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The$Aesthe(cs$of$Exhibi(onism$ - Arcadia Missa

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If our altered context means that there are many faces to which we are jailed to,<br />

then there's also more and more attempts at highlighting and even escaping this<br />

cell.<br />

Below is a selfie that Maja Malou Lyse made for <strong>Arcadia</strong> <strong>Missa</strong>’s last journal, and<br />

which she too also uploaded to her tumblr. The images by both Maja and Jesse are<br />

in keeping with the aesthetics of their means of distribution.<br />

With Jesse, just the font and format provided by her twitter, screenshotted, creates<br />

a meaningful image.<br />

And with Maja, a longer process has occurred:<br />

She created a photoshoot, and the image she chose from this, she then<br />

photoshopped, specifically adding into the photo, an image of the facebooking<br />

tagging feature – face recognition for images, which states ‘type any name here’, in<br />

order to help the user to find their friend and then tag them into an image.<br />

Her photoshopping becomes the method for subverting the image of the female<br />

body, and inferring its maintained position as an object in contemporary culture.<br />

This tagging feature is also one of the various ways I understand the individual<br />

image, as a composition in itself, bleeding outwards – the position of the image<br />

more so acting within algorithms, generating social performance or categorising the<br />

way that we view the world.

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