferring its maintained position as an object in contemporary culture.<br />
This tagging feature is also one of the various ways I understand the individual<br />
image, as a composition in itself, bleeding outwards – the position of the image<br />
more so acting within algorithms, generating social performance or categorising the<br />
way that we view the world.